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Art & poetry is like chocolate and fine red wine… I love exploring older writing; it feels as though I’m stumbling through dusty tomes of forgotten lore online.

I had previously created a graphic narrative to accompany It Was Not Death, For I Stood Up by Emily Elizabeth Dickenson for Day of the Dead. So, this year for November 2, I wanted to again share some of my art alongside some public domain poetry of decades past. Enjoy this brief assortment of pieces in honor of Dia de los Muertos.

At Last I Got a Letter from the Dead
by Richard Le Galliene

At last I got a letter from the dead,
And out of it there fell a little flower, -
The violet of an unforgotten hour.
At Last I Got a Letter from the Dead by Richard Le Galliene, with From Pasture sculpture featuring real horse skull & faux flowers
Dirge
by Edna St. Vincent Millay

Boys and girls that held her dear,
Do your weeping now;
All you loved of her lies here.

Brought to earth the arrogant brow,
And the withering tongue
Chastened; do your weeping now.

Sing whatever songs are sung,
Wind whatever wreath,
For a playmate perished young,

For a spirit spent in death.
Boys and girls that held her dear,
All you loved of her lies here.
Dirge by Edna St. Vincent Millay, alongside an assemblage with broken doll parts and preserved insects
The Distance That The Dead Have Gone
	by Emily Elizabeth Dickenson

The distance that the dead have gone
Does not at first appear;
Their coming back seems possible
For many an ardent year.

And then, that we have followed them
We more than half suspect,
So intimate have we become
With their dear retrospect.
The Distance That The Dead Have Gone by Emily Elizabeth Dickenson, with Classification assemblage of sand covered faux skeleton pieces
Epitaphs
by Unknown
    An epitaph in an old Moravian cemetery reads thus:

Remember, friend, as you pass by,
As you are now, so once was I;
As I am now thus you must be,
So be prepared to follow me.

    There had been written underneath in pencil:
To follow you I'm not content
Till I find out which way you went.
Epitaphs in an old Moravian cemetery, with Message & Victim artworks featuring faux skeleton and broken doll parts with resin over polished river stones
A Mood
by George MacDonald

My thoughts are like fire-flies, pulsing in moonlight;
My heart like a silver cup, filled with red wine;
My soul a pale gleaming horizon, whence soon light
Will flood the gold earth with a torrent divine.
A Mood by George MacDonald, with Until Death Do Us Part assemblage focused on half of a found Best Friends necklace, a faux skeleton hand and a key
Ghazal Of Mira
translated by Edward Powys Mathers
From the Pus'hto (Afghans, nineteenth century).

The world passes, nothing lasts, and the creation of men
Is buried alive under the vault of Time.

Autumn comes pillaging gardens;
The bulbuls laugh to see the flowers falling.

Wars start up wherever your eye glances,
And the young men moan marching on to the batteries.

Mira is the unkempt old man you see on the road;
He has taken his death-wound in battle.
Ghazal Of Mira from the Pus’hto, alongside Mingling Memories found objects covered in fragrant cumin, cloves and cinnamon in a cigar box lid

These images feature mixed media assemblages and sculptural pieces incorporating real and faux bones, skeletal fragments, animal jawbones and more.  The works considered mortality and the fragility of being, memory and forgetting, and the passage of time.  These pieces were first published in the Halloween 2020 Contest themed around Death, Fear and Fantasy through The Abstract Elephant Magazine.

portrait of myself with dark makeup and crow skull headdress, backlit by the sun
Portrait of myself with dark makeup and crow skull headdress, backlit by the sun.

Jennifer Weigel is a multi-disciplinary mixed media conceptual artist residing in Kansas USA. Weigel utilizes a wide range of media to convey her ideas, including assemblage, drawing, fibers, installation, jewelry, painting, performance, photography, sculpture, video and writing. You can find more of her work at: https://www.jenniferweigelart.com/ https://www.jenniferweigelprojects.com/ https://jenniferweigelwords.wordpress.com/

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AI Journey: Little Red Riding Hood, Part 2

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Continuing our AI journey from last time exploring Little Red Riding Hood herself as the Big Bad Wolf… All of these are based upon the AI generated art and prompts using NightCafe and then created as posters in Canva.

Little Red Riding Hood as a wolf, Sinister style, Aug. 1, 2023
Sinister style, Aug. 1, 2023

How very… Phantom of the Opera predatory… this is definitely not what I had in mind. Maybe something more cutesy?

Little Red Riding Hood woman with wolf head instead of her own, Anime V2 style, Aug. 1, 2023
Anime V2 style, Aug. 1, 2023

Ugh. Maybe not.

Wolf face peering out of red hooded cape, Sinister style, Aug. 1, 2023
Sinister style, Aug. 1, 2023

Wow, that seems like such a cop out, cropping off the head so you don’t have to depict it. And I don’t want to lose the Little Red Riding Hood reference completely.

Wolf in sheep's clothing as Little Red Riding Hood, Artistic Portrait style, Aug. 1, 2023
Artistic Portrait style, Aug. 1, 2023

So no surprise there, I knew that was too many references to work.

And we continued to devolve, join us again next week for the final installment to see how this ended… And again, if you want to catch the last AI art journey, you can find it on Haunted MTL here.  To see more such devolutions into AI generated art, check out the Will the Real Jennifer Weigel Please Stand Up? blog.

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AI Journey: Little Red Riding Hood, Part 1

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And as promised in Big Bad Poetry, we shall embark on our next AI journey, this time looking at Little Red Riding Hood. I had wanted to depict her as the Big Bad Wolf one and the same, although maybe not so big nor bad. But it just wasn’t happening quite as planned. All of these are based upon the AI generated art and prompts using NightCafe and then created as posters in Canva.

Little Red Riding Hood beautiful woman with red cape hiding her wolf face.  Sinister style, July 29, 2023
Sinister style, July 29, 2023

So I actually like this even better than my original vision, it is playful and even a bit serene (especially given the Sinister style). The wolf is just being a wolf. It’s quite lovely, really. But it wasn’t what I had in mind, so I revisited the idea later to see if I could get that result…

Little Red Riding Hood with wolf face, Artistic Portrait style, Aug. 1, 2023
Artistic Portrait style, Aug. 1, 2023

Well, that’s not quite right…

Wolf face Little Red Riding Hood, Artistic Portrait style, Aug. 1, 2023
Artistic Portrait style, Aug. 1, 2023

Yeah more of the same…

What part of wolf face don't you understand?, Hyperreal style, Aug. 1, 2023
Hyperreal style, Aug. 1, 2023

And as you can see this is starting to devolve quickly. Join us again next week to see how this continued to develop… And if you want to catch the last AI art journey, you can find it on Haunted MTL here. To see more such devolutions into AI generated art, check out the Will the Real Jennifer Weigel Please Stand Up? blog.

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Big Bad poetry by Jennifer Weigel

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So considering my recent revival of a wolfwere and his Lucky Days and Nightmarish Nature’s hostile humanity, it seems we are due for a visit from Little Red Riding Hood, or perhaps even Big Bad himself… Here’s a poem on the subject by Jennifer Weigel.


Over the river and through the wood
flashed the fleet-footed Red Riding Hood
on her way to her “grandmother’s” house.

When running past, who should she see
but just one of the little pigs three
cowering like but a tiny mouse.

“But my dear piggy, what do you fear?”
Red Riding Hood asked as she slunk near,
teeth hidden under a sheepish smile.

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The nervous small pig looked up in fright
and decided that Red was alright,
missing the subtle clues by a mile.

“The Big Bad Wolf, that horrible beast
upon the other wee pigs did feast!”
the last little pig said with a squeal.

Red Riding Hood laughed with a great growl
and threw back her heavy long-robed cowl,
in a vast terrifying reveal.

For she was really the wolf Big Bad
hidden beneath the cape that he had
stolen from Red Riding Hood at point.

“And now I’ve caught you too my pretty
and surely t’wouldn’t be a pity
if I gobbled you up in this joint.”

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T’was then the wee pig leapt to his feet
And cried, “Big Bad Wolf, I shall defeat,
for I am no ordinary swine!”

The little pig also wore sheep’s clothes
spun in spells every woodland witch knows;
Old Granny herself was quite divine.

“Now give me back my granddaughter’s cape,
before I grab you by your ruffed nape
and send you pig-squealing down the road…”

The wolf dropped the cape and ran, that cur,
but Granny was swifter and hexed his fur
and the wolf she turned into a toad.

Thus the moral of this story goes,
when in the woods, no one really knows
what sheepish sheep’s clothing is a ruse
that big bad wolves and old witches use.

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So this is actually an intro to my next AI art journey with NightCafe which developed from me not getting the results I wanted (Little Red Riding Hood herself as a wolf). Here’s a preview with Eric’s versions as he is much more literal in his prompting than I am, but where’s the fun in that? 😉

Prompts (from left to right) in Dark Fantasy style, executed Aug. 1, 2023:

Bipedal wolf in Red Riding Hood’s cloak

Bipedal wolf in Red Riding Hood’s cloak close up portrait

Bipedal wolf in red cloak close up portrait

Portrait of myself with dark makeup and crow skull headdress, backlit by the sun.
Portrait of myself with dark makeup and crow skull headdress, backlit by the sun.

Feel free to check out more of Jennifer Weigel’s work here on Haunted MTL or on her writing, fine art, and conceptual projects websites.

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