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Believe it or not, I don’t like writing bad reviews much, but what can I say? Wes Craven’s Scream 3 is disappointing. Putting aside a certain character’s hair in the movie, let’s look at some problems it has, be they large or small.

Yes, Ghostface is back to kill again, which is to be expected. The usual question will emerge: Who is the killer? We’re also supposed to wonder about the motive. As these sequels pile up, those questions get harder to even ask, and suspension of disbelief becomes more of a looming presence. After all, just how many times can Sidney Prescott (Neve Campbell) be targeted as part of a mass murder campaign, by various assailants, all for related-yet-different reasons? Also, how many times can these plots still involve Dewey (David Arquette) and Gale Weathers (Courteney Cox), and Cotton Weary (Liev Schreiber)?

Unfortunately, Scream 3 doesn’t successfully address all of these concerns. Basically, I had a harder time suspending disbelief and just enjoying the movie. Granted, you can tell they tried to make it work, but it was becoming a tired formula by this point.

The simple reality is, ideas tend to get old after a while. For example, back when Squeaky Fromme attempted to assassinate President Gerald Ford, it was probably more shocking in 1975. Nowadays, though, people are so jaded by shootings that they almost shrug them off at this point. At a certain point, it’s almost unfair to expect people to stay in perpetual shock over tragedies. A similar dynamic holds true for this movie.

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Ghostface

Like all Scream movies, part 3 has to reveal Ghostface, then “expose him” at some point. Yes, he introduces himself in an interesting way, as we see he can alter his voice to seemingly match any character he wants. That is sort of a cool ability. However, it’s truly one of the few elements to the mystery that kept my attention. Other than that, the characters seem oddly almost disinterested in the events surrounding them. Could it be they’re written to be too far in on the joke?

Self-Awareness Stretching Thin?

Wes Craven’s original Scream helped rejuvenate modern horror, partly by giving us the self-aware horror movie. While it was never my favorite franchise, I can respect damn near anything for being influential. Also innovative: Ghostface almost has this vibe of the “Anti-Hero” of slasher villains. There’s something “underdog-like” about him, and at no point will the average viewer see him as a near-invincible killer like Freddy, Jason or Michael Myers. It makes the movie seem more real, and we may even identify with the killer more (as freaky as that sounds).

Scream also made fun of itself. The other characters are almost self-aware “stock” characters. For example, Dewey Riley seems like a bit of an everyman, and an underachieving cop. while Gale Weathers is the self-serving, roving reporter. All of the other characters are there to supplement what kids now call “tropes,” and we recover from these elements understanding this idea was somewhat innovative at the time. We are also in on the joke. That can work once, maybe twice, but it can easily be stretched thin as a concept. Scream 3 just seems like a movie that didn’t need to happen. It has nothing new to say.

More Reasons it Falls Short

Sid walks into the movie at various points, characters angrily confront somebody, they fight Ghostface, and that about sums up the whole affair. Like in the original Scream, there are sordid details about Sidney’s mother and father, and, again, we’re supposed to believe that this would result in numerous murder rampages. Unlike, say, Wes Craven’s New Nightmare, where the killer emerges from a nightmare world into reality, Ghostface somehow keeps emerging from long-buried sexual dalliances, to oddly hold people accountable for them who really were not involved. That becomes a very odd pattern, especially if you really try to piece it together.

However, if you don’t even care about the truth behind the murders, Scream 3 has basically failed to do its job. That would describe my experience with this movie. It was not more disturbing than the original two, nor more fun. In fact, there’s another odd factor here which takes away the suspense: There’s never a sense that Sidney can’t solve the mystery and crimes in time to save her life. There’s little tension.

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I Don’t Remember Any of the Kills

Here’s the critique that’ll really hurt overall fans of the Scream franchise. I don’t remember any kills from Scream 3 very well, and I just watched it. That’s unfortunate because let’s face it: That’s one of the few elements that might have helped saved the movie. I’m a bit puzzled as to why there aren’t more creative, messed up kills here.

For example, how about someone gets her eyes ripped out and stuffed in her bra? It’s a terrible, shocking idea, and the suggestion might’ve resulted in protesters at screenings…but would it have been a memorable scene? Yes! I feel messed up for suggesting it, but scenes like those are what put Giallo movies on the map. Some of those movies are genuinely on the shitty side, but we remember them because of their creepy, innovative, outright offensive and outlandish kills.

My Theory On Why Scream 3 Falls Short

I could take heat for suggesting this, but I think Wes Craven wasn’t so much about shocks anymore near the end of his life. In fact, there’s a sense he might’ve been bored with the horror genre, like he may have felt confined to it. I can understand that. Sure, I think it’s fun to see an obnoxious character’s hand in a blender or have them get mauled by a mountain lion, or what have you, but I don’t watch horror exclusively, either. If your heart’s just not in it, it’ll probably be reflected in the movie.

Maybe I shouldn’t say the movie is a failure, but it falls a little short. In terms of its action, an element I like is the “hunter becomes the hunted” dynamic, where Sidney is basically running after Ghostface at times. Still, that’s not a unique “survivor girl” fare. The only other element that’s striking is when characters stumble upon a secret door, which makes it so much more “Scooby-Doo” (though no one in Scooby-Doo was ever dismembered, or even drenched in blood).

Beyond that, most of “Scream 3” is about Sidney Prescott being oddly attached to her mother’s (real or imagined) shortcomings. In the movie, she even works as a crisis worker, talking people out of suicidal thoughts and behaviors. That was sort of a nice angle. However, it also wasn’t enough to sustain my interest in this movie. Why did I write so much about it then? Because Wes Craven was so good that even his lesser movies tend to make me think.

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What are your thoughts on Scream 3? Am I being too brutal on it? Scream at me in the comments!

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2 Comments

2 Comments

  1. Nicole Luttrell

    July 15, 2020 at 12:00 pm

    You are not wrong! The only good part was the first ten minutes, because Liev Shriber was in it. After that you can turn the movie off.

    • Wade Wainio

      July 15, 2020 at 12:12 pm

      Like I said, they could’ve at least partly salvaged it with interesting, shocking kills. I even watched a video of all the kills to make sure I wasn’t missing something…turns out I was right to say they weren’t interesting, either.

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Movies n TV

The Boys, Season Four Finale

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We have come now to the finale of season four of The Boys. And while it didn’t have the literal blood fireworks I wanted, someone did get ripped in half in the air. So, that’s pretty close.

As a note, I will try to avoid spoilers as much as possible. This ending was a hell of a gut punch that should be experienced as blindly as possible. That being said, I will not be able to avoid spoilers and still give a full legitimate review. Proceed at your own risk.

The story

The main storyline for this episode is the attempted assassination of President-Elect Robert Singer. The Boys join forces with the Secret Service to protect him. But, as we learned last episode, Annie has been replaced with a shapeshifter. A shapeshifter that was welcome not just into Hughie’s anus, but into the protective bunker in which the President-Elect is hiding.

What worked

The first thing I want to discuss about this episode is the ending. But we need to do this carefully.

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The important thing here is that the ending breaks your heart on so many levels. So many terrible things are happening to characters that it’s almost hard to keep track. And each moment is significant to each character.

I cannot give a specific example. But no matter who your favorite character is, you’re going to weep for them.

Jack Quaid in The Boys.

Unless your favorite character is Sage. And this is the next thing that made this episode so fantastic.

I don’t think I’m spoiling anything to say that Sage’s plans worked out exactly as she wanted them to. And she got exactly what she wanted.

What she wanted wasn’t power. It wasn’t money or fame or vengeance. It wasn’t to win the love of anyone. She just wanted to see if she could do it.

That is a terrific, terrifying motivation! Because all she wants is to play a massive game of chess with people as pieces. She doesn’t care about anyone. She just wants to see how many people she can manipulate. She just wants to set things on fire to see if she can.

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Fantastic. A plus villain work.

The next thing I want to discuss is a cornerstone of the whole series.

The morality of The Boys shifts through the series. While it’s very much a battle to save the world from overpowered super monsters, it’s also a battle for the souls of our real heroes. And in that battle, there are two warring factors. We have Hughie, always trying to bring everyone up to a better level. And we have Butcher, who has no problem at all hitting rock bottom with a shovel in hand to do some more digging.

In this episode, we saw almost every member of The Boys challenged. Will they rise to their higher angels, or sink with their demons?

On a similar note, I am so glad that the writers kind of addressed my issues with Annie. They did this by having the shapeshifter get right into her face and accuse her of thinking that she’s better than everyone.

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Erin Moriarty in The Boys.

While that was devastating for the character, it was a little cathartic for those of us who felt like Annie was a little too good of a good guy.

What didn’t work

This is a small matter, but it is an issue that I want to address. After Annie finds out that Hughie slept with her doppelganger, she is furious at him.

In addition to this being unfair, it’s also a very cliche element to add. In almost every instance of a lookalike in fiction, there’s a moment where the love interest of the victim is fooled. Or almost fooled. And it’s always the same fight. It’s just played out and predictable. I’m just glad that it didn’t last very long.

Now that we’ve come to the end of the season, I can officially say that it was amazing. The story was deep and rich. The special effects were a stomach-turning good time. The character development was spot-on and satisfying. And, of course, it left me just about gagging to see what happens next. Unfortunately, it looks like we’ll have a bit of a wait. Because as of right now, the fifth season isn’t expected until 2026.

5 out of 5 stars (5 / 5)

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The Boys, The Insider

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We’ve reached the second to last episode of The Boys, season four. And, as is appropriate for the penultimate episode of any show, things have to get a lot worse before they can get better.

Let’s discuss.

The story

Christmas is coming, and the whole world is getting ready. Ryan, despite being very clear that he didn’t want to appear on any TV shows or movies, has been strong-armed into participating in a Vought puppet Christmas special. He draws the line, though, when asked to sing about turning one’s parents in if they start talking about woke things.

Cameron Crovetti in The Boys.

Meanwhile, The Boys are trying to keep each other together. Butcher decides to take Sameer to the rest of the team. He also gets Frenchie out of prison, hoping they can make the Sup virus necessary to finally take down Homelander. Instead, this decision means disaster for one member of the team.

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What worked

I first want to talk about Ryan’s speech near the end of the episode. Because it was exactly the moral of this whole story.

Ryan’s dad is a monster. His stepdad is also kind of a monster. But Ryan is a good kid. He cares about people, about family. And while he loves Homelander and Butcher, he doesn’t want to be like them.

Even better, this speech sounded like something a kid would say. Ryan didn’t open his mouth and start sounding like a college student all of a sudden. He sounds like a kid who misses his mom and wants to live up to the good standards she set for him. And I think that’s terrific.

Speaking of Homelander, he shot himself in the foot in this episode. I said earlier in the season that his hubris was going to be his downfall, and I was right. Without Sage, he just has the same weaknesses he’s always had. He’s going to fail because he just isn’t clever enough or patient enough to succeed.

Without Sage, I think a win is in the bag for The Boys. This isn’t to say that Homelander by himself isn’t dangerous. It’s just that he’s more like a wildfire than a controlled burn. He’s going to cause a lot of damage, but not get anything he wants out of it.

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More’s the pity for him and everyone else who has to share his world.

Finally, I am thrilled with A-Train’s redemption story. I love that he wants to be a good person not to save himself, but to be a good person. His honest, pure and warm reaction to that little kid smiling at him in the last episode was heartwarming. It changed him in a moment, bringing to light a goodness that he’s been keeping under wraps for a long time.

Jessie T. Usher in The Boys.

This, along with Ryan’s courageous speech, proves once again what The Boys does so well. Yes, it’s gruesome. Yes, there’s blood and balls and batshit events. Yes, someone occasionally gets ripped in half. But there is a true human goodness in the story. One that we catch glimpses of. There are good people among the monsters. There is hope for redemption.

What didn’t work

Of course, so few things in this life are perfect, and this episode was no exception. For instance, I was irritated by the insinuation that Butcher cheated on his wife.

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That just doesn’t make any sense. We’ve seen flashbacks of Billy and Becca. They were happy. He was happy. He was head over heels for her. And I don’t think it’s realistic or necessary for the character to throw in that he cheated. It does nothing to add to the story, it’s just a weird and offputting moment.

Doesn’t Butcher have enough to hate about himself? Can’t we just give him that at least he was a good husband?

Finally, I kind of hate that we ended up with Annie being caught. It’s just cliche, which is something I don’t normally say about this show. It feels lazy unless they do something very clever with it in the last episode. Which, I suppose, they might.

Next up is the season finale. And with this season being as insane as it has been, I’m expecting nothing short of bloody fireworks. And I mean literal fireworks of blood. At this point, would it surprise anyone?

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4 out of 5 stars (4 / 5)

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Movies n TV

The Boys, Dirty Business

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Episode six of The Boys was one of the most surprising episodes of the series so far. And that is certainly saying something. Because this season has so far been bonkers.

The story

Our episode today revolves around a party at Tek Knight’s lovely mansion. Yes, it does look just like Wayne Manor.

The Boys know that Tek Knight is working with Homelander on something, but they don’t know the details. So they decide to send Hughie in to bug the mansion.

Because that’s worked so well the other two times he’s tried to hide a bug!

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It should surprise no one that this time goes no better. Hughie finds himself in Tek Knight’s basement. And by that I mean his BDSM dungeon.

Meanwhile, the party upstairs is no less disturbing. Homelander and Sage are trying to convince some well-off political donors to support a cue after the election. When pressed for details on his plan, Homelander freezes. He looks to Sage for help, but she wasn’t recently shot in the head and still in the junk food stage of her healing.

Fortunately, or unfortunately depending on your point of view, Neuman jumps in and saves the day.

Claudia Doumit in The Boys.

What works

If I’m going to say one thing about this episode, it didn’t hold back at all. I didn’t expect them to show a character masturbating, sitting their bare behind on a cake, or spraying breastmilk into someone’s face. But every time I thought they’d cut the scene and let something be left to our imagination, they did not do that.

Derek Wilson in The Boys.

This is a dangerous move. Whenever you show the monster, you run the risk of them not being scary enough, or gross enough. As Stephen King says in Danse Macabre, to leave this sort of thing to the imagination if the reader makes things so much worse. So when they finally experience the monster, they might say that this isn’t so bad. It could have been so much worse.

But in this case, they managed to avoid that by making the scenes, especially the ones in Tek Knight’s dungeon, so much worse than I imagined it would be.

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What doesn’t work

While this was a deeply disturbing episode in many ways, there was one really innocent and sweet moment.

And yes, I did have a problem with it.

Confronted by Firecracker, Annie decides to apologize for spreading rumors about her when they were kids. She tells her that she is genuinely sorry.

And I believe her. I don’t think Firecracker did, but I did.

So why is this an issue? Because I’m starting to think that Annie is maybe too nice. She is too good.

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I know that Annie is our good guy. But every one of the other good guys has flaws. Hughie let his pride get in the way and took Temp V. MM hid himself from his daughter instead of teaching her to work through her emotions. Kimiko is far too closed off and has a hard time trusting others. Frenchie numbs himself with drugs. And well, what hasn’t Butcher done?

It is unrealistic that Annie is just so kind and so flawless. We all have shadows in our personalities. We all have weaknesses, we all mess up. We all do things we wish we could take back. The fact that Annie doesn’t seem to have anything like that is not just unrealistic. It’s infantilizing.

Give her some deep dark secrets. Give her something real to regret.

This was a shocking episode, even for someone fairly jaded like me. I wasn’t expecting the sort of weird sexual depravity, though I guess maybe I should have seen it coming. It was dark, upsetting, tense, and funny as hell. And with just two episodes left in the season, I can imagine the stakes are only going to get higher.

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4 out of 5 stars (4 / 5)

By the way, if you like my writing you can get my short story, Man In The Woods, on Smashwords and Amazon.

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