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Among The Flayed by Ben Spencer

Mygento sold their agrochemical seed steroid under the trade name “Sorocom,” but after a year on the market, a period in which it turned most farmers who used it and most people who ate the food they produced into shambling lepers, the FDA pulled it and declared a National Health Emergency.

It was too late for twenty thousand or so families and the counties they lived in throughout the midwest, 55,000 square miles of which––roughly the size of Iowa––was quarantined by the Army and the National Guard. Second Amendment supporting militias who had guns to spare and recruits eager for action helped patrol the borders of the containment zone.

In the common vernacular of middle America, Sorocom came to be known as “The Flayer,” and victims of its horrific side effects came to be known as “The Flayed.”

This brief history of Sorocom is running through my head as Rex is driving us down some unnamed access road in a wheat field, away from a pack of the Flayed that found us hiding in Ted Johnston’s hayloft with a dozen others.

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Rex puts the old diesel truck into third gear. It belches out black smoke, obscuring the rearview. Looking through the oily cloud, I see the Flayed disappear.

But they’re still coming. They’ll never stop coming.

Rex did what he always did when he got into the truck. No matter how many unhealthy life choices he made––junk food, whiskey, chewing tobacco––Rex always buckled his seatbelt.

“Where do we go?” I ask. “What do we do?”

Rex holds his side. Maybe a stitch from sprinting to the truck. We barely made it. Rex was pulled out of the truck by one of the Flayed, but managed to unholster his revolver and blow its head off before the others got to him.

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“We buy our time, Cherry,” he says. “We survive.”

I love that Rex still calls me by my pet name despite the chaos. He started calling me Cherry shortly after we started dating, a year before we got married. It’s a reminder that things were normal once.

Rex downshifts to pull around a hairpin turn. The wheels of the truck skid before finding traction and the rear end fishtails in a plume of dust.

I still wonder how we escaped the fate of so many thousands of other families. We speculated that the chemical properties of Sorocom that caused some peoples’ flesh to shed from their bodies were unstable. It was as if the drug had discretion. It picked and chose its victims, but without any logic that I could make sense of.

Staring at the ceiling at night, I often wondered if it would have been better to be among the first wave of people who’d become flayed. The transformation looked agonizingly painful. But I always imagined it would have been better to get it over with, better to be spared from witnessing the horrors of this new world.

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Three farmhouses ago, I saw Eustice Jones’ husband Bill became flayed before my eyes. 

I mark time by “farmhouses” now. The days and weeks started blending together not long after cellular service ceased, and I lost track of time.

On the run, we’d occupy a farmhouse, be discovered, and leave. Occupy a new one, get overwhelmed by the Flayed, and relocate. Each cycle constituted one “farmhouse.” In truth, “days” and “weeks” didn’t matter anyway, because it felt like we’d been on the run for years. I’d counted eighteen farmhouses so far, so many that I forgot who they all belonged to.

When Bill Jones became flayed, it started with his face. We were eating dinner, laughing and smiling and remembering the world as it used to be. Then Bill’s face turned into a frown. Working as a part-time nurse before the world fell, I’d seen my fair share of stroke victims. That’s what it looked like––that Bill lost control of the muscles in his face.

Eustice, his wife, asked what was wrong. And as Bill tried to answer, looking just as stunned as the rest of us, the skin from his face slipped off of the muscle that gave it shape, leaving a blood-red mask. Within seconds, the same thing had happened to the rest of his body. Within a minute, he’d killed three of us.

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My attention comes back to the cab of the truck, to Rex, my last beacon of happiness and hope. He’s holding his side. His eyes are watering––no, he’s crying.

“I love you, Cherry.”

He upshifts, fourth gear, speeding faster down the road. The speedometer hits forty miles per hour. The truck rumbles across the hard-packed earth.

Rex’s face changes into a frown. The same frown I saw come across Bill Jones’ face.

“Rex, you’re scaring me.”

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His face sags. The stroke. His skin becomes slippery, elastic. Then it starts to fall off onto his lap.

“Jump out of the truck Cherry,” he says, his jaw a sickening crimson. “I’m not going to slow down, I’m going to crash it. I won’t let it happen to me.”

He pulls up his shirt, showing me a deep gash in his side.

One of the Flayed bit him before he managed to get into the truck.

Suddenly, everything that made Rex the man I fell in love with, over beers in a smoky pool hall, slips away. The flesh sheds completely from his face. Now, Rex is reduced to a grinning skull covered in shiny red sinew. And he becomes terrifyingly aggressive like they all do. Like I’ve seen a hundred times before.

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Rex releases the steering wheel. He lunges for me. I close my eyes before it happens, but hear a sharp click as Rex’s seatbelt locks him in place. His jaws snap. He’s like a rabid dog. He pulls against the seatbelt, but the stringent automobile safety standards keep him locked in place.

The tears come, pouring from my eyes. I remember everything that made Rex and I happy. Even though we’d never been able to have children––even though three pregnancies had ended in miscarriage – we’d started a family, just the two of us. And we’d been happy.

Rex’s foot is locked against the gas pedal. The speedometer reaches sixty. I think of trying to stall the truck, to stop it somehow. If I jumped out at this speed, no matter how soft the field, I’d be injured or killed. And if I happened to live, the Flayed would catch up to me, like they always do.

Rex is still restrained by his seatbelt, struggling ferociously against it. My hand closes around the gear shift. In his calloused, farmer’s palm, Rex––this monster that used to be my husband––grabs my wrist and brings my arm to his mouth. I pull away before he manages to bite it. I reach and try to downshift again, but Rex grabs my arm, pulls it to his mouth with extraordinary strength, and snaps just as I manage to slip out of his grasp.

In this final, vicious struggle for life, I’m reminded that it won’t end well. None of this was ever meant to end well. There will be no federal relief. Waiting for the government and the army is not an option, because they are not here to help us––only to keep us contained. Only to let all of us become flayed. We die after twenty-four hours. Once everyone’s dead and gone, then they’ll come in to clean up the mess.

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I wonder if God has a plan for me, or if my Christian religiosity has been a lie I’ve told myself for thirty-three years to believe that there is a plan, that there is meaning. That there is something, rather than nothing.

If I live in a Godless world, one without Rex––is that world worth living in? How many more farmhouses, now, by myself? How long until I’m flayed? What will the change feel like as the skin falls from my face? Will I remember who I was? Does our sanity depart as we become flayed? Are we trapped inside a body that is not ours? Do our souls live on, or do they, too, depart?

As these questions cross my mind, I make my decision. Death has the final word in any scenario. Dictating how I meet it is my last act of free will.

Rex’s foot has continued depressing the accelerator. We’re humming along at eighty-five miles per hour.

The wheat shines in the moonlight––a translucent amber blur.

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I look into Rex’s eyes. I see a flicker of blue color that made me fall in love with him. It aids my decision.

“Goodbye Rex,” I say.

I unbuckle my seatbelt. I grab the steering wheel. I close my eyes and pull it towards me as hard as I can.

Before everything goes black, I feel the truck lift from the ground. I open my eyes. We’re flying over the moonlit wheat field, which––if there were still people to harvest it––would be nearly ready.

The moon fills the cab of the truck.

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I close my eyes again. Gravity pulls the truck down to earth.

This author has not submitted a picture.

Ben Spencer lives with his wife and two beloved Boxer dogs in Washington state, where he works as a writer and content strategist for a tech company. Ben is currently at work on his second novel, a young adult horror story and homage to H.P. Lovecraft’s “The Dream-Quest of Unknown Kadath.”

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Original Series

Nightmarish Nature: Horrifying Humans

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So we’re going out on a limb here in this segment of Nightmarish Nature and exploring one of the most terrifying, most dangerous, most impactful species to walk this planet. I’m talking about us of course. Sure, as humans, we may not seem all that horrific to ourselves, but to many other creatures we have been a force of nightmares.

Humans male as drawn by Jennifer Weigel
Humans male as drawn by Jennifer Weigel

Why are we terrifying?

Humans are among those species that engage in massive modifications to our environment to serve our needs, like beavers who dam rivers, elephants who eat all of the new growth scrub to keep the savannahs tree-free, and so on. Yeah, all creatures have some impact on their surroundings, but some take it up a notch, and we do so at an order of magnitude higher still. And we have gotten so good at it that we have managed to exist and thrive in places that would otherwise be inhospitable. We are outwardly adaptive and opportunistic to the point of being exploitative. We are the apex predators now.

Sabertooth cowering as drawn by Jennifer Weigel
Sabertooth cowering as drawn by Jennifer Weigel

We have forced many creatures into extinction, intentionally and not, and have sped up these effects enormously. The National Audobon Society chose the egret as its symbol after it made a comeback from being hunted to near extinction, and it was one of the lucky ones. Many weren’t so lucky, especially if they came in direct conflict with humans, such as wolves and the big cats who were in direct competition, or those who were really specialized in really specific niche circumstances that we pushed out of the way. And this is in only a very very limited scope of our earth’s history, and has since been even more ramped up with industrialization.

Humans female as drawn by Jennifer Weigel
Humans female as drawn by Jennifer Weigel

But humans aren’t all bad are we?

Depends on who you ask… We have created all sorts of incredible opportunities for some species too. Take mice for example. And coyotes. And kudzu. And a whole host of animals whom we’ve domesticated, some of whom wouldn’t have continued to exist otherwise or certainly wouldn’t exist in anything resembling their current forms. And the most massive extinctions occurred long before our arrival, when the earth was still forming and underwent rapid catastrophic changes and swings, decimating critters as they were trying to get a foothold. Nothing is constant except for change; that has always been true.

Wolf begging for cheezborger drawn by Jennifer Weigel
Wolf begging for cheezborger drawn by Jennifer Weigel

So it isn’t my goal to get all eco-con​scious and environmentalist here. Just that I feel if we are going to explore some of the more terrifying aspects of nature, we need to look in the mirror. Because if a consensus were taken right here, right now of all living beings globally as to what is among the most terrifying creatures among us, I’m sure we’d appear on that list.

If you enjoyed this closer-than-kissing-cousins segment of Nightmarish Nature on Horrifying Humans, please check out past segments:

Vampires Among Us

Perilous Parenting

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Freaky Fungus

Worrisome Wasps

Cannibalism

Terrifying Tardigrades

Reindeer Give Pause

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Komodo Dragons

Zombie Snails

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Original Creations

Werewolf-ing It Well, Part 3 by Jennifer Weigel

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Continuing our junkyard dawg werewolf story from the previous two St. Patrick’s Days… Here are Part 1 from 2022 and Part 2 from 2023 if you want to catch up.


Werewolf transformation digital art by Jennifer Weigel
Werewolf transformation digital art by Jennifer Weigel

So apparently it really was my lucky day at that suburban gas mart last St. Patrick’s Day. I got the mother lode of all Scratchers. I hit it big time. I had no real idea of what that meant, but it looked promising. Maybe I could get a Cadillac to tour Route 66 AND a cabin in the woods… But who was gonna drive?

Now apparently you can’t just cash these things in at the register. You have to mail them in or something. Why does life have to be so complicated? Anything involving those good for nothing mailmen has to be rigged or part of some larger conspiracy, I’m sure. But I pocketed my prize and made some plans. I couldn’t rely on old Sal not to just pocket my prize for himself; he wasn’t the sort that would let me have my dream. Or even understood that I had dreams beyond just chasing rabbits (though those are the best).

The next full moon I whined and howled at Sal to take me in to work with him. Sal just patted me on the head. Didn’t even offer a treat or nothing. Seriously, I had to get out of there, this suburban situation was the pits. I couldn’t do another year of it, watching my life tick away. So, when that didn’t work, I gently grabbed my Scratchers ticket like I was retrieving a very important slipper and slunk over and hid in his truck under that ratty blanket he kept in the back.

I managed to creep into the junkyard office and hide there while Sal was sleeping on the job. Those mastiffs nearly ratted me out, but fortunately they were chained up, and they weren’t all that bright anyway. Just growled a string of profanities at my cur form, like I hadn’t heard that before. Anyway, I waited it out and before long I heard Monty’s car pull up, rattling like the dilapidated Honda Civic held together with duct tape that it was. Sal’s truck pulled off, spitting gravel and exhaust in its wake as always.

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Dusk was setting in and I could feel the change starting. Nothing to do for it, guess I’d just have to run with it then. Monty had settled in as usual, watching bad porn and staring off into nothing. He still smelled like day old jelly donuts (the kind you can get a whole bag for $1) and coffee, as usual. Good boy Monty, how I’ve missed you and the occasional stale donut, even if it wasn’t a cookie. I approached him from behind and coughed.

Monty nearly leapt out of his skin. He blanched as if he’d seen a ghost before he managed to find his voice. “Shit, that wasn’t a dream,” he stammered, pointing. As he realized I meant him no harm, he regained his composure and even offered me a day-old jelly donut, which I accepted gratefully. I think he could tell that my tail would have been wagging if I’d still had one at that time.

“Lucky, what in all of hell are you doing here?” he asked, eyes still wide as saucers. “And for Christ’s sake, put on some pants.” He offered up the spare uniform that still just hung from the hook behind the door. I guess in my fervor to talk to him I’d forgotten to dress. Oops.

Werewolf transformation digital art by Jennifer Weigel
Werewolf transformation digital art by Jennifer Weigel

“Monty, old friend, I need a favor,” I barked. I handed him the Scratchers. His eyes grew wider.

“Shit, where’d you get this?” That’s a lot of money,” Monty exclaimed. “They’ve been looking for the winner of this one…”

“I’d stashed it in my hidey spot under the place where the carpet peels up after I got it… It’s our ticket out of here,” I retorted. “You don’t think I want to spend the rest of my days laying around suburbia with tightwad treat-skimping Sal do you?”

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“I suppose not,” Monty quipped. “But what’d you have in mind?”

“You and me, we could get a cabin in the woods, live off the land. Get out of this shit-hole. Hell, you could even get a real car, one of those big-boat Cadillacs with the wide tongue-lolling windows…”

“Um, you could do a lot more than that with this, but I catch your drift. And I want out of this hellhole too. But, like…? I mean, you aren’t gonna bite me or anything, or get all weird.” Monty fidgeted like he did when he was nervous. “I guess I knew but didn’t want to admit it – dude you’re a freak show.”

“Gee thanks. Trust me, being a dog is better any day except that you can’t drive or get your own treats and crap,” I retorted. “And if was gonna bite you I’d have done so a long time ago. It doesn’t work that way, anyway. Seriously, you don’t believe all that werewolf mumbo jumbo on Netflix too, do you?”

Werewolf transformation digital art by Jennifer Weigel
Werewolf transformation digital art by Jennifer Weigel

Monty shook his head tentatively. “I don’t really know what to believe. I mean, I guess I always knew you were like this, but I didn’t let it sink in.”

“Well, get over it and help me get my dream cabin,” I snipped. “Seriously don’t just stand there gawking all night; I put on clothes and everything. I only have tonight.”

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“You mean before you turn back into a dog?” Monty asked.

I nodded, still licking the jelly off my lips.

“But I thought werewolf changes happened every full moon,” Monty asked.

“I do, but these Scratchers change like the wind. We gotta cash in quick,” I growled. “And if you try to turn on me, I’ll hunt you down. That’s OUR ticket outta here.”

“No, no, I get it,” Monty said. “I’ll make good on it, I promise. I can follow up on the ticket first thing tomorrow; it says to mail it in or go to the courthouse or something. I’ll figure it out… I guess you can stay with me until we get it sorted, but you have to be really quiet about it. I’m not supposed to have pets in that crap apartment for all that a little dog hair would be an improvement.”

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Portrait of myself with dark makeup and crow skull headdress, backlit by the sun.
Portrait of myself with dark makeup and crow skull headdress, backlit by the sun.

Check out more of Jennifer Weigel’s writing here at Jennifer Weigel Words.

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Lighter than Dark

LTD: The Firing Squad

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So you’ve just gotten the pink slip.

Work is letting you go. Amidst all of the layoffs, you just didn’t make the cut. Well, I’m sorry to say, but it behooves you to go quietly. And quickly. Because you don’t want to stick around for the Firing Squad…

In fact, if your HR department is outsourced to one of those Eldritch contractors like so many are nowadays, get outta dodge NOW. Like seriously. Leave the lunch you brought in the fridge; leave the personal items in and on and around your desk. Hell, leave your coat and purse if you are not near them. You can get new ones. Maybe one of your ex-coworkers can help you retrieve your stuff later. Because you need to get out while the getting is still good.

The Firing Squad is coming.

And if they so much as see a pink slip anywhere in your immediate vicinity, it is complete and total annihilation…

Ready Aim Fire...  The Firing Squad appears digital art by Jennifer Weigel
Ready Aim Fire… The Firing Squad appears
Wing Shot...  The Firing Squad takes aim digital art by Jennifer Weigel
Wing Shot… The Firing Squad takes aim
Sharp Shooter...  You're a goner! digital art by Jennifer Weigel
Sharp Shooter… You’re a goner!

I warned you… Those Eldritch contractor HR departments mean business… It’s like going to the Library. Or making Jell-O.

Portrait of myself with dark makeup and crow skull headdress, backlit by the sun.
Portrait of myself with dark makeup and crow skull headdress, backlit by the sun.

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