I come back with the second episode in our Remake vs Original series. This exists in attempt to learn more about the Horror films of our past that I have virgin eyes to. Watching the remake FIRST gives me better judgement and separation of each film. I’m able to go into each unbiased, provide spoiler-free thoughts on each individual film, and evaluate their relation to each other.
In the first episode Psychological Slasher: Maniac(2012) vs Maniac (1980) I learned a lot about the way filmmaking has changed over the years. If I had viewed either film five years ago, I’m certain my thoughts would be different. I’m extremely interested in revisiting all of the films in this series again in another five years to see how my thoughts have evolved.
The basic premise of each are very similar, but both have their own style, grit, and excitements. We follow a young woman as she begins school at a prestigious dance academy. There’s definitely something going on with the staff that’s just not quite right. And there’s a big performance coming soon…We’ll follow this order:
Explore the 2018 remake directed by Luca Guadagnino
Dig into the 1977 original directed by Dario Argento
Discuss how the remake and original fit together
Recommendations
Suspiria (2018)
I have officially seen the most terrifying imagery of Body Horror known to man, thanks to the creators of Susperia (2018). Holy crap. This is staying with me for the rest of my life! Although lighting should be utilized more, the atmosphere leading up to this scene certainly boosts the experience. The audio adds to the slick style and format to create a film which seems very original and very well thought out and put together. Thom Yorke from Radiohead can lull me to sleep and make me feel like I’m being watched from behind, all at once.
We get to see the former red-headed step-child of Antonio Banderas, Dakota Johnson. The sensuality she brings to the overall film could be provided by none other, assuming her role as Anastasia Steele 2015’s Fifty Shades of Grey taught her a few things. Her overall acting isn’t anything special in Suspiria (2018), but it gets the job done. Now the ever gorgeous Tilda Swinton, she brings the BOOM!
Suspiria (2018) is available on Amazon Prime, but cost money just a few months ago, so if you get the chance, cut it on. Little ones should not be around for the viewing because of the crazy intense body scene, nudity and blood/gore. There’s some very intense scenes and you’ll find yourself confused to start, but trust that everything will come clear if you pay attention. Now I don’t know how the original can stack up to this borderline masterpiece, but I guess we’re gonna find out!
Suspiria (1977)
What a thrill ride Suspiria (1977) is! THRILL RIDE! The ins and outs of this Italian beauty weave us through the knot of uncertainty. The atmosphere is creepy and intense, the sound of crunching maggots will forever be stamped in my psyche. The use of lighting is very, very good and is definitely effective in setting and keeping the tone and feel of the movie. Even though the special effects tell me I am watching an older film, this storyline and situation is viable today.
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Jessica Harper plays our new student, and young actors will do good to study her performance. Her face looks good next to technicolor lighting. The believability of her role adds to the strength in relationships, whether positive or negative relationships, on screen. The characters are built well, many with their own wants and desires.
The creepy soundtrack stands out as a favorite. I hear many similarities to modern Horror soundtracks. In Susperia (1977) we listen to the start of music trends, the masterful pieces everyone else is trying to accomplish. Without this music the film would lay flat.
Suspiria (1977) is available on Tubi right now, free! And even though the ending is leaving me with a lot of questions and little satisfaction, I still think anyone who is interested in filmmaking or atmosphere studies should check it out.
How does Suspiria (2018) stack up to Suspiria (1977)?
I have to encourage anyone who has not seen either to watch the remake, and anyone who wants to grow experience with classic films to watch the original. They both have very good qualities, and they both have room to improve. As far as which film is better, I don’t want to choose. If shoved in a corner I would say the remake is better, but that we can’t forget the valuable lessons learned and experience gained from the first film.
The two pieces follow the same character and situation, but approach the relevant issues very differently, leading the audience to two very different experiences. I’m certainly glad they both exist, but I’m even more happy that we have a decent remake, a remake worth making, a remake worth your time. I truly feel that if I watched the original first, my expectations for the remake would have damaged my overall experience.
Recommendations
Because I don’t know many vintage films, I will recommend films released in this millennia. I hope this changes as I continue with the series!
I’m extremely interested in your thoughts! Did you like either better than the other? Which Remake vs Original should I dive into for Episode Three? Let me know in the comments below!
Last night’s episode of American Horror Story Delicate was wild. From its star-studded start to its powerfully quiet finish, I was enthralled through every moment.
Let’s discuss.
The story
We begin this episode at the funeral of Dex’s mom. While he’s giving a eulogy, which was very nice, Ms. Preecher walks in. She shouts to the room that Virginia didn’t commit suicide, she was murdered. She also tells Dex to listen to his wife.
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What a concept!
Touched by this, or maybe just curious, Anna goes to the hospital to check on Preecher. She falls asleep at the hospital. When she wakes up, Preecher is gone. A nurse says that she was discharged to a group of women.
While at the hospital, Anna also discovers that she’s been nominated for best actress.
At a publicity event for the awards, Anna runs into Cora. And she sees the coat she remembers from her late-night visit near the start of her pregnancy.
With the slightest amount of pressure, Cora spills it all. She and Dex have been having an affair, and Cora was trying to sabotage Anna’s pregnancy. So Anna, channeling her inner Madison Montgomery, kicks him out and heads to the awards ceremony with Siobhan.
There, Siobhan asks her if she wants an Oscar more than anything. If she’d be willing to give up anything for it.
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And Anna says yes.
The bargain is then sealed with a kiss.
What worked
I’d like to begin, paradoxically, at the end of the episode. We’ve seen Anna have some terrible, loud, frightening hallucinations in this season. At least, we assume they’re hallucinations. But this one wasn’t loud. It was, in fact, very quiet. Anna is led off stage, without a word, leaving nothing but a puddle of blood behind.
In horror, like in all art, the notes you don’t play are as important as the ones you do. And the notes that weren’t played her rang like a bell.
I also appreciated that this episode describes why being a celebrity would be a huge pain in the ass. Imagine going to an event where the whole purpose is for people to take pictures of you while holding their product. Imagine if they invaded your personal space, sprayed things on you, put things over your eyes, and you were expected to smile and pose.
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I don’t know what it is about being a celebrity that makes others feel entitled to a person. To talk with them, take their time, and share in their moments. To touch them without consent. Yes, there are way worse things happening to people. But this isn’t a great way to live. It’s no wonder so many of them go nuts. This is most clearly shown in the scene when Anna is sitting next to Preecher’s bed. She wakes up to find the older woman gone. But all anyone wants to talk about is how she was just nominated for an Oscar. At that moment, she doesn’t give a damn. She cares about this kind woman, and where she’s gone. Just like any other person.
Finally, I appreciated that this season didn’t do what so many AHS seasons do. Which is to say that this episode didn’t feel like the last episode. It felt like the penultimate episode. It felt like there was still more story to tell, not just loose ends to be wrapped up. I appreciate that the writers have finally learned that lesson.
For this season, at least.
What didn’t work
The first thing that bothered me in this episode was Cora’s confession. I said something about this during our live-watch event on Threads. (Join us next week for the finale. Bring popcorn and wine.)
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I don’t believe Cora’s confession. I further don’t believe that she just dumped all of this incriminating info on Anna with no more prompting than a wide-eyed look. There was just no reason for it. So, Anna saw her coat? Lots of people have similar coats. This feels fake, and she brought no receipts.
I also found Siobhan’s behavior confusing. At times she seems genuinely concerned for Anna’s wellbeing. At other times, she is more than willing to let her suffer and risk her pregnancy.
While this has been going on all season, it was happening every few minutes in this one. Either Siobhan cares about the welfare of that fetus, or she doesn’t. But she needs to pick a lane.
All in all, I don’t know what to expect from next week’s season finale. Anna has her Oscar, but now she might lose her baby. She might also get sucked into some horrible cult and experience a bad death. We won’t know until next week.
Episode two of Amazon Prime’s Fallout was equal parts funny and bloody. This almost always leads to a good time.
The story
We begin this episode with the birth of some puppies that look like they’ve had a rough start to life. Each one is weighed, with the ones who fall short being incinerated.
One pup who is just below the correct weight gets a bit of a thumb on their scale. The scientist weighing them, Wilzig, writes down the proper weight. He later takes the puppy home to raise instead of putting them into what looks like an unforgiving training program.
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Eventually, we see Wilzig put some blue glowing thing into his neck. When a soldier comes for him, Dog attacks the soldier, and the two escape.
We go from there to the wilderness, where Lucy is recovering from the last episode and enjoying a campfire at night. Wilzig and Dog come out of the shadows, saving Lucy from a bug monster. Wilzig tells Lucy she should go home. And if she’s not going to go home, she needs to evolve.
The next day Lucy finds her way to a town called Filly. As a Pennsylvanian, it hurts me to spell it that way. Lucy is entranced by this town, though clearly put off by the fact that no one is very nice here.
She eventually finds her way to a shop run by a delightful woman named Ma June. Ma doesn’t seem particularly interested in helping Lucy. Or, frankly, having Lucy in her shop.
Or in her town.
Eventually, Wilzig is tracked to this same shop, being tracked by The Ghoul. This is our final primary character. Lucy defends Wilzig, being aided at the last moment by Maximus.
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Maximus, by the way, has been having a terrible time. After finally becoming a squire he’s disappointed to find that his knight, Knight Titus, is a terrible person.
Fortunately, Maximus doesn’t have to put up with Titus for long. After Titus gets the bright idea to go hunting, he’s attacked by a mutated bear. Maximus freezes, unable to save him. Then, well, he decides not to save him.
It was Titus’s idea to go hunt the bear, after all.
What worked
The first thing I want to draw attention to is the shootout scene at Filly. This scene checked every box a fight scene should check. It was fun to watch, with great effects. But it also gave us insight into the characters. Lucy is a decent fighter and has a strong moral compass. The Ghoul is callus and desensitized to death. And Maximus continues to be, well, sort of bad at this whole fighting thing. But with enough moral fortitude that we have a hard time blaming him.
Of course, I would be remiss if I didn’t mention the dog. Who’s name, as far as I’ve been able to ascertain, is just Dog. Which is fine. He doesn’t need to have a name to be a very good boy. He’s sweet, loyal, and fearless.
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Also, puppies. Puppies are always great.
Finally, I’d like to shine a spotlight on Lucy’s reaction to the world at large. She is both amazed and terrified by everything. And while she certainly doesn’t want to be rude, she also doesn’t want to be taken advantage of. The best example of this is when she stops to ask for directions with a bright smile and a gun.
Once again, I don’t have anything bad to say about this episode. It was funny, dark, and fun to watch. I’m very much looking forward to the rest of the season.
(4 / 5)
Launching with worldwide excitement, Fallout is based on the extremely popular game series of the same name. Fans of the series have waited with anticipation and trepidation to see if the Prime series would live up to the game.
Having now watched the first episode I can say that, so far, it’s successful.
The story
Our story begins with a children’s birthday party. A performer is there with his daughter, giving horse rides and taking pictures with the kids.
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As much as the adults try to focus on the party and the kids, it’s impossible to ignore the looming threat of war that’s on everyone’s mind.
Of course, it’s during this party that war comes, and the bombs drop.
We then cut to after the war and into one of the vaults established to protect humankind and the American Way. For future reference, this is Vault 33. We meet Lucy, our first main character, who’s petitioning to be married to a man from Vault 32 to ensure DNA diversity.
On the wedding night, though, Lucy and the rest of Vault 33 are met with a horrible surprise. The group they let in is not in fact from Vault 32, but is instead a team of raiders from the surface. The raiders kill a lot of the vault dwellers and kidnap Lucy’s father.
We are then introduced to our second main character, Maximus. He is in training to become a Knight in the Brotherhood of Steel. And, well, he’s not doing great.
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Things get worse when his best friend Dane becomes a squire before him. But when Dane is hurt, Maximus gets their spot.
We then go back to Lucy, who has decided to leave the vault and find her dad. Of course, the council of her vault doesn’t want her to go. So she is aided by her brother Norm and cousin Chet in a wild escape.
What worked
The first thing that deserves attention is the exceptional character work. Our three main characters are fleshed out and relatable right away. We feel sympathetic for The Ghoul before he’s even introduced as such. We love Lucy’s nativity and selflessness. And we love Maximus for his honesty and passion for his cause.
While these characters are their own people, they also exhibit the three responses we might expect to see in a post-apocalyptic world. We have the hopeful optimist who doesn’t understand how bad things are. We have the aspiring hero who wants to make the world better by force. And we have the self-serving individual who’s given up on the rest of humanity and is only focused on surviving.
Another thing I enjoyed about this episode was the balance of humor and gore. Because there was certainly enough blood and guts for even the most hardcore horror lover. We had a violent sabotage, a brawl with raiders, and even several nuclear bombs.
But there were a lot of funny moments as well. Usually from Lucy. Her overall goodwill and fearless gumption are absolutely hilarious, especially given the horrors she’s facing. It never ceases to amuse me.
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Both of these aspects are done perfectly. The jokes land and the bloody scenes pull no punches. It was delightful.
All in all, this was an exciting start to a much-anticipated series. Here’s hoping they’re able to stick the landing.
For more tv shows based on video games, check out my review of Witcher.
(4 / 5)