Of all my experiences and studies of the undead, the first time I encountered them face-to-face has haunted me the most throughout my life.
I was in medical school, though at the time in question, it was a holiday, and I had left the city for some climbing. It was my plan to only spend the day in the mountains, and perhaps had taken too few precautions.
I had forgotten my watch, and I was still high among the cliffs and woods late in the afternoon when a monstrous thunderstorm appeared out of nowhere. Soon, I became lost, and quite frightened, wandered through the woods in the dark. Lightning struck near me more than once.
It was with great relief when I stumbled across the ruins of an old castle. And it truly was a ruin—to get out of the rain, I, foolishly, ventured deeper inside and down below to its crypt. It was dark, though occasionally punctuated by flashes of lightning above.
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Without the rain on my head, I felt safe.
Then I saw them.
They stood still, no doubt as startled to see me as I was them. A man and two women, all engaged in unwrapping themselves from their shrouds.
The smallest woman recovered first, snarling like a beast, springing forward, fangs bared. Fortunately for me, she was not yet out of her shroud and could not get very far.
I turned and ran, taking the stairs two at a time—by some miracle not falling. The only indication of their pursuit was the noise of their hisses and snarls. Their feet made no sound.
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In my shock and disorientation, I made a wrong turn, running up the stairs, and ran deeper into the ruins. And then I did fall, tripping over some roots that were tearing up what had been the old flagstone floor. I landed on my shoulder, and my right arm went painfully numb.
Staggering to my feet, I saw that the male vampire had caught up to me. He lunged at me, and though I tried to jump out of the way, he caught me by my numb shoulder. We grappled, his rotten breath making me cough and choke almost as much as his grip on my neck. Then I was suddenly snatched away by another force—the small woman had entered the fray. Her fangs were already extended, and my heart stood still, waiting for them to sink into me.
The man abruptly let go of me, causing the small woman to lose her balance, and I managed to pull myself out of her grasp. He advanced on her, striking her hard across the face with enough force to throw her to the floor.
With one arm still useless, I tried to run again, but it was further into the dark. Unable to see where I was going, I suddenly found myself face-to-face with the taller woman. She didn’t speak or move to attack me. She did raise one hand and pressed a finger to her lips. Then against mine.
She then pointed to a passage leading to the left. There was a hint of light in there, and I could vaguely hear rain striking the stones again. I looked back at her, and she shoved me down through the doorway.
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I ran again, after a few yards breathing in fresher air. Hope surged within my chest, and along with a sense of confusion. Abruptly the hope died away when I realized I had come into what appeared to be a dead-end, the fresh air coming from a lack of roof. I looked over my shoulder, to find the tall woman just a step or two behind me. She pointed ahead, still silent, and not knowing what else to do, I looked at the dead end again.
Lightning flashed, momentarily illuminating the space. She hissed, sounding like she was in pain, as I took in what remained of the old castle’s chapel. A cross was carved into the wall, once ornate, but now rough and faded. The altar still stood, if a bit tumble-down.
Glancing over my shoulder, I saw that I was alone. But I knew what she intended me to do.
Carefully making my way across the broken up, slippery floor, I stumbled to the front of the chapel and crouched down behind the old stone altar. Rain poured on my head and pooled underneath where I sat. It was terribly cold, but a sense of relief warmed me from within.
A cacophony of angry, animalistic noises outside the chapel made me cold with fear again, and I waited for the creatures to return. But they never did.
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Gradually the feeling returned to my right shoulder and arm, and slowly the lightning stopped, the thunder silenced, and the rain gave way to a heavy morning mist. I couldn’t bring myself to move until sunlight peeked over the highest wall of my ruined sanctuary.
And when I first tried to move, I found I couldn’t. My limbs were stiff and cold from spending the night crouched beneath the stones. It took me several minutes of crawling, stumbling, and once grazing my forehead on the feet of a stone saint I could no longer recognize before I was able to walk somewhat normally again.
All my instincts screamed for me to run back to civilization, but my escape had been so narrow… it would not be right for me to leave this danger to befall anyone who might come after me.
The trees, courtesy of the violent storm, presented me with a bounty of broken branches, and I found several that possessed sharp points. The ruins themselves were full of heavy, easy to hold rocks. So armed, I descended down the stairs again, until I found the shrouds.
The first one I pulled back contained the man. He lay like a statue, his eyes open, like two gray islands in seas of blood.
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I selected a stick and hammered it against his chest, just above the heart. His face contorted, but I knew I hadn’t broken the skin. His shirt was very old, though, and tore easily. And striking again, with more strength, this blow brought up a pool of black blood, and he howled in pain. It took me three more strikes before he was silent.
Standing back to catch my breath, I watched in horror and awe as his flesh melted away to become a dusty skeleton, still with pronounced fangs.
I pulled away the next shroud, revealing the small woman, who also rested with her eyes open. Out of delicacy, I left her clothes in place as I leveled my makeshift stake. It took six blows with the rock. My ears rang as I straightened up, and her screwed up features dissolved into bone.
Trepidation filled me as I pulled back the final shroud. The tall woman had scratches on her face, and I wondered if she received those as punishment for aiding me. Unlike the other two, her eyes were closed. My palms began to sweat, in spite of how cold I was.
She was a vampire, I reminded myself. Even though she had saved my life, eventually she would have to drink the blood of someone else. Maybe they would even become a vampire, like her. I had to do it.
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But I still hesitated another long moment before I steeled myself, aimed my stick, and brought the rock down with all my strength. Then again. And again.
I looked down at her as her face shrank down, finally fading into bone like her companions. She still had fangs, but one of them fell away. As I took the shroud out from under her bones, her skull was knocked askew. I replaced it.
The others I left where they rolled when I pulled the shrouds away to burn.
Throughout the years, I encountered more vampires, and they all were reminiscent of the two creatures who attacked and fought over me. I never understood why the tall woman chose to help me—she had to know what would happen to her if I survived the night—and I still wonder if other vampires had any chance to rise above their monstrosity as she did.
Kathy Sherwood was born in Virginia, educated in Ohio, and now resides in the wonderfully morbid Wisconsin. She has written and loved the horror genre her entire life. Kathy recently published an ebook, In the Full Moonlight, and is currently working on another novel, Born Dead.
Those religious icons really get around. This time it’s a journey to visit the Deep Ones. And Dracula’s Castle. Because everyone has to be a tourist now and then, and what’s the point if you don’t pick up a souvenir or two?
This was a gift for a friend for their sea life monster theme bathroom. It started as one of those old school wood plaques where the picture is waxed on. And the eyes were originally that creepy – all I did was add the tentacles. So don’t blame the overall weirdness on me, it wasn’t all my doing.
Oh, and apparently Mary wanted in on the action, so she’s gone to Dracula’s Castle for a bite. She even brought back her own religious icons souvenirs…
So this one isn’t as old, nor is it real wood. But it still totally goes with Mary’s journey. And it’s also a little blacklight reactive with the flowers.
So I just keep on going… Here are some more repaint porcelain figurines and other madcap painting. OK maybe some of them aren’t porcelain, but still totally redone.
This Pennywise clown started as some plastic figurine from Italy. I was drawn to this because of the pretty marble base. It’s a nice touch, don’t you think? I’ve seen others in this series and honestly they’re all kind of creepy to start with, so they really lend themselves towards repaint prospects. Perhaps I’ll pick up more to redo in similar ways later on… Oh, and the eyes are blacklight sensitive, in case he wasn’t creepy enough already.
With all of the new movie hype, I couldn’t resist a throwback to the classic Beetlejuice, and this little bride figurine and teddy bear were just too perfect. Featuring more blacklight sensitive accents, like her veil flowers. And I don’t know why she only has one glove, I blame it on the 1980s… Or maybe she was just that drunk (you’d have to be for that wedding)…
So yeah, all those preppers ready for the zombie apocalypse – you know some of them are gonna get bitten. It’s in the script, what can I say? More blacklight eyes, cause why not?
I admit I haven’t seen this film, but it sure looks fun. Mathilda, eat your heart out. Literally.
OK so this isn’t a repaint. Nor is it porcelain. What is it even doing here? Well, she’s cool and ready for a party and kinda reminded me of Abigail, so she sort of just tagged along. Sexy Sadie started as an Avon perfume bottle with a fragrance I didn’t care for (I think it was called Head Over Heels). Because honestly the bottle topper was all that mattered. And now she has her own disco dancing platform. What more could a vampish vixen want?
I wrote this script for Beyond the Veil awhile back, exploring the bond between two twin sisters, Edith and Edna, who had lived their lives together. There was a terrible car crash and someone didn’t make it. The other is trying to contact them beyond the veil…
Beyond the Veil Setting:
Two women reach out to one another individually in a séance setting.
One sits on one side of a dining table. The other sits at the other side. Each studies a candle just beyond her reach; there is darkness between the two candles. The long table is barely hinted at in the interstice between the two but it is clearly present.
The camera is stationary showing both in profile staring through each other.
The women are both portrayed by the same actress who is also the voice of the narrator, who is unseen. All three voices are identical so that it is impossible to tell which of the two women the narrator is supposed to represent.
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Both women are spliced into the same scene. They are together but apart. The two candles remain for the duration of filming so that the two halves of the film can either be overlapped (so that both women appear incorporeal) or cut and sandwiched in the middle between the candles (so both women appear physically present). It is possible to set the scene thusly using both methods in different parts of the story, with both women seemingly flickering in and out of being, both individually and apart.
Script:
I. Black, audio only.
Narrator:
I was riding with my twin sister.
We were in a terrible car crash.
The car drove over the median and rolled.
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It spun off the road where it caught fire.
There was smoke everywhere.
My sister didn’t make it.
II. Fade in to the long table with two lit candles; flames flickering.
Two women are just sitting at either end.
They stare blankly through each other.
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Call and Response
Edith: Now I’m trying to contact her…
Edna: …beyond the veil.
Simultaneous:
Edith: Edna, do you hear me?
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Edna: Edith, do you hear me?
Together (In Unison):
If you hear me, knock three times.
Narrator:
Knock.
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Knock.
Knock.
Call and Response:
Edith: I miss you terribly.
Edna: I miss you so much.
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Edith: Do you remember…
Edna: … the car crash?
Edith: We rolled…
Edna: … over the median.
Edith: There was fire.
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Edna: There was smoke.
Edith: I could hear the sirens.
Edna: They were coming…
Edith: … to rescue us.
Edna: But they were so far away.
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Edith: So far…
Edna: … away….
Simultaneous:
Edith: Are you okay?
Edna: Are you hurt?
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Together (In Unison):
Knock three times for yes. Knock once for no.
Narrator:
Knock
– pause –
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Knock
– pause –
Together (Syncopated):
What’s it like, on the other side?
– long pause –
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Simultaneous:
Edith: I miss you, Edna.
Edna: I miss you, Edith.
Together (Syncopated):
It’s so lonely here.
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Call and Response:
Edith: There’s no one here.
Edna: I’m all alone.
Edith: Without you…
Edna: …the spark of life…
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Edith: …is gone…
Edna: … so far away.
– pause –
Together (Entirely Out of Sync):
It’s so dark.
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III. Fade out to black
Narrator:
I was riding with my twin sister.
We were in a terrible car crash.
The car drove over the median and rolled.
It spun off the road where it caught fire.
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There was smoke everywhere.
I didn’t make it.
I had planned to actually turn this into the video for which it was written, but quickly discovered that my plans for recording required a space that was too drastically different from my new house (and new large gaming table) and that my vision for filming could not be well-fully executed or realized. So now it exists as a script only.
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