I grew up in a small but comfortable house in northeastern Maine. The backyard overlooked the ocean from a short, rocky outcrop. The front faced onto the gravel road that Father drove to and from work. A poorly defined gravel driveway ended behind the house at a small ramshackle shed that I dared not enter under Fatherâs strict orders.
Mother never strayed far from the house despite her apparent contempt for the simplicity of her everyday existence. She cooked. She cleaned. She laundered the clothes and washed the dishes and did all of those things that a good housewife should. But every afternoon, she plopped my brother Shane and I in front of the TV to watch cartoons while she gazed longingly at the sea.
A surreal seascape with a pine tree and coastline going off into darkness.
Shane and I shared a room. Our window faced a small broken-paned hole in the ramshackle shed. Late at night, long after the world was asleep, a faint glow emanated from that shed. Always careful not to wake my brother, I pulled myself up to the window and peered out.
Every night, Father stole away into the shed and flicked on a small lamp. He opened a door in the floor, from whence he pulled a large wooden box. Out of this box he drew the most beautiful fur coat. The brownish-gray fur glowed in the lamplight as if it were alive. He gently massaged oils into the coat to keep it supple and carefully replaced it under the floorboards. And when he had finished, he withdrew from this haven and locked his secret firmly behind a deadbolt. Until one winter dayâŠ
A surreal seascape with a rocky coastline going off into darkness.
It was biting cold that day, the kind of cold that gnaws away at your bones from the inside out. Shane and I ran home quicker than usual, hoping for two mugs of hot chocolate to thaw us out. Preferably heaping with marshmallows. But Mother was nowhere to be found.
âMother,â I called to the cupboards in the empty kitchen.
âMother,â Shane called to the silent TV in the empty living room.
âMother!â I screamed to the howling wind out the front door.
Nothing.
The wind beat the porch door into the front of the house with a rhythmic âKer-chunk!â A terrified Shane dashed about the house crying. He frantically searched for any scrap of evidence while I braved the outdoors.
A dark surreal seascape with waves out to sea.
I rounded the house, past the frozen flowerbed and along the wind-tattered backyard fence. Another loud âKer-chunk!â resounded through the air, but not from the front porch door. A chill wormed its way up my spine as I spied the driveway.
âKer-chunk!â The door to the ramshackle shed lay in ruins, leaving a splintered gaping hole. In that hole, Mother swayed back and forth. Her clenched fist tightened around a hammer as she swung into the floorboards with a wild, untamed lunacy. I melded into the fence, unable to move and scarcely able to breathe. I stared at her.
A final âKer-chunk!â and the floorboards loosed their secret. Mother madly grabbed the wooden box out from under the floor of the shed. She pried it open, her black eyes brimming over with tears. She pulled out the fur coat and barked a shrill cry to the wind.
Another dark surreal seascape with waves out to sea.
Mother ran from the tattered shed clutching the fur to her chest and darted around the back of the house. Her gaze slipped right through me as she tore past, unaware of my presence. Meanwhile, the gravel road growled and spat under Fatherâs tires as he crested the hill towards the house.
Father sped into the driveway upon seeing the shed. His truck jolted to a harsh stop. He erupted from his poorly parked truck and raced around the back of the house just as Mother hurled herself over the rocky outcrop and into the sea. My heart sank into my stomach and my legs became jelly, free from their rigid, frozen stance. âNo!â I screamed as I dashed to his side. He clenched my hand tightly, fighting back tears, while I buried my face in the warm cuff of his coat.
A surreal seascape with two figures looking out from behind a fence atop a rocky outcrop.
âSuch a pity. Such an exotic beauty,â the townsfolk murmured. But Father and I knew. She had been our selkie. She had merely returned home.
Portrait of myself with dark makeup and crow skull headdress, backlit by the sun.
Jennifer Weigel is a multi-disciplinary mixed media conceptual artist residing in Kansas USA. Weigel utilizes a wide range of media to convey her ideas, including assemblage, drawing, fibers, installation, jewelry, painting, performance, photography, sculpture, video and writing. You can find more of her work at:
https://www.jenniferweigelart.com/
Today on Nightmarish Nature we’re gonna revisit The Blob and jiggle our way to terror. Why? ‘Cause we’re just jellies – looking at those gelatinous denizens of the deep, as well as some snot-like land-bound monstrosities, and wishing we could ooze on down for some snoozy booze schmoozing action. Or something.
Ooze on in for some booze schmoozin’ action
Honestly, I don’t know what exactly it is that jellyfish and slime molds do but whatever it is they do it well, which is why they’re still around despite being among the more ancient organism templates still in common use.
Jellyfish are on the rise.
Yeah, yeah, some species like moon jellies will hang out in huge blooms near the surface feeding, but that’s not what I meant. Jellyfish populations are up. They’re honing in on the open over-fished ocean and making themselves at home. Again.
And, although this makes the sea turtles happy since jellies are a favorite food staple of theirs, not much else is excited about the development. Except for those fish that like to hide out inside of their bells, assuming they don’t accidentally get eaten hanging out in there. But that’s a risk you gotta take when you’re trying to escape predation by surrounding yourself in a bubble of danger that itself wants to eat you. Be eaten or be eaten. Oh, wait…
In hiding…
So what makes jellies so scary?
Jellyfish pack some mighty venom. Despite obvious differences in mobility, they are related to anemones and corals. But not the Man o’ War which looks similar but is actually a community of microorganisms that function together as a whole, not one creature. Not that it matters when you’re on the wrong end of a nematocyst, really. Because regardless what it’s attached to, that stings.
Box jellies are among the most venomous creatures in the world and can move of their own accord rather than just drifting about like many smaller jellyfish do. And even if they aren’t deadly, the venom from many jellyfish species will cause blisters and lesions that can take a long time to heal. So even if they do resemble free-floating plastic grocery bags, you’d do best to steer clear. Because those are some dangerous curves.
Jellies in bloom
But what does this have to do with slime molds?
Absolutely nothing. I honestly don’t know enough about jellyfish or slime molds to devote the whole of a Nightmarish Nature segment to either, so they had to share. Essentially, this bit is what happened when I decided to toast a bagel before coming up with something to write about and spent a tad too much time in contemplation of my breakfast. I guess we’re lucky I didn’t have any cream cheese or clotted cream…
Jellies breakfast of champions
Oh, and also thinking about gelatinous cubes and oozes in the role-playing game sense – because those sort of seem like a weird hybrid between jellies and slime molds, as does The Blob. Any of those amoeba influenced creatures are horrific by their very nature – they don’t even need to be souped up, just ask anyone who’s had dysentery.
And one of the most interesting thing about slime molds is that they can take the shortest path to food even when confronted with very complex barriers. They are maze masterminds and would give the Minotaur more than a run for his money, especially if he had or was food. They have even proven capable of determining the most efficient paths for water lines or railways in metropolitan regions, which is kind of crazy when you really think about it. Check it out in Scientific American here. So, if we assume that this is essentially the model upon which The Blob was built, then it’s kind of a miracle anything got away. And slime molds are coming under closer scrutiny and study as alternative means of creating computer components are being explored.
Jellies are the Wave of the Future.
We are learning that there may be a myriad of uses for jellyfish from foodstuffs to cosmetic products as we rethink how we interact with them. They are even proving useful in cleaning up plastic pollution. I don’t know how I feel about the foodstuff angle for all that they’ve been a part of various recipes for a long time. From what I’ve seen of the jellyfish cookbook recipes, they just don’t look that appealing. But then again I hate boba with a passion, so I’m probably not the best candidate to consider the possibility.
So it seems that jellies are kind of the wave of the future as we find that they can help solve our problems. That’s pretty impressive for some brainless millions of years old critter condiments. Past – present – perpetuity! Who knows what else we’d have found if evolution hadn’t cleaned out the fridge every so often?
Feel free to check out more Nightmarish Nature here.
Continuing our junkyard dawg werewolf story from the previous St. Patrickâs Days⊠though technically he’s more of a wolfwere but wolfwhatever. Anyway, here are Part 1 from 2022, Part 2 from 2023 and Part 3 from 2024 if you want to catch up.
Faerie Glen digitally altered photo from Jennifer Weigel’s Reversals series
Yeah I donât know how you managed to find me after all this time. We havenât been the easiest to track down, Monty and I, and we like it that way. Though actually, youâve managed to find me every St. Patrickâs Day since 2022 despite me being someplace else every single time. Itâs a little disconcerting, like Iâm starting to wonder if I was microchipped way back in the day in 2021 when I was out lollygagging around and blacked out behind that taco hutâŠ
Anyway as Iâd mentioned before, that Scratchers was a winner. And Iâd already moved in with Monty come last St. Patrickâs Day. Hell, heâd already begun the process of cashing in the Scratchers, and what a process that was. It made my head spin, like too many squirrels chirping at you from three different trees at once. We did get the money eventually though.
Since I saw you last, we were kicked out of Montyâs crap apartment and had gone to live with his parents while we sorted things out. Thank goodness that was short-lived; his mother is a nosy one for sure, and Monty didnât want to let on he was sitting on a gold mine as he knew theyâd want a cut even though they had it made already. She did make a mean brisket though, and it sure beat living with Sal. Just sayin.
Anyway, we finally got a better beater car and headed west. I was livinâ the dream.  We were seeing the country, driving out along old Route 66, for the most part. At least until our car broke down just outside of Roswell near the mountains and we decided to just shack it up there. (Boy, Monty sure can pick âem. Itâs like he has radar for bad cars. Calling them lemons would be generous. At least itâs not high maintenance women who wonât toss you table scraps or let you up on the sofa.)
We found ourselves the perfect little cabin in the woods. And it turns out we were in the heart of Bigfoot Country, depending on who you ask. I wouldnât know, Iâve never seen one. But it seems that Monty was all into all of those supernatural things: aliens, Bigfoot, even werewolves. And finding out his instincts on me were legit only added fuel to that fire. So now he sees himself as some sort of paranormal investigator.
Whatever. I keep telling him this werewolf gig isnât all that itâs cracked up to be, and it doesnât work like in the movies. I wasnât bitten, and I generally donât bite unless provoked. He says technically Iâm a wolfwere, to which I just reply âWhere?â and smile. Whatever. Itâs the little things I guess. I just wish everything didnât come out as a bark most of the time, though Montyâs gotten pretty good at interpretingâŠÂ As long as he doesnât get the government involved, and considering his take on the government himself that would seem to be a long stretch. We both prefer the down low.
So here we are, still livinâ the dream. There arenât all that many rabbits out here but itâs quiet and the locals donât seem to notice me all that much. And Monty can run around and make like heâs gonna have some kind of sighting of Bigfoot or aliens or the like. As long as the pantryâs stocked itâs no hair off my back. Sure, there are scads of tourists, but they can be fun to mess around with, especially at that time of the month if I happen to catch them out and about.
Speaking of tourists, I even ran into that misspent youth from way back in 2021 at the convenience store; I spotted him at the Quickie Mart along the highway here. I guess he and his girlfriend were apparently on walkabout (or car-about) perhaps making their way to California or something. He even bought me another cookie. Small world. But we all knew that alreadyâŠ
Portrait of myself with dark makeup and crow skull headdress, backlit by the sun.
If you enjoyed this werewolf wolfwere wolfwhatever saga, feel free to check out more of Jennifer Weigelâs work here on Haunted MTL or here on her website.
You’ve seen me as Theda Bara, a Witch, and a Necromancer already (as well as Cleopatra, Elvis, and Andy Warhol) but here are some more fun costumes I’ve worn while figure modeling for the Friday morning art group at Hutchinson Art Center. The group is switching to Saturdays but hopefully I’ll still be able to make it in from time to time… Life’s a circus, or maybe a magic act in a shamanic ritual with Holly Hobbie… At any rate – beam me up Scotty, I have your missing spaceship part…
More Costumes from Jennifer Weigel figure modeling
Yeah yeah, so none of that was really all that terrifying. Just another time warp in all honesty. At least there’s still some residual Rocky Horror vibes to be found, but then again, there usually are with me when I get into the identity based costumes.
But in follow up and in the spirit of so much of my other randomness, here’s a music video for Everything Changes by Eytan and The Embassy. Check it out if you want to see some more fun costumes in an immersive homage montage experience unlike any other. (If the video doesn’t load, just follow the link here.) See how many artists you can recognize in this quick change setup. Ready… Set… Go!