Things Have Gotten Worse Since We Last Spoke and Other Misfortunes, Eric LaRocca’s June 2021 debut collection, is a dark and disturbing exploration of human connection and the desperation for intimacy. These stories burrow under the skin, blending psychological horror sprinklings of body horror and a disturbing undercurrent of religious obsession.
The Stories.
Things Have Gotten Worse Since We Last Spoke and Other Misfortunes features a novella followed by two short stories.
‘Things Have Gotten Worse Since We Last Spoke.’
Presented as a true crime investigation and told through a series of increasingly disturbing emails and instant messages,Things Have Gotten Worse Since We Last Spoke charts the twisted relationship between Agnes and Zoe. What begins with the sale of an heirloom apple peeler quickly spirals into obsession, control, and unsettling discussions about life, death, and dominance. Winner of the 2022 Splatterpunk Award for Best Novella.
‘The Enchantment.’
Set in our world, but where the afterlife has been proven to not exist. A couple (Olive and James) welcomes their teenage son Milo home, eager to celebrate his 17th birthday. Milo, a highly religious person, is in no mood to celebrate. Milo is convinced that science is wrong, God exists, and he is willing to go to great lengths to prove his devotion.
‘You’ll Find It’s Like That All Over.
Gerald Fowler’s garden discoveryâa boneâleads him to his mysterious neighbor, Mr. Perlzig. A seemingly simple question about the bone’s origins quickly devolves into a series of escalating bets that Gerald can’t seem to lose, with darkly comedic and increasingly unsettling consequences. What lengths is Mr. Fowler willing to go to to ensure he remains a polite neighbor?
Eric LaRocca (Author) – Laurie Catherine Winkel (Narrator)
English (Publication Language)
Last update on 2025-02-03 / Affiliate links / Images from Amazon Product Advertising API
Highlights.
The main highlight in this collection was the first story, âThings Have Gotten Worse Since We last Spokeâ. This story felt like a rollercoaster and it ended with me wanting more. The body horror toward the end was so well written, LaRocca doesnât resort to drawn-out bloody descriptions or visceral language, the body horror here feels more mature than that. It is slight cramping and nausea and knowing the cause and how itâs all going to end. Also please pay attention to the nuances of who enters and leaves the chats first and how quickly (or slowly) emails are returned. It is in these details that LaRocco shines, you can feel the desperation oozing from the page.
‘Youâll Find It’s Like That All Over’ is Stephen King-esque; for me, thatâs a big win! Iâm not sure what it is exactly, perhaps it is Mr. Fowler who feels he could walk into Castle Rock, in particular of the Needful Things era, and not be noticed, or maybe itâs the Americana feel of the story itself. Thereâs just something there that makes me want to pick up anything of Kingâs and reread it.
Last update on 2025-02-03 / Affiliate links / Images from Amazon Product Advertising API
Drawbacks.
Notice how I skipped a story in the âHighlightsâ section. Letâs talk about âThe Enchantmentâ. Look, I didnât hate it. It just felt disjointed and unfinished. Like LaRocca had a great idea but perhaps had some trouble with the execution. The first scene was great and I was ready to completely enjoy it. The characters are so well developed in this first scene, the parental angst and the teen anger are palpable. But then there is the âSix Months Laterâ jump and we are thrown onto Temple Island. Despite the parents being there, they are not the same people and I didnât completely buy the reason for them being there, or being there together. The stranger who appears and the reason behind it feels contrived and enters into deus ex machina territory.
The Final Take.
This collection has much to offer, with the eponymous novella being the strongest of the three in my humble opinion. While âThe Enchantmentâ is less impactful, it does contribute to the book’s exploration of religious ideas and provides a thematic bridge between the other stories. Might someone skip who feels inclined to do so? Yes, I think they could without missing out on too much.
C M Reid (She/ Her) is a writer living in Sydney, Australia and holds a BA in Creative Writing and English. She is a writer of dark fantasy and gothic horror fiction and dabbles in periodic peculiarities. She frequently kills her darlings though they rarely ever stay dead. Previously published on Wrong Turn Lit, Tales of the Strange and The Quarry Journal.
Published in January 2025, Virginia Feitoâs second book, Victorian Psycho, is⊠hard to categorize. Much like Feitoâs first book, Mrs March (which I also highly recommend), Feito has created a main character that is paranoid, violent and utterly charming. Victorian Psycho might be any classic Victorian novel about a governess. Miss Notty, entering her new place of employment and getting to know the Pound family and their two children, Andrew and Drusilla. That is if you ignore the psychopathic thoughts that keep entering Miss Nottyâs head.
SOON TO BE A FEATURE FILM FROM A24 STARRING MARGARET QUALLEY AND THOMASIN MCKENZIE”This book will be the bloody belle of the 2025 literary ball
” (Oprah Daily)Most Anticipated Books of 2025: Vulture, Oprah Daily, Polygon, Reader’s Digest, Lit Hub, CrimeReads, The Stacks, LibraryReads, PasteBest Books of the Month: Washington Post, Los Angeles Times, TIME, Goodreads, Gizmodo, Book Riot, The A
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Last update on 2025-03-03 / Affiliate links / Images from Amazon Product Advertising API
The Plot.
When we begin Victorian Psycho, we meet Winifred Knotty, a young woman travelling to Ensor House through the English Grim Wolds in what feels like the Victorian era (the year is never actually pinpointed.) The reader is provided with a countdown of âthree months till Christmasâ and simply told that âin three months everyone in this house will be dead.â
Miss Notty is to be the new Governess to the two Pound children. As she settles into her new position, she appears to be good at her job. She ensures that the children are fed, tucks them in at night, tells bedtime stories and provides them with intellectual conversation. She only jokes about eating children and really has no idea where that missing maid has disappeared to.
Highlights.
Victorian Psycho is written as a chaotic interior monologue, punctuated with intermittent dialogue as Miss Notty interacts with other characters, or eavesdrops on them from the hallway. The reader is completely immersed in this confused, violent mind, despite this, it is impossible not to like Miss Notty. I think it might be due to her witty intelligence and her keen ability to dismantle the other character’s social pretenses. Whatever it is, Feito has done a marvelous job of characterization on Miss Notty.
As an extra highlight I need to mention the way Feito has named her characters using a very Dickensian method of using words that describe their personalities. To name a few; Miss Notty, whose mind seems to be in knots, Mr. And Mrs. Fancy, who are very posh and the name that took the cake for me was the baby, called William Ebenezer Poncy Fancey, but donât worry, you wonât have to read that name too often as he does not last long in Miss. Nottyâs care.
Drawbacks.
There is a lot of confusion in Victorian Psycho, which is in keeping with our point of view main character. However, at some points in the story the confusion was so thick that I had to stop reading and try to untangle the events I had just read. If you are a reader who enjoys a clear and concise plot and action, this one is probably not for you. While you are in Nottyâs head suffice it to say you have to roll with the unconnected tangents and strange metaphors, if you’re not willing to do this it would be best to jump ship.
The Final Take.
This is a perfectly perverse take on a Victorian gothic. Full to the brim with brutal horror and visceral imagery, balanced out with tongue in cheek sarcasm. Victorian Psycho flips the script on the traditional âwomen running away from housesâ theme of the gothic. Instead, we have a woman coming in and, well⊠youâll have to read the book to see.
As a disclaimer, this is a review of The House of My Mother from a critical perspective. I will not be discussing my opinions of the legal case against Ruby Franke and Jody Hildebrandt. I will be discussing the merits of the book as a work of true crime alone.
In 2015, Ruby Franke started a YouTube channel called 8 Passengers. In August of 2023, Franke and her business associate Jodi Hildebrandt were arrested for, and later plead guilty to, charges of aggravated child abuse. And in January of this year, Shari Franke told her story in The House of My Mother.
The story
The House of My Mother is the true story of Shari Franke, the oldest child of one of the most famous family vlogger families.
As a child, Shari came to the conclusion that her mother didnât like her. Soon, she began to fear her motherâs anger.
Things got significantly worse when Ruby started their family vlog. All of the families most intimate moments were splashed across the internet for anyone to watch. This became a living nightmare for Shari.
Of course, that was only the start of the family nightmare. Because Ruby was about to meet someone who would reinforce all of the darkest parts of herself.
Eventually Shari manages to escape her home. But her younger siblings were still in her motherâs clutches. She had to save them, and her father, from the monster her mother had become.
What worked
Through the book, Shari only ever mentions the name of one of her siblings, Chad. This is because Chad is the only of her siblings that is an adult at the time of the publication.
There are children involved in this story. Children whoâs lives and privacy have already been damaged. Shari didnât want to do that to them again, and neither do I.
It probably wonât surprise you that this book is full of upsetting details. But not in the way you might imagine.
Nowhere in this book will you find gory details about the abuse the Franke kids suffered. And I consider that a good thing. Those sort of details are all fun and games when weâre talking fiction. When itâs real kids who are really living with the damage, itâs not a good time.
What youâll find instead is a slew of more emotionally devastating moments. One that stuck with me is when Rubyâs mother gives her a pair of silk pajamas as a gift after Ruby gave birth to one of her babies. Shari asks Ruby if sheâd bring her silk pajamas when she had a baby. Ruby responds that yes, when Shari becomes a mother they can be friends.
What a lovely way to make a little girl feel like sheâs not worth anything unless she reproduces. And, if she does decide to have children, who is going to bring her silk pajamas?
From eldest daughter Shari Franke, the shocking true story behind the viral 8 Passengers family vlog and the hidden abuse she suffered at the hands of her mother, and how, in the face of unimaginable pain, she found freedom and healing
Shari Frankeâs childhood was a constant battle for survival
Her mother, Ruby Franke, enforced a severe moral code while maintaining a façade of a picture-perfect family for their wildly popular YouTube channel 8 Passengers, which documented the day-to-day life of raising six children for a staggering 2
Last update on 2025-03-02 / Affiliate links / Images from Amazon Product Advertising API
In the end, this isnât a story about ghosts or demons. Itâs not about a serial killer waiting on a playground or in the attic of an unsuspecting family. Instead, this is a story about things that really keep us up at night. Itâs the story of a woman so obsessed with perfection that she drove away her eldest daughter. The story of a young woman whoâs forced to watch from afar as her beloved brothers and sisters are terrorized and abandoned. These are the sorts of things that really keep us up at night. These are the real nightmares.
More than that, though, The House of My Mother is a story of survival. Itâs about a family that was ripped apart and somehow managed to stitch itself back together again. Itâs about a brave young woman who managed to keep herself safe and sane in the face of a nightmare. If you havenât read it yet, I canât recommend it enough.
The tales are varied and touch upon the environment in new and different ways, each hearkening to a sort of epiphany or raised awareness. These stories exude both dread and wonder at the smallness of our human existence in contrast to the sacred world we have isolated from, sheltering ourselves in our comfortable houses with centralized heat and everything we could possibly need or want at the ready. The taiga becomes a sanctuary outside of our own dulled awarenesses. It is a holy place imbued with powers beyond mortal human reach, a wilderness that threatens to swallow us â both whole and bit by bit, simultaneously.
The protagonists enter into this realm through ritual, superstition, longing, stubbornness, and their own hubris â yearning to survive its dangers, and to make their own marks upon it. The starkness of their surroundings harbors delicate moments that would be all too easily missed if not deliberately sought or pointed out. The softness of fur, the dappled sunlight shining through trees, the hazy clouds of breath forming in crisp air, the brittleness of bleached bone… those quiet experiences that beg to be forgotten, to lay safely sleeping just below the frozen surface, awaiting spring.
There are those who followed in the footsteps of their predecessors, seeking to escape the constraints of their parentâs and eldersâ indoctrination, traditions, madness, and abuse, yearning to find their own way despite also being inextricably bound to their own pasts. There are those who just wanted to go for a walk in the woods, and remained forever changed by what they experienced. There are those who wished to impose their will upon the wilderness, their order falling to disarray, unable to make lasting impact. There are those who sought to leave behind the world of mankind, looking for oneness in the natural order of things through isolation, leaving a bit of themselves behind after being consumed by the terrors they encountered. There are those who truly found communion with the woods, became one with its wildness, and invited its spirit into their hearts to find peace, even at cost of their own lives. And then, there are the spirits themselvesâŠ
(3 / 5)
All in all, I give Boreal: an Anthology of Taiga Horror 3.0 Cthulhus. I love existential angst so I found it to be an enjoyable read, and I appreciated the myriad manners in which the biome was explored. But there were points in which I found myself struggling to follow along, as if the words were swept up into their own wilds in ways that alienated myself as reader, as if my mere voyeurism into this otherworldly place was not enough to comprehend the subtle deviations in storytelling mannerisms fully. I suppose in some sense this seems appropriate, but at the same time, it left me feeling a bit unfulfilled, as if I had missed a spiritual connection that should have resonated more deeply.