The Fur Coat: An Original Story by Jennifer Weigel
I grew up in a small but comfortable house in northeastern Maine. The backyard overlooked the ocean from a short, rocky outcrop. The front faced onto the gravel road that Father drove to and from work. A poorly defined gravel driveway ended behind the house at a small ramshackle shed that I dared not enter under Father’s strict orders.
Mother never strayed far from the house despite her apparent contempt for the simplicity of her everyday existence. She cooked. She cleaned. She laundered the clothes and washed the dishes and did all of those things that a good housewife should. But every afternoon, she plopped my brother Shane and I in front of the TV to watch cartoons while she gazed longingly at the sea.
Shane and I shared a room. Our window faced a small broken-paned hole in the ramshackle shed. Late at night, long after the world was asleep, a faint glow emanated from that shed. Always careful not to wake my brother, I pulled myself up to the window and peered out.
Every night, Father stole away into the shed and flicked on a small lamp. He opened a door in the floor, from whence he pulled a large wooden box. Out of this box he drew the most beautiful fur coat. The brownish-gray fur glowed in the lamplight as if it were alive. He gently massaged oils into the coat to keep it supple and carefully replaced it under the floorboards. And when he had finished, he withdrew from this haven and locked his secret firmly behind a deadbolt. Until one winter day…
It was biting cold that day, the kind of cold that gnaws away at your bones from the inside out. Shane and I ran home quicker than usual, hoping for two mugs of hot chocolate to thaw us out. Preferably heaping with marshmallows. But Mother was nowhere to be found.
“Mother,” I called to the cupboards in the empty kitchen.
“Mother,” Shane called to the silent TV in the empty living room.
“Mother!” I screamed to the howling wind out the front door.
Nothing.
The wind beat the porch door into the front of the house with a rhythmic “Ker-chunk!” A terrified Shane dashed about the house crying. He frantically searched for any scrap of evidence while I braved the outdoors.
I rounded the house, past the frozen flowerbed and along the wind-tattered backyard fence. Another loud “Ker-chunk!” resounded through the air, but not from the front porch door. A chill wormed its way up my spine as I spied the driveway.
“Ker-chunk!” The door to the ramshackle shed lay in ruins, leaving a splintered gaping hole. In that hole, Mother swayed back and forth. Her clenched fist tightened around a hammer as she swung into the floorboards with a wild, untamed lunacy. I melded into the fence, unable to move and scarcely able to breathe. I stared at her.
A final “Ker-chunk!” and the floorboards loosed their secret. Mother madly grabbed the wooden box out from under the floor of the shed. She pried it open, her black eyes brimming over with tears. She pulled out the fur coat and barked a shrill cry to the wind.
Mother ran from the tattered shed clutching the fur to her chest and darted around the back of the house. Her gaze slipped right through me as she tore past, unaware of my presence. Meanwhile, the gravel road growled and spat under Father’s tires as he crested the hill towards the house.
Father sped into the driveway upon seeing the shed. His truck jolted to a harsh stop. He erupted from his poorly parked truck and raced around the back of the house just as Mother hurled herself over the rocky outcrop and into the sea. My heart sank into my stomach and my legs became jelly, free from their rigid, frozen stance. “No!” I screamed as I dashed to his side. He clenched my hand tightly, fighting back tears, while I buried my face in the warm cuff of his coat.
“Such a pity. Such an exotic beauty,” the townsfolk murmured. But Father and I knew. She had been our selkie. She had merely returned home.
And feel free to check out more of Jennifer Weigel’s work here on Haunted MTL or here on her website.
Those religious icons really get around. This time it’s a journey to visit the Deep Ones. And Dracula’s Castle. Because everyone has to be a tourist now and then, and what’s the point if you don’t pick up a souvenir or two?
This was a gift for a friend for their sea life monster theme bathroom. It started as one of those old school wood plaques where the picture is waxed on. And the eyes were originally that creepy – all I did was add the tentacles. So don’t blame the overall weirdness on me, it wasn’t all my doing.
Oh, and apparently Mary wanted in on the action, so she’s gone to Dracula’s Castle for a bite. She even brought back her own religious icons souvenirs…
So this one isn’t as old, nor is it real wood. But it still totally goes with Mary’s journey. And it’s also a little blacklight reactive with the flowers.
And feel free to check out more of Jennifer Weigel’s work here on Haunted MTL or here on her website.
So I just keep on going… Here are some more repaint porcelain figurines and other madcap painting. OK maybe some of them aren’t porcelain, but still totally redone.
This Pennywise clown started as some plastic figurine from Italy. I was drawn to this because of the pretty marble base. It’s a nice touch, don’t you think? I’ve seen others in this series and honestly they’re all kind of creepy to start with, so they really lend themselves towards repaint prospects. Perhaps I’ll pick up more to redo in similar ways later on… Oh, and the eyes are blacklight sensitive, in case he wasn’t creepy enough already.
With all of the new movie hype, I couldn’t resist a throwback to the classic Beetlejuice, and this little bride figurine and teddy bear were just too perfect. Featuring more blacklight sensitive accents, like her veil flowers. And I don’t know why she only has one glove, I blame it on the 1980s… Or maybe she was just that drunk (you’d have to be for that wedding)…
So yeah, all those preppers ready for the zombie apocalypse – you know some of them are gonna get bitten. It’s in the script, what can I say? More blacklight eyes, cause why not?
I admit I haven’t seen this film, but it sure looks fun. Mathilda, eat your heart out. Literally.
OK so this isn’t a repaint. Nor is it porcelain. What is it even doing here? Well, she’s cool and ready for a party and kinda reminded me of Abigail, so she sort of just tagged along. Sexy Sadie started as an Avon perfume bottle with a fragrance I didn’t care for (I think it was called Head Over Heels). Because honestly the bottle topper was all that mattered. And now she has her own disco dancing platform. What more could a vampish vixen want?
And feel free to check out more of Jennifer Weigel’s work here on Haunted MTL or here on her website.
I wrote this script for Beyond the Veil awhile back, exploring the bond between two twin sisters, Edith and Edna, who had lived their lives together. There was a terrible car crash and someone didn’t make it. The other is trying to contact them beyond the veil…
Beyond the Veil Setting:
Two women reach out to one another individually in a séance setting.
One sits on one side of a dining table. The other sits at the other side. Each studies a candle just beyond her reach; there is darkness between the two candles. The long table is barely hinted at in the interstice between the two but it is clearly present.
The camera is stationary showing both in profile staring through each other.
The women are both portrayed by the same actress who is also the voice of the narrator, who is unseen. All three voices are identical so that it is impossible to tell which of the two women the narrator is supposed to represent.
Both women are spliced into the same scene. They are together but apart. The two candles remain for the duration of filming so that the two halves of the film can either be overlapped (so that both women appear incorporeal) or cut and sandwiched in the middle between the candles (so both women appear physically present). It is possible to set the scene thusly using both methods in different parts of the story, with both women seemingly flickering in and out of being, both individually and apart.
Script:
I. Black, audio only.
Narrator:
I was riding with my twin sister.
We were in a terrible car crash.
The car drove over the median and rolled.
It spun off the road where it caught fire.
There was smoke everywhere.
My sister didn’t make it.
II. Fade in to the long table with two lit candles; flames flickering.
Two women are just sitting at either end.
They stare blankly through each other.
Call and Response
Edith: Now I’m trying to contact her…
Edna: …beyond the veil.
Simultaneous:
Edith: Edna, do you hear me?
Edna: Edith, do you hear me?
Together (In Unison):
If you hear me, knock three times.
Narrator:
Knock.
Knock.
Knock.
Call and Response:
Edith: I miss you terribly.
Edna: I miss you so much.
Edith: Do you remember…
Edna: … the car crash?
Edith: We rolled…
Edna: … over the median.
Edith: There was fire.
Edna: There was smoke.
Edith: I could hear the sirens.
Edna: They were coming…
Edith: … to rescue us.
Edna: But they were so far away.
Edith: So far…
Edna: … away….
Simultaneous:
Edith: Are you okay?
Edna: Are you hurt?
Together (In Unison):
Knock three times for yes. Knock once for no.
Narrator:
Knock
– pause –
Knock
– pause –
Together (Syncopated):
What’s it like, on the other side?
– long pause –
Simultaneous:
Edith: I miss you, Edna.
Edna: I miss you, Edith.
Together (Syncopated):
It’s so lonely here.
Call and Response:
Edith: There’s no one here.
Edna: I’m all alone.
Edith: Without you…
Edna: …the spark of life…
Edith: …is gone…
Edna: … so far away.
– pause –
Together (Entirely Out of Sync):
It’s so dark.
III. Fade out to black
Narrator:
I was riding with my twin sister.
We were in a terrible car crash.
The car drove over the median and rolled.
It spun off the road where it caught fire.
There was smoke everywhere.
I didn’t make it.
I had planned to actually turn this into the video for which it was written, but quickly discovered that my plans for recording required a space that was too drastically different from my new house (and new large gaming table) and that my vision for filming could not be well-fully executed or realized. So now it exists as a script only.
And feel free to check out more of Jennifer Weigel’s work here on Haunted MTL or here on her website.
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