When someone asks you if you’re a god, you say yes! Well, you might not be a god, but if you’re a fan of the Ghostbusters films and animated series, you’re certainly part of a cultural phenomenon that has captured the hearts of millions worldwide. From the moment the original movie hit theaters in 1984, the Ghostbusters franchise has become iconic, inspiring sequels, animated shows, and even a reboot. With its mix of comedy, horror, and sci-fi, Ghostbusters has carved out its own unique niche in the entertainment world.
But what is it that makes Ghostbusters so special? Is it the memorable characters, the ingenious gadgets, or the thrilling supernatural adventures? Perhaps it’s the catchy theme song that never fails to get stuck in your head. Or maybe it’s the combination of all these elements, masterfully blended together to create a franchise that has stood the test of time. Regardless of the reason, one thing is for certain: Ghostbusters has left an indelible mark on popular culture.
Join me as we embark on a spirited journey through the Ghostbusters films and animated series, delving into the stories, characters, and impact that this beloved franchise has had on the world. So, strap on your proton pack, and let’s get ready to bust some ghosts!
The Original Ghostbusters Film: A Breakdown
The film that started it all, Ghostbusters (1984) was directed by Ivan Reitman and written by Dan Aykroyd and Harold Ramis. The movie stars Bill Murray, Dan Aykroyd, Harold Ramis, and Ernie Hudson as the titular Ghostbusters, a team of eccentric parapsychologists who start a ghost-catching business in New York City. With their trusty proton packs and ghost traps, they set out to rid the city of its paranormal pests, eventually facing off against the ancient, malevolent deity Gozer the Gozerian.
The original Ghostbusters film is often praised for its perfect blend of humor, action, and spookiness. The witty banter between the characters, particularly Bill Murray’s Dr. Peter Venkman, adds levity to the supernatural proceedings, while the inventive ghost-catching technology and thrilling action sequences keep viewers on the edge of their seats. The film’s special effects, including the iconic Stay Puft Marshmallow Man, were groundbreaking for their time and still hold up remarkably well today.
One of the most memorable aspects of the original Ghostbusters film is its unforgettable theme song, penned and performed by Ray Parker Jr. With its catchy chorus of “Who you gonna call? Ghostbusters!” and its funky, infectious melody, the song became an instant hit and remains synonymous with the franchise to this day. The movie’s success led to a sequel, animated series, and a lasting impact on popular culture that continues to resonate with fans old and new.
Ghostbusters II
Five years after the success of the first film, the original cast and crew reunited for Ghostbusters II (1989), once again directed by Ivan Reitman and written by Dan Aykroyd and Harold Ramis. This time, the Ghostbusters are called back into action to save New York City from a new supernatural threat: an ancient, malevolent spirit named Vigo the Carpathian, who seeks to return to life by possessing the body of a human child.
While Ghostbusters II didn’t quite capture the same magic as the original, it still offered plenty of laughs, thrilling ghost-busting action, and memorable moments. One standout sequence involves the Ghostbusters using their proton packs to bring the Statue of Liberty to life, controlling it with an NES Advantage joystick in a bid to save the city from Vigo’s evil influence.
Though it received mixed reviews from critics and fans alike, Ghostbusters II remains a beloved part of the franchise’s history, serving as a testament to the enduring appeal of the Ghostbusters concept and characters. And, of course, it wouldn’t be the last time we’d see our favorite paranormal investigators in action.
The Animated Series
Capitalizing on the success of the first film, the Ghostbusters franchise expanded into the world of animation with the debut of The Real Ghostbusters in 1986. This animated series followed the continuing adventures of Dr. Peter Venkman, Dr. Raymond Stantz, Dr. Egon Spengler, and Winston Zeddemore as they battled ghosts and other supernatural entities in New York City and beyond. The show also introduced fan-favorite characters such as Slimer, the mischievous green ghost who becomes the mascot, and Janine Melnitz, the team’s sassy secretary.
The Real Ghostbusters was notable for its high-quality animation, engaging stories, and clever humor, which made it appealing to both children and adults. The show was so successful that it ran for seven seasons and spawned several comic book series, video games, and a vast array of merchandise. In 1997, the franchise returned to the small screen with Extreme Ghostbusters, a sequel series that introduced a new, younger team mentored by an older Egon Spengler. Though it only lasted for one season, Extreme Ghostbusters maintained the franchise’s tradition of great animation and entertaining storytelling.
Both The Real and Extreme Ghostbusters played a significant role in cementing the franchise’s place in popular culture, introducing the concept to a new generation of fans and keeping the ghost-catching spirit alive throughout the 1980s and 1990s.
Reboot: The 2016 Film
In 2016, the franchise received a fresh start with a reboot directed by Paul Feig and starring an all-female team of Ghostbusters, played by Kristen Wiig, Melissa McCarthy, Kate McKinnon, and Leslie Jones. This new film, simply titled Ghostbusters, offered a modern twist on the classic formula, with the new team facing off against a malevolent spirit named Rowan who sought to unleash a paranormal apocalypse on New York City.
Though the 2016 film received mixed reviews and sparked controversy among some fans, it nevertheless showcased the enduring appeal of the franchise’s core concept and introduced the world of ghost-catching to a new generation of viewers. The film also featured cameos from the original cast members, paying tribute to the franchise’s history while paving the way for a new era of supernatural adventures.
Ghostbusters: Afterlife – The Latest Installment
In 2021, the Ghostbusters legacy continued with the release of Ghostbusters: Afterlife, a direct sequel to the original two films. Directed by Jason Reitman, son of original Ghostbusters director Ivan Reitman, the film follows a new generation of characters as they discover their connection to the original team and face off against a new supernatural threat.
Ghostbusters: Afterlife has been praised for its nostalgic callbacks to the original films, as well as its heartfelt story and engaging characters. Featuring appearances from the surviving original cast members, the film serves as both a loving tribute to the franchise’s past and a promising new chapter in its ongoing story.
The Legacy of Ghostbusters Films and Animated Series
From the moment the original film burst onto the scene in 1984, the franchise has captured the imagination of audiences worldwide, spawning sequels, animated series, and even a reboot. The enduring appeal of the films and animated series lies in their unique blend of humor, horror, and sci-fi, as well as their memorable characters, inventive ghost-catching technology, and unforgettable theme song.
As we look back on the legacy of the Ghostbusters franchise, it’s clear that these paranormal investigators have left an indelible mark on popular culture, inspiring generations of fans to strap on their proton packs and join the fight against the supernatural. So, the next time you find yourself faced with a ghostly apparition, you know exactly who to call: Ghostbusters! The franchise has become a cultural phenomenon, with its memorable characters, gadgets, and supernatural adventures resonating with fans old and new. Whether you’re a fan of the original films, the animated series, or the recent reboot and sequel, there’s no denying the impact that Ghostbusters has had on popular culture.
With Ghostbusters: Afterlife released in 2021, there’s no telling where the franchise will go next. But one thing is for sure: the legacy of the Ghostbusters films and animated series will continue to inspire and entertain audiences for years to come. Who knows? Maybe one day we’ll all have our own proton packs and be able to catch ghosts ourselves.
In conclusion, Ghostbusters is more than just a franchise. It’s a cultural touchstone that has inspired generations of fans and left an indelible mark on popular culture. From its iconic characters and gadgets to its memorable theme song and catchphrases, Ghostbusters has earned its place in the pantheon of great entertainment franchises. So, the next time you’re feeling spooked, just remember: Who you gonna call?
Okay, Mr. Drew Hancock, writer of Fred: the TV Show and Fred 3: Camp Fred. I hear you have a new, little horror film – COMPANION. Let’s give it a go.
And I am going to try as hard as possible not to spoil a goddamn thing since its marketing did the complete opposite.
PLOT OF COMPANION (SPOILER-FREE)
Iris (Sophie Thatcher) and boyfriend, Josh (Jack Quaid) travel to upstate New York to have a friends get-away with Josh’s best friends: Eli, (Harvey Guillén), Patrick (Lukas Gage), Kat (Megan Suri) and Kat’s boyfriend, Sergey (Rupert Friend).
However, trying to fit in, Iris starts to discover a terrifying secret within this tight-knit group of friends. A deadly secret…
THOUGHTS ON COMPANION (SPOILER-FREE)
Never would I have thought I would be saying that a writer of ‘Fred: the TV Show’ and ‘Fred 3: Camp Fred’ wrote a damn fine film. But here we are.
Writer/director, Drew Hancock, created a funny, clever and interesting gem of a horror film. COMPANION is a great adventure film in the horror genre, focusing on the ideas of identity, self-preservation, the cogito, ergo sum of life, and women’s rights.
And, trust me, I know that sounds like a lot, but that’s pulled off by the superb writing and the acting – it flows together really well. It’s an incredibly precarious job to balance humor, horror and drama. If you go too hard with humor and it’s cringey. You give too much drama and it’s tonal dissonance. If there’s too much horror…well, that’s okay, actually.
But with heavy hitters with incredible comedic timing like Harvey Guillén and Jack Quaid, the cast only elevates the writing and story. Quaid and Sophie Thatcher have so much chemistry and work so well together that the drama feels authentic and raw. Thatcher is such an engaging actress, working with what could have been a very flat role. But she portrays Iris with such intelligence, wit and vulnerability, it sells the idea of COMPANION that would usually require more suspension of disbelief.
I liked the soundtrack by Hrishikesh Hirway. Both the original soundtrack and the songs chosen work well with the tone and plot. Super fun bop. You can tell that the song selections were picked with intent and care, for example, the Goo Goo Dolls’ song playing in Josh’s apartment.
The effects in COMPANION were terrific by being used sparingly but grotesquely, for example, the scene with the slow, tortuous scene with the candle. Most of it is practical, but there are some key scenes with CGI that are really well done.
BRAINROLL JUICE: THIS HAS VAGUE SPOILERS
I love horror films. Yeah, I know, big surprise. But this type of film highlights why horror is such an important and crucial part of our history and culture. Horror is a lens of a society of the times. Looking back, we can see what creatures scared us. What people were afraid of or should be afraid of.
Horror, by large, is a very social and progressive genre. Monster movies and mad scientist movies of the 1950’s were en vogue due to the rising fears of the atomic bomb and the Cold War. The same is true for the rise in space horror as we had the Space Race and landed on the moon.
Movies of the ’60’s and ’70’s had serial killers, delinquents, social rights, and the pearl-clutching fear of losing our innocence as a nation and losing our good, Christian values.
The 70’s and 80’s saw the fear of the faceless stranger, sexual deviance, as well as our growing concern of the expanding powers of corporations.
And so on and so on (this could be an entire article itself).
However, I find this new twist on an old genre interesting – a woman’s story. From the exploitation revenge flicks of the ’70’s to the girl-power vibe of the 90’s and early 2000’s, AFAB stories are getting more attention. More realistic and substantial attention.
Coralie Fargeat has been exploring this with great success with her most recent film, ‘The Substance‘, but first really dove into this with her fan-favorite, ‘Revenge‘. ‘Freaky‘ and ‘Happy Death Day‘, while comedic, explore girlhood, femininity and social expectations. ‘Don’t Breathe‘ turns the trope on it’s head (in a still gross way). ‘Babadook‘ shows the difficulty with being a mother, and ‘Hereditary‘ is a deep drama on matriarchal generational trauma.
Obviously exploring themes of the AFAB horror experience isn’t a new idea, the exploitation of a woman’s story is starting to feel strained and gross. Currently, women are facing a tremendous push back on their rights. From losing the right to choose in a wild turn of events as Roe v Wade was overturned in 2022, to the most recent (at the time of this review) removal of women in the government, a senseless war on diversity and protections in the workplace, and the guttural shout of, “fuck you!” to transwomen and literally putting them in danger of starring in their very own rape-revenge true story.
What does this have to do with horror and COMPANION? Well, pretty much everything. COMPANION is about what it means to be a woman. Her fears are real and reflect the fears of our society currently. Loss of agency. Loss of identity. Loss of her voice and decisions.
But like all good horror, it will stand the test of time. It will be on the right side of history, as they say. With an incel proxy as the villain and a woman learning about herself, it’s clear what Hancock envisioned for COMPANION. It’s a film about empowerment and reflection of our society right now. And unlike the newest Black Christmas, it doesn’t shove a diva cup down your throat.
And all that from a guy who wrote Fred 3.
- Factory sealed DVD
- Jake Weary, Carlos Knight, Siobhan Fallon Hogan (Actors)
- Jonathan M Judge (Director) – Robert Zemeckis (Producer)
Last update on 2025-02-04 / Affiliate links / Images from Amazon Product Advertising API
BOTTOMLINE FOR COMPANION
A funny, terrifying and adventurous romp into what it means to be yourself.
(5 / 5)
Book Reviews
Things Have Gotten Worse Since We Last Spoke.
“What have you done today to deserve your eyes?”
Things Have Gotten Worse Since We Last Spoke and Other Misfortunes, Eric LaRocca’s June 2021 debut collection, is a dark and disturbing exploration of human connection and the desperation for intimacy. These stories burrow under the skin, blending psychological horror sprinklings of body horror and a disturbing undercurrent of religious obsession.
The Stories.
Things Have Gotten Worse Since We Last Spoke and Other Misfortunes features a novella followed by two short stories.
‘Things Have Gotten Worse Since We Last Spoke.’
Presented as a true crime investigation and told through a series of increasingly disturbing emails and instant messages,Things Have Gotten Worse Since We Last Spoke charts the twisted relationship between Agnes and Zoe. What begins with the sale of an heirloom apple peeler quickly spirals into obsession, control, and unsettling discussions about life, death, and dominance. Winner of the 2022 Splatterpunk Award for Best Novella.
‘The Enchantment.’
Set in our world, but where the afterlife has been proven to not exist. A couple (Olive and James) welcomes their teenage son Milo home, eager to celebrate his 17th birthday. Milo, a highly religious person, is in no mood to celebrate. Milo is convinced that science is wrong, God exists, and he is willing to go to great lengths to prove his devotion.
‘You’ll Find It’s Like That All Over.
Gerald Fowler’s garden discovery—a bone—leads him to his mysterious neighbor, Mr. Perlzig. A seemingly simple question about the bone’s origins quickly devolves into a series of escalating bets that Gerald can’t seem to lose, with darkly comedic and increasingly unsettling consequences. What lengths is Mr. Fowler willing to go to to ensure he remains a polite neighbor?
- Audible Audiobook
- Eric LaRocca (Author) – Laurie Catherine Winkel (Narrator)
- English (Publication Language)
Last update on 2025-02-03 / Affiliate links / Images from Amazon Product Advertising API
Highlights.
The main highlight in this collection was the first story, ‘Things Have Gotten Worse Since We last Spoke’. This story felt like a rollercoaster and it ended with me wanting more. The body horror toward the end was so well written, LaRocca doesn’t resort to drawn-out bloody descriptions or visceral language, the body horror here feels more mature than that. It is slight cramping and nausea and knowing the cause and how it’s all going to end. Also please pay attention to the nuances of who enters and leaves the chats first and how quickly (or slowly) emails are returned. It is in these details that LaRocco shines, you can feel the desperation oozing from the page.
‘You’ll Find It’s Like That All Over’ is Stephen King-esque; for me, that’s a big win! I’m not sure what it is exactly, perhaps it is Mr. Fowler who feels he could walk into Castle Rock, in particular of the Needful Things era, and not be noticed, or maybe it’s the Americana feel of the story itself. There’s just something there that makes me want to pick up anything of King’s and reread it.
- Audible Audiobook
- Stephen King (Author) – Stephen King (Narrator)
- English (Publication Language)
Last update on 2025-02-03 / Affiliate links / Images from Amazon Product Advertising API
Drawbacks.
Notice how I skipped a story in the ‘Highlights’ section. Let’s talk about ‘The Enchantment’. Look, I didn’t hate it. It just felt disjointed and unfinished. Like LaRocca had a great idea but perhaps had some trouble with the execution. The first scene was great and I was ready to completely enjoy it. The characters are so well developed in this first scene, the parental angst and the teen anger are palpable. But then there is the ‘Six Months Later’ jump and we are thrown onto Temple Island. Despite the parents being there, they are not the same people and I didn’t completely buy the reason for them being there, or being there together. The stranger who appears and the reason behind it feels contrived and enters into deus ex machina territory.
The Final Take.
This collection has much to offer, with the eponymous novella being the strongest of the three in my humble opinion. While ‘The Enchantment’ is less impactful, it does contribute to the book’s exploration of religious ideas and provides a thematic bridge between the other stories. Might someone skip who feels inclined to do so? Yes, I think they could without missing out on too much.
(3.5 / 5)
Here’s a graveside pantoum poem from Jennifer Weigel…
The earth enfolds me in her embrace.
I can smell the dirt and water and decay.
This homecoming is a welcome change.
I am wholly surrounded by teeming life.
I can smell the dirt and water and decay.
All smells of mold, mushrooms, and musk.
I am wholly surrounded by teeming life.
Microscopic organisms abound all around.
All smells of mold, mushrooms, and musk.
This is both comforting and disconcerting.
Microscopic organisms abound all around.
I am becoming one with their still energy.
This is both comforting and disconcerting.
For it is the natural progression of things.
I am becoming one with their still energy.
Here within my grave, I shall rot away.
For it is the natural progression of things.
This homecoming is a welcome change.
Here within my grave, I shall rot away.
The earth enfolds me in her embrace.
Ok so that graveside poem was maybe a little more in than out, but whatever. We all go back to the Earth Mother eventually… 😉
Here are a couple more posts of graveside photography: Part 1 and Part 2… and another poem + photo combo. And feel free to check out more of Jennifer Weigel’s work here on Haunted MTL or here on her website.
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