Sporespawn, a short story by Jennifer Weigel
Sporespawn was thriving. The Mars colony had become more efficient and better at finding and using native resources with the Martians’ influence. The native creatures were a dust-borne sort, essentially existing as microscopic eggs in stasis waiting for new hosts to infect until opportunity presented itself. These particles could exist in a state of torpor for centuries, millennia, perhaps even longer. It was unclear how ancient some of them were, and the alien humans had no way of calculating this. When the humans had first arrived on the planet they hadn’t even realized the dust they were breathing was alive, nor could they discern that it was infectious. Not until it was too late anyway.
The humans who had been involved in the Martian terraforming effort had all eventually become Incubators and succumbed to becoming a part of Sporespawn. Over several generations, the terror of the situation had subsided and the colonists had acclimated to their new role as host bodies for the Martian creatures. It wasn’t all bad, the Martians looked out for their Incubators and kept them safe until the Spawning, and the period before then was 40+ years long. So an infected person could live a relatively full life in that span, even including having children of their own. And since the humans were infected and became Incubators at a very young age, typically around 5 or 6, they never really questioned their roles, merely following along like sheep until the slaughter.
Plus, the native Martian creatures were much better equipped instinctively to handle all of the chaos that the hostile-to-humans environment threw at them. The alien humans had struggled just trying to survive in the settlement, let alone make much progress, until enough of them had become Incubators to make better sense of their circumstances. And it wasn’t as if they didn’t get to make any decisions in their lives at all, more like the guardian angel on their shoulder whispering in their ear (or that little voice in their heads that belonged to the Martian creatures inhabiting their body) was much more involved in their lives, its presence increasing the more mature the Martian beings residing within became.
Fetsch was thirty-nine. She had lived a full life in Sporespawn, working from when she was just 7-years old to plant and harvest potatoes in the still relatively harsh conditions of the roundhouse, an area designed specifically to grow food. The voices in her head had grown louder and more insistent in recent years, and as always she was persuaded to obey them. She could not remember a time before her guardian angels had whispered in her ear, protecting her from pending dust storms and helping her to survive the blackouts when they happened. They taught her how to get everything back online quickly and maintain tight control of all of the atmospheric conditions in the controlled habitat. She trusted them with her life, and they seemed to have her best interests at heart. And her Elders had always taught her to mind the guardian angels; she always did as she was taught.
Now that she was an Elder herself, she had retired from potato farming and was in charge of taking care of the younglings, including her own daughter, now 4 years old, and the baby. She was lactating and nursed those who needed it. As Fetsch had grown older, she began to work harder at taking care of the younger members of the society, helping them to master agriculture and teaching them the trade, just as her Elders had modeled when she was young. It was, after all, the natural order of things. At about six years of age, after becoming one with Sporespawn, the children would finally start learning how to survive in this difficult land by shadowing the adults and doing what they could to help out.
But at this point Fetsch couldn’t even remember which children were her own amongst the throng of infants and toddlers. In fact, she couldn’t remember much of anything, really; her existence was drowned out by her migraines. Recently the headaches had worsened considerably, and her visibly throbbing temples drowned out much of her memory and awareness. Her skin was stretched so thin as to appear transparent over her bulging forehead, which pulsed and convulsed of its own accord. Red tendrils wormed their way beneath the surface, edging towards the surface and causing it to swell further.
Fetsch remembered seeing other adults like this as they were nearing the Spawning. She knew that eventually their heads burst open, spewing forth a cloud of particulate among the children in their care. She knew that this was also her fate. And yet, she found it strangely comforting, knowing that her life would end as part of the ongoing cycle towards the continuation of Sporespawn. For this was also a part of the natural order of things, and her guardian angels ensured her that her Spawning would fulfill the needs of the colony and provide for generations to come. She could think about little else as she played amongst the children, her mind becoming more and more infantile as the pressure throbbing inside her brain grew. She looked forward to the end, when everything would go black and the headaches would finally subside. Hopefully it wouldn’t be too terribly much longer.
If you want to read another of my stories prominently featuring Mars dust, please follow these links to Part 1, Part 2 and Part 3 of Cozmik Debris (and it’s later conclusion here on Nightmarish Nature: Terrifying Tardigrades).
And feel free to check out more of Jennifer Weigel’s work here on Haunted MTL or here on her website.
So I just keep on going… Here are some more repaint porcelain figurines and other madcap painting. OK maybe some of them aren’t porcelain, but still totally redone.
This Pennywise clown started as some plastic figurine from Italy. I was drawn to this because of the pretty marble base. It’s a nice touch, don’t you think? I’ve seen others in this series and honestly they’re all kind of creepy to start with, so they really lend themselves towards repaint prospects. Perhaps I’ll pick up more to redo in similar ways later on… Oh, and the eyes are blacklight sensitive, in case he wasn’t creepy enough already.
With all of the new movie hype, I couldn’t resist a throwback to the classic Beetlejuice, and this little bride figurine and teddy bear were just too perfect. Featuring more blacklight sensitive accents, like her veil flowers. And I don’t know why she only has one glove, I blame it on the 1980s… Or maybe she was just that drunk (you’d have to be for that wedding)…
So yeah, all those preppers ready for the zombie apocalypse – you know some of them are gonna get bitten. It’s in the script, what can I say? More blacklight eyes, cause why not?
I admit I haven’t seen this film, but it sure looks fun. Mathilda, eat your heart out. Literally.
OK so this isn’t a repaint. Nor is it porcelain. What is it even doing here? Well, she’s cool and ready for a party and kinda reminded me of Abigail, so she sort of just tagged along. Sexy Sadie started as an Avon perfume bottle with a fragrance I didn’t care for (I think it was called Head Over Heels). Because honestly the bottle topper was all that mattered. And now she has her own disco dancing platform. What more could a vampish vixen want?
And feel free to check out more of Jennifer Weigel’s work here on Haunted MTL or here on her website.
I wrote this script for Beyond the Veil awhile back, exploring the bond between two twin sisters, Edith and Edna, who had lived their lives together. There was a terrible car crash and someone didn’t make it. The other is trying to contact them beyond the veil…
Beyond the Veil Setting:
Two women reach out to one another individually in a séance setting.
One sits on one side of a dining table. The other sits at the other side. Each studies a candle just beyond her reach; there is darkness between the two candles. The long table is barely hinted at in the interstice between the two but it is clearly present.
The camera is stationary showing both in profile staring through each other.
The women are both portrayed by the same actress who is also the voice of the narrator, who is unseen. All three voices are identical so that it is impossible to tell which of the two women the narrator is supposed to represent.
Both women are spliced into the same scene. They are together but apart. The two candles remain for the duration of filming so that the two halves of the film can either be overlapped (so that both women appear incorporeal) or cut and sandwiched in the middle between the candles (so both women appear physically present). It is possible to set the scene thusly using both methods in different parts of the story, with both women seemingly flickering in and out of being, both individually and apart.
Script:
I. Black, audio only.
Narrator:
I was riding with my twin sister.
We were in a terrible car crash.
The car drove over the median and rolled.
It spun off the road where it caught fire.
There was smoke everywhere.
My sister didn’t make it.
II. Fade in to the long table with two lit candles; flames flickering.
Two women are just sitting at either end.
They stare blankly through each other.
Call and Response
Edith: Now I’m trying to contact her…
Edna: …beyond the veil.
Simultaneous:
Edith: Edna, do you hear me?
Edna: Edith, do you hear me?
Together (In Unison):
If you hear me, knock three times.
Narrator:
Knock.
Knock.
Knock.
Call and Response:
Edith: I miss you terribly.
Edna: I miss you so much.
Edith: Do you remember…
Edna: … the car crash?
Edith: We rolled…
Edna: … over the median.
Edith: There was fire.
Edna: There was smoke.
Edith: I could hear the sirens.
Edna: They were coming…
Edith: … to rescue us.
Edna: But they were so far away.
Edith: So far…
Edna: … away….
Simultaneous:
Edith: Are you okay?
Edna: Are you hurt?
Together (In Unison):
Knock three times for yes. Knock once for no.
Narrator:
Knock
– pause –
Knock
– pause –
Together (Syncopated):
What’s it like, on the other side?
– long pause –
Simultaneous:
Edith: I miss you, Edna.
Edna: I miss you, Edith.
Together (Syncopated):
It’s so lonely here.
Call and Response:
Edith: There’s no one here.
Edna: I’m all alone.
Edith: Without you…
Edna: …the spark of life…
Edith: …is gone…
Edna: … so far away.
– pause –
Together (Entirely Out of Sync):
It’s so dark.
III. Fade out to black
Narrator:
I was riding with my twin sister.
We were in a terrible car crash.
The car drove over the median and rolled.
It spun off the road where it caught fire.
There was smoke everywhere.
I didn’t make it.
I had planned to actually turn this into the video for which it was written, but quickly discovered that my plans for recording required a space that was too drastically different from my new house (and new large gaming table) and that my vision for filming could not be well-fully executed or realized. So now it exists as a script only.
And feel free to check out more of Jennifer Weigel’s work here on Haunted MTL or here on her website.
Yeah yeah, the insects tend to get ALL the attention here on Nightmarish Nature. But honestly, this one takes the beefcake. It’s the New World Screwworm Fly, and it’s as terrifying as the name suggests. And they aren’t limited to the Americas, there is an Old World version as well, as they can be found pretty much anywhere tropical or seasonably suited.
Revolting Little Buggers
The Screwworm Fly is a parasitic fly larvae that burrows into its host to feed, named because it seems to screw deeper and deeper into the flesh over time. This process is called myiasis and do NOT look it up online, you WILL regret it. They blur those images out for very valid reasons, trust me (and not because of pornographic content). And these maggots will continue to burrow en masse, rather than staying put as a botfly larvae would.
Do Not Do an Image Search on Screwworm Myiasis, Like Seriously – You Will NEVER Unsee That
The female Screwworm fly lays her eggs on an open wound or orifice of her chosen host… And not just one egg or a couple of eggs, no – hundreds, even thousands of them. Let’s let that sink in a bit, shall we? Or screw in as it were. Although any warm-blooded animal is a prime target, cattle are a fly favorite, costing millions of head of cattle to this sick and disgusting horror annually. And if beef isn’t on the menu, Fido or even yourself might be.
The Great American Worm Wall
In fact, this particular feature here on Nightmarish Nature is so terrifying that the United States has made agreements with all of Central America, even including countries that do not generally share its interests, in order to create a “Great American Worm Wall” to prevent them from spreading back into the United States. I’m not going to go into all of the creepy and juicy details of this bizarre science fiction freak fact, you’ll just have to watch it here on Half As Interesting’s YouTube channel.
Essentially, the Worm Wall is a complicated byproduct of scientists studying radioactivity on the flies’ maturity as well as the flies’ sexual lives and using this information against them to nearly eradicate the species and banish it from much of its former range. So, Peter Parker, if you thought everyone was messing with your love life before, be glad you weren’t bitten by a radioactive Screwworm.
If you’ve enjoyed this segment of Nightmarish Nature, feel free to check out some previous here:
