When I first saw the trailer for SKY SHARKS, I was hyped. I am a huge fan of sharks, regardless, and to have them soar into unknown territories with the help of undead Nazi science, well, that’s just icing on the cake.
I was able to chat with co-creator and film-maker, Marc Fehse, about his vision, past projects, and what lies ahead…
Just a warning, this interview was facilitated via Google Translate. I have the German questions and responses below the English translation. I apologize for any mistranslations.
J.M. BRANNYK: I’m grateful for the opportunity to interview you, and interested in your thoughts and the film. Thank you for taking the time.
So … sharks in the sky … with undead Nazis. This is very different from your last project, POWER OF SOUL (2013), a documentary about funk and soul music, but not your first horror film K7B: MUTATION from 1999, the first part of a trilogy with a Nazi-made serum of the undead. Has it always been in your plans to return to horror?
MARC FEHSE: MUTATION was the beginning of my “film career”. I’ve always been fascinated by the fantastic, but not only horror or thriller… I also like sci-fi and fantasy…
I made my first film on Super 8 when I was 5 years old. It was a clay kit – stop motion film about aliens!
But just as I’m drawn to the visual, I like music. I produced music professionally until 2007. Until 2002, I had my own successful band in Germany, called Phase V. I’ve always shot video clips for bands and I’ve always done so. I was always connected to the moving picture. The focus of the music was rap, funk and soul and rock and this is exactly where I come full circle why I made a documentary about funk, soul and hip hop (POWER OF SOUL, 2013).
In 2012 my brother and I decided to only produce films and shot a teaser for a pandemic outbreak horror film called “SPORES”. After that came SKY SHARKS.
But to answer the question, yes, I or we – Carsten and I – like the “supernatural”, so it was clear that we would continue to shoot something like that.
BRANNYK: How does your artistic style differ from that of Carsten and vice versa?
FEHSE: Carsten is an author and I am a director, otherwise we do everything together. With style, we take very similar paths.
BRANNYK: As a filmmaker and writer, what did you learn from your first to this horror film?
FEHSE: Making movies is no fun. It’s hard work and it demands everything from you. Either you allow it or look for another job!
BRANNYK: As you grew up, who were some of your influences and mentors in horror?
FEHSE: It is important to know that in Germany most of our horror fans’ favorite films were banned. So you had to get badly copied VHS recordings in order to “enjoy” the works.
The Italians like Dario Argento, Lucio Fulci and Umberto Lenzi were among the most beloved directors. Those films were either visually impressive, shocking because of their portrayal of violence, or charming because of the entertainment value they produced.
Visually and in terms of content stronger, Paul Verhoeven or John Woo’s productions, these were among the most popular ones in my youth.
BRANNYK: There are impressive and fascinating shots in the trailer, such as a figure with the glowing back and the secret test bases. What were some of your favorite effects?
FEHSE: Phew, that’s hard to say. For me the optically most successful section of the film is the Vietnam part. It’s designed more like a dream sequence and is the key scene from SKY SHARKS. A lot of hand-made FX are connected with VFX, and great music that melts together through the narrative review of the main actor DR. RICHTER.
But SKY SHARKS has a lot of similar moments. I like them all! (Laughs)
BRANNYK: You have a diverse pool of actors in this film, including horror icon Tony Todd. How did you choose them and can you describe the process of working with them?
FEHSE: Working with all of the actors was incredibly professional and very entertaining. You can tell that they all come from “Hollywood” and have learned from there.
TONY Todd has always been a favorite for the role of GENERAL FROST and when I met him personally in Germany, I just talked to him and he said yes!
BRANNYK: I’m really looking forward to seeing this, as are many other fans. What are the release dates for the film and have there been talks with streaming sites so far?
FEHSE: The film will start in Germany on December 24th, 2020. In America, it should start in November. It will be available on the major streaming portals by February 2021 at the latest.
If you want to see SKY SHARKS earlier, you can see it at some film festivals.
(Everyone in Chile, get read for it coming next to The Santiago Film Festival Sept 29-Oct1, 2020)
BRANNYK: Do you have other projects that you are working on or that you look forward to in the future?
FEHSE: In 2009, Carsten and I wrote a mystery thriller called “INDUCTION”, which was only released this year in screenplay, script and audio book format. We are currently working on the film implementation.
BRANNYK: Thank you again for your time. I could ask you a million questions because I’m so excited to see and talk about your movie. At HauntedMTL, we wish you all the best as Sky Sharks makes its rounds and releases at the festivals, and thank you for giving us a reason to look to the skies!
BRANNYK: Ich bin so aufgeregt und dankbar für die Gelegenheit, Sie zu interviewen. Ich bin nur sehr interessiert an deinen Gedanken und dem Film.
Also … Haie am Himmel … mit untoten Nazis. Dies unterscheidet sich sehr von Ihrem letzten Projekt, Power of Soul 2013, einem Dokumentarfilm über Funk- und Soul-Musik, aber nicht von Ihrem ersten Horrorfilm K7B: MUTATION aus dem Jahr 1999, dem ersten Teil einer Trilogie mit einem von Nazis erstellten Untotenserum. War es immer in deinen Plänen, zum Entsetzen zurückzukehren?
FEHSE: Mutation war der Anfang meiner „Filmkariere“. Ich war immer schon fasziniert vom Fantastischem, aber nicht nur Horror oder Thriller….ich mag genauso Sci-Fi und Fantasy…
Meinen ersten Film drehte ich auf Super 8 mit 5 Jahren. Es war ein Knetekit – Stopmotion Film über Außerirdische!
Aber genauso wie ich vom visuellem angezogen bin, steh ich auf Musik. Ich habe bis 2007 professionell Musik produziert. Hatte auch bis 2002 eine eigene nicht ganz unerfolgreiche Band in Deutschland. Für Bands habe ich auch schon immer Videoclips gedreht und habe so.
War ich immer mit dem bewegt Bild verbunden. Der Schwerpunkt der Musik war Rap, Funk and Soul und Rock und genau hier schließt sich der Kreis warum ich einen Dokumentation über Funk and Soul und Hip Hop gemacht habe…back tot he (Music >Roots)
2012 haben mein Bruder und ich beschlossen nur noch Filme zu produzieren und drehten einen Teaser für eine Pandemie-Outbreak Horrorfilm namens „SPORES“, was wir auch umsetzen…danach kam erst SKY SHARKS.
Aber die Frage zu beantworten, ja ich bzw. wir – also mein Bruder Carsten und ich, mögen das „Übernatürliche“, daher war es klar, dass wir weiterhin so etwas drehen.
Wie unterscheidet sich Ihr künstlerischer Stil von dem von Carsten und umgekehrt?
Carsten ist autor und Ich regisseur… Ansinsten machen wir alles zusammen…Was den stil angeht gehen wir sehr Ähnliche wege…
BRANNYK: Was haben Sie als Filmemacher und Autor von Ihrem ersten bis zu diesem Horrorfilm gelernt?
FEHSE:Das Filme machen kein Vergnügen ist. Es ist schwere Arbeit und es verlangt alles ab von Dir. Entweder Du lässt das zu oder suche Dir einen anderen Job!
BRANNYK: Als Sie aufwuchsen, wer waren einige Ihrer Einflüsse und Mentoren im Entsetzen?
FEHSE: Es ist wichtig zu wissen, das in Deutschland die meisten von uns Horrorfans geliebten Filme verboten, waren. So mussten man sich schlecht kopierte VHS Überspielungen besorgen, um in den „Genuss“ von den Machwerken zu kommen.
Zu den meist geliebten Regisseuren, gehörten die Italiener wie Dario Argento, Lucio Fulci oder Umberto Lenzi. Ihre Filme waren entweder optisch beeindruckend, wegen Ihre Gewaltdarstellung schockierend oder charmant wegen des produktionsbedingten Unterhaltungswert.
Visuell und inhaltlich stärker, Paul Verhoeven oder John Woo’s Produktionen, diese gehörten zu den gern gesehenen, meiner Jugend.
BRANNYK: Im Trailer gibt es beeindruckende und faszinierende Aufnahmen, wie eine Figur mit dem leuchtenden Rücken und den geheimen Testbasen. Was waren einige deiner Lieblingseffekte?
FEHSE: Puh, das ist schwer zu sagen. Den für mich optisch gelungensten Abschnitt des Films, ist der Vietnampart. Er ist eher wie eine Traumsequenz gestaltet und ist die Schlüsselszene von Sky Sharks. Hier sind viele Hand Made FX verbunden mit VFX, tolle Musik, die durch den erzählenden Rückblick des Hauptdarstellers DR. RICHTER, miteinander verschmelzen.
Aber SKY SHARKS hat viele ähnliche Momente. Ich mag sie alle! LACH!!!
BRANNYK: Sie haben einen vielfältigen Pool an Schauspielern in diesem Film, einschließlich der Horror-Ikone Tony Todd. Wie haben Sie sie ausgewählt und können Sie den Prozess der Arbeit mit ihnen beschreiben?
FEHSE: Die Arbiet mit all genannten schauspielern war unglaublich professionell und sehr unterhaltsam…Mn merkt das sie alle aus „HOLLYWOOD“ kommen und dort gelernt haben….
TONY TODD was schon immer eine favorit für die rolle GENERAL FROST und als Ich ihn persönlich in Deutschland traf babe Ich ihn einfach angesprochen und er sagte zu!
BRANNYK: Ich freue mich sehr darauf, dies zu sehen, wie viele andere Fans auch. Was sind die Veröffentlichungstermine für den Film und gab es bisher Vertriebsgespräche mit Streaming-Sites?
FEHSE: Der Film wird am 24.12.2020 in Deutschland seinen KINOSTART haben. In Amerika soll er im November starten. Aber zur Zeit habe ich keine weiteren Fakten dazu. Er wird spätestens im Februar 2021 auf den großen Streaming Portalen zu finden sein.
Wer SKY SHARKS früher sehen möchte, kann ihn auf einigen Filmfestivals begutachten.
BRANNYK: Haben Sie weitere Projekte, an denen Sie arbeiten oder auf die Sie sich in Zukunft freuen?
FEHSE: Im Jahr 2009 schreiben Carsten und ich einen mistery Thriller namens „INDUKTION“ welcher erst dieses Jahr in Drehbuch, Skript und Hörbuch Form herausgekommen ist. Wir arbeiten derzeit an der Filmumsetzung.
BRANNYK: Vielen Dank für Ihre Zeit. Ich könnte Ihnen eine Million Fragen stellen, weil ich so aufgeregt bin, Ihren Film zu sehen und darüber zu sprechen. Wir von HauntedMTL wünschen Ihnen alles Gute, während SKY SHARKS auf den Festivals seine Runde macht und veröffentlicht wird, und danken Ihnen, dass Sie uns einen Grund gegeben haben, in den Himmel zu schauen!
All photos were provided by Marc Fehse with the exception of the featured/teaser image.
Evil Dead Rise Trailer is Here and It’s Gruesome!
It has been a long few years since fans of the ‘Evil Dead’ franchise have been able to delve into the grisly world of the Necronomicon, with the last venture being the critically praised 2015 Starz original series ‘Ash vs Evil Dead’. Though short-lived running only 3 seasons, ‘Ash vs Evil Dead’ was able to bring back beloved horror icon and franchise alum “Groovy” Bruce Campbell (‘Evil Dead 1&2’, ‘Army of Darkness’) as the legendary Ash Williams, as well as introduce a few new would-be fan favorites including Dana DeLorenzo’s rebellious badass Kelly Maxwell and Ash’s silly loveable sidekick Pablo played by Ray Santiago. Before ‘Ash vs Evil Dead’ graced our living rooms, the last entry to splatter the silver screen was the much-loved 2013 reboot ‘Evil Dead’ written and directed by Fede Alvarez (‘Don’t Breathe’, ‘Crawl’) and starring Jane Levy (‘Don’t Breathe’, ‘Castle Rock’) as final girl Mia and Shiloh Fernandez as her protective older brother David. However, after a decade long hiatus, fellow Deadites can soon rejoice, as the fifth installment to the ‘Evil Dead’ franchise is mere months away with Lee Cronin’s ‘Evil Dead Rise’.
To add even further to the hype train, Warner Bro’s Pictures was gracious enough to drop the first official red band trailer for ‘Evil Dead Rise‘ today and boy oh boy, is it bloody! Not only do we get a terrifying first look at the film’s flesh-ripping demons but, we also get a sneak-peek of the many homages to previous entries whilst witnessing a bold, grim, and equally violent fresh take on the popular cult classic franchise. The official synopsis for ‘Evil Dead Rise’ reads:
“A road-weary Beth (Lilly Sullivan) pays an overdue visit to her older sister Ellie (Alyssa Sutherland), who is raising three kids on her own in a cramped L.A apartment. The sisters’ reunion is cut short by the discovery of a mysterious book deep in the bowels of Ellie’s building, giving rise to flesh-possessing demons, and thrusting Beth into a primal battle for survival as she is faced with the most nightmarish version of motherhood imaginable.”
‘Evil Dead Rise’ is written and directed by Lee Cronin (The Hole in the Ground), with franchise creator and horror maestro Sam Raimi (‘Drag Me to Hell’, ‘Doctor Strange in The Multiverse of Madness‘) acting as executive producer alongside Bruce Campbell and Robert Tapert. Those hoping to see “Groovy” Bruce reprise his role of Ash will be met with disappointment, as unfortunately he will not be returning, however, per Campbell the three of them have been “heavily involved” during the production. ‘Evil Dead Rise’ is scheduled to possess our theaters in the US, April 21. Until then, turn up the volume and flick off the lights for the official red band trailer of ‘Evil Dead Rise’!
Coming to Shudder and AMC+ for January 2023
January 2023 Shudder and AMC+ release schedule.
2022 was an impressive year for the horror genre, as we received a slew of incredible films, many of which premiered exclusively on Shudder. However, news has recently been quiet regarding Shudders current slate of 2023 releases. This is in part due to the recent cutback in staff Shudder, as well as other AMC Network sites have recently received, including Shudder GM Craig Engler. Though the current January list is less significant than it has been in the past, we still have a few scary treats to look forward to.
Let’s kick off the bloody new year and see what will be streaming exclusively on Shudder and AMC+ for January 2023.
AMC+ Exclusive Premiers
Before we jump into Shudder’s upcoming list of exclusive streaming titles, let’s first take a peek at AMC+ and ‘Vesper‘, which made its world premiere in the Crystal Globe Competition at the 2022 Karlovy Vary International Film Festival. We’ll also touch on the much-anticipated series ‘Mayfair Witches‘, based on Anne Rice’s best-selling trilogy, Lives of the Mayfair Witches. This will be the second series in the Anne Rice Immortal Universe, which is being overseen by Mark Johnson (Anne Rice’s Interview with the Vampire, Breaking Bad, Better Call Saul). Johnson will also be acting as the series executive producer alongside Esta Spalding (Masters of Sex, On Becoming a God in Central Florida) and Michelle Ashford (Masters of Sex, The Pacific, John Adams), who will also act as writers for the series.
Vesper (Streaming Exclusively on AMC+ January 6th)
We kick off the new year with the sci-fi thriller ‘Vesper’, streaming exclusively on AMC+ January 6th.
Set in a bleak post-apocalyptic Earth following the collapse of our ecosystem, Vesper (Raffiella Chapman, The Theory of Everything), a rebellious 13-year-old girl who uses her survival skills to subsist in the remnants of a strange and dangerous world with her debilitating father, Darius (Richard Brake, 31 and Barbarian). After Stumbling upon a mysterious woman named Camellia (Rosy McEwen, The Alienist), solo and disoriented after an aerial crash, Vesper cautiously agrees to help find Camellia’s missing companion in exchange for safe passage to the Citadel – a dark central hub where oligarchs live in comfort courtesy of state-of-the-art biotechnology. Vesper soon discovers that her violent neighbor, Jonas (Eddie Marsan, Sherlock Holmes), has been searching for Camellia, who harbors a secret which could change their future forever. Forced into a dangerous adventure, Vesper must rely on her wits and bio-hacking skills to unlock the key to saving their lives and our planet.
Anne Rice’s Mayfair Witches (New Series Premier Exclusively on AMC+ Sunday, January 8th)
Starring Alexandra Daddario (Texas Chainsaw 3D and We Summon the Darkness) as main character Rowan, who discovers she is the unlikely heir to a family of ancient and powerful witches. As she grapples with her newfound powers, Rowan must clash with a sinister presence that has tormented her family for generations. Mayfair Witches also co-stars Harry Hamlin (1981’s Clash of the Titans) as Cortland Mayfair, money and power obsessed patriarch to the Mayfair family. Jack Huston (Antebellum) as Lasher, a mysterious ghost who has haunted the Mayfair family of witches since the 1600’s, Tongayi Chirisa (Antebellum) as Ciprien Grieve, head of the town of Maska and, Beth Grant (Donnie Darko and Child’s Play 2) as Carlotta, a cruel and dangerous member of the Mayfair family of witches.
Mayfair Witches begins streaming exclusively on AMC+ Sunday, January 8th.
New Shudder film exclusives for January
Now that we’ve covered the exclusive horror and thriller premiers that will be premiering on AMC+ very soon, it’s time to get into the content we’ve been waiting for; Shudders exclusive January 2023 premiers and returning content. While the list is thin, there are still some worthy films dropping this month that usher in the new year with optimism and hope Shudder will still reign supreme as the premier horror streaming service.
Sorry About the Demon (Premiers Exclusively on Shudder January 19th)
Written and directed by Emily Hagins (Scare Package segment ‘Cold Open’) ‘Sorry About the Demon‘ is the story about a heartbroken young man named Will (played by Jon Michael Simpson) that is tricked into living in a home plagued by an evil presence. Taking residence with a family at wit’s end, an unexpected, surprising twist on ghostly haunts and demonic possession follows the film’s wildly entertaining and silly climax.
‘Sorry About the Demon’ also stars Jeff McQuity as Patrick, Olivia Ducayen as Aimee, and Paige Evans as Amy. Dave Peniuk and Sarah Cleveland costar as the film’s parents of the fractured family as Ken and Tammy Sellers, with Presley Allard and Jude Zappala playing their children Grace and Jake.
The Lair (Premiers Exclusively on Shudder January 26th)
Neil Marshall (writer/director of The Descent parts 1&2) makes his triumphant return to the genre with his latest creature-feature and eagerly anticipated film ‘The Lair’, co-written by Charlotte Kirk (The Reckoning). As Royal Air Force pilot Lt. Kate Sinclair (Charlotte Kirk) is shot down over Afghanistan and finds refuge in an abandoned underground bunker, where unbeknownst to her, deadly man-made biological weapons have been developed. Soon after Lt. Sinclaire encounters a group of soldiers, the half human, half alien monstrosities are awakened, prompting the films characters to ban together in order to escape the deadly bunker alive.
‘The Lair’ promises to deliver Marshall’s signature claustrophobic, high-octane energy filled with plenty gory and masterfully crafted practical effects, including the films’ creatures. Be sure to catch ‘The Lair’ premiering exclusively on Shudder Thursday, January 26th.
Fan favorites returning to Shudder in January
We continue our look at Shudder’s January release schedule with a couple fan favorites returning for the month including the critically acclaimed first season of ‘Chucky‘, by franchise creator Don Mancini and Andrzej Żuławski’s controversial 1981 demonic horror film ‘Possession’.
Possession (Premiers on Shudder January 5th)
Back in 1981 when Andrzej Żuławski’s film ‘Possession’ was originally released, it was met with critical backlash and banned in the UK being coined as a “video nasty”. Throughout the years, Zulawski’s disturbing masterpiece ‘Possession’ has since garnered massive praise amongst genre fans and is considered a nightmarish experience of demonic possession and crippling marriages.
‘Possession’ centers on professional spy Mark (Played by Sam Neil; ‘Jurassic Park’, ‘Event Horizon‘) returns to his West Berlin home to find his wife Anna (Isabelle Adjani; ‘Nosferatu the Vampyre‘) insistent on getting a divorce. As Anna’s frenzied behavior becomes ever more alarming, Mark discovers a truth far more sinister than his wildest suspicions. With its pulsating score, visceral imagery, and some of the most haunting performances ever captured on screen; including Anna’s possession serving as one the film’s most memorable scenes, ‘Possession’ is cinematic delirium at its most intoxicating and one I highly recommend adding to your list on January 5th.
Chucky (Complete first season returns to Shudder January 12th)
As a fan of the ‘Child’s Play‘ franchise for many years, when it was announced the iconic killer doll would be getting his own television series courtesy of SyFy and USA Network, I’ll admit, I was skeptical. My main worry being a watered-down PG-13 version of a character synonymous with crude language, catchy one-liners, and a kill count that rivals the biggest of slasher icons. Thankfully I was wrong, as the first season of ‘Chucky’ proved to be a massive hit amongst fans and critics alike, enough so to greenlight a second season. Shudder brings back the hit first season of ‘Chucky‘ for our binge worthy delights before season 2 drops for VOD and physical purchase.
After a vintage Good-Guy doll turns up at a suburban yard sale, young Jake Wheeler (Zackary Arthur) purchases the doll at a steal and takes him home to use for parts on personal art project. Unbeknownst to Jake, this seemingly lifeless doll harbors the soul of serial killer Charles Lee Ray aka Chucky (reprised by Brad Dourif; The Exorcist III and Rob Zombie’s Halloween). As the show progress, we see an idyllic American town thrown into chaos as a series of horrifying murders begin to expose the town’s hypocrisies and secrets. Meanwhile, the arrival of enemies and allies from Chucky’s past threatens to expose the truth behind the killings, as well as the demon doll’s untold origins as a seemingly ordinary child who somehow became this notorious monster. It is up to Jake and his friends Devon (Bjorgvin Arnarson) and Lexy (Alyvia Alyn Lind) to put a stop to Chucky once and for all and end his reign of terror. ‘Chucky’ also stars returning franchise alums Jennifer Tilly (Bride of Chucky, Bound) as the killer dolls equally maniacal love interest Tiffany Valentine, Alex Vincent (Child’s Play 1&2) and Christine Elise (Child’s Play 2, Body Snatchers) as Chucky’s old rivals Andy Barclay and Kyle, and of course Fiona Dourif (Curse of Chucky, Cult of Chucky) returns as fan favorite Nica Pierce. Be sure to binge the first season of ‘Chucky’ streaming on Shudder January 12th.
Additional titles Premiering on Shudder in January
For a full comprehensive list of all the titles being added to Shudder for the month of January, please refer to the graphic below. Though we are starting off the year mildly light, there are still plenty of spooky treats and surprises to look forward to throughout the year. 2023 is just getting started!
Q: The Winged Serpent
The Wolf of Snow Hollow
Dawn Breaks Behind the Eyes
Chucky, Season 1
Take Back the Night
Road Games (1981)
Sorry About the Demon
Let the Wrong One In
In Search of Darkness: Part 3
January 2023 Titles for Arrow Streaming
Yaaaaawn. Hey, everyone. Hope you’re all ready in time for Halloween and getting spooky–
Huh? What’s that?…Halloween is over? November is gone? But-! But what about Merry Chrysler?! I…missed that, too?
Kidssss, I gave very clear indications of when to wake me up. Gosh, I’ve missed so much!
Thankfully, I am JUST IN TIME for Arrow’s January line-up!
That’s right, we have quite a few heavy hitters coming this month to the streaming service, Arrow.
Jan 6th – Adam Egypt Mortimer Selects
On January 6, ARROW kicks off the year with the favorites of an American filmmaker, comic writer and producer with Adam Egypt Mortimer Selects (UK/US/CA/IRE). Mortimer is the writer-director of SpectreVision’s Daniel Isn’t Real and Archenemy.
Adam Egypt Mortimer Selects, presented in three parts: Demented Spiritual Quests, Kinetic Masterminds, and (my favorite) Fucked Up Monsters.
Titles Include: The Sacred Spirit, Bad Black, The Great Yokai War, Gwilliam.
Jan 6th – Teruo Ishii
Also coming at you in just a few days is January 6: Teruo Ishii’s action duology The Executioner (UK/US/CA/IRE) and The Executioner II: Karate Inferno (UK/US/CA/IRE).
The January 13th (yesss Friday the 13th, friends) there’s a smorgasbord of delightful treats coming to Arrow.
Jan 13th – Reel Women
January 13 is all about the power of women, kicking off with Reel Women (UK/US/CA/IRE): a vintage program of interviews with women directors working in Hollywood and Europe in the early 1990s, exploring the opportunities and obstacles which they faced.
Jan 13th – Huang Feng
Also available January 13 are a pair of Hong Kong martial arts films from director Huang Feng and 70s action icon Angela Mao: Lady Whirlwind and Lady Kung Fu (both US/CA).
Jan 13th – Season of Ravenous Cannibals
It looks like meat’s back on the menu! Fasten your napkin securely around your neck, sharpen your carving knife and take a nice big juicy bite out of this collection of cannibalistic flicks sure to fill any tummies rumbling for gore, savagery and man-eating mayhem!
Titles Include: Cannibal Women in the Avocado Jungle of Death, Trapped Alive, Malatesta’s Carnival of Blood.
Jan 20th – The First Time
ARROW celebrates breakout directorial debuts with The First Time (UK/US/CA/IRE).
You never forget the first time, and you’ll never forget these first films from a host of legendary, cult and breakthrough directors.
Titles Include: A Ghost Waits, The Bird With the Crystal Plumage, Donnie Darko.
Jan 20th – Marlon Brando: Wild One
Also on January 20, take a look into the six decades of work of one of the most iconic actors of the twentieth century in Marlon Brando: Wild One (UK/IRE/US/CA).
An examination of the craft of Marlon Brando, narrated by professionals of the film industry. The film follows his career from the stage with “A Streetcar Named Desire”, through the Actors Studio and professional relationships with Elia Kazan and Stella Adler to Hollywood. An actor who redefined the limits to which a professional may go in becoming the character not only intellectually but emotionally, Brando changed the meaning of film acting.
Lastly, North American subscribers can enjoy Bad Moon and Screamers.
Jan 27th – The Lukas Moodysson Collection
Available together for the first time, Moodysson’s eclectic filmography can now be appreciated as the work of a singular filmmaking voice, as avowedly uncompromising and unabashedly political as it is keenly observed, deeply felt and frequently hilarious.
Titles Include: Show Me Love (aka F*cking Amal), Together, and Mammoth.
Head over to ARROW to start watching now.
Subscriptions are available for $6.99 monthly or $69.99 yearly.
ARROW is available in the US, Canada, the UK and Ireland on the following Apps/devices: Roku (all Roku sticks, boxes, devices, etc), Apple TV & iOS devices, Samsung TVs, Android TV and mobile devices, Fire TV (all Amazon Fire TV Sticks, boxes, etc), and on all web browsers at https://www.arrow-player.com.
ARROWEssentials curates collections based on genre, decades and themes; and ARROWStories takes a fresh look at the world of film and TV with exclusive documentaries, interviews and video essays diving deeper into the many curated seasons and titles on the platform for a richer and deeper viewing experience.
With a slickly designed and user-friendly interface, and an unparalleled roster of quality content from westerns to giallo to Asian cinema, trailers, Midnight Movies, filmmaker picks and much, much more, ARROW is the place to go for the very best in on-demand entertainment.
ARROW is also home to ARROW Stories – an ever-growing collection of interviews, trailers, documentaries and additional extras, both newly created exclusives for the service and from the company’s extensive archives. The service will be updated regularly with fresh content, new curation focuses and never-before-seen content, all selected by the ARROW team as well as the filmmakers themselves. With a slickly designed and user-friendly interface ARROW is the new alternative place to go for the very best in On-Demand entertainment.
Be on the look-out because in the coming months, ARROW will be adding Oscar-winning hits, European classics, Asian cinema masterworks, rediscovered Westerns, offbeat gems and much more as part of ARROW’s international strategy to support and celebrate the medium of film.