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It’s been a few weeks since the last recap, but the show has marched on. I am going to continue to recap the series, but the revelation of cancellation just strips out a real sense of urgency. We have some other things in development here at Haunted MTL as well that have served to… distract. So, let me apologize about the lateness of this recap/review. We’re going to continue the project. The show is still great, which makes writing this series of posts kind of tough.

The Story So Far

This was a fairly low-key episode with a relatively undercooked bit of swamp evil and a plot of place-setting. That being said, the show is still fantastic.

Abby and Alec Working Together

The major narrative of the episode revolves around establishing the nature of Abby and Alec’s relationship given his new form. Abby is very much interested in doing everything she can to aid Alec in understanding his swampy fate. Alec, localized in the swamp, pursues the mysteries of the waters around Marais. The two essentially represent two different worlds and must work across their respective regions to solve the problems that bleed between them.

Unfortunately, this week, the threat feels a little underdeveloped.

Two men enter the swamp to cut down some trees that haven’t been picked over by local logging companies. The trees, enhanced by the pollutants, fight back, dropping a mummified corpse that was lost in the swamp on the men, scratching one of them.

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The scratch causes hallucinations of one’s deepest nightmares, driving one of the men, a dishwasher at Delroy’s to kill himself when he hallucinates his arm under attack by a snake. He ends up stabbing himself in the arm repeatedly, and then for good measure jams his arm into the garbage disposal. During the struggle, Delroy, the owner of the bar gets scratched. Thus begins a low-key infection plot culminating with Abby herself getting infected.

Later, an infected and hallucinating Abby finds herself in Alec’s arms as he draws the evil from her and puts in back in the mummy. The mummy being the remains of a person who was infected by this evil and fled to the swamp to make sure it could harm no others. It wasn’t until Alec Holland arrived in the swamp when that could finally, truly happen.

The plot was fairly predictable, but it did a great deal of work to establish the what should be the standard, working relationship of Abby and Alec; a relationship that should be effective and entertaining.

Sunderland’s Schemes

It is not surprising that Avery Sunderland has a dark and tragic past. The episode opens with him destroying the remains of poor old Gordon and remembering an incident in his past where his most-likely abusive father berated him for being unable to kill a gator. The scene doesn’t really tell us anything we couldn’t have already assumed about Avery, but it should, hopefully, lay groundwork for a more significant revelation in the future.

The major thrust of the Sunderland subplot revolves around Avery’s manipulative nature; both toward the town and Maria as well. Avery still needs the dose of funding to keep Woodrue on the case regarding the biological properties of the swamp. While inviting survivors of “the green flu” to a crawfish boil, he spies Maria’s attention toward the young Susie.

Throughout the episode we see Avery manipulate everyone around him to try to get the young Susie into a position where he can bring her into the Sunderland home, to give Maria a new child to care for. Not necessarily out of the goodness of his own heart, however. After all, “the green flu” may be gone, but who knows what after effects might pop up. If only there was funding to keep Woodrue on the job…

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Of course, he doesn’t know about the ghost of Shawna lurking around Maria… might there be a possession in the future?

Daniel and Xanadu and the Incoming Darkness

The cryptic teasing of Daniel Cassidy’s history and reason for being stuck in Marais moves at a snail’s pace this week. All we really learn is that he made a deal that forced him to stay in town. For comic fans already familiar with Cassidy, the implication is pretty clear, but for the average viewer, it is just more cryptic teasing. We do get a moment of heroism from Daniel when he helps disarm sheriff Cable that belies the nature of his potential future, however.

Meanwhile, Madame Xanadu is concerned her powers may be waning. She has hinted at the spreading darkness from the swamp, just as Alec has begun to sense if through the plant life in the area. Perhaps a trip to the source of the darkness on Xanadu’s part is what will bring these character together.

What Stood Out?

The scene with the stabbing of the arm and the garbage disposal was fantastic and keeps up that body-horror component of the show that has worked out so well so far. It’s been great that every episode has at least one incredibly gory or gross-out moment.

Also, kudos to the show for including the Swamp Thing in a daylight sequence, allowing us to see the details of the prosthetics and makeup. The work holds up incredibly well and, hopefully, means we’ll get some great, brighter lit scenes with the effects and outfit before the end of the series.

The Final Verdict on Swamp Thing

This episode is very much a place-setting episode, moving pieces around for a larger payoff. Thankfully, it was still very entertaining and keeps up the visual excellence that has been the hallmark of the show so far.

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3.5 out of 5 stars (3.5 / 5)

Deep Roots

Comic connections are initially a little sparse this week. No real new introductions to characters are made, so there is nobody new to introduce from the comics. That being said, there is an exception regarding Abby’s hallucination. We see her confronted by a faceless man who talks about her mother as he threatens and berates Abby. She’s had nightmares about this man since childhood. This man is potentially Grigori Arcane, her father, also known as the Patchwork Man. As for his being faceless? Well, we all process trauma differently… though he could also, literally have been faceless. We’ll see if we encounter Abby’s uncle Anton later.

David Davis is a writer, cartoonist, and educator in Southern California with an M.A. in literature and writing studies.

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Movies n TV

American Horror Story Delicate, Little Gold Man

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Last night’s episode of American Horror Story Delicate was wild. From its star-studded start to its powerfully quiet finish, I was enthralled through every moment.

Let’s discuss.

The story

We begin this episode at the funeral of Dex’s mom. While he’s giving a eulogy, which was very nice, Ms. Preecher walks in. She shouts to the room that Virginia didn’t commit suicide, she was murdered. She also tells Dex to listen to his wife.

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What a concept!

Touched by this, or maybe just curious, Anna goes to the hospital to check on Preecher. She falls asleep at the hospital. When she wakes up, Preecher is gone. A nurse says that she was discharged to a group of women.

While at the hospital, Anna also discovers that she’s been nominated for best actress.

Kim Kardashian in American Horror Story Delicate.

At a publicity event for the awards, Anna runs into Cora. And she sees the coat she remembers from her late-night visit near the start of her pregnancy.

With the slightest amount of pressure, Cora spills it all. She and Dex have been having an affair, and Cora was trying to sabotage Anna’s pregnancy. So Anna, channeling her inner Madison Montgomery, kicks him out and heads to the awards ceremony with Siobhan.

There, Siobhan asks her if she wants an Oscar more than anything. If she’d be willing to give up anything for it.

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And Anna says yes.

The bargain is then sealed with a kiss.

Kim Kardashian and Emma Roberts in American Horror Story Delicate.

What worked

I’d like to begin, paradoxically, at the end of the episode. We’ve seen Anna have some terrible, loud, frightening hallucinations in this season. At least, we assume they’re hallucinations. But this one wasn’t loud. It was, in fact, very quiet. Anna is led off stage, without a word, leaving nothing but a puddle of blood behind.

In horror, like in all art, the notes you don’t play are as important as the ones you do. And the notes that weren’t played her rang like a bell.

I also appreciated that this episode describes why being a celebrity would be a huge pain in the ass. Imagine going to an event where the whole purpose is for people to take pictures of you while holding their product. Imagine if they invaded your personal space, sprayed things on you, put things over your eyes, and you were expected to smile and pose.

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I don’t know what it is about being a celebrity that makes others feel entitled to a person. To talk with them, take their time, and share in their moments. To touch them without consent. Yes, there are way worse things happening to people. But this isn’t a great way to live. It’s no wonder so many of them go nuts. This is most clearly shown in the scene when Anna is sitting next to Preecher’s bed. She wakes up to find the older woman gone. But all anyone wants to talk about is how she was just nominated for an Oscar. At that moment, she doesn’t give a damn. She cares about this kind woman, and where she’s gone. Just like any other person.

Finally, I appreciated that this season didn’t do what so many AHS seasons do. Which is to say that this episode didn’t feel like the last episode. It felt like the penultimate episode. It felt like there was still more story to tell, not just loose ends to be wrapped up. I appreciate that the writers have finally learned that lesson.

For this season, at least.

What didn’t work

The first thing that bothered me in this episode was Cora’s confession. I said something about this during our live-watch event on Threads. (Join us next week for the finale. Bring popcorn and wine.)

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I don’t believe Cora’s confession. I further don’t believe that she just dumped all of this incriminating info on Anna with no more prompting than a wide-eyed look. There was just no reason for it. So, Anna saw her coat? Lots of people have similar coats. This feels fake, and she brought no receipts.

Tavi Gevinson in American Horror Story Delicate.

I also found Siobhan’s behavior confusing. At times she seems genuinely concerned for Anna’s wellbeing. At other times, she is more than willing to let her suffer and risk her pregnancy.

While this has been going on all season, it was happening every few minutes in this one. Either Siobhan cares about the welfare of that fetus, or she doesn’t. But she needs to pick a lane.

All in all, I don’t know what to expect from next week’s season finale. Anna has her Oscar, but now she might lose her baby. She might also get sucked into some horrible cult and experience a bad death. We won’t know until next week.

See you then.

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4 out of 5 stars (4 / 5)

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Movies n TV

Fallout, The Target

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Episode two of Amazon Prime’s Fallout was equal parts funny and bloody. This almost always leads to a good time.

The story

We begin this episode with the birth of some puppies that look like they’ve had a rough start to life. Each one is weighed, with the ones who fall short being incinerated.

One pup who is just below the correct weight gets a bit of a thumb on their scale. The scientist weighing them, Wilzig, writes down the proper weight. He later takes the puppy home to raise instead of putting them into what looks like an unforgiving training program.

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Eventually, we see Wilzig put some blue glowing thing into his neck. When a soldier comes for him, Dog attacks the soldier, and the two escape.

Ella Purnell in Fallout.

We go from there to the wilderness, where Lucy is recovering from the last episode and enjoying a campfire at night. Wilzig and Dog come out of the shadows, saving Lucy from a bug monster. Wilzig tells Lucy she should go home. And if she’s not going to go home, she needs to evolve.

The next day Lucy finds her way to a town called Filly. As a Pennsylvanian, it hurts me to spell it that way. Lucy is entranced by this town, though clearly put off by the fact that no one is very nice here.

She eventually finds her way to a shop run by a delightful woman named Ma June. Ma doesn’t seem particularly interested in helping Lucy. Or, frankly, having Lucy in her shop.

Or in her town.

Eventually, Wilzig is tracked to this same shop, being tracked by The Ghoul. This is our final primary character. Lucy defends Wilzig, being aided at the last moment by Maximus.

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Maximus, by the way, has been having a terrible time. After finally becoming a squire he’s disappointed to find that his knight, Knight Titus, is a terrible person.

Fortunately, Maximus doesn’t have to put up with Titus for long. After Titus gets the bright idea to go hunting, he’s attacked by a mutated bear. Maximus freezes, unable to save him. Then, well, he decides not to save him.

It was Titus’s idea to go hunt the bear, after all.

What worked

Walton Goggins in Fallout.

The first thing I want to draw attention to is the shootout scene at Filly. This scene checked every box a fight scene should check. It was fun to watch, with great effects. But it also gave us insight into the characters. Lucy is a decent fighter and has a strong moral compass. The Ghoul is callus and desensitized to death. And Maximus continues to be, well, sort of bad at this whole fighting thing. But with enough moral fortitude that we have a hard time blaming him.

Of course, I would be remiss if I didn’t mention the dog. Who’s name, as far as I’ve been able to ascertain, is just Dog. Which is fine. He doesn’t need to have a name to be a very good boy. He’s sweet, loyal, and fearless.

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Also, puppies. Puppies are always great.

Finally, I’d like to shine a spotlight on Lucy’s reaction to the world at large. She is both amazed and terrified by everything. And while she certainly doesn’t want to be rude, she also doesn’t want to be taken advantage of. The best example of this is when she stops to ask for directions with a bright smile and a gun.

Once again, I don’t have anything bad to say about this episode. It was funny, dark, and fun to watch. I’m very much looking forward to the rest of the season. 4 out of 5 stars (4 / 5)

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Movies n TV

Fallout, The End

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Launching with worldwide excitement, Fallout is based on the extremely popular game series of the same name. Fans of the series have waited with anticipation and trepidation to see if the Prime series would live up to the game.

Having now watched the first episode I can say that, so far, it’s successful.

The story

Our story begins with a children’s birthday party. A performer is there with his daughter, giving horse rides and taking pictures with the kids.

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As much as the adults try to focus on the party and the kids, it’s impossible to ignore the looming threat of war that’s on everyone’s mind.

Of course, it’s during this party that war comes, and the bombs drop.

We then cut to after the war and into one of the vaults established to protect humankind and the American Way. For future reference, this is Vault 33. We meet Lucy, our first main character, who’s petitioning to be married to a man from Vault 32 to ensure DNA diversity.

On the wedding night, though, Lucy and the rest of Vault 33 are met with a horrible surprise. The group they let in is not in fact from Vault 32, but is instead a team of raiders from the surface. The raiders kill a lot of the vault dwellers and kidnap Lucy’s father.

We are then introduced to our second main character, Maximus. He is in training to become a Knight in the Brotherhood of Steel. And, well, he’s not doing great.

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Things get worse when his best friend Dane becomes a squire before him. But when Dane is hurt, Maximus gets their spot.

Aaron Moten in Fallout.

We then go back to Lucy, who has decided to leave the vault and find her dad. Of course, the council of her vault doesn’t want her to go. So she is aided by her brother Norm and cousin Chet in a wild escape.

What worked

The first thing that deserves attention is the exceptional character work. Our three main characters are fleshed out and relatable right away. We feel sympathetic for The Ghoul before he’s even introduced as such. We love Lucy’s nativity and selflessness. And we love Maximus for his honesty and passion for his cause.

While these characters are their own people, they also exhibit the three responses we might expect to see in a post-apocalyptic world. We have the hopeful optimist who doesn’t understand how bad things are. We have the aspiring hero who wants to make the world better by force. And we have the self-serving individual who’s given up on the rest of humanity and is only focused on surviving.

Another thing I enjoyed about this episode was the balance of humor and gore. Because there was certainly enough blood and guts for even the most hardcore horror lover. We had a violent sabotage, a brawl with raiders, and even several nuclear bombs.

But there were a lot of funny moments as well. Usually from Lucy. Her overall goodwill and fearless gumption are absolutely hilarious, especially given the horrors she’s facing. It never ceases to amuse me.

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Ella Purnell in Fallout

Both of these aspects are done perfectly. The jokes land and the bloody scenes pull no punches. It was delightful.

All in all, this was an exciting start to a much-anticipated series. Here’s hoping they’re able to stick the landing.

For more tv shows based on video games, check out my review of Witcher. 4 out of 5 stars (4 / 5)

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