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The newest installment of Monastery is a packed bag of goodies. It’s nearly impossible to discuss everything that happens in this episode, but I’ll give it my best shot. If you thought the stakes were high before then you best buckle up. We’re about to take a ride on the craziest rollercoaster you can imagine. Let’s begin!

Plot

We pick up right where we left off in the last episode of Monastery – Cassandra helping Francis cover up George Turner’s murder (she should have a business card at this point). As their luck would have it, a group of kids discover the body the very next day. Albert hilariously describes the interview that follows as pointless cameos. Our resident gang correctly assumes that the pair had something to do with it. They narrow down their investigation to probe Francis further with little success.

We also get more insight into Cassandra in this episode as it is her 60th birthday. I am shocked to say that she tugged my heartstrings this time round, especially during the seance at Madam Witch’s. During this experience, we see Cassandra and Albert reuniting at what we assume to be heaven. For those few minutes we as readers see that despite everything, there was – is – some genuine love between the two. I thought this interaction brought yet another layer to their already complex dynamic. It goes without saying that the scene between Pop Dennis and Nana Beth during the same type of experience will bring tears out of anybody.

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However, my sympathy for Cassandra doesn’t last long. When she thinks everyone forgot her birthday, our resident grandma gets wasted. This causes her to nearly spill murderous beans at her super awkward surprise party organized by David. Our pointless return as he seemed to invite the most random Monastery residents.

Speaking of David, the poor guy is still stringing Erica along all the while pining for Nicole. Not that he is fully at fault as Erica doesn’t seem to take the hint. Must be hard not to hurt someone’s feelings when you can’t be with the one you love anyway, right? Unsurprisingly, this causes Nicole to finally confront her feelings for David properly, and the two end up having sex. Their dynamic now has more layers than a matryoshka doll since both are in relationships, not to mention the family aspect. Although considering Erica sees everything, we can assume David is newly single and in for a rude awakening.

Fred continues to be the biggest underdog in this episode. As if what happened between his girlfriend and his cousin won’t be enough of a blow, Cassandra also kicks him out of her house. The question of where he’s going to stay now remains a mystery. Perhaps this is an opening for him to leave Monastery once he inevitably finds out about their betrayal? Time will tell.

As for our investigative squad, their main quest is slightly pushed to the background. That is, until Thomas discovers a bloodied toy car. This only brings more questions as to what exactly went down the night Albert died. Their investigation is put to the biggest test yet when Rocky, everyone’s favorite dog, is taken by an unknown assailant. This person threatens the gang to drop everything, or else. The installment ends on quite an anxiety-filled note and I would like to have a word with whoever is responsible. I got my guesses and all I will say for now is that their name rhymes with Dick. 

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Overall thoughts

The sixth part of Monastery showcases once again what’s so great about this story. We got a mixture of everything – mystery, murder, fear, love, lust, heartbreak, but most of all, family. It’s arguably the biggest theme of the story and this episode showcases it perfectly. The party scene, while quite anxiety-inducing for me, was also hilarious and moved the plot while showing off different dynamics. Although I’m not gonna lie, everything that I was curious about now fades in the light of Rocky’s abduction. This is the turning point of the story for me and I’m just clutching my dog tighter thanking all the gods that I haven’t pissed off some psychopath.  5 out of 5 stars (5 / 5)

More from the author:

1. This episode of Monastery really focuses on the complexities of Cassandra’s character. In one of our previous talks, you mentioned that she is the hero of your story, albeit an extremely flawed one. We get a whole spectrum of emotions from her, from missing Albert to calculating George Turner’s cover-up to helping Francis to kicking out Fred – she is her own one-woman show. I guess what I’m curious about is, what’s your opinion of redemption arcs and is this something that you’re interested in doing with Cassandra or are you happy to keep her deliciously villainous yet human as she is (if you can share, that is)?

A good redemption arc is a hard thing to pull off and I often find that it hinges on convenience more than anything else – we redeem characters after they’ve done unspeakable things simply because we still love and root for them. Nothing necessarily wrong with that, but redemption is not something I think about too much where somebody like Cassandra is concerned – she is who she is, a hero and a villain, a mother and a monster, both deep and shallow, and I am happy to keep her as she is for now without worrying too much about redeeming her.

2. Further to my last question, you have no qualms about writing complex characters who do messed up things, maliciously or not. Have you got to the point writing Monastery where you stopped liking a character you created or stopped rooting for them because of this? Alternatively, have you grown fonder of a character because of how you crafted the story and where they ended up?

Honestly, the nastier the characters get, the more I love them. I get an immense kick out of Thomas blackmailing David or Nicole playing mind games on the boys she likes – those are the scenes I always can’t wait to get out. I never stopped rooting for anyone, but I will say this: when I’m caught up in the moment and the words are flowing out of me, these characters can shock me sometimes. There was an instance in episode 3 in which Aunt Doris made me spit out the words, “You bitch”, as I was writing her dialogue. I couldn’t believe the things she was saying, and I was the one writing them! I live for those little moments.

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3. The dinner party scene was chaotic to say the least. Was your intention to make the readers anxious or to make them laugh and reminisce of their own family gatherings (hopefully without a murder revelation)? I got a bit of both, personally.

The dinner party served three big purposes for me: a) it was a bit of a breather after the intense drama of the midseason finale and its aftermath; b) it plays into the satire element of the story, as yes, family gatherings (especially in a small town) are always full of drama; and c) it was a rare opportunity to bring the whole family together, since there’s so many of them and we can’t possibly always have them in the same place at the same time. It was nice to just press pause and dig a little deeper into who they are and what makes them tick, whilst still teasing the readers about the mystery. I’m glad it awakened all those emotions in you!

Bonus question – Rocky is okay, right? Right? *pleading sad face emoji inserted*

Rocky is a series regular. All series regulars are featured in all ten episodes, and there’s four more to go. But then again, one of those regulars has been dead from the start, so…

Book Reviews

The Wretched Valley: Body Horror in the Wilderness.

“This trip really went shit.”

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Published in January of 2024, This Wretched Valley is Jenny Kiefer’s debut novel and is a horror written for hikers, campers, and all of your general outdoorsy type people. Reminiscent of Scott Smith’s The Ruins, with a healthy helping of Adam Nevill’s The Ritual, This Wretched Valley is a story of restless and vengeful spirits with some spectacular body horror scenes you will not forget.

The Plot.

Set in Kentucky, This Wretched Valley’s main plot covers a week in March of 2019. The time-stamped chapters follow four college friends and their faithful Australian Shepherd. One of the four friends, Clay, has discovered a rock formation that appears to have never been climbed or explored. The group embark on an expedition that is part rock climbing exploration and part scientific research. From the moment they enter the valley at the base of the rock things don’t feel right. Their dog, Slade, is acting funny and the plant life grows in unusual varieties and patterns for this part of Kentucky.
After an accident climbing the rock things go from bad to worse, with strange apparitions appearing before them and dead animals being left at the edges of the camp. The worst thing is that despite following their GPS, they can’t seem to find their way back to the car. Tempers flare, but is it because of the situation they find themselves in, or is something influencing their emotions?

Highlights.

One of the highlights of This Wretched Valley is the short chapters that are dotted throughout the book. These chapters tell the stories of other people who came before our hikers, from other centuries, that suffered due to their presence in the valley. As the main chapters culminate the characters from the historical chapters begin to pop up in the present.


The descriptions of the injuries the hikers suffer, real and imagined, are excellent. Kiefer really knows how to make a reader squirm, if you enjoy blood and gore this book is for you. There is one scene in particular with a swarm of flies that I read twice.

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Drawbacks.

I know it is a necessary evil in horror, that the main characters must miss things that may seem obvious to the reader for the story to build. I mean, if the hikers in This Wretched Valley picked up on how the dog was acting in the first chapter and left we wouldn’t have this excellent book. That being said, so many things begin to go wrong, but each is shrugged off or explained away. The ignorance of huge things that were happening right in front of them seemed a little too wilful. Perhaps we can give Kiefer the benefit of the doubt and assume that maybe this was the point, the wilfully ignorant get what they deserve.  

Another grip I have with this book is the head-hopping. Rather than focus on one character in a chapter and reading their point of view, Kiefer has head hopped. Delivering various points of view within a chapter, sometimes within a paragraph. And that’s fine, many authors do this. However, at times it was hard to figure out who was seeing or thinking a particular thing. Going back to reread some paragraphs did help, but stopping in the middle of the action to reread is not ideal.

The Final Take.

While I’m not an avid outdoorsman myself – camping, hiking, and climbing aren’t my passions. I found myself thoroughly engaged with the descriptions of the natural world in this novel. Kiefer, a rock climbing enthusiast, clearly brings a genuine passion and expertise to her depictions of This Wretched Valley. I believe any reader who enjoys these pursuits will find a particular resonance in her writing.

For those interested, I discovered that Jenny Kiefer owns Butcher Cabin Books, a unique horror bookstore in Louisville, Kentucky. If you’re in the area perhaps pop in and explore a book store dedicated to the world of horror literature. 4 out of 5 stars (4 / 5)

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Book Reviews

This Work of Darkness: the people of Salem are waiting.

“Old Mother Gossip says something is wrong in Salem village.”

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“Lives coil within lives. Dreams coil within dreams.”

First and foremost, I would like to thank Lucretia Grindle for providing me with an ARC of This Work of Darkness. Being immersed in 17th-century Salem Massachusetts was just what I needed to escape the insanity of the holiday season. With a planned publication date of January 16, 2025, This Work of Darkness is Book 2 of Grindle’s Salem duology. For anyone who has not read The Devil’s Glove, Book 1 of this series, please see my review here.

The Plot.

In the opening chapters of This Work of Darkness, we meet back up with Resolve Hammond. Now a young woman of means, living comfortably within the English family home in the heart of Salem, Massachusetts. Her days are filled with the rhythms of life in the bustling town – tending to the English family store and interacting with the townsfolk.
However, beneath this veneer of contentment lies a deep-seated guilt. Years ago, Resolve made a solemn promise to Thaddeus and Abigail Hobbs: she would always protect and care for Abigail as a sister. Driven by a conscience burdened by her broken promise, Resolve seeks out Abigail. The stark contrast between her own privileged existence and the abject poverty and despair she witnesses at the Hobbs farm does nothing to alleviate her guilt. Abigail’s deteriorating mental state serves as a painful reminder of Resolve’s failings.
As Resolve grapples with her guilt and the haunting memories of her past, a sinister undercurrent begins to stir within Salem. Accusations of spectral visitations and inexplicable afflictions erupt within the community, casting a pall of fear and suspicion over the townsfolk. One by one, the women in Resolve’s life – her friends, her confidantes, the very fabric of her social circle – are swept away by the hysteria, accused of witchcraft, and dragged before the court.

Highlights.

A key highlight of This Work of Darkness lies in Grindle’s masterful weaving of historical figures and events with her compelling fictional characters. This is historical fiction at its finest. The novel is rich with recognizable names and occurrences from the Salem Witch Trials, prompting me to frequently delve into further research, eagerly verifying the historical accuracy of characters I didn’t immediately recognize. To my delight, many of these were indeed real figures, and the book itself served as a fascinating gateway to deeper historical exploration. Grindle deserves significant praise for her poignant portrayal of the human suffering that unfolded during this period. Unlike many novels on the Salem Witch Trials, This Work of Darkness delves deeply into the individual experiences of its characters, meticulously exploring their motivations, relationships, and the profound impact of the hysteria on their lives.

Drawbacks.

This Work of Darkness is a sequel and as such of course must make references to the first work as a way to join the two together. However, I found that Grindle spent a lot of time in the first half of this novel recounting and rehashing the events of The Devil’s Glove. This can feel somewhat repetitive for readers experiencing this book as a sequel, and overwhelming for those approaching the novel as a standalone work.

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As I mentioned in my review of The Devil’s Glove, Grindle is a wordsmith. This has not changed. However, while the phrase “Mother Gossip” (not a character but the gossip trending through the social circles of the story) initially adds a unique flavor to the novel’s language, its frequent recurrence throughout the narrative detracts from the overall reading experience. This repetitive use of the phrase, despite its initial charm, becomes somewhat tedious and disrupts the flow of the otherwise creatively written story.

The Final Take.

This Work of Darkness had me digging through the back of my bookshelf and rediscovering the joy that is Henry Miller’s, The Crucible. While the complete truth of the Salem Witch Trials may forever remain shrouded in mystery, Grindle’s exploration of the social and psychological factors that fueled the accusations was particularly insightful and entertaining.

As with its predecessor, I found myself captivated by the narrative, marking numerous passages and quotes. Perhaps my favorite from the entire series, is found in Chapter 29:

‘Truth, I would remind him, had little to do with anything these days. What mattered was what people chose to believe. That was what turned the jail keys.”

Pretty profound if you ask me.

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4.5 out of 5 stars (4.5 / 5)

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Book Reviews

The Devil’s Glove: Before the Salem Witch Trials.

“The Devil does wear beautiful gloves.”

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“Skin to skin. Blood to blood. Heart sister to heart sister.”

In Lucretia Grindle’s The Devil’s Glove: Salem Book 1 (May 2023), readers are transported to the chilling precipice of the Salem Witch Trials. This meticulously researched novel blends historical accuracy with supernatural elements. Grindle crafts a captivating tale of fear, mistrust, and the enduring power of human connection.

Set in the remote Puritan village of Falmouth, on the eve of the infamous trials, the story unfolds amidst the clash of cultures. A war is brewing between the English settlers and the existing Native American community, fueling suspicion and resentment. Grindle masterfully explores the themes of colonialism, othering, and the enduring human need for connection.

The Plot.

In 1688, on the eve of the Salem Witch Trials, we meet Resolve Hammond. A young woman with the unsettling gift of seeing beyond the veil of reality. When Avis Hobbs dies, Resolve’s mother, a healer with deep ties to the local Native American tribe, suspects foul play.

Despite the growing tension between the villagers and their Native American neighbors, Resolve’s mother remains silent, fearing accusations of witchcraft. But Resolve, privy to unsettling visions, senses a sinister truth. Who would poison Avis, and why does Avis’s daughter, Abigail, seem eerily pleased?

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As the village descends into paranoia and the threat of war with the neighboring native community looms, Resolve must confront her unsettling gift and use it to uncover the truth, even as the men in power manipulate events for their own gain.

Highlights.

Lucretia Grindle is a wordsmith. I rarely find myself stopping to reread sentences and passages just because once was not enough. The prose in this book is unrivaled. Beautiful metaphors and turns of phrase adorn every page. I was so pleased to be reading on Kindle, highlighting line upon line, “murmur piles upon murmur like rotting leaves”, “feel for the flutter of the soul at the neck” and “the kitchen is a cave of shapes” are just a few of my favorites.

The research that Grindle must have completed for this novel must also be noted. This is not only obvious with the inclusion of real people but also in the immersiveness of the setting. Details so small you might miss them are dropped like rain throughout the chapters, each contributing to filling the bucket that is 1688 New England.

Drawbacks.

There are no drawbacks to The Devil’s Glove in so far as the plot, characters, and writing are involved. I did find some repeated metaphors and spelling errors; this however is not a problem with the story or the author but an editing issue that takes nothing away from the story or prose.
Not so much a drawback, but perhaps a misrepresentation was that The Devil’s Glove would tell the story of a mother and daughter who are suspected or accused of witchcraft. This is not this book. Although there is deep distrust between the Hammonds and the Puritan townsfolk, there is little in the way of actual accusations until the novel’s end.

The Final Take.

The Devil’s Glove is an exquisitely written novel that was a pleasure to read. It is reminiscent of Outlander with splashings of A Discovery of Witches. I was lucky enough to receive an ARC of the sequel, This Work of Darkness. I will be beginning this as soon as this review is posted. After reading the last lines of The Devil’s Glove there is no way I’m wasting a second to find out what comes next.

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5 out of 5 stars (5 / 5)

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