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Art & poetry is like chocolate and fine red wine… I love exploring older writing; it feels as though I’m stumbling through dusty tomes of forgotten lore online.

I had previously created a graphic narrative to accompany It Was Not Death, For I Stood Up by Emily Elizabeth Dickenson for Day of the Dead. So, this year for November 2, I wanted to again share some of my art alongside some public domain poetry of decades past. Enjoy this brief assortment of pieces in honor of Dia de los Muertos.

At Last I Got a Letter from the Dead
by Richard Le Galliene

At last I got a letter from the dead,
And out of it there fell a little flower, -
The violet of an unforgotten hour.
At Last I Got a Letter from the Dead by Richard Le Galliene, with From Pasture sculpture featuring real horse skull & faux flowers
Dirge
by Edna St. Vincent Millay

Boys and girls that held her dear,
Do your weeping now;
All you loved of her lies here.

Brought to earth the arrogant brow,
And the withering tongue
Chastened; do your weeping now.

Sing whatever songs are sung,
Wind whatever wreath,
For a playmate perished young,

For a spirit spent in death.
Boys and girls that held her dear,
All you loved of her lies here.
Dirge by Edna St. Vincent Millay, alongside an assemblage with broken doll parts and preserved insects
The Distance That The Dead Have Gone
	by Emily Elizabeth Dickenson

The distance that the dead have gone
Does not at first appear;
Their coming back seems possible
For many an ardent year.

And then, that we have followed them
We more than half suspect,
So intimate have we become
With their dear retrospect.
The Distance That The Dead Have Gone by Emily Elizabeth Dickenson, with Classification assemblage of sand covered faux skeleton pieces
Epitaphs
by Unknown
    An epitaph in an old Moravian cemetery reads thus:

Remember, friend, as you pass by,
As you are now, so once was I;
As I am now thus you must be,
So be prepared to follow me.

    There had been written underneath in pencil:
To follow you I'm not content
Till I find out which way you went.
Epitaphs in an old Moravian cemetery, with Message & Victim artworks featuring faux skeleton and broken doll parts with resin over polished river stones
A Mood
by George MacDonald

My thoughts are like fire-flies, pulsing in moonlight;
My heart like a silver cup, filled with red wine;
My soul a pale gleaming horizon, whence soon light
Will flood the gold earth with a torrent divine.
A Mood by George MacDonald, with Until Death Do Us Part assemblage focused on half of a found Best Friends necklace, a faux skeleton hand and a key
Ghazal Of Mira
translated by Edward Powys Mathers
From the Pus'hto (Afghans, nineteenth century).

The world passes, nothing lasts, and the creation of men
Is buried alive under the vault of Time.

Autumn comes pillaging gardens;
The bulbuls laugh to see the flowers falling.

Wars start up wherever your eye glances,
And the young men moan marching on to the batteries.

Mira is the unkempt old man you see on the road;
He has taken his death-wound in battle.
Ghazal Of Mira from the Pus’hto, alongside Mingling Memories found objects covered in fragrant cumin, cloves and cinnamon in a cigar box lid

These images feature mixed media assemblages and sculptural pieces incorporating real and faux bones, skeletal fragments, animal jawbones and more.  The works considered mortality and the fragility of being, memory and forgetting, and the passage of time.  These pieces were first published in the Halloween 2020 Contest themed around Death, Fear and Fantasy through The Abstract Elephant Magazine.

portrait of myself with dark makeup and crow skull headdress, backlit by the sun
Portrait of myself with dark makeup and crow skull headdress, backlit by the sun.

Jennifer Weigel is a multi-disciplinary mixed media conceptual artist residing in Kansas USA. Weigel utilizes a wide range of media to convey her ideas, including assemblage, drawing, fibers, installation, jewelry, painting, performance, photography, sculpture, video and writing. You can find more of her work at: https://www.jenniferweigelart.com/ https://www.jenniferweigelprojects.com/ https://jenniferweigelwords.wordpress.com/

Original Creations

On Becoming Hallowed, All Hallows Eve Poem by Jennifer Weigel

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Like I said before, I’m really getting into the spirit of the season this year. So reconsidering The Mourners yet again, and haunting the faith a bit, I decided to share a poem that I wrote thinking about All Hallows Eve as a preview of more things to come this month of October.

Mourners drawing by Jennifer Weigel, graphite on paper
Mourners drawing by Jennifer Weigel

On Becoming Hallowed

Holy.  Holy.  Holy.  Light the candle.  Chant the hymn.

For now the veil between the living and the dead grows thin.

Fingers held to lips in silence; lies beneath their skin.

Family found, ancestral ghosts return to haunt their kin.

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Skeletons in closets, grotesque yearnings trapped within.

A bleached and bony face flashes a slightly knowing grin.

It’s not the shadows but the darkness that we fear therein.

Bless this Church whose saintly bodies live and dwell herein.

Unto Death, they claim to sanctify our souls from sin.

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Those familiar faces shame; this fight we cannot win.

Come what may, they betray.  Pray/prey and heads will spin.

Forevermore and evermore to nevermore…  Amen.

Mourners drawing by Jennifer Weigel, graphite on paper
Mourners drawing by Jennifer Weigel

I thought this poem really captured All Hallows Eve, in some of the same sentiments as the movie High Spirits, which I loved almost as much as Beetlejuice back in the day.

Portrait of myself with dark makeup and crow skull headdress, backlit by the sun.
Portrait of myself with dark makeup and crow skull headdress, backlit by the sun.

And feel free to check out more of Jennifer Weigel’s work here on Haunted MTL or on her writing, fine art, and conceptual projects websites.

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Original Creations

Resurrecting the Mourners

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So I’ve decided to revisit some of my bereaved Gothic celebrity drawings and resurrect The Mourners, since we’re in the thick of spooky season… And I’m not talking pumpkin spice, though it is nice. Maybe it’s the weather, or maybe it’s the despairing existential angst, but lately I’ve been feeling a bit haunted so I thought I’d take a trip down memory lane with you by posting a bunch of art here. So without further ado…

Mourners drawing by Jennifer Weigel, graphite on paper
Mourners drawing by Jennifer Weigel
Mourners drawing by Jennifer Weigel, graphite on paper
Mourners drawing by Jennifer Weigel
Mourners drawing by Jennifer Weigel, graphite on paper
Mourners drawing by Jennifer Weigel

I wanted to focus on more of the details of the sculptures this time. The craftsmanship of these works still astounds me. When royalty commissioned such works, the artists may have devoted much of their lives to realizing these pieces to fruition. They were very time involved processes.

Here are some more details of hands and clothing that I found interesting. Remember that these sculptures are less than 12 inches tall for the whole of the human form. So they are very intricate for their size.

Portrait of myself with dark makeup and crow skull headdress, backlit by the sun.
Portrait of myself with dark makeup and crow skull headdress, backlit by the sun.

And feel free to check out more of Jennifer Weigel’s work here on Haunted MTL or on her writing, fine art, and conceptual projects websites.

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Original Creations

Beyond Burning Bushes, a Short Story by Jennifer Weigel

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Into the Faewild bush bewilderment digital artwork by Jennifer Weigel, based on a sculpture by Patrick Dougherty.
Into the Faewild bush bewilderment digital artwork by Jennifer Weigel, based on a sculpture by Patrick Dougherty

The gorse bush seemed taken aback.  It bristled and exclaimed, “A bush!”

“I am so very sorry, my Lord, I can explain,” the goblin cleric bowed in reverence, eyes glued to the ground.  Everything about his body language was submissive and nervous.

“Of all the useless…  How is it that I got reincarnated as a bush?!”  The shrubbery prickled, growing more and more agitated.  “I should have come back as a great King, or an Angel, or a Demon, or a dragon, or something even grander…  Hell, I’d have settled for returning as the undead Lich King Tyrant Boss-Man you all came to know and love and revere.  But no, that wasn’t in the dice.  And now here I am, A Bush!”  The spiky leaves trembled and rustled as they spoke, both emphasizing and decrying their verdant stature.

“Well, we were in a rush to revive you, after that run in with the goody-two-shoes 20th level adventurers and the awkward retreat,” the goblin knelt before the bramble-vine.  “All of our best clerics, necromancers, and acolytes were tapped for spells or had perished in the great battle.  Those of us who got out of the caves were lucky to escape with our lives and make it to this little clearing on the mountainside.  And we desperately needed your guidance.  We still do…”

“That doesn’t explain why I’m a bush now,” the gorse stretched to its full height, about two-and-a-half feet of thorny rage.  “And a Gorse Bush at that!  Before too long I’ll have a stand of satyrs piping along with a centaur drum circle, all strumming up some fertility ritual at my feet… er, roots…”

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“Well, I’m multi-disciplinary you know.”  The goblin spell-caster muttered and meekly shifted to his other foot, bracing for the inevitable, “Sometimes I get the cleric and druid magics confused a little.”

“Confused a little?” the bush growled, “Confused A Little?!”  The bush’s rage turned to magic as it burst into flames.  “I’m A BUSH!!!  That’s not just some modest little cleric-druid spell translation issue!”

The goblin shrunk from the blaze, “But my Lord, you are a mighty bush.  The greatest bush, really terrific…  The gorsiest, bushiest bush in all of shrub-dom…  Other bushes?  Losers!  We all agree, your Lordship.”  The trembling goblin horde in the scrubland shadows at the edge of the small clearing nodded emphatically in response, fearing their bushy leader’s wrath.  And rightfully so…

A tongue of flame erupted like a lightning bolt from the gorse and zapped the goblin cleric-druid where he stood, leaving nothing but a smattering of ashes drifting towards the ground.  The flame erupted through the goblin horde in a huge explosion that engulfed everything in its wake, leaving a circle of scorched earth covered in a fine layer of sooty ash, smelling a bit like cordite.

The bush sighed and took note of its surroundings, sulking.  It waited for some would-be adventurer to wander up the mountainside to find it there, where they could revel in its awkward awesomeness.  Seasons came and went, and time seemed to stand still for nigh eternity as the gorse bush seethed beneath its crown of thorny brambles.  Perhaps it should have convinced the goblin cleric to transplant it to a more trafficked location first.

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Photograph from within Patrick Dougherty sculpture; base for Into the Faewild bush bewilderment digital artwork by Jennifer Weigel
Photograph from within Patrick Dougherty sculpture; base for Into the Faewild bush bewilderment digital artwork by Jennifer Weigel

If you enjoyed that bit of snarky fantasy, check out Ppppffffttt my previous Poised Potion Poison Potential story.

Portrait of myself with dark makeup and crow skull headdress, backlit by the sun.
Portrait of myself with dark makeup and crow skull headdress, backlit by the sun.

And feel free to check out more of Jennifer Weigel’s work here on Haunted MTL or on her writing, fine art, and conceptual projects websites.

Continue Reading

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