The Demons are back and this time they brought a bigger boat, or at least a box–box human that is! Join us as we discuss the old (Jaws) the borrowed (Dead Sushi), and the new (Kandisha). Come puzzle the mystery of the age old debate of Jaws v Cruel Jaws. Make bets with your friends if Voodoo has seen the movie she’s reviewing. Enjoy Jim as he murders the English language at least 12 times discussing Shudder’s Kandisha. All this and more on the next Streamin’ Demons!
Where to get Jaws Dead Sushi or Kandisha (if you click we might make $ on buys!)
So, now that it’s getting cold, here on Nightmarish Nature we’re going to talk about a different kind of terror – the starvation diet. It’s winter, and food is becoming ever scarcer, so many creatures will slow down to conserve energy. Let’s take this a step further to the sleep of the damned… But I’m not talking hibernation, or settling in for a sort of long winter nap version of seasonal affective disorder on steroids. No, I’m talking hummingbirds.
Sugar Rush
Hummingbirds are about the polar opposite of what you’d think of when you talk about inactivity. They’re more the picture-perfect speed demons. And yet, due to their crazy high metabolisms and constant need to refuel by consuming all the nectar and insects they can get their little beaks in or on, they have near death experiences on a regular basis. Even during the summer at night whenever the temperature falls too low. It’s like all their systems have to go offline for a bit just so they can survive.
Energy Suck
Essentially a hummingbird burns so much energy that he can die in less than eight hours of not eating. The little sugar daddy needs another fix just to keep going. This lifestyle is a far cry from the Energizer bunny. Essentially he has to enter a torpor state in sleep so he doesn’t succumb to his own starvation diet. Not every time, but when the temperature drops or food is scarce.
A hummingbird in torpor may, by all accounts, appear dead. He can be frozen in place, his tiny feet clasped rigidly around a branch as if rigor mortis has sunk in. He can be cold to the touch and unresponsive. He can face upwards, unmoving, breathing and heart rate slowed to near indiscernibility. He can even be hanging upside down, oblivious to the world. In fact, the hummer’s heart rate can reduce to almost one tenth of his waking state, and his temperature can drop by ~5o degrees Fahrenheit (~ 30 degrees Celsius).
Miracle Mavericks
Honestly, as shown in this article on Journey North, this ability to exercise such fine control over metabolic rate on a nightly cycle makes the hummingbirds more marvelous than terrifying, switching between cold- and warm-blooded. And they are very well-adapted to their eating regimens, especially given their diminutive size. But such is the cost of burning so much energy to keep going without much room to store fuel. Like I said, a strict starvation diet.
If you’ve enjoyed this segment of Nightmarish Nature, feel free to check out some previous here:
“The Demon of Death” is the season 3 premiere of the supernatural dramaEvil, created by Michelle King and Robert King. The central cast includes Katja Herbers, Mike Colter, Aasif Mandvi, Michael Emerson, Christine Lahti, and Andrea Martin. As of this review, it’s available through Netflix and Paramount+ and its add-ons.
The assessors investigate the weight of a soul. Father Frank Ignatius (Wallace Shawn) agrees to participate in this test despite his growing disillusionment. David (Mike Colter) and Kristen (Katja Herbers) deal with the ramifications of their confessions. Kristen’s girls go on the warpath with Leland (Michael Emerson). Andy (Patrick Brammall) signs his death warrant.
What I Like about “The Demon of Death”
As season 2 ended with a cliffhanger, “The Demon of Death” picks back up with an interesting addition. The episode provides a more obvious stopping point that Season 2 should have taken advantage of. It dumbfounds me because this addition makes for a more interesting and darker cliffhanger. The added context would have made the cliffhanger more palatable. However, it’s a nice twist for the episode.
Dr. Boggs (Kurt Fuller) and Sister Andrea (Andrea Martin) make an interesting pair that adds complexity to both. We even explore some of Sister Andrea’s character flaws, best displayed by her interaction with Kristen in the next scene. Few wise sage characters that display flaws, making this addition appreciated.
Father Ignatius’ introduction adds layers of interest for a character who will play a recurring role, tying into Monsignor Korecki directly. The yet-to-be-explored relationship between Father Ignatius and Monsignor Korecki (Boris McGiver) evokes an interest.
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While “The Demon of Death” isn’t a haunting episode, but explores the mysteries and terror of death through science to provide an interesting environment for an episode. It introduces a new character that adds to the cast.
Tired Tropes and Triggers
There’s not much to report here that particularly crosses the line and what teeters on the line holds a dark comedic tone.
Perhaps Sister Andrea’s flaw might rub some the wrong way, as it deals with her overwhelming faith. However, it’s a minor point at the moment. Again, I lean on liking some complexity for the wise sage archetype.
What I Dislike about “The Demon of Death”
“The Demon of Death” still plays it safe with its supernatural elements, but that does seem to be Evil’s standard. At this point of the series, it seems a strange restraint. However, the new normal remains functionally paranormal.
While the premiere starts with an interesting procedural plot, it doesn’t direct the season like prior premieres. This episode doesn’t deliver a massive refocus as season 2’s premiere, but that’s because its conclusion doesn’t deliver as focused of a direction. Regardless, “The Demon of Death” is still an episode that slips away despite its premiere status.
Ben (Aasif Mandvi) seems needlessly hostile as they investigate a soul’s potential weight. The study delivers a thorough scientific process, which makes his resistance linger on the “angry atheist” archetype.
The demon shown on screen certainly isn’t the demon of death the title suggests. While the plot revolves around the mystery of death, there is a demon with a more carnal domain. As future episodes dive into their respective demons, it does seem to be an inaccurate title. However, the demon of the episode will get further focus in a different episode.
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Final Thoughts
“The Demon of Death” doesn’t stand out as a premiere but provides an interesting procedural episode. As Father Ignatius will become another key character in the series, giving him an entire episode to introduce him is a nice strategy. While it’s not a haunting episode, it still provides a level of camp with interesting characters to pull it off. (3 / 5)
Released in 2010, Rare Exports asks an important holiday question. One that no one else has dared to ask.
What if Santa was a ten-story-tall monster buried under the ice for centuries?
The story
Rare Exports is the story of a little boy named Pietari. After doing what is frankly too much research for a little boy, he realizes that Santa is not the jolly old elf we all think of. He is, in fact, a monster who eats bad children. And it turns out that Santa was trapped in the ice near Pietari’s little town. All this would be well and good if a Russian mining team weren’t in the process of cutting him out of the ice. So it’s up to Pietari to convince everyone of the dark, horrific truth.
Why were the Russians digging in the snow to find Santa? What was the plan there? What happened to Pietari’s mom? And who did they sell the elves to? Do the elves need air or water to live?
We don’t get answers to any of those questions. And frankly, we don’t need them to enjoy Rare Exports.
This is a wild story about a little boy who discovers that Santa is a mythical monster with a bunch of scrawny old men with big white beards to do his evil bidding and eats bad children who haven’t been beaten by their parents enough. What sort of explanation would help this story in any way?
I mean, we could pick apart why it’s suddenly legal to sell people, or at least mythical creatures that look like naked old men, or why this all happened right next to the only little kid who had the exact knowledge needed. But in the end, wouldn’t that be like asking how Santa gets into people’s homes when they don’t have fireplaces? Doesn’t that objective reasoning just piss on the Christmas magic?
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What didn’t work
While Rare Exports was fun, there were parts that I did not appreciate. For one thing, there wasn’t a single woman or person of any color in this film. Literally not one. Not an extra, not in the background. This little Finnish town is populated entirely by white men. And yes, it is Finland and there isn’t a hugely diverse population. But it’s also 2010. People move. Also, women exist.
On the subject of seeing too many white men, we also saw too much of the white men. Specifically, we saw far too many old white male actors entirely nude. There was just no reason for this. These men were portraying elves. They didn’t have to be naked. If they were naked, they didn’t have to have, um, yule logs. Maybe elves are like Ken dolls. There were so many options that didn’t include so much old man wang.
Finally, I wish we’d seen Santa Claus. Not to spoil the ending, but he never actually emerges to attack anyone. And that feels like a cop-out. If we’re going to be teased the whole movie with this depiction of monster Santa, we should at least get to see monster Santa.
Though, after what they did with the elves, maybe it’s a blessing we didn’t see him.
In the end, Rare Exports was well worth watching. It was hilarious, creepy and bloody. And while it wasn’t perfect, it was a delightful holiday horror comedy.
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