The Twelve Nightmares of Christmas Holidays: Caribou by Phil Gibson
In 2020, Haunted MTL brought you the 13 Days of Krampus. Now we offer another exclusive series of holiday horror stories: The Twelve Nightmares of the Holidays. It’s day three of 12 Nightmares of the Holidays. If you missed it yesterday, check out Nicole C. Luttrell’s yule terror!
He had been sitting in his blind for about three days now. The quarter-moon beamed soft light onto the surface of the fresh snow. Earlier, a light dusting had come through, masking all signs of activity on the ground. The hunter took a swig from his canteen and sighed quietly, his focus beginning to waver a bit from the exhaustion.
His mind wandered slightly, back to before setting out for the hunt. Packing his equipment onto his sled, his cherubic wife hurried out from the warm orange comfort of their shared workshop. She draped a large white overcoat around his broad shoulders, claiming it would help him hide in the snow. She kissed him on his cheek, handed him a thermos full of piping hot chocolate, and lastly, sent him on his way.
All of a sudden his consciousness snapped back to the present moment as he noticed a large, dark shape stride into the clearing. He quietly leaned forward and stared, laser-focused on the shape as it carefully moved into the dim moonlight. It continued to paw and sniff at the ground, until moving into the clearing and looking at the sky.
There was no mistaking it. Caribou. And it was massive. Simultaneously, the hunter’s stomach did a small jump and his clutch tightened around the edge of his stool. The hunter quietly, but urgently grabbed at his rifle and a coil of rope moving swiftly from behind the blind.
The moonlight outlined the nightmarish shape. Patches of black hair jutted out sideways, resembling enormous quills. Thick, mucousy sludge fell from its lips between large clouds of breath. Dotted across its body were bleached white bone fragments, whether caught in its coat or piercing out from under its skin. It was too dark to tell. Its legs were thick and pulsing with muscles as if it planned to dash away – or towards – any slight provocation. The antlers sticking out of its head were twisted and jangled like a bunch of broken fingers.
Its’ terrible eyes scanned the nearby area, gradually changing from a deep red to a bright white glow as they moved. It stomped its front foot into the slow and whipped its large head into the air and let loose a bellow that echoed for miles.
The hunter moved into position, behind a tree out of the beast’s eye line while clutching the rope. Indeed, the best way to take this monster alive would be to wrap its antlers and drag it down. The rifle is only for if things go bad. Straightaway, he tied several knots in the rope while moving himself around to behind the trees. Luckily the large white coat was doing a lot of work hiding him from the fresh snow.
Carefully, and quietly, he moved into range and prepared to launch his assault on the monster. His boot slipped on a rock hidden under the snow and scraped against the ground. He saw the monster’s leg muscles tense up into giant knots as it swung its huge head around in his direction. He held his breath as the caribou looked directly into the trees and overgrowth where he was standing. Eventually, the caribou began to look away, deciding that there was no danger present.
In one swift motion, the hunter threw his massive arms. He launched several lines of rope that landed across the caribous’ enormous shoulders and antlers. With a start, he bucked up and bellowed so loud it knocked snow out of some nearby pines. The hunter quickly yanked on the ropes, pulling the caribou’s head down toward the ground. Antlers grazed against the snow, leaving large gouges in the fresh powder.
In retaliation the caribou swung its entire body around in the opposite direction, jerking him out of the brush line. He stood there, momentarily stunned as the caribou turned to face him. Their eyes met. The caribou lowered its head and pawed at the ground, snorting madly. The hunter quickly fumbled for his rifle, shakily aimed it at the caribou, and clicked the safety off. He knew what was about to come.
The caribou pushed off the ground and threw itself at the hunter, heading towards him at an impossible speed. The hunter popped a shot off his rifle, but his aim wasn’t true – it grazed the caribou’s left shoulder but didn’t slow him down. The caribou seemed to glide across the snow with incredible ease and there was no time to reload the rifle. He held the rifle out in front of him as the caribou pulled its antlers up and a loud CRACK echoed across the forest.
The hunter was thrown backward against a tree and slumped to the bottom. The caribou managed to run a deep cut against his left shoulder. Crimson blood was beginning to soak out of the wound and into the coat. The hunter looked up. The caribou was standing over him, staring directly into his eyes undoubtedly daring him to make the first move. He finally could get a good look at this enormous beast. His head and shoulders were crisscrossed with all kinds of wounds and scars. Its huge figure shuddered with every breath. The glancing blow from the rifle shot seemed to have done more damage than initially thought.
The rope he had managed to land into the antlers was still there. Other bits of rope and netting from others who had tried before dangled in the cold air. He noticed there might be enough rope left over that he could make one last-ditch effort to break this animal. Launching himself at a loose rope by the beast’s side, he swiftly rolled out of the way. The antlered head took a massive swing at his location and smacked hard against the tree.
The caribou was stunned and the hunter took his opportunity to grab the loose rope and drag it into submission. The animal bucked wildly, left and right, shaking its head and honking loudly at the hunter. With every shake of its mighty head, the beast would sling another loop around its antlers, slowly constricting its movement with every wild buck.
The hunter finally got the beast tied down enough to control it easily. He placed his mittened hand on its nose, shushing it into quietness. It was now under the hunter’s control, fully respected as the winner of their battle of strength. He climbed to his feet and gently adjusted the rope around his neck so he could lead him to his new home.
“You sure gave me a struggle there, lad!” he exclaimed. He winced as the sharp gash in his shoulder suddenly reminded him of its existence. He took the rope in his hands and began to guide the caribou off out of the clearing.
“The wife is going to let me hear it about ruining her new coat,” he chuckled as they both began to walk out of the clearing. “but maybe she’ll change her mind when she sees what a strapping buck will be joining our family. And a quick one too! I’ve not seen one move as fast as you before! Perhaps I will call you… Dasher…”
Those religious icons really get around. This time it’s a journey to visit the Deep Ones. And Dracula’s Castle. Because everyone has to be a tourist now and then, and what’s the point if you don’t pick up a souvenir or two?
This was a gift for a friend for their sea life monster theme bathroom. It started as one of those old school wood plaques where the picture is waxed on. And the eyes were originally that creepy – all I did was add the tentacles. So don’t blame the overall weirdness on me, it wasn’t all my doing.
Oh, and apparently Mary wanted in on the action, so she’s gone to Dracula’s Castle for a bite. She even brought back her own religious icons souvenirs…
So this one isn’t as old, nor is it real wood. But it still totally goes with Mary’s journey. And it’s also a little blacklight reactive with the flowers.
And feel free to check out more of Jennifer Weigel’s work here on Haunted MTL or here on her website.
So I just keep on going… Here are some more repaint porcelain figurines and other madcap painting. OK maybe some of them aren’t porcelain, but still totally redone.
This Pennywise clown started as some plastic figurine from Italy. I was drawn to this because of the pretty marble base. It’s a nice touch, don’t you think? I’ve seen others in this series and honestly they’re all kind of creepy to start with, so they really lend themselves towards repaint prospects. Perhaps I’ll pick up more to redo in similar ways later on… Oh, and the eyes are blacklight sensitive, in case he wasn’t creepy enough already.
With all of the new movie hype, I couldn’t resist a throwback to the classic Beetlejuice, and this little bride figurine and teddy bear were just too perfect. Featuring more blacklight sensitive accents, like her veil flowers. And I don’t know why she only has one glove, I blame it on the 1980s… Or maybe she was just that drunk (you’d have to be for that wedding)…
So yeah, all those preppers ready for the zombie apocalypse – you know some of them are gonna get bitten. It’s in the script, what can I say? More blacklight eyes, cause why not?
I admit I haven’t seen this film, but it sure looks fun. Mathilda, eat your heart out. Literally.
OK so this isn’t a repaint. Nor is it porcelain. What is it even doing here? Well, she’s cool and ready for a party and kinda reminded me of Abigail, so she sort of just tagged along. Sexy Sadie started as an Avon perfume bottle with a fragrance I didn’t care for (I think it was called Head Over Heels). Because honestly the bottle topper was all that mattered. And now she has her own disco dancing platform. What more could a vampish vixen want?
And feel free to check out more of Jennifer Weigel’s work here on Haunted MTL or here on her website.
I wrote this script for Beyond the Veil awhile back, exploring the bond between two twin sisters, Edith and Edna, who had lived their lives together. There was a terrible car crash and someone didn’t make it. The other is trying to contact them beyond the veil…
Beyond the Veil Setting:
Two women reach out to one another individually in a séance setting.
One sits on one side of a dining table. The other sits at the other side. Each studies a candle just beyond her reach; there is darkness between the two candles. The long table is barely hinted at in the interstice between the two but it is clearly present.
The camera is stationary showing both in profile staring through each other.
The women are both portrayed by the same actress who is also the voice of the narrator, who is unseen. All three voices are identical so that it is impossible to tell which of the two women the narrator is supposed to represent.
Both women are spliced into the same scene. They are together but apart. The two candles remain for the duration of filming so that the two halves of the film can either be overlapped (so that both women appear incorporeal) or cut and sandwiched in the middle between the candles (so both women appear physically present). It is possible to set the scene thusly using both methods in different parts of the story, with both women seemingly flickering in and out of being, both individually and apart.
Script:
I. Black, audio only.
Narrator:
I was riding with my twin sister.
We were in a terrible car crash.
The car drove over the median and rolled.
It spun off the road where it caught fire.
There was smoke everywhere.
My sister didn’t make it.
II. Fade in to the long table with two lit candles; flames flickering.
Two women are just sitting at either end.
They stare blankly through each other.
Call and Response
Edith: Now I’m trying to contact her…
Edna: …beyond the veil.
Simultaneous:
Edith: Edna, do you hear me?
Edna: Edith, do you hear me?
Together (In Unison):
If you hear me, knock three times.
Narrator:
Knock.
Knock.
Knock.
Call and Response:
Edith: I miss you terribly.
Edna: I miss you so much.
Edith: Do you remember…
Edna: … the car crash?
Edith: We rolled…
Edna: … over the median.
Edith: There was fire.
Edna: There was smoke.
Edith: I could hear the sirens.
Edna: They were coming…
Edith: … to rescue us.
Edna: But they were so far away.
Edith: So far…
Edna: … away….
Simultaneous:
Edith: Are you okay?
Edna: Are you hurt?
Together (In Unison):
Knock three times for yes. Knock once for no.
Narrator:
Knock
– pause –
Knock
– pause –
Together (Syncopated):
What’s it like, on the other side?
– long pause –
Simultaneous:
Edith: I miss you, Edna.
Edna: I miss you, Edith.
Together (Syncopated):
It’s so lonely here.
Call and Response:
Edith: There’s no one here.
Edna: I’m all alone.
Edith: Without you…
Edna: …the spark of life…
Edith: …is gone…
Edna: … so far away.
– pause –
Together (Entirely Out of Sync):
It’s so dark.
III. Fade out to black
Narrator:
I was riding with my twin sister.
We were in a terrible car crash.
The car drove over the median and rolled.
It spun off the road where it caught fire.
There was smoke everywhere.
I didn’t make it.
I had planned to actually turn this into the video for which it was written, but quickly discovered that my plans for recording required a space that was too drastically different from my new house (and new large gaming table) and that my vision for filming could not be well-fully executed or realized. So now it exists as a script only.
And feel free to check out more of Jennifer Weigel’s work here on Haunted MTL or here on her website.
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Jennifer Weigel
December 17, 2022 at 8:20 am
This explains oh so ho ho much….