From Black, a Film Review
From Black (2023) is a supernatural horror film directed by Thomas Marchese, starring Anna Camp, John Ales, Jennifer Lafleur & Travis Hammer.
From Black (2023) is a supernatural horror film directed by Thomas Marchese. This non-rated film stars Anna Camp, John Ales, Jennifer Lafleur, and Travis Hammer. As of this review, the film is available on AMC+, DirecTV, and Shudder.
Cora (Anna Camp) tries to pick up the pieces of her life after her son’s disappearance, going through the motions of recovery. When Cora finally opens up in her AA meeting, Abel (John Ales) takes notice. Abel seeks her out and reveals a way to bring her son back, not find him but bring him back completely. All it would take is an ancient ritual. Her sister, Bray (Jennifer Lafleur), seeks to uncover the truth.
What I Like in From Black
The film balances that line between an arthouse and a more accessible horror film. It leans a bit heavier on the accessible general side, but the artistic decisions add value to the viewing experience. It certainly executes its vision.
From Black breaks its story into chapters that reflect the ritual. It’s an effective way of ensuring the plot influences the film. Many of these chapters add context and a focus to the scenes.
The design of the bargaining creature is nice. It acts as the creepy demon lingering in the background before revealing itself completely. While not overwhelmingly haunting, the film builds up to it perfectly and doesn’t back down when it’s time for a full reveal.
Though a minor point, I’ll refrain from directly revealing further details beyond the following. From Black doesn’t linger on the secrets it reveals or enact revenge because that rings hollow to the real goal. In such a loss, even definitive answers lack satisfaction. The only piece that can fill the void is the one you lost.
Perhaps this might indicate a critique, but many have called this an American A Dark Song, which follows a similar plot. The comparison remains appropriate as both follow a similar story and message. From Black benefits from a larger budget and remains less of an arthouse film as A Dark Song, but one certainly seems influenced by the other.
Tired Tropes and Trigger Warnings
As the plot indicates, direct harm and child abuse are implicated or shown. While nothing extends to a gratuitous display, this heavy subject matter might be a deal breaker for some viewers.
Animal abuse, in relation to the ritual, remains heavily implied, with some aspects shown. Regardless, the implications are clear and may be uncomfortable to those sensitive to such material.
Drug use and addiction influence many aspects of the film. I would say these elements are handled with some attention and care, revealing some of the work it takes to overcome such addictions. Regardless, the viewer can decide for themselves.
What I Dislike or Considerations for From Black
One potential criticism is the squandered deal that doesn’t seem that bad in context. The consequence elevates a Faustian Bargain, but From Black doesn’t provide this toll. In fact, the truly horrifying consequence comes from breaking the contract. This decision makes the conflict a bit artificial, but it’s still a deal with a demon.
From Black is a slow burn, helped partly by the breakdown of its “chapters.” However, expect a slow reveal. While far from being the slowest film out there, it does wait until the final quarter or third to really up its scare factor.
More of a journey and reflection on grief with some terrifying moments than a terrifying horror, but don’t expect to be haunted in full.
From Black explores the grief and guilt of a mother who can never undo her greatest mistake. If you seek that Faustian Bargain, this film certainly fills that niche. While a slow burn, it certainly does hit the mark when it lights the fire. However, From Black might not last in that intoxicatingly haunting space. The bargain is somewhat reasonable and lacks the terror the pact usually creates.
(3 / 5)
American Horror Story Delicate, Multiply Thy Pain
American Horror Story Delicate began last night, Killer Queens. And it was, well, a complicated episode. This makes sense because this season is about a complicated topic.
Just in case you didn’t know, this whole season is based on the novel Delicate Condition by Danielle Valentine. If you haven’t read it yet, you should.
Anna Victoria Alcott is an actress who just got her big break. She was in a horror movie that no one can stop talking about.
Except Anna herself. Because this career success couldn’t have come at a worse time. She and her husband Dex are in the middle of the difficult IVF process. It’s expensive, time-consuming and painful. Ironically, so is trying to win an Oscar.
But Anna has other things to worry about. Someone is messing with her. Several women are watching her in public. Worse, someone appears to be getting into her home, slashing notes she leaves for Dex, and removing her vital IVF medication from the fridge so it spoils. Her calendar is hacked to move her doctor appointments around so she misses them. Worst of all, someone broke into her home and crawled into bed with her.
Of course, no one takes any of these concerns seriously. Her agent, Siobhan, is focusing on getting her an Oscar. Her husband, Dex, doesn’t seem to give a shit about her except for when it comes to having a baby. He’s frequently dismissive of her concerns and only seems to want her around when it’s convenient for him. He goes so far as to kick her out of his show opening because she’s on edge.
You know, maybe because she’s clearly being stalked by someone who is trying to keep her from having a baby.
AHS Asylum had a lot of dark and important things to say about mental health care in America. AHS Coven had a lot of dark and important things to say about race and gender relationships.
Last season, AHS NYC wasn’t so subtle. Yes, there was a killer. But the real historical horror of the AIDs epidemic in the 80s was the focus of the season. And that worked very well.
This season, the story is clearly about female body autonomy. Anna is a woman struggling with so many issues that modern women face. The balance between our careers and our families. Feeling like growing old is the most unforgivable thing a woman can do. And of course, the fact that our bodies often feel like they don’t belong to us.
I was also pleased to see some AHS alumni. Denis O’Hare as Dr. Hill was delightful. Leslie Grossman and Billie Lourd will be involved soon, and they never bring anything less than their A-game.
This episode also did something I never thought could happen. It managed to scare me with a calendar notification. That was a special moment for me as a horror fan and calendar-obsessed person.
What didn’t work
Here are some things I didn’t love. First off, the main character Anna is a pushover. She can’t say no to Dex, Talia, Dr. Hill, or Siobhan. No one gets a no from this woman!
Anna didn’t act like that in the book. She stood up to everyone all the time, it was great. She wasn’t getting any support, but she was advocating for herself! That was such an important part of her character, and I’m sad to see that she’s lost that here.
I also hate the changes made to Siobhan and Talia. Now, please understand that this isn’t me complaining that the book was different. That’s not my point. Siobhan was a kind, loving woman who supported her best friend even while dying of cancer. Talia was a smart, business-oriented woman who was still kind. She was trying to start a family with her transgender husband, and bonded with Anna over their IVF journeys. These were vital characters in the story.
I feel like they’ve been railroaded.
All that being said, this was a decent start to AHS Delicate. It’s not the best start of a season we’ve had. But it’s okay. I’m looking forward to seeing what the rest of the season is going to bring. (4 / 5)
Wheel of Time, Strangers and Friends
Episode two of Wheel of Time, widened the divide between the show and the books. Things are happening out of order, people are acting out of character. Whether this is to the detriment of the show, however, has yet to be determined.
One character missing from episode one was Rand. You know, our main character. But we finally catch up with him now.
He’s living in a city with a woman named Selene. They don’t have what I’d call a super healthy relationship. She spends a bit too much time talking about her ex.
Yes, for those of you who didn’t read the books, this is going to be important.
Rand is also working at an insane asylum. He’s kind and patent with his charges, but not all of his fellow caregivers are.
Meanwhile, Lan and Moiraine are recovering form their Fade attack from last episode. Rather than taking the time to actually heal, Moiraine decides to head out to find Rand. Her team comes with her, which seems to really bother her.
While that little hissy fit is taking place, Nynaeve is causing issues. Not by anything she’s doing, but by what she’s not doing. As none of the regular novice teacher have been able to get her to use the One Power, Liandrin offers to try. No one, including me, is thrilled with this. But, the Aes Sedai are desperate. They know that The Dark One is around, and they need Nynaeve to be ready. So, they let the person who’s driven other students to their deaths and actively committed multiple hate crimes take over.
What could go wrong?
The special effects in this episode were really well done. I especially liked the dead fade nailed to the wall.
I was also pleased with the introduction of Elayne. Ceara Coveney is playing her, and doing a fine job. She’s warm, kind and sweet. I am thrilled that she’s around.
One of the greatest things about Wheel of Time is the friendships between the characters. Rand, Perrin, Mat, Nynaeve and Egwene legitimately care about each other. Elayne seems to care for Egwene right away. I really love that.
What didn’t work
One thing that bothered me in this episode, and frankly the last episode, was Liandrin keeping Mat in prison. I feel like this wasn’t adequately explained. Why does she have him? How did she trap him? What in the hell is she trying to get from him? Perhaps I simply missed something, and please let me know in the comments if this is the case. But it feels like some poor writing to me.
I also don’t love how Moiraine is portrayed in this episode. Really, in this season so far.
I get that she’s never exactly been a warm person. She’s not personable, open, or kind. Some (most) fans of the book would likely agree that she’s kind of a bitch.
But she’s not a bitch for no reason. She certainly isn’t the sort to lash out at the people who love her because she’s in pain. And that’s what she’s doing through this episode. She’s taking her pain out on Lan. And that’s just out of character for her.
It feels very much like a lot is being skipped over from the Wheel of Time books. But, so far at least, I don’t feel like anything vital has been missed. It feels more like the story is being streamlined.
Yes, I understand how this might go horribly wrong. I think we’ve all seen that. But as of right now, the changes make sense for the switch in mediums.
Now, let’s see if it stays that way.
(3 / 5)
Fantastico Disasterpiece Theatre: Francois and The Unicorn Review
Gringo Fantastico is a troubled luchador presenting Troma films from the safety of a derelict recreation center nestled in chaotic Tromaville. He is tortured by the French-Canadian Demon Piñata Francois who trash talks and hurls abuse throughout the episodes. This week’s special guest is Jonah Ray Rodrigues. New episodes release on the first of each month on Troma NOW.
Roll the Tape!
Welcome back to Tromaville for Chapter Dos of Fantastico Disasterpiece Theatre! Gringo Fantastico (Nate Turnpaugh) returns to the screen with guest Jonah Ray (current host of Mystery Science Theater 3000) to proudly host Ed Wood’s Plan 9 from Outer Space (1957). Turnpaugh espouses his love for the movie in our most recent interview and credits his friends with helping him to discover it. “They kept trying to get me to watch it, and one day I finally did.”
On a totally unrelated note, the Mirriam-Webster dictionary defines libel as “a written or oral defamatory statement or representation that conveys an unjustly unfavorable impression.” For no reason at all, I choose to immediately correct the record and inform you that Fantastico actually hosts Herb Freed’s Graduation Day (1981).
We once again begin with grainy VHS footage of an interview from the luchador’s past. Much like the previous episode, Fantastico becomes upset at the prodding questions being asked of him. As this ongoing narrative continues to build, it is becoming obvious Fantastico is coming close to a breaking point.
These segments, while short, work to highlight Turnpaugh’s screenwriting ability. They feel authentic and demonstrate a solid understanding of wrestling culture. Crafting a compelling story can be difficult when it is broken into parts and spread across significant time. However, he creates bite-sized pieces of lore that manage to both satisfy and leave the audience craving more.
A Piñata by Any Other Name
Before the movie can start, Fantastico has to deal with the usual shenanigans from Francois. When it is time to bring out Jonah Ray for his interview from the Satellite of Love, Francois outright refuses. The interview must come at the cost of Fantastico’s soul. Fearing for the worst but desperate to continue the episode, Fantastico agrees to a one-day-only loan of his soul.
Enter Francine. She’s a sassy yet loving unicorn who only wants the best for Fantastico. She is complimentary and eager to help, offering her kind words in a sugary sweet voice. For all intents and purposes, she is the opposite of Francois. And yet, she is Francois. At least, she is Francois after consuming Fantastico’s soul.
Turnpaugh continues the ongoing theme of addressing his PTSD within the episode. He explains it as, “the whole concept of self-worth with the PTSD and things like that because that is a problem that I’ve experienced. When people are constantly negative towards you and you constantly have to defend yourself and you constantly be on edge and finally something happens and you don’t have to do that anymore. But you’re so guarded when that happens that you don’t know how to act.”
Throughout the episode, Fantastico chafes against Francine’s presence. He is unsure of what to do when someone speaks affectionately to him after suffering Francois for so long. The only punishments she doles out are rainbows that make you laugh. It’s unsettling and a little uncomfortable and is exactly what working to replace negative self-talk with positive self-talk feels like.
The Satellite of Love
The interview segments with Jonah Ray feel like listening to old friends banter. Turnpaugh tells me he first met Ray at the Malco Drive-In Theater last year where they both attended Joe Bob’s Jamboree. He admits to being caught off guard when Ray knew who he was and was familiar with his work.
Fame and the mental games it causes one to play ends up becoming a large part of the interview. When asked by Fantastico when he felt like he had made it, Jonah Ray responds “I don’t think there is a there, there.” He likens the fame game to climbing a ladder. “You’re […] looking up […] but you rarely look back down.”
One of the best portions of the interview is when Jonah Ray goes full meta and begins roasting the ego necessary to take on the role of a media host. It’s hard not to laugh when you remember this is coming from the mouth of one host straight into the ear of another. It is important to note that both men are playing characters as hosts, which according to Ray changes the dynamic.
New Place, Same Thing
Jonah Ray also spends time talking about the difference in production having moved away from Netflix and onto Gizmoplex. He says it has been a lifelong dream to host MST3K and the move has allowed him space to better bring his vision of hosting to the screen. Netflix, while important in bringing MST3K back, seems to have sucked some of the soul out of the show. He believes moving to Gizmoplex helps with delivering the level of quality fans expect.
Turnpaugh is familiar with format shifts, having moved his show from YouTube onto Troma Now. I ask how this has changed things in terms of production and he says while he has never felt more supported, he has started placing more pressure on himself. “The pressure is never from Troma.” Lloyd Kaufman clearly believes in the show, as he’s recently started giving it top-billing on the site.
Back to Basics
The end of the episode brings back an extremely confused Francois. It seems consuming Fantastico’s soul didn’t go exactly as planned. Turnpaugh promises that audiences have not seen the last of Francine and that some answers may be coming sooner rather than later. You’ll just have to tune in next month to see what insanity happens next in Tromaville.
My rating for the episode: (4.6 / 5)
Follow @realfantastico on the platform formerly known as Twitter to join in with the rest of the Fantasticats as they live-tweet each episode the Friday after release. Episode three features special guests Toby Poser, John Adams and Lulu Adams.