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Art & poetry is like chocolate and fine red wine… I love exploring older writing; it feels as though I’m stumbling through dusty tomes of forgotten lore online.

I had previously created a graphic narrative to accompany It Was Not Death, For I Stood Up by Emily Elizabeth Dickenson for Day of the Dead. So, this year for November 2, I wanted to again share some of my art alongside some public domain poetry of decades past. Enjoy this brief assortment of pieces in honor of Dia de los Muertos.

At Last I Got a Letter from the Dead
by Richard Le Galliene

At last I got a letter from the dead,
And out of it there fell a little flower, -
The violet of an unforgotten hour.
At Last I Got a Letter from the Dead by Richard Le Galliene, with From Pasture sculpture featuring real horse skull & faux flowers
Dirge
by Edna St. Vincent Millay

Boys and girls that held her dear,
Do your weeping now;
All you loved of her lies here.

Brought to earth the arrogant brow,
And the withering tongue
Chastened; do your weeping now.

Sing whatever songs are sung,
Wind whatever wreath,
For a playmate perished young,

For a spirit spent in death.
Boys and girls that held her dear,
All you loved of her lies here.
Dirge by Edna St. Vincent Millay, alongside an assemblage with broken doll parts and preserved insects
The Distance That The Dead Have Gone
	by Emily Elizabeth Dickenson

The distance that the dead have gone
Does not at first appear;
Their coming back seems possible
For many an ardent year.

And then, that we have followed them
We more than half suspect,
So intimate have we become
With their dear retrospect.
The Distance That The Dead Have Gone by Emily Elizabeth Dickenson, with Classification assemblage of sand covered faux skeleton pieces
Epitaphs
by Unknown
    An epitaph in an old Moravian cemetery reads thus:

Remember, friend, as you pass by,
As you are now, so once was I;
As I am now thus you must be,
So be prepared to follow me.

    There had been written underneath in pencil:
To follow you I'm not content
Till I find out which way you went.
Epitaphs in an old Moravian cemetery, with Message & Victim artworks featuring faux skeleton and broken doll parts with resin over polished river stones
A Mood
by George MacDonald

My thoughts are like fire-flies, pulsing in moonlight;
My heart like a silver cup, filled with red wine;
My soul a pale gleaming horizon, whence soon light
Will flood the gold earth with a torrent divine.
A Mood by George MacDonald, with Until Death Do Us Part assemblage focused on half of a found Best Friends necklace, a faux skeleton hand and a key
Ghazal Of Mira
translated by Edward Powys Mathers
From the Pus'hto (Afghans, nineteenth century).

The world passes, nothing lasts, and the creation of men
Is buried alive under the vault of Time.

Autumn comes pillaging gardens;
The bulbuls laugh to see the flowers falling.

Wars start up wherever your eye glances,
And the young men moan marching on to the batteries.

Mira is the unkempt old man you see on the road;
He has taken his death-wound in battle.
Ghazal Of Mira from the Pus’hto, alongside Mingling Memories found objects covered in fragrant cumin, cloves and cinnamon in a cigar box lid

These images feature mixed media assemblages and sculptural pieces incorporating real and faux bones, skeletal fragments, animal jawbones and more.  The works considered mortality and the fragility of being, memory and forgetting, and the passage of time.  These pieces were first published in the Halloween 2020 Contest themed around Death, Fear and Fantasy through The Abstract Elephant Magazine.

portrait of myself with dark makeup and crow skull headdress, backlit by the sun
Portrait of myself with dark makeup and crow skull headdress, backlit by the sun.

Jennifer Weigel is a multi-disciplinary mixed media conceptual artist residing in Kansas USA. Weigel utilizes a wide range of media to convey her ideas, including assemblage, drawing, fibers, installation, jewelry, painting, performance, photography, sculpture, video and writing. You can find more of her work at: https://www.jenniferweigelart.com/ https://www.jenniferweigelprojects.com/ https://jenniferweigelwords.wordpress.com/

Original Creations

Some Bewitching Line Drawing by Jennifer Weigel

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This month we are going to explore more fun marker art from Jennifer Weigel, starting with black and white line drawing. Jennifer is getting ready for her big Life Is Brilliant solo show in March and has snuck in a few spookier themes, so she wanted to share them with you here.

Witch Way line drawing
Witch Way

The magic is strong in this Witch Way line drawing with its fun witchy head-topper, complete with striped hat band and star dangle. No self-respecting wizard’s ensemble would be complete without it.

Kitty Witch line drawing
Kitty Witch

And now the adorable Kitty Witch will don the Witch Way hat and cast a spell of cuteness on you. You gotta wonder just how the hat stays on but best not to question these things. We all know it’s magic…

Not Today Satan line drawing
Not Today Satan

The devil is in the details in this Not Today Satan line drawing, and boy is he pissed!

She Devil line drawing
She Devil

This She Devil is just plain goofy. Maybe she’s coyly playing innocent; it’s not a look most devils can pull off, seeing as how innocence really isn’t their schtick…

Hang in There Spider line drawing
Hang in There Spider

This little spider came down to your tuffet to remind you to Hang in There. She is very well-intentioned and is only looking out for you. I guess maybe she’s not so little though, she is an Argiope after all

Feel free to check out more of Jennifer Weigel’s work here on Haunted MTL. Or on her writing, fine art, and conceptual projects websites.

Portrait of myself with dark makeup and crow skull headdress, backlit by the sun.
Portrait of myself with dark makeup and crow skull headdress, backlit by the sun.

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Lighter than Dark

LTD Tripped Out Motivational Posters

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Tripped out… in case you just couldn’t get enough of Everything Everywhere All at Once and the return of the infinite bagel with EVERYTHING on it…

Tripped Out motivational poster
Tripped Out motivational poster

Artwork description: kaleidoscopic image of pink hairy horror (This is actually a fink fuzzy frond plant not unlike a Cockscomb but with longer thinner flowering feelers rather than the fuller protuberances you see on a full-bodied Cockscomb plant. I have no idea what it was, but it was very odd so I had to snap a photo.)

Image text reads: Mixing Magic Mushrooms & Peyote Just remember: once you open that Pandora’s box, you’re never going to get the pink hairy tarantulas back in it…

Tripped Out seeing eye god sunflower
Tripped Out seeing eye god sunflower

Artwork description: kaleidoscopic sunflower backlit by the sun with text and rainbow eye overlay

Image text reads: Eye See You Eye See All (in circle text so you can start and end reading wherever). In an ideal context this would be printed in the bottom of your tea mug or on a record that can slowly spin.

For more crazy tripped out fun, check out Weird Al’s post on Craig’s List

Portrait of myself with dark makeup and crow skull headdress, backlit by the sun.

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Original Creations

The Elves Reunion, a short story by Jennifer Weigel

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An Elven portal in the woods, emerging from stone and forest floor.
An Elven portal in the woods, emerging from stone and forest floor.

I had heard tale that The Elves dwell in these woods.  Many underestimate The Elves; they have a fondness of heart for Tolkienesque Middle Earth fantasy stories and tales where Elves are the most highly civilized, virtuous and intelligent.  They forget that those are just myths, save for The Elves being cunning.  Remember that the Pied Piper was an Elf, and the children he took were not destined for such a glorious fate.

My sister lost her firstborn to The Elves.  She hadn’t noticed the Changeling until it was too late.  Her baby had already long since been stolen away.  She was so distraught she refused to eat or speak.  She locked herself in her room.  Or my family locked her into it as she succumbed to the madness.  Such are the ways of the family, for all of our protection.  We never question but follow as expected, as a means of self-preservation.  It has kept us all alive.

But I couldn’t get the sinking feeling out of my stomach; the grief became too overwhelming. That is why I came here.  I know I will not be able to rescue the child, nor my sister.  But I seek to avenge their meaningless deaths.  To ensure that it doesn’t happen again.  My family will never act.  I am tired of the Village Elders just shrugging these things off in hushed whispers and badly shrouded secrets.  It happens time and again.  We are all expendable.  They never do anything.

So here I am, in the Elven wood.  Alone.  As soon as my family figures out that I’m here, they will disown me.  They probably already have.  Again, it is for our own protection.  I’ll be just another casualty of The Elves.  Everything is so structured, so regimented.  Anyone who dares act in opposition to the rules vanishes.  We are all so afraid.

I lay in wait.  It’s just a matter of time before the portal appears.  The Elves use the portals to travel across time and space.  They appear where and when they wish.  But this time, I will go through first.  I know not what is on the other side, just that the portals allow only one to traverse in each direction.  We will trade places, if only for a moment until another portal forms.  Hopefully that will be enough time.

The trees shift and morph.  Falling leaves drift slower and slower towards the ground.  There is a stillness that I cannot fully express.  My breath hangs heavy in the silent air.  There is no sound, no smell, no taste.  It is time.  The hairs on the back of my neck and arms rise. I can sense the opening forming.  There is an uncanny familiarity in this moment, as if I have been here before.

As soon as the portal opens, I dash through.  But something isn’t right.  No one came through from the other side.  Or did they?  I cannot tell.  I am alone, in limbo between states of existence.  The world spins around me.  I can feel the drift.  Is this what death feels like?  Cold unbroken silence?  I feel distant eyes upon me everywhere, all around me, in the trees, the clouds, pinpoints of light that shimmer through.

I can feel The Elves eyes upon me everywhere.  In the leaves, in the trees themselves.
I can feel The Elves eyes upon me everywhere. In the leaves, in the trees themselves.

I wasn’t sure what to expect.  Maybe this is all according to plan.  But who was orchestrating the exchange?  My idea was only half formed in those passing pensive moments I am able to think for myself, few and far between.  My family, the Village Elders… no one allows time for freeform thought.  I hadn’t considered what would happen after the portal exchange.  I never really got past step one.

A voice greets me from the trees.  It is hauntingly familiar but seems only a distant memory.

“I’ve been expecting you.”

The world slowly comes into focus.  Clarity restored, the leaves circle me in an embrace.  My sister emerges, her dark eyes smiling.  She cradles the baby in her arms.

“You made it.  You escaped,” she sings.

“I didn’t see anyone,” I retort, skeptical.  I hadn’t recalled having seen any Elves, dark nightmarish fiends that they are, wild, unkempt, uncouth.  Savage beasts like Pan or Krampus.  Is this an illusion?  My sister seems so lifelike, so much herself.  She is the joyful young mother I had known her to be.  Filled with love and laughter.  Light dances about her, and she shimmers.

“Not in passing,” my sister clarifies.  “You have been living among them your whole life.  I had done so as well until the baby was stolen.  My heart broke; I had to follow after.  That was when I learned the Truth.”

“Why do you think we are so sheltered?  Why are we forbidden to do anything?  They do so to protect us from the Truth about who and what we are,” she continued.  “We’ve spent our lives evading that which we truly know ourselves to be.  We were the stolen ones, not the other way around…”

I notice that the portal I came through is still open, reinforcing my idea that no one had passed through the other way.  It is as if the portal was opened specifically to call me through. My sister extends her hand, beckoning me to join her.  There is a gleam in her eye I cannot pinpoint.  She seems happy, but something still isn’t quite right.  I’m still uncertain why I am here, in this time and place, as if destined to be present in this moment, in this decision.

The Village has fallen away to the woods.  There are no breadcrumb trails to follow home.  The idea of home itself seems distant like yet another illusion.  Nothing makes sense anymore.  I am unsure whether I am coming or going.  Two paths lay open before me.  Which shall I take?

The Elves portal remains but the path is unclear.
The Elves portal remains but the path is unclear.

The trees are full of Elven magicks… Feel free to check out more of Jennifer Weigel’s work here on Haunted MTL or on her writing, fine art, and conceptual projects websites.

Portrait of myself with dark makeup and crow skull headdress, backlit by the sun.
Portrait of myself with dark makeup and crow skull headdress, backlit by the sun.

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