When someone asks you if you’re a god, you say yes! Well, you might not be a god, but if you’re a fan of the Ghostbusters films and animated series, you’re certainly part of a cultural phenomenon that has captured the hearts of millions worldwide. From the moment the original movie hit theaters in 1984, the Ghostbusters franchise has become iconic, inspiring sequels, animated shows, and even a reboot. With its mix of comedy, horror, and sci-fi, Ghostbusters has carved out its own unique niche in the entertainment world.
But what is it that makes Ghostbusters so special? Is it the memorable characters, the ingenious gadgets, or the thrilling supernatural adventures? Perhaps it’s the catchy theme song that never fails to get stuck in your head. Or maybe it’s the combination of all these elements, masterfully blended together to create a franchise that has stood the test of time. Regardless of the reason, one thing is for certain: Ghostbusters has left an indelible mark on popular culture.
Join me as we embark on a spirited journey through the Ghostbusters films and animated series, delving into the stories, characters, and impact that this beloved franchise has had on the world. So, strap on your proton pack, and let’s get ready to bust some ghosts!
The Original Ghostbusters Film: A Breakdown
The film that started it all, Ghostbusters (1984) was directed by Ivan Reitman and written by Dan Aykroyd and Harold Ramis. The movie stars Bill Murray, Dan Aykroyd, Harold Ramis, and Ernie Hudson as the titular Ghostbusters, a team of eccentric parapsychologists who start a ghost-catching business in New York City. With their trusty proton packs and ghost traps, they set out to rid the city of its paranormal pests, eventually facing off against the ancient, malevolent deity Gozer the Gozerian.
The original Ghostbusters film is often praised for its perfect blend of humor, action, and spookiness. The witty banter between the characters, particularly Bill Murray’s Dr. Peter Venkman, adds levity to the supernatural proceedings, while the inventive ghost-catching technology and thrilling action sequences keep viewers on the edge of their seats. The film’s special effects, including the iconic Stay Puft Marshmallow Man, were groundbreaking for their time and still hold up remarkably well today.
One of the most memorable aspects of the original Ghostbusters film is its unforgettable theme song, penned and performed by Ray Parker Jr. With its catchy chorus of “Who you gonna call? Ghostbusters!” and its funky, infectious melody, the song became an instant hit and remains synonymous with the franchise to this day. The movie’s success led to a sequel, animated series, and a lasting impact on popular culture that continues to resonate with fans old and new.
Ghostbusters II
Five years after the success of the first film, the original cast and crew reunited for Ghostbusters II (1989), once again directed by Ivan Reitman and written by Dan Aykroyd and Harold Ramis. This time, the Ghostbusters are called back into action to save New York City from a new supernatural threat: an ancient, malevolent spirit named Vigo the Carpathian, who seeks to return to life by possessing the body of a human child.
While Ghostbusters II didn’t quite capture the same magic as the original, it still offered plenty of laughs, thrilling ghost-busting action, and memorable moments. One standout sequence involves the Ghostbusters using their proton packs to bring the Statue of Liberty to life, controlling it with an NES Advantage joystick in a bid to save the city from Vigo’s evil influence.
Though it received mixed reviews from critics and fans alike, Ghostbusters II remains a beloved part of the franchise’s history, serving as a testament to the enduring appeal of the Ghostbusters concept and characters. And, of course, it wouldn’t be the last time we’d see our favorite paranormal investigators in action.
The Animated Series
Capitalizing on the success of the first film, the Ghostbusters franchise expanded into the world of animation with the debut of The Real Ghostbusters in 1986. This animated series followed the continuing adventures of Dr. Peter Venkman, Dr. Raymond Stantz, Dr. Egon Spengler, and Winston Zeddemore as they battled ghosts and other supernatural entities in New York City and beyond. The show also introduced fan-favorite characters such as Slimer, the mischievous green ghost who becomes the mascot, and Janine Melnitz, the team’s sassy secretary.
The Real Ghostbusters was notable for its high-quality animation, engaging stories, and clever humor, which made it appealing to both children and adults. The show was so successful that it ran for seven seasons and spawned several comic book series, video games, and a vast array of merchandise. In 1997, the franchise returned to the small screen with Extreme Ghostbusters, a sequel series that introduced a new, younger team mentored by an older Egon Spengler. Though it only lasted for one season, Extreme Ghostbusters maintained the franchise’s tradition of great animation and entertaining storytelling.
Both The Real and Extreme Ghostbusters played a significant role in cementing the franchise’s place in popular culture, introducing the concept to a new generation of fans and keeping the ghost-catching spirit alive throughout the 1980s and 1990s.
Reboot: The 2016 Film
In 2016, the franchise received a fresh start with a reboot directed by Paul Feig and starring an all-female team of Ghostbusters, played by Kristen Wiig, Melissa McCarthy, Kate McKinnon, and Leslie Jones. This new film, simply titled Ghostbusters, offered a modern twist on the classic formula, with the new team facing off against a malevolent spirit named Rowan who sought to unleash a paranormal apocalypse on New York City.
Though the 2016 film received mixed reviews and sparked controversy among some fans, it nevertheless showcased the enduring appeal of the franchise’s core concept and introduced the world of ghost-catching to a new generation of viewers. The film also featured cameos from the original cast members, paying tribute to the franchise’s history while paving the way for a new era of supernatural adventures.
Ghostbusters: Afterlife – The Latest Installment
In 2021, the Ghostbusters legacy continued with the release of Ghostbusters: Afterlife, a direct sequel to the original two films. Directed by Jason Reitman, son of original Ghostbusters director Ivan Reitman, the film follows a new generation of characters as they discover their connection to the original team and face off against a new supernatural threat.
Ghostbusters: Afterlife has been praised for its nostalgic callbacks to the original films, as well as its heartfelt story and engaging characters. Featuring appearances from the surviving original cast members, the film serves as both a loving tribute to the franchise’s past and a promising new chapter in its ongoing story.
The Legacy of Ghostbusters Films and Animated Series
From the moment the original film burst onto the scene in 1984, the franchise has captured the imagination of audiences worldwide, spawning sequels, animated series, and even a reboot. The enduring appeal of the films and animated series lies in their unique blend of humor, horror, and sci-fi, as well as their memorable characters, inventive ghost-catching technology, and unforgettable theme song.
As we look back on the legacy of the Ghostbusters franchise, it’s clear that these paranormal investigators have left an indelible mark on popular culture, inspiring generations of fans to strap on their proton packs and join the fight against the supernatural. So, the next time you find yourself faced with a ghostly apparition, you know exactly who to call: Ghostbusters! The franchise has become a cultural phenomenon, with its memorable characters, gadgets, and supernatural adventures resonating with fans old and new. Whether you’re a fan of the original films, the animated series, or the recent reboot and sequel, there’s no denying the impact that Ghostbusters has had on popular culture.
With Ghostbusters: Afterlife released in 2021, there’s no telling where the franchise will go next. But one thing is for sure: the legacy of the Ghostbusters films and animated series will continue to inspire and entertain audiences for years to come. Who knows? Maybe one day we’ll all have our own proton packs and be able to catch ghosts ourselves.
In conclusion, Ghostbusters is more than just a franchise. It’s a cultural touchstone that has inspired generations of fans and left an indelible mark on popular culture. From its iconic characters and gadgets to its memorable theme song and catchphrases, Ghostbusters has earned its place in the pantheon of great entertainment franchises. So, the next time you’re feeling spooked, just remember: Who you gonna call?
Movies n TV
Returning to the Soothing World of Evil with “The Demon of Death”
“The Demon of Death” is the season 3 premiere of the supernatural drama Evil, created by Michelle King and Robert King.
“The Demon of Death” is the season 3 premiere of the supernatural drama Evil, created by Michelle King and Robert King. The central cast includes Katja Herbers, Mike Colter, Aasif Mandvi, Michael Emerson, Christine Lahti, and Andrea Martin. As of this review, it’s available through Netflix and Paramount+ and its add-ons.
The assessors investigate the weight of a soul. Father Frank Ignatius (Wallace Shawn) agrees to participate in this test despite his growing disillusionment. David (Mike Colter) and Kristen (Katja Herbers) deal with the ramifications of their confessions. Kristen’s girls go on the warpath with Leland (Michael Emerson). Andy (Patrick Brammall) signs his death warrant.
What I Like about “The Demon of Death”
As season 2 ended with a cliffhanger, “The Demon of Death” picks back up with an interesting addition. The episode provides a more obvious stopping point that Season 2 should have taken advantage of. It dumbfounds me because this addition makes for a more interesting and darker cliffhanger. The added context would have made the cliffhanger more palatable. However, it’s a nice twist for the episode.
Dr. Boggs (Kurt Fuller) and Sister Andrea (Andrea Martin) make an interesting pair that adds complexity to both. We even explore some of Sister Andrea’s character flaws, best displayed by her interaction with Kristen in the next scene. Few wise sage characters that display flaws, making this addition appreciated.
Father Ignatius’ introduction adds layers of interest for a character who will play a recurring role, tying into Monsignor Korecki directly. The yet-to-be-explored relationship between Father Ignatius and Monsignor Korecki (Boris McGiver) evokes an interest.
While “The Demon of Death” isn’t a haunting episode, but explores the mysteries and terror of death through science to provide an interesting environment for an episode. It introduces a new character that adds to the cast.
Tired Tropes and Triggers
There’s not much to report here that particularly crosses the line and what teeters on the line holds a dark comedic tone.
Perhaps Sister Andrea’s flaw might rub some the wrong way, as it deals with her overwhelming faith. However, it’s a minor point at the moment. Again, I lean on liking some complexity for the wise sage archetype.
What I Dislike about “The Demon of Death”
“The Demon of Death” still plays it safe with its supernatural elements, but that does seem to be Evil’s standard. At this point of the series, it seems a strange restraint. However, the new normal remains functionally paranormal.
While the premiere starts with an interesting procedural plot, it doesn’t direct the season like prior premieres. This episode doesn’t deliver a massive refocus as season 2’s premiere, but that’s because its conclusion doesn’t deliver as focused of a direction. Regardless, “The Demon of Death” is still an episode that slips away despite its premiere status.
Ben (Aasif Mandvi) seems needlessly hostile as they investigate a soul’s potential weight. The study delivers a thorough scientific process, which makes his resistance linger on the “angry atheist” archetype.
The demon shown on screen certainly isn’t the demon of death the title suggests. While the plot revolves around the mystery of death, there is a demon with a more carnal domain. As future episodes dive into their respective demons, it does seem to be an inaccurate title. However, the demon of the episode will get further focus in a different episode.
Final Thoughts
“The Demon of Death” doesn’t stand out as a premiere but provides an interesting procedural episode. As Father Ignatius will become another key character in the series, giving him an entire episode to introduce him is a nice strategy. While it’s not a haunting episode, it still provides a level of camp with interesting characters to pull it off.
(3 / 5)
Released in 2010, Rare Exports asks an important holiday question. One that no one else has dared to ask.
What if Santa was a ten-story-tall monster buried under the ice for centuries?
The story
Rare Exports is the story of a little boy named Pietari. After doing what is frankly too much research for a little boy, he realizes that Santa is not the jolly old elf we all think of. He is, in fact, a monster who eats bad children. And it turns out that Santa was trapped in the ice near Pietari’s little town. All this would be well and good if a Russian mining team weren’t in the process of cutting him out of the ice. So it’s up to Pietari to convince everyone of the dark, horrific truth.
Santa Claus is coming to town.
What worked
Some movies need to make sense. Some don’t. Rare Exports is one of the latter.
Why were the Russians digging in the snow to find Santa? What was the plan there? What happened to Pietari’s mom? And who did they sell the elves to? Do the elves need air or water to live?
We don’t get answers to any of those questions. And frankly, we don’t need them to enjoy Rare Exports.
This is a wild story about a little boy who discovers that Santa is a mythical monster with a bunch of scrawny old men with big white beards to do his evil bidding and eats bad children who haven’t been beaten by their parents enough. What sort of explanation would help this story in any way?
I mean, we could pick apart why it’s suddenly legal to sell people, or at least mythical creatures that look like naked old men, or why this all happened right next to the only little kid who had the exact knowledge needed. But in the end, wouldn’t that be like asking how Santa gets into people’s homes when they don’t have fireplaces? Doesn’t that objective reasoning just piss on the Christmas magic?
What didn’t work
While Rare Exports was fun, there were parts that I did not appreciate. For one thing, there wasn’t a single woman or person of any color in this film. Literally not one. Not an extra, not in the background. This little Finnish town is populated entirely by white men. And yes, it is Finland and there isn’t a hugely diverse population. But it’s also 2010. People move. Also, women exist.
On the subject of seeing too many white men, we also saw too much of the white men. Specifically, we saw far too many old white male actors entirely nude. There was just no reason for this. These men were portraying elves. They didn’t have to be naked. If they were naked, they didn’t have to have, um, yule logs. Maybe elves are like Ken dolls. There were so many options that didn’t include so much old man wang.
Finally, I wish we’d seen Santa Claus. Not to spoil the ending, but he never actually emerges to attack anyone. And that feels like a cop-out. If we’re going to be teased the whole movie with this depiction of monster Santa, we should at least get to see monster Santa.
Though, after what they did with the elves, maybe it’s a blessing we didn’t see him.
In the end, Rare Exports was well worth watching. It was hilarious, creepy and bloody. And while it wasn’t perfect, it was a delightful holiday horror comedy.
(4 / 5)
Released in 2016, Christmas Crime Story is about a disastrous robbery on Christmas Eve, and all the many lives impacted by the selfish decisions of one person.
And then, suddenly, it isn’t. But we’ll get to that part.
The story
Christmas Crime Story is the tale of a Christmas Eve holdup gone wrong. We see the story from several points of view, starting with Chris, the detective first on the scene.
Chris is having a hard Christmas Eve. So, on his lunch break, he visits his mom at her diner. It appears that they have a contentious relationship. But nothing is solved in this quick visit.
Chris goes on to pull over a man speeding. When the man, named David, pulls over, Chris discovers something in the trunk. That something must have been pretty damn incriminating, because rather than open the trunk, David shoots him dead.
We then switch to David’s pov for the night. Then his girlfriend’s pov. Then, the man his girlfriend has been cheating on him with. And on and on we go, until we see how all of these different stories and people come together for a dark, sordid Christmas Eve.
What worked
The first thing I want to say about Christmas Crime Story is that it’s heartwarming. Like, to a fault, which we will be talking about.
The ending is very sweet, in a Christmasy sort of way. Families come together, people are filled with joy, and all is right in the world for almost everyone. Except for Lena, who deserves to have a bad Christmas, everyone gets a happy ending.
That brings me to my next point. The characters, mostly, are all deeply sympathetic. Even when David or James are killing people, you feel bad for them.
You don’t agree with what they’re doing, but you do feel bad.
You have to feel sympathetic for the man whose girlfriend hired a killer to merk him. Or the woman whose daughter has cancer. Or the guy who just can’t find work, even though he’s trying to make good decisions. You want things to work out for them. You want them to be okay. Even when they do terrible things.
Finally, I always love stories told from so many different points of view. It’s always fun to see a story unfold in a nonlinear way, but in a way that makes more and more sense as we get more points of view. It’s a hard thing to pull off, and I think Christmas Crime Story did it very well.
What didn’t work
Unfortunately, all of the sympathetic characters and clever storytelling methods in the world won’t save a story that doesn’t work. And Christmas Crime Story just does not work.
Let’s begin with the ending. The big twist near the end of the movie. I won’t spoil it, but you will for sure know it if you’ve seen the film. Or, if you waste your time watching the film.
As a rule, twists work when they make sense. Not when it feels like the writers threw up their hands and said, “Okay, but what if everything we just did for the last hour and fifteen minutes didn’t happen, and instead…”
This wasn’t clever. It wasn’t fun. It felt like the writers didn’t know how to end their movie and just decided to cheat.
Finally, I mentioned earlier that Christmas Crime Story was heartwarming. And yes, that is nice.
But is it maybe a little too heartwarming?
I mean, we have an adorable angel of a child with cancer. Her parents don’t have enough money for her treatment. We have two poor guys who are in love with a black-hearted woman. And we have a detective so sweet and kind that he makes you rethink ACAB. And, he’s about to get married to his pregnant girlfriend. And they’re naming the baby after his mom. And his name is literally Chris DeJesus. His mom’s name is Maggie DeJesus. I tried to think of a sillier less subtle name to use as a joke, and I literally couldn’t think of one.
They could have at least named him De La Cruz. That would be more subtle, and I still would have complained.
In the end, Christmas Crime Story just missed the mark. It came very close to being a good movie. But it focused too much on how it wanted you to feel, rather than telling a satisfying story that made sense. Much like that third glass of eggnog, it’s fun in the moment and regretful after. If you’re looking for a satisfying Christmas horror, I’d suggest looking elsewhere.
(2 / 5)
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