We have reached now the penultimate season of Unwell, a Midwestern Gothic Mystery. This is the bad news. Any good story ends too soon, as far as I’m concerned. The good news is that the first two episodes of season five are already available, so we can start on that journey together.
That being said, this season was incredible. It was dark and frightening and asks more questions than we have time to answer. And for the first time, we come face to face with a question I’ve been wondering since the very first episode of Unwell.
What if this town doesn’t care for everyone who lives within it?
We begin this season right where we left off. Lily, Dot, Wes, Abbie and Marisol are trapped in the boardinghouse by a pack of wolves. There are more at the town hall. And yes, they do seem ready to bite someone’s face off.
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Soon enough though, the wolves become a mild inconvenience more than anything. Yes, they might be vicious. They might be threatening. But eventually, everyone sort of gets used to them. And there are far more frightening elements of the town to be worried about.
For instance, Silas has moved in. The barriers that protected Mt Absalom from him are gone. So he’s around, getting coffee and opening a bar.
Lily takes this all in stride. She seems to see Silas as a trickster entity more than anything. He’s going to cause some trouble but is overall harmless. Even when a child goes missing, she doesn’t see this as a big deal. All in good fun, after all. Silas wouldn’t hurt anybody.
But let’s remember what exactly Silas did in the last episode of season one.
This is a concerning trend not only in Lily but in the town in general. Silas is much like the wolves. They might seem friendly. Some poor souls might be foolish enough to think they can be controlled. But they are still forces of nature. They are still going to do what they do, regardless of the outcome for others. Not out of malice. Only because it is what they are meant to do.
The town is also like the wolves in that way. And I think we’re only now coming to realize that.
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I’m glad to see the two opposing sides coming together this season. For the most part, that is. Chester seems more and more willing to work with Dot and the boardinghouse, especially as he grows more and more concerned about whatever Hazel has planned. We don’t know what Hazel wants to do about Silas, but we know that everyone else thinks it’s a bad idea.
Everyone agrees that Silas needs to get out of the town, though. He’s causing all sorts of trouble, disrupting the balance that everyone relies on. But he doesn’t want to go. And he’s more than ready to put up a fight.
During the last few seasons, we have been given the impression that the town takes care of its people. Normally when someone says that, they mean that the people of the town look out for each other. And that is most certainly true. The people of Mt Absalom are wonderfully supportive of each other. It’s like a huge extended family, and I love it. But in this season, we find out that there’s more to it than that. The town itself looks after its people. When children go missing, they’re more often than not deposited in a safe place. The town sends them home. It also seems to hold onto people who might be of use, even after they die.
However, there are two sides to every coin. If a town can protect lost children, it can do more. And it can determine that someone within it is a threat.
One of our main characters makes themselves a threat this season. And the town does what it does best. It protects itself.
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I can’t wait to get into the last season. I’m sad we have to wait for the episodes to come out every other week. But still, it could have been worse. We could have found it just after the season ended. I hope you’ll be listening along with me as we witness the final season of Unwell.
I just wanted to post a brief shoutout to Linda Gould of the Kaidenkai to say thank you for including my Around the Campfire story. Feel free to follow this link and give it a listen. I especially love how Ed’s voice is conveyed. You really feel as if you are on the camping trip with everyone.
Around the Campfire sets the tone for the month of August wherein authors are invited to participate in telling tales as part of a whole campfire series, kind of like it did here originally on Haunted MTL in 2022.
Ascension from Reversals series of digital artworks by Jennifer Weigel
We have reached the last episode of the podcast, Dolores Roach. No, this really is the end. There are no more episodes unless they’re hidden away on some Patreon page I don’t have access to.
The reason I’m being clear upfront about this is because, after you listen to this episode, the fact that there are no more episodes is going to be both confusing and infuriating.
The story
This episode begins with Dolores in a tunnel, being chased down by a train. She barely manages to escape, jumping onto a subway platform and then boarding the train that almost hit her.
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Dolores is in a state of panic. She just escaped the tunnels. She just saw Mother Cleats killed. Now, she’s on a subway train, surrounded by people she doesn’t know. And she is a mess. She hasn’t showered since going down in the tunnel, after all. She probably doesn’t smell great.
Dolores rides the train to Coney Island and gets off. She walks to the ocean and gets in the water to wash herself. And when she comes out, she’s recognized by an old friend, Georgie.
And it is then that we realize that it’s been Georgie she’s been telling this whole story to.
Seeing the state Dolores is in, Georgie insists that she come home with her. She gets Dolores some clothes and something to eat and makes her tell her everything that happened down in the tunnels.
And then, Georgie’s son comes home. A seventeen-year-old son who looks exactly like Dominic.
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That’s where the story ends.
What worked
I had a hard time finding much to like about this finale. If it hadn’t been the last episode it would have been great, but it was.
However, I did like the shift in perspective that takes place when it’s revealed that Dolores has been telling this whole story to Georgie this season. Because of course, up until now, it’s felt like she was talking to us and only us.
What didn’t work
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This episode had a lot of problems. For one thing, I didn’t trust Georgie from the start. And that distrust just got worse the more we saw of her. She’s a true crime writer who just happens to find Dolores when she comes out of the tunnels after two months. No, Dolores isn’t buying it and neither am I. And inviting a woman you have reason to believe is dangerous into your home is stupid. No one in their right mind would have done that. No parent would have allowed Dolores within the same block as their child. The whole thing was unbelievable.
But that complaint pales to the largest issue I have for this season finale. For this episode that is, as far as I can tell, a series finale.
I say that because I cannot find another episode listed anywhere. If I were to have just listened to this episode without knowing that, I would have assumed this was just a mid-season twist.
Because that’s what this feels like, a mid-season twist. It answers nothing. It wraps up nothing. It gives us no satisfaction at all. And that is more than frustrating. It is infuriating. It ruins any joy we might have gotten from the rest of the season.
The ending of Dolores Roach was, in short, not an ending. It stopped in the middle of the story, there’s just no way around it. And this episode came out in October of 2019, almost five years ago! I know that podcasts are rather notorious for having long periods between seasons. Mine is no exception, season three of AA will likely not see the light of day until 2025 at the earliest. But after five years I think we can all safely assume that we’re not getting any more episodes. And so Dolores is always going to be in limbo. We are never going to know whether or not Georgie was telling her the truth. We’ll never know what happened to Ginger or Ephraim. We’ll never know what Dolores does, standing in her old friend’s house with what appears to be Dominic’s seventeen-year-old son standing in front of her.
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We will never know, because the show is taking an entirely different turn. And so, I’m afraid I have to add Dolores Roach to the same infamous list as Lime Town or The Black Tapes. This podcast was great until they decided to just not end it.
If you’ve waited this long to see if you should listen to Dolores Roach, here’s my advice. Listen to season one, it had a reliable and satisfying ending. But season two should be left in obscurity where all half-finished stories belong.
(1 / 5)
If you’re a fan of my work, please check out my latest story, Nova, on Paper Beats World. New chapters every Monday, Wednesday, and Friday.
We’ve reached not only the second to last episode of this Dolores Roach season but the series as a whole. If you’ll recall, last episode we were riding the high of a great new villain. We had an unexpected and shocking story arc.
Now, after listening to this second-to-last episode, that high is gone. And we are left with disappointment, lamenting what might have been.
The story
We begin our story with Dolores being shown to her new home. The home she’s to share with Ephraim is considerably smaller than the home they were sharing before.
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Ephraim is thrilled. He’s read Mother Cleats’ treatment and is all in.
This doesn’t make sense to Dolores. To her, this place seems like a downgrade. But for Ephraim, it’s a chance to belong. A chance to feel safe, to not fear hunger or violence.
Dolores has no illusions of being safe from that, though. And she’s not thrilled with being drafted as the Chain’s new killer and cook.
She tries to get Ephraim to run with her. Even prison would be better than what she’s facing. But he doesn’t intend to go anywhere.
Next, Dolores tries to get Ginger to go with her. She points out that having a baby in a tunnel instead of a hospital is probably not her ideal birth plan. But Ginger has some sort of strange fit and screams at her.
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Dolores is lost, unsure how she’ll ever fight her way through all of these people to get out of the tunnels. But at the last moment, she gets unexpected help from a very unexpected source.
What worked
Let me begin by saying that it’s honestly hard to say that anything worked in this episode. Which isn’t to say that it was bad. The acting was as wonderful as it’s been the whole series. The sound editing was wonderful.
But everything that did work suffered from the pacing. We’ll discuss that more later.
This episode was full of sudden yet inevitable betrayals that I love. I don’t want to ruin the fun for you. But it’s safe to say that no one is on good terms with anyone at the end of this. At least, the people still alive.
I also appreciated the setup for a pivotal death. Early in the season, Ephraim told us that the middle rail was certain death to touch. I think we all knew that this was going to come up eventually. That we would, sooner or later, see someone’s eyes melt out of their sockets. And yes, I’m pleased to say that did happen.
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What didn’t work
If the podcast Dolores Roach has a flaw it is in its pacing. And that flaw came very much to light in this episode. Because this should have been at least two episodes.
It was not as fun to see the ending of this episode as it would have been if there had been more build-up. An important character betrayal didn’t mean as much as if there had been more of a build-up.
Overall, this story would have felt so much richer if there had been more room to breathe and experience them. It was as if we were to be served a wonderful meal. And instead of savoring it, we shoveled it down without truly tasting it. And that’s a shame. This seemed like a delicious story. I wish we could have tasted more of it.
Even though there should be more, there is only one episode left of Dolores Roach. And I don’t know how to feel about that. They’ve done everything they set up to do already. So, what’s left for Dolores now? That’s the only question we have left to answer.
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(3 / 5)
If you’re a fan of my work, please check out my latest story, Nova, on Paper Beats World. New chapters every Monday, Wednesday, and Friday.
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