In this special Podcast-a-thon episode of Streaming Demons, host Jim Phoenix dives into horror reviews and charity with a mix of sharp humor and real talk. First up, Jim reviews Shudder’s 825 Forest Road, a supernatural thriller with a Hell House LLC vibe, and The Rule of Jenny Penn, a psychological horror featuring John Lithgow and Jeffrey Rush that delivers eerie suspense with deep emotional weight.
Then, it’s time for the Podcast-a-thon Charity Spotlight, where Jim introduces JJ Cares, a Wisconsin-based nonprofit providing scholarships for the families of U.S. veterans to attend community college or trade school—no sky-high GPAs or standardized tests required, just a commitment to education.
Tune in for horror, humor, and a cause that matters. Hit play and spread the word!
Welcome to Earth, Baby!
Join the high commander, Dick Solomon (John Lithgow), decorated military officer, Sally (Kristen Johnston), seasoned intelligence specialist, Tommy (Joseph Gordon-Levitt) and Harry (French Stewart), the extra seat, for their Emmy award-winning season
Watch as the naive aliens, dressed as humans, experience the peculiarities of earthlings in marriage, love, fear, doctors, jury duty and diets
This celebrated third season includes co-stars Jane Curtain, Wayne Knight, Simbi Khali, Elmarie Wendel and Jan Hooks as well as special guests Cindy Crawford, John Cleese and Roseanne!
Last update on 2025-03-16 / Affiliate links / Images from Amazon Product Advertising API
You’ve seen me as Theda Bara, a Witch, and a Necromancer already (as well as Cleopatra, Elvis, and Andy Warhol) but here are some more fun costumes I’ve worn while figure modeling for the Friday morning art group at Hutchinson Art Center. The group is switching to Saturdays but hopefully I’ll still be able to make it in from time to time… Life’s a circus, or maybe a magic act in a shamanic ritual with Holly Hobbie… At any rate – beam me up Scotty, I have your missing spaceship part…
More Costumes from Jennifer Weigel figure modeling
Yeah yeah, so none of that was really all that terrifying. Just another time warp in all honesty. At least there’s still some residual Rocky Horror vibes to be found, but then again, there usually are with me when I get into the identity based costumes.
But in follow up and in the spirit of so much of my other randomness, here’s a music video for Everything Changes by Eytan and The Embassy. Check it out if you want to see some more fun costumes in an immersive homage montage experience unlike any other. (If the video doesn’t load, just follow the link here.) See how many artists you can recognize in this quick change setup. Ready… Set… Go!
Wheel of Time is back for season three. There are mixed feelings regarding this. Last season, there were some serious pacing issues. And some serious sticking to the book’s storyline issues. But we’re two seasons in, and we don’t give up so easily. So let’s dive into episode one, To Race the Shadow.
By the way, I highly recommend watching this episode with the subtitles on. You’ll see why.
The story
We begin this episode with Liandrin facing a trial of sorts for her rampant betrayal. She does her best to gaslight her Aes Sedai sisters into thinking that Siuan Sanche is the real traitor.
When that doesn’t work, she reveals how many Black Aes Sedai have actually infiltrated the tower.
Spoiler, it’s a lot.
In the aftermath, our whole team gathers to drink and enjoy one night of relaxation before they head out to the Tear to form an army for Rand. All is going well until they’re attacked by myriad creatures and a sentient axe.
What worked
This episode was long. It had a run time of an hour and eleven minutes. And a lot of that run time was spent in heavy dialog scenes.
Fortunately, these were well-done scenes.
If you’re going to have a lot of talking scenes, there are good ways and bad ways to do it. Last season, we saw lots of examples of the bad way to do it. But this episode did it well. For one thing, other things were going on while conversations were taking place. The characters are drinking, playing games, walking through an interesting city. And the scenes themselves didn’t stretch out. They weren’t repetitive. We heard what the character had to say, then we moved on.
It was also nice that the point of these scenes wasn’t just info dumps. We had character development. We had romantic interactions. We had plot development and foreshadowing.
Overall, this episode felt like what it was. A moment of calm before a storm.
Taking a step back, I’d be remiss if I didn’t address the fight scene at the start of the episode. Because it was epic.
The magic looked amazing. The martial arts that went along with it looked fantastic. The costumes were beautiful. It was just incredibly fun to watch.
More than that, it was emotional. We lost some characters in that fight that were important. And it was clearly emotionally shattering for many of our characters, who found themselves betrayed by people they trusted.
So many of them.
It was a great way to open the season.
What didn’t work
Despite that, this episode wasn’t without its flaws.
First off, there were a lot of dialog scenes. And they were good scenes, as I’ve already discussed. But it was one after another after another. And when your episode is, again, an hour and eleven minutes, it’s maybe a little much to have so much chit-chat. Couldn’t some of these conversations, important as they were, have been moved to maybe another episode?
Finally, I want to talk about Egwene’s travel through the arches.
I feel like maybe there were some deleted scenes here. Because there must have been more to that visit than what we saw, right?
We could have seen Egwene battle Rand. That would have been badass and emotionally devastating. We could have seen her with a quiet life with Rand back home at the Two Rivers. We could have seen anything except for the quick clip of Rand in a bloody river, followed by Egwene being shoved back out in a bloody shift.
No products found.
Bad job. But at least it wasn’t an extended scene of Moiraine collecting bathwater, and then taking a bath while looking sad. If we’d started this season with another scene like that, it might have broken my brain.
Amazon dropped the first three episodes at once. So we’ll be back soon to talk about episode two. See you then.
On Halloween in 2016 Josh Malerman, author of Bird Box, released A House At The Bottom Of A Lake (gosh this is a hefty title!). Last week, I picked this slim book up off my library’s Adult Horror shelves, not knowing what to expect. What I got was a novella that should have been shelved in the teen lit section. Perhaps it is the rather weird underwater sex scene that precludes it from those shelves.
From the New York Times bestselling author of Bird Box and Malorie comes a haunting tale of love and mystery, as the date of a lifetime becomes a maddening exploration of the depths of the heart
“Malerman expertly conjures a fairy tale nostalgia of first love, and we follow along, all too willingly, ignoring the warning signs even as the fear takes hold
”—Lit Reactor The story begins: young lovers, anxious to connect, agree to a first date, thinking outside of the box
Last update on 2025-03-10 / Affiliate links / Images from Amazon Product Advertising API
The Plot.
When James asks Amelia out on a date during summer break, canoeing was the last thing that she expected. Borrowing his uncles canoe, James hopes he can show Amelia an exciting time, because he really likes this girl! The date starts well and the conversation, if stilted at times, is banter-ey and cool.
They head out on the first lake, but James has an idea that they might have a better time on the lake that joins to this one. It is quieter, no speed boats to show him up, they’ll be able to eat their picnic lunch in peace and quiet. When they arrive, though, they notice a tunnel, that may lead to a third lake. Eager to show Amelia that he is an exciting kind of guy, James heads through the tunnel.
Lo and behold, it is another lake! Albeit, a bit murky and deserted, but that’s alright. That is until they notice that beneath the bow of the boat is a tiled roof. Beneath that tiled roof is a whole house. What ensues is a summer of falling in love and exploring a sunken house that may not be as empty as they thought.
Highlights.
Malerman writing the internal monologue of an angsty seventeen-year-old on a first date is one of the most authentic things I’ve read for a long time. Even down to James worrying about revealing that his dad owns the hardware shop he works in. Scared that Amelia will think that is all he is going to do with his life.
The ending (which of course I cannot discuss here) was well done, although a little contrived and predictable. It felt as if it had been almost tacked on the end as an afterthought. Perhaps Malerman finished the story without the final chapter, but was encouraged to add that last bit to give readers some closure
“A book that demands to be read in a single sitting, and through the cracks between one’s fingers
There has never been a horror story quite like this
Josh Malerman truly delivers
Last update on 2025-03-10 / Affiliate links / Images from Amazon Product Advertising API
Drawbacks.
Malerman is a good writer, we have seen this in the many novels he has released since Bird Box. A House At The Bottom Of A Lake did not meet the usual standard. There are many reasons I say this. The first is a lack of creativity in descriptive passages in this book. They all felt pretty drab and began to become repetitive by the end of the story. I don’t know how many, times Malerman compared the way that James and Amelia were moving under the water in their scuba suits as ‘Astronaut-like’ or ‘Astronaut-esque’ or ‘ Like he was walking without gravity’, but really can you find another comparison please because this one is all used up!
As I mentioned in the intro, this did feel like a YA novel. Not only because both of the main characters are seventeen, but the prose is a too simple to be engaging. A House A The Bottom Of A Lake might be marketed differently in Australia (where this humble reviewer lives), perhaps making it to the YA shelves in the US or UK, but this is definitely not adult horror.
The Final Take.
Josh Malerman is a favorite of mine. I tend to pick up his books, blurb unread, because I will generally enjoy what he is putting out there. The exception to this rule is A House At The Bottom Of A Lake (if I never have to type that title again I will be pleased!). It just didn’t hit the way his other novels have and I was disappointed.