When the request to review a dark romance fairy tale erotica novel came up in our Discord server, I’ll admit I was hesitant. It’s certainly not the type of reading I usually do and I didn’t know how I would review something so out of my wheelhouse.
This was my crucial mistake going into Part I of the Fairy Tales from the Underworld trilogy: A Bedtime Story (Beauty Meets the Beast) by L.C. Moon. I expected a quick smutty read – and what I got instead was an emotionally charged horror story.
I do not know much about the tropes used in erotic fiction but giving it my best go I would classify this novel as dark Mafia / captor/captive. This, of course, means reader discretion must be used going into it. There are graphic depictions of violence and heavy themes of abuse, drug use, human trafficking and trauma throughout. It is intended for an 18+ audience.
The Story
The story starts with Laura Spencer, a 23-year-old woman who mostly keeps to herself, going out to a bar for a rare night of fun. When her friend ditches her, she reluctantly accepts a ride home from an attractive man named Kayne Malkin. You read that wrong. It’s pronounced “cane.”
Unbeknownst to Laura, Kayne has been sent to collect her on behalf of the seedy criminal organization her brother Peter betrayed. She knew her brother was in hiding but she never believed the danger was real. After an intense interrogation, Kayne steps in and takes Laura to his home as assurance until they find her brother.
What follows is not a whirlwind romance where the beauty tames the beast and they live happily ever after. (Although there is a stunning library within Kayne’s palatial home.) Laura and Kayne are both creations of their environments and incredibly traumatized people. Neither knows how to love themselves, let alone each other.
The Line
In case you are concerned, Moon clearly draws a line with rape. It blurs at times as a necessity of the captor/captive trope, but it is repeated throughout that Kayne’s sexual proclivities require the consent of his partners for his enjoyment. Those unfamiliar with BDSM and its practices may find some of the concepts difficult to grasp.
Character Building
As the story unfolds, readers learn more about Laura’s past and how it influences her current life. Peter served as a lifeline to Laura throughout their childhood, and she grapples with the reality of being in danger because of him. As she’s thrust into the criminal underworld, she is revolted by everything she sees – but her survival depends upon her acceptance. Her decision making is baffling and frustrating, which is exactly what you’d expect from someone in her circumstances.
Kayne’s motivations towards Laura shift throughout the novel. He struggles to reconcile the predator/protector role he’s placed himself into with her. While readers may be screaming “You love her, stupid!” Kayne legitimately does not have the emotional intelligence to understand that about himself. These character’s flaws and their current circumstance lead to a toxic horror-show of a dark romance without a happy ending.
What I Liked
Moon’s writing is captivating and emotionally evocative, leading me to finish the novel across two readings. I found myself wrapped up in the believable world she crafted and wanting more of it. I even cried during the portions of Laura’s darkest moments because they felt so real and understandable.
Moon also displays a thorough understanding of BDSM dynamics and does her best to help her audience (through Laura) also gain some of that knowledge. The sex scenes themselves are well written and do not overpower the overall story.
While Moon utilizes tropes throughout, as to be expected, she does not seem to rely upon them. The dark romance feels real and organic, largely due to her not shying away from truths of the genre. Instead of allowing Laura to roll over and take it, there is a genuine examination of her psyche and the damage the experience is causing.
What I Didn’t Like
At times the formatting of the story feels slightly clunky. There are multiple perspective changes throughout the book. Normally this is fine by me, but in this instance there are characters whose perspective is only explored once or twice purely for narrative purposes. This led to some confusion on my end as I was never quite sure if a character was important to the plot or simply important to moving the plot.
My Rating
Overall, I would definitely recommend this book to anyone who is a fan of dark romance / Mafia / captor/captive erotica. For those unfamiliar with the genre – it is more difficult for me to say if you will like it. I do not consider myself a fan of the genre, but still found myself deeply enjoying this book. As soon as I finished, I immediately sent a plea out for an ARC of the sequel.
My rating:
(4.2 / 5)
Fairy Tales From the Underworld Part I: A Bedtime Story (Beauty Meets the Beast) By L.C. Moon was originally released in 2014. A new version will be available in late September on all formats. It features an original soundtrack composed by Lana Chacra which can be streamed on YouTube, Spotify, and purchased on iTunes. More information about the author, the novel, and future releases can be found on the trilogy’s website.
Kait (she/her) haunts the cornfields of the Midwest after being raised in a small Indiana town built on sickness and death. She consumes all sorts of horror-related content and spits their remains back onto your screen. You can follow her on Twitter at @ KaitHorrorBreak, where she live tweets The Last Drive-In with Joe Bob Briggs and posts other spooky things.
Ever wonder what would happen if a witch, a mythological dreamscape, and a kitchen disaster collided at full speed? Jennifer Weigel’s Let’s Do Lunch (Witch Hayzelle’s Recipes for Disaster Book 1) doesn’t just answer that question—it serves it up on a flaming silver platter with a side of snarky humor and alliterative goodness.
This fast-paced, genre-blending novella is part mythological adventure, part obsessive investigation (Moby Dick style), and part cookbook. Yes, you read that right. The book sprinkles in recipes—some of which might be surprisingly edible (looking at you, tofu dish). I think the mix of this worked really well. At times, and this might be because of my background, I thought that the book was pushing into Gargantuan territory and then it slipped back into a real recipe.
Where Let’s Do Lunch really shines is in its world-building. The mythology of dreams is an intriguing and immersive element that keeps the story grounded in a unique and whimsical lore. The characters, while more like vehicles for humor than deep personalities, fit well within the book’s quick and quirky style. There’s also a delightful meta-layer to the storytelling, making it feel self-aware in the best possible way.
Last update on 2025-01-29 / Affiliate links / Images from Amazon Product Advertising API
Another thing that worked really well, even on Kindle, is the art the author produces. The drawings really do make a lot of the book pop and work remarkably well in black and white (or paperwhite, as the case may be). Even the cover is a mix of void space set aside by white–the creation of art through erasure of darkness.
Kindle Caveat:
One small hiccup–if you’re reading the Kindle version, be prepared for footnotes that don’t always play nice with e-readers. They can be tricky to navigate, making it tough to appreciate some of the book’s side notes without breaking the flow. This is something the publisher seems to agree with (as the amazon page has a similar warning).
Overall and Score
Overall, Let’s Do Lunch is a light, fun read perfect for anyone who enjoys their fantasy with a heavy dose of humor and a sprinkle of culinary catastrophe. If the rest of the Recipes for Disaster series keeps up this level of playful mayhem, fans are in for a treat (or at least a hilarious food-related accident).
“It’s the thing they say about Tome. Everyone returns in the end-“
Lucy Foley’s 7th and newest page-turner was released in June 2024. The Midnight Feast, demonstrates to readers why her name keeps appearing on the New York Times best sellers list. Blending a mystery/ thriller story with folkloric horror, Foley had me sitting up past my bedtime and considering moving Tome.
Lucy Foley (Author) – Joe Eyre, Sarah Slimani, Roly Botha (Narrators)
English (Publication Language)
Last update on 2025-01-27 / Affiliate links / Images from Amazon Product Advertising API
The Plot.
The Manor, an exclusive retreat nestled deep within the woods, opens its doors on a weekend of glitzy chaos. Founder Francesca Meadows, is the picture of serene wellness. A meditating, green juice-drinking, organic linen-wearing type, at least on the surface. The Manor was left to her by her Grandfa (no this is not a typo!) and she summered here as a teen.
Francesca is rather stressed because it is opening night and the construction is still in progress. The next stage in the renovation is the building of treehouses for guests to stay in. Inspired by one that Francesca had as a child. However, this means cutting down trees in the woods. Though this part of the woods is technically private property the locals are not happy, and neither are the strange bird-like creatures in the woods. These are Elder trees after all, and cutting them down would be bad luck without asking the trees’ permission first…
As a diverse cast descends upon The Manor, each harboring concealed pasts, the idyllic facade begins to crumble. Locals, masquerading as glamorous outsiders, mingle with the elite, revealing a web of interconnected secrets and unspoken resentments.
Beneath the veneer of tranquility lies a simmering undercurrent of tension, fueled by unspoken desires, long-buried grudges, and the unsettling feeling that everyone, in their own way, is seeking redemption at The Manor.
Highlights.
The Midnight Feast brims with subtle and insightful social commentary. One of the most compelling aspects is Foley’s ingenious portrayal of the affluent imitating the pagan, and vice versa. The elite, led by Francesca Meadows, strive to embrace “natural living” with white robes, floral headpieces, and a veneer of eco-consciousness. Ironically, they are aping the very rituals of the local townsfolk, who hold deep-rooted pagan beliefs. Meanwhile, these locals are donning formal attire and dropping their accents to navigate the social circles of The Manor. This fascinating dynamic, presented with understated humor, highlights the performative nature of social identity and the blurred lines between genuine connection and superficial imitation.
On a more profound level, Foley grapples with the complex issue of land ownership and the historical injustices it can perpetuate. Francesca Meadows, with her inherited wealth and privileged position, asserts absolute dominion over the land. She views it as her exclusive domain. She attempts to restrict access to the woods, a vital thoroughfare for the local community, sparking a conflict that raises important questions about land rights, historical dispossession, and the inherent unfairness of a system that allows a few to claim ownership over land that has been traditionally used and revered by others for generations.
Drawbacks.
My only criticism of this book is for something Foley is known for doing; 5+ points of view. There’s Bella, Owen, Francesca, Eddie, DI Walker, and local fishermen, then add to this journal entries from the summer of 2010 and it really does feel like you are drowning in the beginning. Despite this overwhelm, as you become more familiar with the characters it becomes easier to follow. Foley is excellent at making her characters’ voices distinct from one another. So much so that you almost don’t need the names at the top of the chapters. But buyer beware.
Last update on 2025-01-27 / Affiliate links / Images from Amazon Product Advertising API
The Final Take.
Having thoroughly enjoyed all of Foley’s novels that I’ve read, I can confidently say that The Midnight Feast is a standout. The seamless integration of folkloric elements – a personal favorite – truly elevates the narrative. From the enigmatic markings to the otherworldly creatures lurking within the forest and the intriguing use of solstice as chapter markers, Foley masterfully weaves a captivating and atmospheric tale that kept me utterly engrossed. This is a true page-turner that I wholeheartedly recommend.
Published in January of 2024, This Wretched Valley is Jenny Kiefer’s debut novel and is a horror written for hikers, campers, and all of your general outdoorsy type people. Reminiscent of Scott Smith’s The Ruins, with a healthy helping of Adam Nevill’s The Ritual, This Wretched Valley is a story of restless and vengeful spirits with some spectacular body horror scenes you will not forget.
The Plot.
Set in Kentucky, This Wretched Valley’s main plot covers a week in March of 2019. The time-stamped chapters follow four college friends and their faithful Australian Shepherd. One of the four friends, Clay, has discovered a rock formation that appears to have never been climbed or explored. The group embark on an expedition that is part rock climbing exploration and part scientific research. From the moment they enter the valley at the base of the rock things don’t feel right. Their dog, Slade, is acting funny and the plant life grows in unusual varieties and patterns for this part of Kentucky. After an accident climbing the rock things go from bad to worse, with strange apparitions appearing before them and dead animals being left at the edges of the camp. The worst thing is that despite following their GPS, they can’t seem to find their way back to the car. Tempers flare, but is it because of the situation they find themselves in, or is something influencing their emotions?
Highlights.
One of the highlights of This Wretched Valley is the short chapters that are dotted throughout the book. These chapters tell the stories of other people who came before our hikers, from other centuries, that suffered due to their presence in the valley. As the main chapters culminate the characters from the historical chapters begin to pop up in the present.
The descriptions of the injuries the hikers suffer, real and imagined, are excellent. Kiefer really knows how to make a reader squirm, if you enjoy blood and gore this book is for you. There is one scene in particular with a swarm of flies that I read twice.
Drawbacks.
I know it is a necessary evil in horror, that the main characters must miss things that may seem obvious to the reader for the story to build. I mean, if the hikers in This Wretched Valley picked up on how the dog was acting in the first chapter and left we wouldn’t have this excellent book. That being said, so many things begin to go wrong, but each is shrugged off or explained away. The ignorance of huge things that were happening right in front of them seemed a little too wilful. Perhaps we can give Kiefer the benefit of the doubt and assume that maybe this was the point, the wilfully ignorant get what they deserve.
Another grip I have with this book is the head-hopping. Rather than focus on one character in a chapter and reading their point of view, Kiefer has head hopped. Delivering various points of view within a chapter, sometimes within a paragraph. And that’s fine, many authors do this. However, at times it was hard to figure out who was seeing or thinking a particular thing. Going back to reread some paragraphs did help, but stopping in the middle of the action to reread is not ideal.
The Final Take.
While I’m not an avid outdoorsman myself – camping, hiking, and climbing aren’t my passions. I found myself thoroughly engaged with the descriptions of the natural world in this novel. Kiefer, a rock climbing enthusiast, clearly brings a genuine passion and expertise to her depictions of This Wretched Valley. I believe any reader who enjoys these pursuits will find a particular resonance in her writing.
For those interested, I discovered that Jenny Kiefer owns Butcher Cabin Books, a unique horror bookstore in Louisville, Kentucky. If you’re in the area perhaps pop in and explore a book store dedicated to the world of horror literature.