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Evil is a supernatural drama created by Michelle King and Robert King; this review covers “Room 320.” The central cast includes Katja Herbers, Mike Colter, Aasif Mandvi, Michael Emerson, and Christine Lahti. It originally aired under CBS before moving to Paramount+. As of this review, it’s available through Netflix and Paramount+ and its add-ons.

As David (Mike Colter) recovers from an attack, Kristen (Katja Herbers) and Ben (Aasif Mandvi) investigate an old case for a potential lead. Rose390 returns, becoming an instrumental lead in the investigation. David suffers under Nurse Plague’s (Tara Summers as Linda Bloch) care, who seems to have an invested interest in him.

A patient on a hospital bed looks in shock. He seems confused with his mouth agape.
David (Mike Colter) Room 320

What I Like about Evil: “Room 320”

As mentioned in 177 Minutes, “Room 320” deals with medical malpractice but makes it a far more traumatic and personal experience as we follow one of our heroes, David. Where the previous episode observes the abuse from a distance, “Room 320” forces the viewer to see the impact. The difference evokes a far more haunting experience.

While it’s clear the perspective “Room 320” intends to deliver, there’s also a surreal horror to the experience. Between the medicines that keep David loopy and his inability to communicate with others, there’s this unreliability to these trials that evokes an out-of-body experience. It often lingers in this area, making what the viewers see an unreliable element.

It’s interesting to meet Kristen’s predecessor (Megan Ketch as Judy James), who remains a unique character. In some sense, Judy reflects Kristen’s possible future. However, the character seems underutilized, which disappointed me. From my understanding, she won’t appear again, which seems like a missed opportunity.

Tara Summers’ Linda Bloch delivers a haunting villain for the episode. Far from the campy Leland, Linda simply does her job with malicious intent. She holds real power over powerless people because of her profession, and that abuse delivers a special kind of evil.

Both episodes take place at Harbor Hospital. It’s a lovely example of continuity and not thrown in the viewer’s face, but I will get into one issue in another section. Still, it’s an enjoyable connection to make to those observant viewers.

White background, rubber stamp with disclaimer pressed against the white background.
Disclaimer Kimberley Web Design

Tired Tropes and Triggers

Medical malpractice and abuse remain a key point of David’s journey. This episode dives deeper into these issues while discussing them with its typical dark humor tone. The juxtaposition always works for me; however, these remain potential triggers or concerns for those with similar experiences.

The racism in “Room 320” isn’t the typical upfront and blatant kind but the far more subtle issues of implicit racism. With David’s agency removed, he becomes susceptible to abuse. In my opinion, Evil communicates these abuses effectively. However, it still evokes an uncomfortable reality for the show.

A nurse looks at the viewer. The hospital background seems obscure.
Nurse Plague (Tara Summers) Room 320

What I Dislike about Evil: “Room 320”

Ben’s relationship with Judy James seems oddly hostile, which makes one wonder what happened in the past. The larger issue comes with the lack of time the viewer gets to understand Judy James, which would help viewers better understand the relationship. It’s more of a missed opportunity than an issue.

As mentioned earlier, the Harbor Hospital returns as the setting for David’s recovery. Again, I like the idea and the implementation, but it does create a dynamic where it’s this one hospital with an issue instead of a systemic (industry-wide) issue.

Final Thoughts

“Room 320” brings the horror of medical indifference through the eyes of a patient, showing the evil that thrives in such an atmosphere. Weaving dark comedy to show these systemic issues remains a haunting combination projected best in episodes like “Room 320.” For those invested in medical horror stories, this episode hits familiar notes.
5 out of 5 stars (5 / 5)

Movies n TV

Wheel of Time A Question of Crimson Is a Political Espionage Delight

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Episode two of Wheel of Time felt like the beginning of a long journey. Stories are unfolding, lives are changing, and blood is spilling.

Let’s discuss.

The story

We begin this episode in the past with Elayne’s mother, Queen Morgase. It turns out her rise to the throne was a bit, shall we say, cutthroat. So when she shows up at the White Tower, Siuan is concerned.

She might have reason to be, too.

Meanwhile, Rand, Egwene, Moiraine, Lan and Aviendha are in the Spine of The World. As they travel through some of the most breathtaking lands I have ever seen on a TV show, Egwene is plagued with nightmares. We think at first that’s just her trauma working itself through her system. But we soon find out that it might not be that straightforward.

Finally, Perrin returns home to heal after his hand is almost cut in half. But when he gets there he finds the town has been infested by Children of The Light. And they’re looking for him.

What worked

There was something heartwarming in this episode about political espionage and choking religious persecution. And that is Elayne’s relationship with her family.

I have consumed a lot of fantasy content with royal families. And I have never once heard a princess call her mother ‘Mum’. I’ve never seen royal siblings get along. And I have sure as hell never seen a princess have a good relationship with her step-parent.

This was refreshing. Even though Queen Morgase is kind of a horrible person she seems like a good mother. And that’s an unexpected delight.

Dónal Finn in Wheel of Time A Question of Crimson

Of course, this is just one storyline among many. And while this can sometimes be overwhelming, in this case it wasn’t.

I’ll be honest, some of these storylines are going to drag for me. I know this because I’ve read some of the Wheel of Time books and I have an idea that not all the characters exactly pique my interest.

No one likes all the characters. No one likes all the storylines. While I am here for the political espionage between Queen Morgase and Siuan, not everyone likes it. While others might be fascinated with Selene trying to win Rand back, I couldn’t care less.

Having multiple storylines keeps everyone’s attention better. So long as things don’t get out of hand. Things can easily get out of hand. But this seems to be managed well.

So far.

What didn’t work

As I mentioned above, I’m not thrilled with Rand’s story at this point. And while it’s fine to not like a storyline when there are this many to choose from, it’s not fantastic that the one I like the least is the one involving our two main characters. And anytime we were with the team at the Spine of The World, the only thing that brought me joy was Moirain’s hat. It reminded me of Stockard Channing’s hat in Practical Magic.

The problem is that Rand is Charlie Brown with controversial magical powers. He is boring, serious, and pessimistic.

And yes, I understand that he has a heavy emotional burden and he’s the Dragon Reborn and that’s quite taxing and all. But let’s be fair, there isn’t a single person in this show that doesn’t have a heavy burden. And most of them manage to be fun occasionally.

Daniel Henney and Josha Stradowski in Wheel of Time.

All that being said, this episode of Wheel of Time did exactly what it needed to do. It set up conflicts at each of the three locations. It established emotional ties between the characters and the events. And it established goals for everyone.

This was, in short, a solid episode. Not groundbreaking, not mind-blowing or life changing. It was simply good. It was entertaining and moved the plot forward.

Well done.

3.5 out of 5 stars (3.5 / 5)
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Movies n TV

Wheel of Time Returns With A Bang

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Wheel of Time is back for season three. There are mixed feelings regarding this. Last season, there were some serious pacing issues. And some serious sticking to the book’s storyline issues. But we’re two seasons in, and we don’t give up so easily. So let’s dive into episode one, To Race the Shadow.

By the way, I highly recommend watching this episode with the subtitles on. You’ll see why.

The story

We begin this episode with Liandrin facing a trial of sorts for her rampant betrayal. She does her best to gaslight her Aes Sedai sisters into thinking that Siuan Sanche is the real traitor.

When that doesn’t work, she reveals how many Black Aes Sedai have actually infiltrated the tower.

Spoiler, it’s a lot.

In the aftermath, our whole team gathers to drink and enjoy one night of relaxation before they head out to the Tear to form an army for Rand. All is going well until they’re attacked by myriad creatures and a sentient axe.

What worked

This episode was long. It had a run time of an hour and eleven minutes. And a lot of that run time was spent in heavy dialog scenes.

Fortunately, these were well-done scenes.

If you’re going to have a lot of talking scenes, there are good ways and bad ways to do it. Last season, we saw lots of examples of the bad way to do it. But this episode did it well. For one thing, other things were going on while conversations were taking place. The characters are drinking, playing games, walking through an interesting city. And the scenes themselves didn’t stretch out. They weren’t repetitive. We heard what the character had to say, then we moved on.

It was also nice that the point of these scenes wasn’t just info dumps. We had character development. We had romantic interactions. We had plot development and foreshadowing.

Overall, this episode felt like what it was. A moment of calm before a storm.

Taking a step back, I’d be remiss if I didn’t address the fight scene at the start of the episode. Because it was epic.

The magic looked amazing. The martial arts that went along with it looked fantastic. The costumes were beautiful. It was just incredibly fun to watch.

More than that, it was emotional. We lost some characters in that fight that were important. And it was clearly emotionally shattering for many of our characters, who found themselves betrayed by people they trusted.

So many of them.

It was a great way to open the season.

What didn’t work

Despite that, this episode wasn’t without its flaws.

First off, there were a lot of dialog scenes. And they were good scenes, as I’ve already discussed. But it was one after another after another. And when your episode is, again, an hour and eleven minutes, it’s maybe a little much to have so much chit-chat. Couldn’t some of these conversations, important as they were, have been moved to maybe another episode?

Finally, I want to talk about Egwene’s travel through the arches.

Still from Wheel of Time season three, episode one.

I feel like maybe there were some deleted scenes here. Because there must have been more to that visit than what we saw, right?

We could have seen Egwene battle Rand. That would have been badass and emotionally devastating. We could have seen her with a quiet life with Rand back home at the Two Rivers. We could have seen anything except for the quick clip of Rand in a bloody river, followed by Egwene being shoved back out in a bloody shift.

Bad job. But at least it wasn’t an extended scene of Moiraine collecting bathwater, and then taking a bath while looking sad. If we’d started this season with another scene like that, it might have broken my brain.

Amazon dropped the first three episodes at once. So we’ll be back soon to talk about episode two. See you then.

4 out of 5 stars (4 / 5)
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Entertaining as hell: Eight Legged Freaks (2002) Review

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Early 2000s is a special era for the industry. It accepts the cheesiness and corniness of movie making, in turn producing some gems in their own right. Eight Legged Freaks starring David Arquette and young Scarlet Johanson is a horror comedy about giant spiders who overtake a small town. As crazy as that premise sounds, the movie surprisingly has a ton of heart and is super entertaining. Let’s review, shall we? 

Plot

We start Eight Legged Freaks with a shot of toxic waste spilling into the water supply of Joshua, a spider farm owner. He is friends with Mike, one of our protagonists, who is a science geek and a spider enthusiast. Mike notices something quite right upon visiting Joshua, but no one takes him seriously. We are then introduced to the rest of the crew. Mike’s mother Samantha, the town sheriff, is too busy chasing Ashley, his sister, who is dating the town mayor’s son Bret (something Samantha does not approve of). We also have Chris, who returns to the town to save his father’s legacy in the town mines. He has opposition from Wade, Bret’s father, who wants to use the mines for his business ventures. Lots of drama going on that will only get juicier once the spiders get loose. 

The creepy crawlies quickly dispose of Joshua and make their grand appearance after Ashley rejects Bret’s advances, abandoning him in the middle of a desert. A glorious chase sequence ensues as the spiders make their way towards the town, wreaking havoc on its residents. In a true horror fashion (which the movie acknowledges), it takes some convincing from Mike and then from Samantha for the town to take the threat seriously. The tongue-in-cheek style of narrative adds the comedy aspect to a movie that would otherwise burn out fairly quickly. 

The remaining characters hide out in a shopping mall as it’s the only somewhat sturdy building in the area. This doesn’t last long as the spiders break in, forcing them to run through the mines. Their resources to fight the creepy crawlies off are limited as the methane gas doesn’t allow them to use firearms. Such conditions require resourceful thinking from Chris, who uses perfume to fend off the leader of the spider group and save himself during the climax of the movie. 

Character dynamics are not forgotten once the action kicks in. We have Chris confessing his long-term feelings for Samantha which she knew all along, which provided some comedic relief. Bret also reunites with Ashley and apologises for being an asshole. Mike finally gets the appreciation he deserves as his knowledge saves the townsfolk more than once during the whole ordeal. 

We end the movie with the town’s radio show person telling the story as an urban legend during his segment. This brings it into question – how much of it happened the way he said it did? We can only guess… 

Overall thoughts

Eight Legged Freaks is a fun creature feature with some self-aware commentary on genre tropes that doesn’t take itself too seriously. The acting is good, the pacing fitting and the characters are likeable enough for you to want them to make it through. Definitely a must watch, if you don’t suffer from arachnophobia, that is. 

5 out of 5 stars (5 / 5)

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