Notes from The Last Drive-In: S1E8
There are two themes that link tonight’s films, and both are messy. First of all, we’re all about the “body melt” genre with tonight’s two features. However, grocery store anarchy is another theme you’ll see in both movies as well!
We’re back with Joe Bob again this week at The Last Drive-In, exclusively on Shudder. It’s important to note, Mutants, that as of this moment Shudder has not committed to renewing The Last Drive-In for another round, so what I ask is that you take a moment to tweet @shudder with your desire for more episodes. Don’t forget the hashtag #TheLastDriveIn either!
Also, can we say tweet of the night?
The Stuff (1985)
Opening Rant: Where did all the “Man-sized” Kleenex go?
The Stuff is a 1985 satirical science fiction horror film written, produced, and directed by Larry Cohen. Cohen’s name should be familiar if you’ve watched Q: the Winged Serpent, which was also in this season of The Last Drive-In. The story follows the discovery of a sweet, white substance that bubbles up from the ground and is later mass-marketed as an addictive and popular desert called “The Stuff.” A consortium of desert moguls who find themselves being pushed out by The Stuff hire a former F.B.I. agent and industrial spy by the name of David “Mo” Rutherford who discovers the danger and true nature of… The Stuff.
The film stars Michael Moriarty, Andrea Marcovicci, Garrett Morris and Paul Sorvino.
Review
Joe Bob is not the biggest fan of The Stuff only awarding it two and a half stars. On the other hand, Darcy is a huge fan and came out at the end of the episode dressed as a “Stuff” girl, so we have that to be thankful for. Yet, Joe Bob’s praise for the film was tepid at best. Mostly, he was confused by how many other people seem to love the film so much. To be fair though, he has a point. As great as Larry Cohen is, The Stuff is not his best work by a long shot. The story is filled with contrivances and as a whole the film is more of a collective of satirical sketches rather than a singular narrative
Yet, despite the issues with the movie, as always, Joe Bob Briggs delivers. In particular, as we’d learned a great deal about Larry Cohen during the airing on Q, Joe Bob spent time on Cohen’s TV writing career. However, the most interesting contributions provided by our host were outside of Larry Cohen in particular. For example, the discussing of the career of Garrett Morris, who plays “Chocolate Chip” Charlie in a great, hilarious performance. There was also a fond recollection of Robert Osborne at the Turner Studios. What was most important was Joe Bob’s introduction of the “body melt” genre of horror, which would be continued later with the second feature of the night.
Larry Cohen is a legend, of course, but we here at Haunted MTL can’t help but agree with Joe Bob in this case, awarding the film two stars. Though the very loose nature of the plot is a huge detriment to the film overall, what is in the movie can be very memorable. In particular, the goo effects are quite technically excellent for the time. What stands out most, however, is the sudden third act appearance of Paul Sorvino playing an Alex Jones-type militia leader. Paul Sorvino absolutely chews the scenery with aplomb that, frankly, overshadows the normally magnetic Michael Moriarty and the hilarious Garrett Morris.
Best Line: “Everybody has to eat shaving cream once in a while.”
Street Trash (1987)
Opening Rant: The Joe Bob Wellness Regimen!
Based on a 10 minute short film, 1987’s Street Trash is a black body horror comedy and probably one of the grimiest movies ever made. The film was directed by J. Michael Muro, written by Roy Frumkes, and features a cast of near-literal unknowns. The film revolves around a community of New York homeless who live in a Greenpoint, Brooklyn junkyard, including a pair of brothers and a crazed Vietnam veteran who establishes a “kingdom” in the yard. Complications ensue, naturally, when an 60 year old box of “Tenafly Viper” liquor finds its way into the hands of the local vagrants and begins to melt them into brightly colored goo.
The film stars Mike Lackey, R. L. Ryan, and Vic Noto. But the real star of the show is a severed penis in the infamous “penis football” scene.
Review
There is a lot to say about Street Trash, but Joe Bob only gave the film two stars. That being said, there are two major takeaways about the behind-the-scenes talent of the film. First, the director of the film, J. Michael Muro is best known as one of the premiere Steadicam operators in the film industry. Indeed, one of the better host segments of the night features Joe Bob’s discussion of the Steadicam work in the film which in many ways was ahead of it’s time.
A second major area of interest was Roy Frumkes’ connection to an all-time horror legend. Frumkes formerly taught at the School of Visual Arts in New York, but is best known for Document of the Dead, a documentary feature that traces the filming of George A. Romero’s Dawn of the Dead. He is also the screenwriter of all four of The Substitute films. Lastly, there was the revelation that Bryan Singer was production assistant on the film.
Plus, we can’t forget the addition of Mangled-Dick Expert Felissa Rose on the other end of the red phone line. As always, her conversations with Joe Bob are a treat.
Street Trash is not a great movie. It has a lot of the same issues that The Stuff did and Haunted MTL can only award the film two and a half stars. The film plays more like a series of shock sketches and there are some very strange choices in the narrative, such as the ending involving the mafia guys. That being said, the movie is memorable as hell with some hilarious effects and what is likely the least flattering depiction of 1980s New York ever put to film. The scene with the severed penis alone needs to be experienced for the sheer insanity of it being committed to film. The amazing effects work, particularly the toilet scene and the exploding scene are also extremely iconic.
Best Line: “Oh shit, he’s drippin’!”
Haunted MTL Drive-In Totals
- 1 Clipboard Check
- 2 Joe Bob Musical Interludes
- 2 Michael Moriarty Movies this Season
- 3 Smacks of the Drive-In Sign
- 4 Credit-Sequence Wise Guys
- 9 Twitter Bans for Darcy (twice in one night?!)
- 128 “Fucks” in Street Trash (waiting for someone on Twitter to verify)
- Dog Vomiting
- Child Endangering
- Head Splitting
- Pope Joking
- Real-life Stuff Eating
- Goo Leaking
- Toe Popping
- Grocery Store Raging (in both movies)
- Decorative Corpse Arrangement
- #junkyaardvarking
- Lady Chucking
- Corpse Pissing
- Vietnam Flashbacking
- Horse, Elephant, Kangaroo, and Lion Joking
- Street Punk Fu
- Gloryhole Fu
- Door Opening Fu
- Ice Cream Truck Fu
As always, please share your thoughts with us about The Last Drive-In. Also, please check out our other great content here at Haunted MTL.
Episode three of Amazon Prime’s Fallout continued the themes we’ve seen so far, with an added twist. With comedy and gore already blending, the story has added an air of tragic history for one of its least cuddly characters.
Let’s discuss.
The story
Our story starts with a flashback to before the bombs dropped. We see Coop, filming a movie. His wife is on set as well, and their adorable daughter. Coop has a comfortable life with a family he loves.
Isn’t that just a knife in the heart?
Back in the present, Lucy is traveling through the wastelands with the head of Wilzig. And she’s doing so with the same fear and joy that we’ve seen from her so far. Until that is, she runs into a Gulper. And after eating a defenseless deer, it swallowed up the head.
Eventually, The Ghoul catches up with Lucy and decides to capture her. After using her as bait, he decides to drag her along with him.
Meanwhile, Maximus gets a message from the Brotherhood of Steel. Rather than coming clean, he claims to be Knight Titus and is accidentally sent a new Squire. That squire is Thaddeus, one of Maximus’s bullies from the base. And Maximus wastes no time in taking some sweet, sweet revenge.
Finally, we return to Vault 33. The vault is healing from the Raider attack and the loss of Lucy. Norm and Chet are being punished for letting Lucy leave, by being fired from their jobs. This throws Chet because he had a cool job.
Norm, on the other hand, didn’t like his job. He didn’t like any job. So, since this is the only way anyone gets punishments in the vault, he’s given the task of feeding the Raiders.
And talking to the Raiders was maybe not a healthy thing for Norm to be doing. He might learn something he didn’t want to know.
What worked
The first thing I have to talk about is the massive creature called The Gulper.
This thing was fascinating. It was voracious, fast, and horrifying to look like. It was like a giant axolotl from Hell, with human fingers lining its whole mouth and throat. Why did it need fingers lining its mouth and throat? The better to drag someone down its throat and into its stomach. And the better to drag itself into my nightmares. This creature was well done.
On the flip side of this, I love the fact that the people of Vault 33 are so kind. They’re so willing to forgive, willing to care for their fellow man even when their fellow man is trying to kill them.
I don’t trust it, to be clear. But the perceived kindness from these people is uplifting. And I’m sure it will make whatever is going to eventually happen to them all the worse.
Of course, I can’t talk about the goodness of the vault dwellers without talking about the absolute horribleness of The Ghoul. The Ghoul is not a good person. He is cruel, and selfish, and clearly dislikes Lucy for some reason we do not yet know, and is probably not her fault.
But we kind of understand how he got that way, don’t we? During the flashbacks, we see that he’s lost his wife and daughter. We also see that he was used as a mascot for the very company that created the vaults. And, while we don’t have any concrete proof yet, we can probably guess that these are not the good guys. Even if we haven’t played the games, anyone who’s even slightly genre-savvy can already guess that.
Which is the last thing I want to bring up here.
We know something stinks with the vaults. Something beyond the obvious issues of wealth disparities and the people left outside to die while those who could afford a Vault spot were saved. Something is rotten with the vaults, we all know this. What we don’t know is what form this rot will take.
Not yet.
What didn’t work
Now, I wish I could say this was a perfect episode. But sadly, it wasn’t. And my biggest issue with the episode is with the character Maximus.
Now, I love Maximus. He wants to do good things in the world. He’s the underdog, and who doesn’t love that? He’s honorable and believes in the organization he belongs to.
I don’t love that he cannot do anything right. It feels like he wins fights by falling over and tripping into succeeding. And this character deserves so much more than that. Can we please, just once, see him be good at something or make a sound decision?
All that being said, this was still a fun episode. It was funny and bright, with an ominous feel and a horrific finger-ridden monster. I had a great time with it.
(4 / 5)
Last night’s episode of American Horror Story Delicate was wild. From its star-studded start to its powerfully quiet finish, I was enthralled through every moment.
Let’s discuss.
The story
We begin this episode at the funeral of Dex’s mom. While he’s giving a eulogy, which was very nice, Ms. Preecher walks in. She shouts to the room that Virginia didn’t commit suicide, she was murdered. She also tells Dex to listen to his wife.
What a concept!
Touched by this, or maybe just curious, Anna goes to the hospital to check on Preecher. She falls asleep at the hospital. When she wakes up, Preecher is gone. A nurse says that she was discharged to a group of women.
While at the hospital, Anna also discovers that she’s been nominated for best actress.
At a publicity event for the awards, Anna runs into Cora. And she sees the coat she remembers from her late-night visit near the start of her pregnancy.
With the slightest amount of pressure, Cora spills it all. She and Dex have been having an affair, and Cora was trying to sabotage Anna’s pregnancy. So Anna, channeling her inner Madison Montgomery, kicks him out and heads to the awards ceremony with Siobhan.
There, Siobhan asks her if she wants an Oscar more than anything. If she’d be willing to give up anything for it.
And Anna says yes.
The bargain is then sealed with a kiss.
What worked
I’d like to begin, paradoxically, at the end of the episode. We’ve seen Anna have some terrible, loud, frightening hallucinations in this season. At least, we assume they’re hallucinations. But this one wasn’t loud. It was, in fact, very quiet. Anna is led off stage, without a word, leaving nothing but a puddle of blood behind.
In horror, like in all art, the notes you don’t play are as important as the ones you do. And the notes that weren’t played her rang like a bell.
I also appreciated that this episode describes why being a celebrity would be a huge pain in the ass. Imagine going to an event where the whole purpose is for people to take pictures of you while holding their product. Imagine if they invaded your personal space, sprayed things on you, put things over your eyes, and you were expected to smile and pose.
I don’t know what it is about being a celebrity that makes others feel entitled to a person. To talk with them, take their time, and share in their moments. To touch them without consent. Yes, there are way worse things happening to people. But this isn’t a great way to live. It’s no wonder so many of them go nuts. This is most clearly shown in the scene when Anna is sitting next to Preecher’s bed. She wakes up to find the older woman gone. But all anyone wants to talk about is how she was just nominated for an Oscar. At that moment, she doesn’t give a damn. She cares about this kind woman, and where she’s gone. Just like any other person.
Finally, I appreciated that this season didn’t do what so many AHS seasons do. Which is to say that this episode didn’t feel like the last episode. It felt like the penultimate episode. It felt like there was still more story to tell, not just loose ends to be wrapped up. I appreciate that the writers have finally learned that lesson.
For this season, at least.
What didn’t work
The first thing that bothered me in this episode was Cora’s confession. I said something about this during our live-watch event on Threads. (Join us next week for the finale. Bring popcorn and wine.)
I don’t believe Cora’s confession. I further don’t believe that she just dumped all of this incriminating info on Anna with no more prompting than a wide-eyed look. There was just no reason for it. So, Anna saw her coat? Lots of people have similar coats. This feels fake, and she brought no receipts.
I also found Siobhan’s behavior confusing. At times she seems genuinely concerned for Anna’s wellbeing. At other times, she is more than willing to let her suffer and risk her pregnancy.
While this has been going on all season, it was happening every few minutes in this one. Either Siobhan cares about the welfare of that fetus, or she doesn’t. But she needs to pick a lane.
All in all, I don’t know what to expect from next week’s season finale. Anna has her Oscar, but now she might lose her baby. She might also get sucked into some horrible cult and experience a bad death. We won’t know until next week.
See you then.
(4 / 5)
Episode two of Amazon Prime’s Fallout was equal parts funny and bloody. This almost always leads to a good time.
The story
We begin this episode with the birth of some puppies that look like they’ve had a rough start to life. Each one is weighed, with the ones who fall short being incinerated.
One pup who is just below the correct weight gets a bit of a thumb on their scale. The scientist weighing them, Wilzig, writes down the proper weight. He later takes the puppy home to raise instead of putting them into what looks like an unforgiving training program.
Eventually, we see Wilzig put some blue glowing thing into his neck. When a soldier comes for him, Dog attacks the soldier, and the two escape.
We go from there to the wilderness, where Lucy is recovering from the last episode and enjoying a campfire at night. Wilzig and Dog come out of the shadows, saving Lucy from a bug monster. Wilzig tells Lucy she should go home. And if she’s not going to go home, she needs to evolve.
The next day Lucy finds her way to a town called Filly. As a Pennsylvanian, it hurts me to spell it that way. Lucy is entranced by this town, though clearly put off by the fact that no one is very nice here.
She eventually finds her way to a shop run by a delightful woman named Ma June. Ma doesn’t seem particularly interested in helping Lucy. Or, frankly, having Lucy in her shop.
Or in her town.
Eventually, Wilzig is tracked to this same shop, being tracked by The Ghoul. This is our final primary character. Lucy defends Wilzig, being aided at the last moment by Maximus.
Maximus, by the way, has been having a terrible time. After finally becoming a squire he’s disappointed to find that his knight, Knight Titus, is a terrible person.
Fortunately, Maximus doesn’t have to put up with Titus for long. After Titus gets the bright idea to go hunting, he’s attacked by a mutated bear. Maximus freezes, unable to save him. Then, well, he decides not to save him.
It was Titus’s idea to go hunt the bear, after all.
What worked
The first thing I want to draw attention to is the shootout scene at Filly. This scene checked every box a fight scene should check. It was fun to watch, with great effects. But it also gave us insight into the characters. Lucy is a decent fighter and has a strong moral compass. The Ghoul is callus and desensitized to death. And Maximus continues to be, well, sort of bad at this whole fighting thing. But with enough moral fortitude that we have a hard time blaming him.
Of course, I would be remiss if I didn’t mention the dog. Who’s name, as far as I’ve been able to ascertain, is just Dog. Which is fine. He doesn’t need to have a name to be a very good boy. He’s sweet, loyal, and fearless.
Also, puppies. Puppies are always great.
Finally, I’d like to shine a spotlight on Lucy’s reaction to the world at large. She is both amazed and terrified by everything. And while she certainly doesn’t want to be rude, she also doesn’t want to be taken advantage of. The best example of this is when she stops to ask for directions with a bright smile and a gun.
Once again, I don’t have anything bad to say about this episode. It was funny, dark, and fun to watch. I’m very much looking forward to the rest of the season.
(4 / 5)
