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Cover for the dark romance Fairy Tales From the Underworld Part I: A Bedtime Story (Beauty Meets the Beast.).It shows a woman walking towards a mansion at night.
Fairy Tales From the Underworld Part I: A Bedtime Story (Beauty Meets the Beast) by L.C. Moon

Not a Bedtime Story

When the request to review a dark romance fairy tale erotica novel came up in our Discord server, I’ll admit I was hesitant. It’s certainly not the type of reading I usually do and I didn’t know how I would review something so out of my wheelhouse. 

This was my crucial mistake going into Part I of the Fairy Tales from the Underworld trilogy: A Bedtime Story (Beauty Meets the Beast) by L.C. Moon. I expected a quick smutty read – and what I got instead was an emotionally charged horror story.

I do not know much about the tropes used in erotic fiction but giving it my best go I would classify this novel as dark Mafia / captor/captive. This, of course, means reader discretion must be used going into it. There are graphic depictions of violence and heavy themes of abuse, drug use, human trafficking and trauma throughout. It is intended for an 18+ audience.

The Story

The story starts with Laura Spencer, a 23-year-old woman who mostly keeps to herself, going out to a bar for a rare night of fun. When her friend ditches her, she reluctantly accepts a ride home from an attractive man named Kayne Malkin. You read that wrong. It’s pronounced “cane.” 

Unbeknownst to Laura, Kayne has been sent to collect her on behalf of the seedy criminal organization her brother Peter betrayed. She knew her brother was in hiding but she never believed the danger was real. After an intense interrogation, Kayne steps in and takes Laura to his home as assurance until they find her brother.

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What follows is not a whirlwind romance where the beauty tames the beast and they live happily ever after. (Although there is a stunning library within Kayne’s palatial home.) Laura and Kayne are both creations of their environments and incredibly traumatized people. Neither knows how to love themselves, let alone each other.

[Trailer 1] a bedtime Story (beauty meets the beast) by l.c. moon

The Line

In case you are concerned, Moon clearly draws a line with rape. It blurs at times as a necessity of the captor/captive trope, but it is repeated throughout that Kayne’s sexual proclivities require the consent of his partners for his enjoyment. Those unfamiliar with BDSM and its practices may find some of the concepts difficult to grasp.

Character Building

As the story unfolds, readers learn more about Laura’s  past and how it influences her current life. Peter served as a lifeline to Laura throughout their childhood, and she grapples with the reality of being in danger because of him. As she’s thrust into the criminal underworld, she is revolted by everything she sees – but her survival depends upon her acceptance. Her decision making is baffling and frustrating, which is exactly what you’d expect from someone in her circumstances.

Kayne’s motivations towards Laura shift throughout the novel. He struggles to reconcile the predator/protector role he’s placed himself into with her. While readers may be screaming “You love her, stupid!” Kayne legitimately does not have the emotional intelligence to understand that about himself. These character’s flaws and their current circumstance lead to a toxic horror-show of a dark romance without a happy ending.

What I Liked

Moon’s writing is captivating and emotionally evocative, leading me to finish the novel across two readings. I found myself wrapped up in the believable world she crafted and wanting more of it. I even cried during the portions of Laura’s darkest moments because they felt so real and understandable.

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Moon also displays a thorough understanding of BDSM dynamics and does her best to help her audience (through Laura) also gain some of that knowledge. The sex scenes themselves are well written and do not overpower the overall story. 

While Moon utilizes tropes throughout, as to be expected, she does not seem to rely upon them. The dark romance feels real and organic, largely due to her not shying away from truths of the genre. Instead of allowing Laura to roll over and take it, there is a genuine examination of her psyche and the damage the experience is causing.

What I Didn’t Like

At times the formatting of the story feels slightly clunky. There are multiple perspective changes throughout the book. Normally this is fine by me, but in this instance there are characters whose perspective is only explored once or twice purely for narrative purposes. This led to some confusion on my end as I was never quite sure if a character was important to the plot or simply important to moving the plot.

My Rating

Overall, I would definitely recommend this book to anyone who is a fan of dark romance / Mafia / captor/captive erotica. For those unfamiliar with the genre – it is more difficult for me to say if you will like it. I do not consider myself a fan of the genre, but still found myself deeply enjoying this book. As soon as I finished, I immediately sent a plea out for an ARC of the sequel.

My rating:

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4.2 out of 5 stars (4.2 / 5)

Fairy Tales From the Underworld Part I: A Bedtime Story (Beauty Meets the Beast) By L.C. Moon was originally released in 2014. A new version will be available in late September on all formats. It features an original soundtrack composed by Lana Chacra which can be streamed on YouTube, Spotify, and purchased on iTunes. More information about the author, the novel, and future releases can be found on the trilogy’s website.

Kait (she/her) haunts the cornfields of the Midwest after being raised in a small Indiana town built on sickness and death. She consumes all sorts of horror-related content and spits their remains back onto your screen. You can follow her on Twitter at @ KaitHorrorBreak, where she live tweets The Last Drive-In with Joe Bob Briggs and posts other spooky things.

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Book Reviews

Looking Glass Sound.

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Published in April 2023, Catriona Ward’s novel, Looking Glass Sound, continues her tradition of crafting intricate narratives that defy easy categorization. Like her acclaimed The House on Needless Street, Ward expertly weaves a web of clues and red herrings that will unravel with each reread. Is it an atmospheric horror, a twisted serial killer mystery, or the coming-of-age tale of a writer? The answer, as Ward skillfully demonstrates, is all three.

The Plot.

In 1989, sixteen-year-old Wilder Harlow, travels to the Maine coast with his mother and father, for the summer. His family has inherited a cottage on Whistler’s Bay, all hope that this will be a fresh start for him.

On the first day, Wilder meets Harper and Nat; teens who roam the town with little to no adult supervision. The two quickly become his guides to the town’s hidden secrets.

As they explore the bay’s eerie beauty, Wilder discovers a sinister undercurrent. A terrifying figure known as the “Dagger Man” has been terrorizing families; breaking into homes and photographing sleeping children at knifepoint. Meanwhile, a more chilling mystery unfolds: women have been vanishing from the town for over a decade.

Wilder and his new friends are drawn into the mysteries and the truth begins to unravel as they explore the hidden corners of the bay.

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This is only the first section of the book. What follows is Wilder’s experience through college, eventually returning to Whistler Bay as an elderly man. On his return things begin to twist and we find that everything we’ve been told is not strictly fact.

Highlights.

Catriona Ward is known for writing strong characters and here she does not disappoint. The novel introduces us to Wilder, Nat, and Harper as teenagers whose complex dynamics and relatable angst draw us in. Wilder’s college roommate, Sky, adds another layer of depth, offering a poignant exploration of queer coming-of-age.
While Ward’s intricate plot keeps us guessing, it also presents a minor challenge: the sheer number of twists and turns can sometimes blur the lines between characters: making it difficult to keep track of names and relationships. The introduction of two characters named Sky and Skye, in particular, can be confusing. Despite this, Ward’s character development remains consistently strong. Looking Glass Sound is a compelling exploration of human connection and the complexities of memory.

Drawbacks.

The overwhelming drawback for this novel was the structure. The first half of the novel follows a straightforward, linear timeline, allowing us to connect with Wilder and his friends on a personal level. However, the narrative takes a significant detour in the second half, adopting a complex frame-within-a-frame structure, or perhaps more accurately a book within a book… within a book. This shift can be disorienting, as readers are constantly pulled back and forth between different time periods and perspectives, often only to discover that certain events were not entirely as they seemed.

While this unconventional approach adds a layer of intrigue, it can also make the plot feel fragmented and difficult to follow. Ward’s decision to interrupt the narrative with explanations and asides can sometimes disrupt the pacing and immersion. While this choice may be intentional, it can also leave readers feeling lost and confused.

The Final Take.

This is not my first Catriona Ward novel, nor it will be my last. Ward writes stories that are built to confound the reader and make them question everything they’ve read. Looking Glass Sound pushes this a little too far. In my opinion is the weakest of her novels that I have read so far. In saying that I did enjoy the atmospheric horror of the introductory chapters and the dark academic feel of the college section. Following that I found myself becoming a little fed up with deciphering the plot.

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2.5 out of 5 stars (2.5 / 5)

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Book Reviews

Smothermoss.

Smothermoss: A folk horror fairytale dragged through the mud.

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You can’t win against the mountain. The mountain always finds a way.”

Published in July 2024, Alisa Alering’s debut novel, Smothermoss, is a chilling blend of folk horror and dark fairytale. Though concise, this novel packs a powerful punch, its narrative dense with metaphor and a suffocating atmosphere. Not for the faint of heart, Smothermoss is a haunting exploration of the sinister lurking beneath the surface of the ordinary.

The Story.

Set in the rugged Appalachian Mountains of the 1980s, Smothermoss follows the lives of sisters, Sheila (17) and Angie (12). The two live with their mother and an elderly woman in a crumbling cottage in the forest. Both Sheila and Angie are the object of ridicule and bullying within their school community, the sisters cope with this bullying in starkly different ways. Sheila retreats into silence, avoiding conflict and longing for escape. Angie, meanwhile, immerses herself in a fantasy world, battling imaginary Russians and believing her handmade cards hold prophetic power.

When two women hikers are brutally murdered on the nearby Appalachian Trail, Sheila becomes more withdrawn and avoidant of the world, while Angie becomes convinced she’s destined to capture the killer. Little do they know; a far greater evil lurks in the forest.

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Highlights.

Alering’s masterful characterization of Sheila and Angie was the true gem of Smothermoss. Despite being told in the third person, the alternating chapters offer a bone deep immersion into each sister’s perspective. In recent fiction, author’s have not quite captured the authentic voice of a young character. However, Alering nails it. Angie’s pre-teen naivety shines through and never accidently matures past its 12-year-old existence. While Sheila’s late teenage anxieties and queer coming-of-age struggles are beautifully rendered.

Another highlight of this story is the lyrical prose. Smothermoss has a rhythm; it reads like poetry in places and in others could be mistaken for a children’s fable. Reading about the visceral and raw events and thoughts contained in Smothermoss, in such beautiful but simple language adds to the unsettling experience, and enjoyability, of reading this story

Drawbacks.

There were a couple of things that had me a little confused during this book. Several shorter chapters leave the sisters entirely behind and focus on rabbits and other forest animals. At first, I interpreted these to be metaphoric. The animals standing in for the killers point of view, or perhaps the murdered women. This book is so heavy with metaphor that this seems plausible, but I finished the book still questioning myself about this.

The other issue I found was that many of the subplots in this story are left unexplained or unfinished, turning to the last page with many questions that will never be answered. (Which has resulted in sleepless nights because I just want to know what exactly that rope is among other things!)

The Final Take.

At its core, this is the story of two sisters growing to understand each other and supporting each other through adversity.

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Beyond that, Smothermoss feels like a fairytale dragged through the mud.

The small size of this book (just over 250 pages) might lead people to think it is a quick or easy read. Don’t be fooled, as Shakespeare said, “though she be but little, she is fierce.” This is a complex story, with heavy themes and dark subtext.

I want, and hope, to read this story again because I know that there is much more to uncover here. The metaphors are dark and unnerving, the characters deep and moving, the natural imagery thick. I was not at all surprised to find out that Alering grew up in the Appalachian Mountains. Only someone familiar with the area could have described the people and place with so much heart.

4 out of 5 stars (4 / 5)

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Book Reviews

The Unmothers.

“There was a horse that gave birth. There was a baby. There was a tree. There was a price.”

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Leslie J. Anderson’s debut novel, The Unmothers, is a chilling folk horror that delves into the darkest corners of motherhood. Published in August 2024, this slow-burn tale introduces a world where women’s rights are under threat.

With a subtle touch of Eldritch horror, Anderson weaves a narrative that explores the complex themes of motherhood, choice, and the lengths a woman might go to maintain control over her own body and destiny.

The Story.

Journalist Carolyn Marshall is sent to cover the story of a horse giving birth in the rural American town of Reaford. The attraction of this occurrence for a newspaper? That the baby is a healthy human baby boy. Marshall quickly debunks this story but decides to stay in town and follow her journalistic instinct to a bigger scoop.
Beneath the town’s quaint facade, Marshall uncovers a web of dark secrets. A drug epidemic is ravaging the community, immigrant workers are dying under mysterious circumstances, and the town’s powerful patriarch, John Daily, seems to hold everyone in his debt. As Marshall delves deeper into these troubling issues, she becomes increasingly entangled in the lives of the locals.
Through her interactions with the townspeople, Marshall hears whispers of a sinister presence lurking in the nearby woods. The locals share chilling tales of what a young woman in Reaford might do to terminate an unwanted pregnancy. As the story unfolds, Marshall must confront the terrifying truth about the town’s hidden past and the dangers that lurk within its borders.

Highlights.

I was never a young girl that oohed and aahed at the sight of a horse. After reading The Unmothers though, yeah, I get it. Anderson’s vivid descriptions of these magnificent creatures brought them to life in a way I’d never experienced before. The way she portrays their gentle nature, combined with their raw power and potential for brutality, is both captivating and unsettling. It’s a testament to Anderson’s skill as a writer that she can make even the most mundane details of these animals feel extraordinary.

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Drawbacks.

The Unmothers is a complex novel that delves into the interconnected events of a rural town, both past and present. In the first half of the book, the sheer number of characters and viewpoints can make it difficult to keep track of the plot. However, there are a few pivotal revelations that occur near the midpoint. This helps certain characters become more prominent and memorable, making the story easier to follow.

The Final Take.

The Unmothers is a haunting and unforgettable read that will leave you both terrified and deeply moved. Anderson’s masterful storytelling draws you into a world where the line between the natural and the supernatural is blurred.
The novel’s focus on horses, a subject I’m not particularly knowledgeable about, was a pleasant surprise. I was fascinated to learn about the unique characteristics of foals, including the tentacle-like growths on their hooves which had me Googling for proof.
This book is a must-read for fans of horror, folk tales, and thought-provoking fiction. It’s a powerful exploration of motherhood, choice, and the dark forces that can lurk beneath the surface of even the most seemingly idyllic communities.

4 out of 5 stars (4 / 5)

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