Caught: An Original Story by Jennifer Weigel
He set the trap and waited. He knew it would come. It was just a matter of time. The moon smiled smugly overhead, spying on him through the thick undulating clouds. Why was it taking so long? He was certain this was the spot. He fingered the soft metal band clutched in his grasp as he waited, fixated on its smooth surface.
It was only just a month prior that he and his partner were hiking in these woods, when they were attacked. He was bowled over by the beast, knocked unconscious at the edge of the path, his partner’s eyes staring back at him like saucers wide with surprise. He’d blacked out in slow motion staring into those eyes.
The moment that he came to and looked down the trail to the ravine was forever etched in his mind, the scent of blood hanging heavy in the air. His partner’s body was rendered and strewn about the chasm where the path dips down, blood flowing into the stream that trickles through the valley dividing these woods and partitioning the living from the dead…
The crime scene investigations yielded nothing.
He’d walked these trails before and heard the howling wind in the distance. It was a haunting sound that circled around from afar, impossible to pinpoint. The moon had always hung heavy here, wide, like the yawning maw of a lazy abyss that can’t be bothered to create a proper void or entrance. And yet, it had always beckoned, drawing him into its embrace like a warm and welcoming hug…
Bits of tattered yellow tape encircled several trees. Samples of dirt and fabric scraps and other detritus of the weekend hiking trip were still strewn about, still yielding nothing. Why couldn’t he remember? Spinning the ring from thumb to fingertip and back bore no further answers.
The moon skirted the clouds and stared down at him. He heard the distant wind howling around and through him. His body rippled from an unseen terror; his consciousness faded as the transformation took hold. He leapt forward, out of the way of the ravaging beast, aware again of its presence, its hot breath making the hairs at the nape of his neck stand on end. A sharp snap wracked his wrist and his hand let loose its treasure. The pain engulfed his remaining consciousness and the world around him went silent and fell into darkness.
The next morning…
The woods were abuzz with activity as the park rangers and game wardens descended upon the scene. They’d expected it to return as was typical. They always came back to the scene of the crime in the following month. But they’d never seen such a large one before, its heavy paw the size of a human hand shattered within the snap of the thick metal jaws. These “dogs” were usually smarter than this and knew to avoid these sorts of traps, which is why the rangers didn’t bother to set them anymore. The victim’s partner had been lucky it seemed… The hulking beast must have been attracted to the faint shimmer of a small circular gold band half hidden in the moss, perhaps an engagement or wedding ring. Its face was wrought with distracted helplessness as if reflecting the pain and anguish of love found, lost, and found again.
And feel free to check out more of Jennifer Weigel’s work here on Haunted MTL or here on her website.
Those religious icons really get around. This time it’s a journey to visit the Deep Ones. And Dracula’s Castle. Because everyone has to be a tourist now and then, and what’s the point if you don’t pick up a souvenir or two?
This was a gift for a friend for their sea life monster theme bathroom. It started as one of those old school wood plaques where the picture is waxed on. And the eyes were originally that creepy – all I did was add the tentacles. So don’t blame the overall weirdness on me, it wasn’t all my doing.
Oh, and apparently Mary wanted in on the action, so she’s gone to Dracula’s Castle for a bite. She even brought back her own religious icons souvenirs…
So this one isn’t as old, nor is it real wood. But it still totally goes with Mary’s journey. And it’s also a little blacklight reactive with the flowers.
And feel free to check out more of Jennifer Weigel’s work here on Haunted MTL or here on her website.
So I just keep on going… Here are some more repaint porcelain figurines and other madcap painting. OK maybe some of them aren’t porcelain, but still totally redone.
This Pennywise clown started as some plastic figurine from Italy. I was drawn to this because of the pretty marble base. It’s a nice touch, don’t you think? I’ve seen others in this series and honestly they’re all kind of creepy to start with, so they really lend themselves towards repaint prospects. Perhaps I’ll pick up more to redo in similar ways later on… Oh, and the eyes are blacklight sensitive, in case he wasn’t creepy enough already.
With all of the new movie hype, I couldn’t resist a throwback to the classic Beetlejuice, and this little bride figurine and teddy bear were just too perfect. Featuring more blacklight sensitive accents, like her veil flowers. And I don’t know why she only has one glove, I blame it on the 1980s… Or maybe she was just that drunk (you’d have to be for that wedding)…
So yeah, all those preppers ready for the zombie apocalypse – you know some of them are gonna get bitten. It’s in the script, what can I say? More blacklight eyes, cause why not?
I admit I haven’t seen this film, but it sure looks fun. Mathilda, eat your heart out. Literally.
OK so this isn’t a repaint. Nor is it porcelain. What is it even doing here? Well, she’s cool and ready for a party and kinda reminded me of Abigail, so she sort of just tagged along. Sexy Sadie started as an Avon perfume bottle with a fragrance I didn’t care for (I think it was called Head Over Heels). Because honestly the bottle topper was all that mattered. And now she has her own disco dancing platform. What more could a vampish vixen want?
And feel free to check out more of Jennifer Weigel’s work here on Haunted MTL or here on her website.
I wrote this script for Beyond the Veil awhile back, exploring the bond between two twin sisters, Edith and Edna, who had lived their lives together. There was a terrible car crash and someone didn’t make it. The other is trying to contact them beyond the veil…
Beyond the Veil Setting:
Two women reach out to one another individually in a séance setting.
One sits on one side of a dining table. The other sits at the other side. Each studies a candle just beyond her reach; there is darkness between the two candles. The long table is barely hinted at in the interstice between the two but it is clearly present.
The camera is stationary showing both in profile staring through each other.
The women are both portrayed by the same actress who is also the voice of the narrator, who is unseen. All three voices are identical so that it is impossible to tell which of the two women the narrator is supposed to represent.
Both women are spliced into the same scene. They are together but apart. The two candles remain for the duration of filming so that the two halves of the film can either be overlapped (so that both women appear incorporeal) or cut and sandwiched in the middle between the candles (so both women appear physically present). It is possible to set the scene thusly using both methods in different parts of the story, with both women seemingly flickering in and out of being, both individually and apart.
Script:
I. Black, audio only.
Narrator:
I was riding with my twin sister.
We were in a terrible car crash.
The car drove over the median and rolled.
It spun off the road where it caught fire.
There was smoke everywhere.
My sister didn’t make it.
II. Fade in to the long table with two lit candles; flames flickering.
Two women are just sitting at either end.
They stare blankly through each other.
Call and Response
Edith: Now I’m trying to contact her…
Edna: …beyond the veil.
Simultaneous:
Edith: Edna, do you hear me?
Edna: Edith, do you hear me?
Together (In Unison):
If you hear me, knock three times.
Narrator:
Knock.
Knock.
Knock.
Call and Response:
Edith: I miss you terribly.
Edna: I miss you so much.
Edith: Do you remember…
Edna: … the car crash?
Edith: We rolled…
Edna: … over the median.
Edith: There was fire.
Edna: There was smoke.
Edith: I could hear the sirens.
Edna: They were coming…
Edith: … to rescue us.
Edna: But they were so far away.
Edith: So far…
Edna: … away….
Simultaneous:
Edith: Are you okay?
Edna: Are you hurt?
Together (In Unison):
Knock three times for yes. Knock once for no.
Narrator:
Knock
– pause –
Knock
– pause –
Together (Syncopated):
What’s it like, on the other side?
– long pause –
Simultaneous:
Edith: I miss you, Edna.
Edna: I miss you, Edith.
Together (Syncopated):
It’s so lonely here.
Call and Response:
Edith: There’s no one here.
Edna: I’m all alone.
Edith: Without you…
Edna: …the spark of life…
Edith: …is gone…
Edna: … so far away.
– pause –
Together (Entirely Out of Sync):
It’s so dark.
III. Fade out to black
Narrator:
I was riding with my twin sister.
We were in a terrible car crash.
The car drove over the median and rolled.
It spun off the road where it caught fire.
There was smoke everywhere.
I didn’t make it.
I had planned to actually turn this into the video for which it was written, but quickly discovered that my plans for recording required a space that was too drastically different from my new house (and new large gaming table) and that my vision for filming could not be well-fully executed or realized. So now it exists as a script only.
And feel free to check out more of Jennifer Weigel’s work here on Haunted MTL or here on her website.
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