Phillip drove without thinking.
He looked squarely ahead at the strip of bitumen, a single carriageway heading
away from the small town where he worked as the senior engineer at the paper
mill. The trees that bordered each side of the road waved their limbs in
distress, the blasting gale that preceded an imminent storm whipping their bare
forms. Every time Phillip passed a break in the trees, he felt his truck veer
across the centre line, buffeted by the blunt fists of air that compressed
through the gaps. All the while vehicles driving in the opposite direction
barreled down against him. At their passing Phillip could feel their speed as
his truck struck the low pressure pocket left in their wake.
All day the approaching storm
front had framed the horizon. The weather bureau had forecast it would come
down in the late afternoon, but as Phillip pulled off the road and onto his property
it had yet to fall. In the last moments of daylight grey clouds scudded across
the blue black sky. The horizon was all darkness, and no stars would peep
through.
When Phillip pulled into the
shed he turned off the engine and took the keys out of the ignition. Through
the closed windows he could hear the wind pushing at the sides of the car port.
He opened and closed the truck door without bothering to lock it, and walked to
the adjacent side entrance to his house. As he put his key into the lock the
wind abated for a moment, as if holding its breath. He paused, the pinging
sound of the engine popping in the shed as it cooled, the air cold even through
his thick coat. And then the rain came, at first individual drops on the tin
roof, and then merging to a steady din. The day long wind made a return, the gusts too
lazy to go around him. Phillip opened the door.
His first thought upon
entering was: This isn’t how I left it.
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Every workday morning when
Phillip left his house he had the habit of leaving it in a certain way: the
toilet seat down, the bed made, books stacked neatly on the coffee table. Years
ago when he had first arrived in town he had entertained the idea that he would
bring women home with him. They’d walk in after he’d met them somewhere, the
instant chemistry guiding them to the bedroom, where everything would be prepared
for him to show off the way he lived, how female friendly he was. Eventually it
became a habit, a check list of things he would do before he went out. But in a
town as small as the one where he worked there were few single women, and most
of them were attached to his workplace. Phillip knew better than to mix his
personal and work spheres. And as the local women were all paired off with
local men, there had been no ladies to seduce in his well-kept bachelor pad, no
spontaneous moments of attraction to turn his fantasies into reality. The
closest he got to available female company was Kelly, the hairdresser in town.
Despite his aspirations,
loneliness was a natural state to Phillip. When he was a child he lived with
his mother. He had no brothers or sisters, and had no memory of his father, who
had left when he was a baby. His mother would walk him to the school gate, and collect
him from the same spot in the afternoon. Phillip spent long afternoons in his
room, school holidays in the park. He spoke to himself. He invented friends in
his head for company.
Sometime since he had left this
morning there had been violence in his house. The sofa was overturned, a side
table and lamp upset. The lamp was turned on, the naked globe exposed by the bent
angle of the lampshade. Phillip paused at the front door, unmoving. The storm,
metastasizing through the day, hammered on the roof. He tracked his eyes across
the room. A picture on the wall had been shifted and hung evenly. Near the sink
in the adjoining kitchen there was a dinner plate pool of blood, and leading
from it were more blood marks: boot prints, a trail leading to the corridor, a
hand print on a wall.
Phillip followed the blood down
the hall. He concentrated upon his senses: what he could see, what he could
hear. The foot marks faded the further he walked from the kitchen, but the
consistent trail showed him the way. The dark lines and drops curved around the
corner to the bathroom. There was another pooling at the foot of the door. The handle
was smeared with blood. He touched it with his finger. It came away tacky. He
put his ear to the door, but he couldn’t hear anything above the sound of the
rain beating on the roof.
He opened it. A naked woman
submerged in the bath. The bathwater a bled out red. The woman’s face
unrecognisable in the murk, her shape amorphous in the semi-opaque water.
Phillip walked towards her on legs that suddenly felt as if they controlled by
someone else. He dipped his hand into the bath and thought, lukewarm. The ground rushed up to meet
him. Darkness.
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…..
Phillip awoke in the midst of
a dream. The room was still winter dark, but it felt like it was almost
morning. He reached out to the side table where he normally kept his mobile,
and found it plugged into its charger cable. He looked at the screen. Half of
five. The wind that had excoriated the countryside yesterday had blown away. It
was silent. In his mind’s eye the remnants of his dream had already started to
fade, but he could still remember what it had been about, even if those visions
would soon disappear as most dreams do. Phillip had dreamt of his childhood cat.
When Phillip was twelve his
mother bought him the animal. A simple desexed male, grey and white. Denied the
company of other children he poured his affection into the feline, projecting himself
onto his soulless form. When the cat was seven he escaped the house when
Phillip was putting out the garbage bins. Out of his usual environment,
bewildered by the bright street lights and traffic noise, the cat ran out onto
the road and was struck by a car. Phillip gathered the body from the gutter.
Sharp teeth drawn back in grimace, a crescent spray of blood across the
bitumen. Phillip buried the animal in the backyard in the darkness, wiping the
tears from his cheeks with the back of his hand as he shoveled the dirt. His
face became streaked with earth and cat blood, like war paint. Afterwards he
went inside and ran himself a scalding hot shower. Under the water he wept.
And then as the thoughts of
the cat washed away, Phillip remembered. The body. The blood. Immediately his
skin felt overly sensitive, prickly. His clothes and sheets scratchy. He lay in
the silence, desperately attuned to the noises of the house. Nothing. The rain
had passed, and he could detect nothing in the still. He pulled back the covers
and swung his legs out of the bed. He had to find out.
The bathroom was spotless.
Everything was as he would normally leave it. He ran his fingers around the
bath, it was dry and clean. The door handle shone its normal dull chrome.
Phillip walked down the hall. The floor was clean, no marks visible on the
wall. A stack of clean dishes from a meal sat in the drainer next to the sink,
the white tiles blemish free. He bent down. Even the colour of the grout was
consistent. His lounge was as normal, the furniture in its regular place, the
lamp upright and in the centre of its side table, the picture straight.
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Phillip took a glass out of a
cupboard, filled it with tap water. He closed his eyes. I must be losing my fucking mind.
…..
Two hours later as Phillip
drove to work there was standing water on the edges of the bitumen. It must
have rained through most of the night. Washed out gravel from driveways had run
into the roadway.
Phillip was first into the mill. He went to
the office, checked his emails. There were more than usual, a few backed up
from yesterday. Sometimes the local server dropped out and there was a delay in
correspondence getting through. He wrote his replies, and went down to the factory
floor, started the machines, ran the safety checks, filled out the compliance ledger.
The first shift arrived and he went back to the office, looked out the window.
His staff were on board, machines ticking over, cutting and sorting. Jenny, the
second plant engineer and his understudy, was looking at him.
You feeling ok, Phill?
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He glanced
at her.
Why do you ask?
Yesterday, you know, when you left
work you said you weren’t feeling well.
I did?
Yes, you did. Are you ok now?
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Phillip
ran his hand through his hair. His scalp felt sore, like every hair follicle
was irritated.
I had the strangest dream, well actually two
dreams. The second was about the cat I had when I was kid. The first was so
real I dunno, but it turned out to be nothing.
I’m not surprised your dreams were
freaky. When you left yesterday you said you had a migraine and were just going
home to sleep it off. You looked out of it. I covered for you when you left.
Nothing happened, it’s all good.
You covered for me?
Yes. You left early. You weren’t well. But you’re better now, yeah? Or
do you want to take the day?
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No, I’m fine, really. Just fine. Let’s get about the day, eh? Paper and
all that. Pressing, folding, cutting. Jenny turned away. She bent over, put her lunch in the
office bar fridge. Phillip thought to himself, I’d rather take you home and press you up against something.
The
rest of the day passed without incident. The events of the night before seemed
to take on more of a dream like quality as the day stretched out, the sharpness
of the images blurring into a fog of unreality. By the time he finished up he
was sure that he had imagined it. That he had driven home from work yesterday
with a blinding headache, had an early dinner and went to bed to sleep it off.
Except he couldn’t remember doing any of that, and when he tried to recall
anything of the previous evening he felt queasy and hot, like he was nursing a
brooding fever.
…..
Phillip arrived home from work
in the deepening dusk. After the storm front of the day before, the sky patched
out between isolated clouds and a bleary blue, as if it couldn’t decide what
mood it was in.
He stood at the side entrance,
inserted his key into the lock and waited. He held his breath, and opened the
door. It was as he left it this morning. The air locked in his lungs escaped like
an explosion. He leant against the doorframe, closed his eyes, Some dreams are just dreams. The rest of
his night was unremarkable. The last thing he did before turning out the light
was plug his phone into the charging cable. Outside the night was silent. All
Phillip could hear was his own breath sliding in and out.
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…..
Phillip woke under the
brightening sky. His first sensation was of cold, and then the discomfort of
the surface beneath his back. He propped up on his elbows and tried to get his
bearings. He was lying in the tray of his truck. It was nearly light. He was
parked down near the river, at the far end of his property. He could hear the
sliding sound of the water passing through the river stones. He looked up. The
fading stars stared down on him coldly. What
the fuck is going on?
It was then that Phillip
noticed the grey tarpaulin next to him. It was covering something about his
size. The shovel from his shed was lying between him and the sheet of material,
the lump.
Phillip leapt from the truck
without thought, landing on the muddy grass of his paddock. He noticed that he
was fully dressed. Whatthefuckwhatthefuckwhatthefuck.
Phillip stared at the tarp. Even in the half-light it was unmistakable. A
person shaped lump under the sheet. He undid the latches at the back of the
truck, lowered the rear, and flipped over the edge of the tarp. An exposed
naked foot, shin, calf muscle. Chipped blue green nail polish on the toenails.
White skin, almost luminous in the dim.
Phillip grasped the tarp and
flung it over, the material landing on the grass. A naked woman. Beautiful.
Voluptuous. She lay on her back, arms by her sides, palms down. A deep gash
under her chin to her ear, but no signs of bleeding. He walked around the side
of his vehicle, looked at her face. He knew her. It was Kelly, the hairdresser.
She was the woman in the bath. It was her blood on the door handle, carpet,
walls, kitchen floor. Dead in the back of his truck, under his tarpaulin, with
his shovel resting next to her, on his property. And then he realised it was no
dream. He must have murdered her. He had done this. He had no memory of it,
just a series of blanks spaces over the last two days.
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…..
Phillip bulled his truck down
the road away from town. He was making every effort not to think. As the engine
droned away under him he concentrated on his breathing, searching for the point
where one breath stopped and another started, but never finding that moment of
stillness. The emptiness. He look at his hands. There were traces of dirt under
his fingernails, still there no matter how hard he had scrubbed. It was nearly
dusk. He had spent the much of the day burying Kelly near the river. He chose
the nicest spot he could find. He had placed river stones on top of the
disturbed dirt, but was under no illusions that the grave would conceal her
body permanently, but he felt he owed her the effort nonetheless. When he
returned the shovel to his shed he found a bag with her clothing and shoes, and
a pile of bloody rags and cleaning products. His vacuum cleaner was also in
there, the dirt canister full of dark fibers and dust. His phone had rung three
times while he was digging, two calls from Jenny’s extension at work, one from
his own. He expected that he had maybe two days at most before Jenny or someone
else made their way to his property to check on him. Phillip also assumed that
people were searching for Kelly, and that it wouldn’t be long before someone
made the connection.
So Phillip drove. He harbored
no hope of escape, but the thought of telling the police his story was
unbearable. And then the shame of facing Kelly’s family in court, admitting his
guilt to the world.
There was no explanation that he
could find. It was utterly inexplicable. He searched his mind for a memory, any
recollection that would tell him the story of his actions. There was only the
suspicion that there was another voice within him that knew what had happened.
Another version of Phillip sleeping restlessly within the dark fugues of his
existence, that was as much a part of him as any of his memories, any moment of
his past. An imaginary friend that dreamt his own dreams. He hoped that there
was only one story to tell, that there were no other graves scattered across
his land, runaways and hitch hikers and prostitutes long since missing, now
under his earth.
Phillip thought of the cat he
had loved when he was a child, struck by a car and killed in an instant. The
split second of fear the cat had felt before impact, and then the immediate darkness.
He hoped that he would share such a moment when it came.
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The truck chased its headlights into the dark. If Phillip had the eyes of a cat he could have seen another winter storm gathering on the horizon, a cell of low pressure, soon to break.
Martin Toman lives with his people in a tree house overlooking Melbourne, Australia. He has been published online and in print, and recently in publications such as Across the Margin, Fresh Ink and Literally Stories.
Those religious icons really get around. This time it’s a journey to visit the Deep Ones. And Dracula’s Castle. Because everyone has to be a tourist now and then, and what’s the point if you don’t pick up a souvenir or two?
This was a gift for a friend for their sea life monster theme bathroom. It started as one of those old school wood plaques where the picture is waxed on. And the eyes were originally that creepy – all I did was add the tentacles. So don’t blame the overall weirdness on me, it wasn’t all my doing.
Oh, and apparently Mary wanted in on the action, so she’s gone to Dracula’s Castle for a bite. She even brought back her own religious icons souvenirs…
So this one isn’t as old, nor is it real wood. But it still totally goes with Mary’s journey. And it’s also a little blacklight reactive with the flowers.
So I just keep on going… Here are some more repaint porcelain figurines and other madcap painting. OK maybe some of them aren’t porcelain, but still totally redone.
This Pennywise clown started as some plastic figurine from Italy. I was drawn to this because of the pretty marble base. It’s a nice touch, don’t you think? I’ve seen others in this series and honestly they’re all kind of creepy to start with, so they really lend themselves towards repaint prospects. Perhaps I’ll pick up more to redo in similar ways later on… Oh, and the eyes are blacklight sensitive, in case he wasn’t creepy enough already.
With all of the new movie hype, I couldn’t resist a throwback to the classic Beetlejuice, and this little bride figurine and teddy bear were just too perfect. Featuring more blacklight sensitive accents, like her veil flowers. And I don’t know why she only has one glove, I blame it on the 1980s… Or maybe she was just that drunk (you’d have to be for that wedding)…
So yeah, all those preppers ready for the zombie apocalypse – you know some of them are gonna get bitten. It’s in the script, what can I say? More blacklight eyes, cause why not?
I admit I haven’t seen this film, but it sure looks fun. Mathilda, eat your heart out. Literally.
OK so this isn’t a repaint. Nor is it porcelain. What is it even doing here? Well, she’s cool and ready for a party and kinda reminded me of Abigail, so she sort of just tagged along. Sexy Sadie started as an Avon perfume bottle with a fragrance I didn’t care for (I think it was called Head Over Heels). Because honestly the bottle topper was all that mattered. And now she has her own disco dancing platform. What more could a vampish vixen want?
I wrote this script for Beyond the Veil awhile back, exploring the bond between two twin sisters, Edith and Edna, who had lived their lives together. There was a terrible car crash and someone didn’t make it. The other is trying to contact them beyond the veil…
Beyond the Veil Setting:
Two women reach out to one another individually in a séance setting.
One sits on one side of a dining table. The other sits at the other side. Each studies a candle just beyond her reach; there is darkness between the two candles. The long table is barely hinted at in the interstice between the two but it is clearly present.
The camera is stationary showing both in profile staring through each other.
The women are both portrayed by the same actress who is also the voice of the narrator, who is unseen. All three voices are identical so that it is impossible to tell which of the two women the narrator is supposed to represent.
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Both women are spliced into the same scene. They are together but apart. The two candles remain for the duration of filming so that the two halves of the film can either be overlapped (so that both women appear incorporeal) or cut and sandwiched in the middle between the candles (so both women appear physically present). It is possible to set the scene thusly using both methods in different parts of the story, with both women seemingly flickering in and out of being, both individually and apart.
Script:
I. Black, audio only.
Narrator:
I was riding with my twin sister.
We were in a terrible car crash.
The car drove over the median and rolled.
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It spun off the road where it caught fire.
There was smoke everywhere.
My sister didn’t make it.
II. Fade in to the long table with two lit candles; flames flickering.
Two women are just sitting at either end.
They stare blankly through each other.
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Call and Response
Edith: Now I’m trying to contact her…
Edna: …beyond the veil.
Simultaneous:
Edith: Edna, do you hear me?
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Edna: Edith, do you hear me?
Together (In Unison):
If you hear me, knock three times.
Narrator:
Knock.
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Knock.
Knock.
Call and Response:
Edith: I miss you terribly.
Edna: I miss you so much.
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Edith: Do you remember…
Edna: … the car crash?
Edith: We rolled…
Edna: … over the median.
Edith: There was fire.
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Edna: There was smoke.
Edith: I could hear the sirens.
Edna: They were coming…
Edith: … to rescue us.
Edna: But they were so far away.
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Edith: So far…
Edna: … away….
Simultaneous:
Edith: Are you okay?
Edna: Are you hurt?
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Together (In Unison):
Knock three times for yes. Knock once for no.
Narrator:
Knock
– pause –
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Knock
– pause –
Together (Syncopated):
What’s it like, on the other side?
– long pause –
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Simultaneous:
Edith: I miss you, Edna.
Edna: I miss you, Edith.
Together (Syncopated):
It’s so lonely here.
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Call and Response:
Edith: There’s no one here.
Edna: I’m all alone.
Edith: Without you…
Edna: …the spark of life…
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Edith: …is gone…
Edna: … so far away.
– pause –
Together (Entirely Out of Sync):
It’s so dark.
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III. Fade out to black
Narrator:
I was riding with my twin sister.
We were in a terrible car crash.
The car drove over the median and rolled.
It spun off the road where it caught fire.
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There was smoke everywhere.
I didn’t make it.
I had planned to actually turn this into the video for which it was written, but quickly discovered that my plans for recording required a space that was too drastically different from my new house (and new large gaming table) and that my vision for filming could not be well-fully executed or realized. So now it exists as a script only.
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