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If The Lost Boys had a wild strung out cousin, this would be it. In a simple summary, Joe Begos’s Bliss can be described as a film about a vampire who struggles with painting her self-portrait. Only it is so much more than that. It’s an assault on the senses. It makes you experience everything the protagonist, Dezzy (Dora Madison) experiences. Every breakdown, every drug, every fear, every flicker of inspiration.

An artist drained of her creativity, Dezzy has spent the last three months staring at a half-finished canvas struggling to find its story. The painting is her reflection.

In a way, Bliss reminds me of “The Picture of Dorian Gray”. The painting Dizzy struggles with reflects her internal state from beginning to end, absorbing her as the film progresses. Starting out as nothing but a few colors and ends a magnificent vision of madness.

Creator’s block is awful

Every creator knows and hates the dreaded blockage that shuts off all inspiration. You’ll stare at a blank page, screen, canvas, etc, forcing yourself to finish. Only you can’t because it’s now a riddle with an answer hiding in your blind spot. An answer that usually reveals itself at an unexpected moment. It just pops up and you have to run to the puzzle box so you can finally see the missing pieces.

Dezzy takes her riddle exploration to the extreme. She answers it with drugs, alcohol (I’ll admit I’m guilty of this) and sex. The drug she takes is something called bliss that’s named Diablo, and for those who don’t speak Spanish, “diablo” means Devil.

Despite the warning against its intense effects, Dezzy buys the product and so begins her journey down someplace dark. Is this place madness or hell? Who knows.

After a night partying with friends Courtney (Tru Collins) and Ronnie (Rhys Wakefield), Dezzy wakes up flooded with wildfire. That’s really the only way I can describe how she feels. Ever become so worked up that you start pacing a room, anxiously clawing at your hair and face? This is Dezzy after the party and it does wonders for her art. After three months of nothing, her masterpiece is finally on its way.

Bloody mess

I really like the painting she makes. I called it “Inferno Rising” in my head because I’m a mega Dante fan. It’s the kind of painting that can only be invented through a hallucinogenic trip drenched in blood. That’s right, drenched in blood. Once the slow conceptual horror gets going, Dezzy spends half her time either freaking out or just covering herself in blood. At one point, she’s covered head to toe. Not one part of her isn’t red.

However, being a successful artist comes at a price and the cost is Dezzy’s mind, and soul apparently. She can’t do anything without the bliss now, but instead of using it to let loose, she’s using it to curb her new unnatural blood craving. Something happened to her at the party and now she spends every moment fantasying about blood.

It could be the Diablo Bliss warping her mind or she really could be a vampire. A messy vampire. When she bites someone it’s just gore galore.

Vampires are usually representations of different forms of lust; sex, drugs, power, money, etc. Bliss is a combination. The drug comparison is clear, but that’s not what Dezzy craves. She strives to create, and what she creates is a mirror. The painting reflects the artist as she falls further and further down, the deeper she goes the more she adds to the canvas.

Bliss asks the question of who we are and how far will we go to see it. How far will you go to create your personal masterpiece? There are several instances where we view Dezzy in her creative throws of passion and oddly enough, despite how insane they are, it captures the feeling almost too perfectly. A great movie for any horror loving artist.

4 out of 5 stars (4 / 5)

All photos are property of Shudder and ark Sky Films.

Rachel Roth is a writer who lives in South Florida. She has a degree in Writing Studies and a Certificate in Creative Writing, her work has appeared in several literary journals and anthologies. @WinterGreenRoth

Movies n TV

“How to Split an Atom,” a Scientific Return to Evil

The assessors return to investigate a particle accelerator with a damning history in “How to Split an Atom.” Season 4 Premiere of Evil.

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The assessors return to investigate a particle accelerator with a damning history in “How to Split an Atom.” David (Mike Colter) can’t seem to shake off the dire warning of his vision. Kristen (Katja Herbers) reaches her breaking point. Ben (Aasif Mandvi) sees the light and faces some uncomfortable realizations.

“How to Split an Atom” is the first episode of season 4 of Evil, created by Michelle King and Robert King. The central cast includes Katja Herbers, Mike Colter, Aasif Mandvi, Michael Emerson, Christine Lahti, and Andrea Martin. As of this review, it’s available through Netflix and Paramount+ and its add-ons.

Four appear as the top of the image. Three look at the viewer, but the fourth on the right looks at the other three. Around them are creatures. Below all of this reads "Evil." Underneath reads "Paramount+" and finally "Season 4"
Evil Season 4 Cover

What I Like about “How to Split an Atom”

While “How to Split an Atom” does start in season 3’s conclusion, it’s still a satisfying introduction through Kristen’s reaction alone. While it’s less effective and necessary in the era of streaming services, it reminds viewers of the last season’s execution to re-establish tension. 

“How to Split an Atom” sets Kristen and Ben to face their most personal challenges. While Kristen often gets a good amount of material to explore, Ben receives the least development of the three assessors. Now that the titular scheme suggests a scientific focus, Ben seems to earn more attention.

Evil: The Final Season
  • In the final season, Kristen, David, and Ben continue to assess cases that involve wayward technology, possessed pigs, demonic oppression and infestation, a dance muse conjured by alleged witches, and an evil relic
  • Throughout, Leland attempts to lure Kristen into raising a baby antichrist who was conceived with her ovum
  • David is recruited by the Vatican’s secret service to remote view a paranormal ability to see the unseen to detect evil
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Evil: The Complete Series
  • From creators Robert King and Michelle King (The Good Wife), Evil is a critically acclaimed psychological mystery series that examines the origins of evil along the dividing line between science and religion
  • A skeptical female psychologist (Katja Herbers) joins a priest-in-training (Mike Colter) and a contractor (Aasif Mandvi) as they investigate the Church’s backlog of unexplained mysteries, including supposed miracles, demonic possessions, and hauntings
  • This 13-disc collection includes all 50 episodes, along with deleted scenes and more!

Last update on 2025-03-03 / Affiliate links / Images from Amazon Product Advertising API

In comparison, David takes a step back, but the performance shows a man haunted by his vision. You see this conflict in his performance as he seems more held back and reserved throughout the episode.

Though far from unique to this episode, I haven’t yet found the opportunity to dive into the opening credits. These credits embody the idea of evil as an intrusive force against the good. It visibly displays the famed “problem of evil,” showing how the darkness intrudes against the light. 

“How to Split an Atom” prepares the viewer for a new norm across every character. While that doesn’t evoke a truly haunting experience, it remains effective in building the foundation for the final season of Evil. 

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Disclaimer Kimberley Web Design

Tired Tropes and Triggers

Andy (Patrick Brammall) spirals in this episode, induced by trauma and manipulation. His interactions with Kristen showcase several toxic behaviors. While these issues hold merit and other forces manipulate him, this might not matter to some.

Though not directly stated, a minor character seems to suffer a psychotic break, leading to their death. “How to Split an Atom” doesn’t confirm if this is a suicide, a demonically assisted act, or a complete accident.

A nun leans close to a man, both looking at something unseen.
Sister Andrea & Father Acosta

What I Dislike about “How to Split an Atom”

“How to Split an Atom” explores a similar titular scheme as last season, but it doesn’t resonate as well. It feels like it retreads season 3, focusing instead on science but still lingering in a similar design.

There’s a strange scene where Sister Andrea and David speak in a low whisper despite being alone in her room. If “How to Split an Atom” wants to imply that spies listen in, “How to Split an Atom” doesn’t show this idea effectively. However, I think it’s intended to parallel Catholic confession, but it still doesn’t make logical sense in execution.

As streaming shows become standard practice, starting a new season in the prior season’s conclusion makes the episode more dependent and repetitive. While the execution remains effective in “How to Split an Atom,” I can’t help but linger on that thought.

A kraken emerges from the ocean, attacking a ship. The tint suggests the image is a map icon.

Final Thoughts

“How to Split an Atom” establishes a definitive timeline where all the forces of Evil will collide. It has its strengths but doesn’t haunt the viewer. The ramifications of Ben’s descent and Kristen’s breaking point keep this episode from blending into the background, but only slightly.
3.5 out of 5 stars (3.5 / 5)

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Goosebumps The Vanishing Ends, Damned With Faint Praise

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We’ve reached the end of Goosebumps, The Vanishing. And after eight episodes of quality going up and down, I’m sad to say that the finale held to that theme.

Cover for Goosebumps, Invasion of the Body Squeezers.

The story

We begin this episode with the teens getting ready to go down into the fort to save their dad. Dr. Pamani gave them serum injections to keep them from being turned into pods. Then she locks them in, intending to never let them out again.

Through a series of quick thinking and bravery, everyone makes it out of the fort, though. Including Matty, Nicole, Hannah and Sameer.

For a time it looks like everything is going to be alright. Until Anthony tells Jen that they’ve got to do something about the alien ship that’s still trapped within the fort.

By the way, watch this with the caption on. It’s fantastic.

Jen and Anthony go back to Dr. Pamani’s lab in time to realize that no one is safe. Least of all, their kids.

Ana Ortiz and David Schwimmer in Goosebumps The Vanishing.

What worked

You might notice that the ‘rescuing Dad from the pod’ part of this episode was over pretty fast. That’s because the actual story of this episode was about what came out of the facility rather than what was going on down there. And that was a surprising misdirect. I enjoyed that I didn’t see this misdirection coming. Well done.

I will also say that this episode was fun to watch. The critters were equal parts creepy and kind of cute. The dialog was fun and there were a lot of laughs.

This ending was also satisfying. All the questions are answered. Everyone gets a happy ending and all the people you want to get together do. It was a solid ending with no loose threads.

What didn’t work

Unfortunately, that’s all the good things I can say about this episode.

Let’s start with the continued superficiality of the whole story. I just didn’t feel much of anything for any of these characters. I had a little twinge of bittersweetness when Matty looked through the box of his old things. But that was about it.

Francesca Noel, Stony Blyden and Galilea La Salvia  in Goosebumps The Vanishing.

The problem here was that everything was going too fast. We jumped from chaos to chaos so fast that the emotions didn’t have time to sink in. It was like rain on a dry field. No matter how much falls, if it can’t be absorbed it’s not going to do much good.

Here’s the real problem I have with this episode, though.

You’ll recall that in the last episode, I was irritated by how quickly Dr. Pamani decided to help the kids. It should surprise exactly no one that she didn’t decide to help them, but to trap them in the facility to be podded forevermore.

Invasion of the Body Squeezers: Part 1 (Goosebumps Classics #41) (Classic Goosebumps)
  • Goosebumps now on Disney+!Jack Archer is convinced something strange is going on at his neighbor’s house
  • Mr
  • Fleshman always wears all black, hardly ever leaves his house, and never says hello to anyone

Last update on 2025-02-28 / Affiliate links / Images from Amazon Product Advertising API

While I’m thrilled that Dr. Pamani didn’t just change her mind, I still think it was dumb as shit that anyone, especially our main characters, thought she did. These teens aren’t dumb. Kids aren’t dumb. We shouldn’t be portraying kids as dumb in a show for kids.

I’m not saying this series was pure garbage. I’m not saying it was dangerous or unwatchable. I’m just saying that, if it didn’t have the name Goosebumps, I probably never would have watched it. This story just doesn’t have the same staying power that the original stories do. It was fine to watch, but in the end, just didn’t have enough substance to warrant a rewatch.

3.5 out of 5 stars (3.5 / 5)

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Goosebumps Sputters along with Camp Nightmare

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After a shaky start, Goosebumps The Vanishing is still on shaky ground with this penultimate episode. While there were some surprises, a lot of them were rather disappointing.

Original cover for Goosebumps Welcome To Camp Nightmare.

I feel like I say this a lot, but if you’ve read the original book then you might have a hint about where this is going. But it won’t tell you the whole story. So let’s take a trip to Camp Nightmare and see what’s waiting for us.

The story

We begin this episode with a flashback to the Fort before it was a fort. A group of Camp Nightmoon campers is hiking there with the worst camp counselor ever. It was almost a relief when the mysterious monster reached up from the cliffside and grabbed him.

Back in the present, the teens are putting the pieces together. They track down Dr. Pamani’s father and even find a book he published. They then locate the address of her lab and break in. There, they find her journals that chronicle the discovery of the monster, and how it managed to kill her entire team.

What worked

In this episode, and in fact this season, scientists are not the bad guys. Which is a relief. Science fiction and horror tend to hold up a mirror to society, showing us what we’re really scared of using monsters and ghosts as allegories. So often, when people are wary of science and scientists, we have horror movies that demonize them.

Sahana Srinivasan in Goosebumps The Vanishing.

But that’s not what happened here. The scientists are not necessarily the good guys, but the ones who tried to save the world. Even though they failed, they tried.

One good example of this was Dr. Pamani telling her father, “We’re scientists, not soldiers.” This is a great line. And this episode had a lot of great lines. The dialog was on point. Nothing felt forced, but it also felt polished and impactful. It was just overall well done.

I also enjoyed, to a point, the flashback scenes to 1969. It was interesting to see the people who tried to contain this entity. To learn from it. The flashback was also ominous. Because never did the characters explain how this entity got there. They didn’t seem interested in that, only in how to destroy it. Since we don’t know why or how it came to New York, we don’t know if there are more of them somewhere else. And since everyone’s being so secretive, we might never know.

Until it’s too late.

What didn’t work

Unfortunately, this episode failed more than it succeeded.

Let’s start with the sudden change of heart Dr. Pamani has. For decades, she’s been controlling and containing this creature. She’s been careful to never take risks that might release it into the world. So when Cece and Devin want to go save their dad, she says no.

At first. Then, after a not-so-passionate plea by Cece, she changes her mind and agrees to help them save Anthony.

Which seems like a really quick departure from her stance just moments before. Honestly, this wasn’t believable at all. It was lazy. It felt like they just didn’t have a good enough reason for her to change her mind, so they just handwaved it away.

This wasn’t the only part of the story that was too easy. This whole investigation went smoothly for them. They wanted to find the book by Dr. Avi Pamani, and they found it at the library. They didn’t even find it. The librarian found it for them. They wanted to find Dr. Pamani’s address. They found it in seconds and also found her credit score. They got into her lab by doing nothing more than cutting a chain holding the door shut. And we’re supposed to believe that no one ever thought to do any of this? Four teenagers vanished in the 1990s, and none of their family members were ever able to put all this together. That just doesn’t make sense to me.

Jayden Bartels, Francesca Noel and Elijah M. Cooper in Goosebumps The Vanishing.

Both of these issues feed into the main problem with this episode. The whole thing felt watered way down. Especially after the hints about some horrific medical experiments taking place at the fort. I love a good horrific medical experiment story, so I was looking forward to that.

But that’s not what happened. Instead, it was a watered-down alien invasion story with a bunch of people who did their best and failed. It just felt like, frankly, not enough. It felt like there could have been so much more, should have been so much more. Instead, we got the Great Value version of what we could have had.

At this point, I think I’m too invested to give up. After all, there’s just one more episode left. But I’d be lying if I said that was something I’m looking forward to.

3 out of 5 stars (3 / 5)

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