Kyle, Todd and Lance stared at the swirling blood in the toilet stool. Floating in the crimson ocean was a small turd and a disintegrating sheet of toilet paper. It looked as though the commode had been flushed but didn’t fully do so. Its contents bobbed up and down like buoys in a sea of red.
“Well, this proves it then. You have sewer alligators,” Lance proclaimed. “There’s no other explanation.”
“Are you certain your mom was the last one to use it?” Todd asked.
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“Yeah,” Kyle replied. “I’m pretty sure she must have been bit on the butt. Maybe that’s why she didn’t flush all the way.”
“Your toilet is crap – it never flushes unless you hold it down,” Todd quipped. “My mom said women bleed every month unless they’re going to have a baby.”
“That’s ludicrous!” Lance exclaimed. “It’s definitely sewer alligators. What would your mom know – she’s just a dippy hippie. Nothing bleeds every month and doesn’t die.”
“That’s what my mom said,” Todd shrugged. “She would know.”
“Well, if your mom does bleed every month, she should get that looked at,” Lance ribbed. “She might have cancer or something.”
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Kyle reached over and flushed the toilet, holding the handle down for far longer than should have been necessary. The three boys watched as the ocean of red swirled into a wide whirlpool and was swallowed by the porcelain basin along with the floaters.
Kyle unzipped his pants to pee and stood at the ready, as he’d intended to do when he’d first encountered the bloody stool. He hadn’t planned to interrupt their game of Ultimate Demolition Derby to put on a show for his best friends, but they were in between rounds and he’d fetched them when he found the blood in the toilet.
“My mom wouldn’t have held the handle down to flush if there was a sewer alligator trying to chomp on her butt,” Kyle retorted as he peed. “She was probably doing good to flee with her life.” He eyed the toilet warily.
“We were in the other room and she didn’t scream or yell or anything,” Todd observed. “And there’s no such thing as sewer alligators. So it must be that women bleeding thing.”
“My mom is a total bad ass,” Kyle defended indignantly, seemingly somewhat offended. “She took on a whole wasp nest with a can of hairspray, a lighter and a pair of kitchen scissors. She’s not going to cry because of a little sewer alligator.”
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“If your mom’s such a badass, then why didn’t she stay and fight the sewer alligator?” Todd chided.
“Kyle’s right, his mom is a badass. I was here during that wasp thing – it was crazy,” Lance stated manner-of-factly. “And there are too sewer alligators. I read about it in a magazine. Kyle’s mom must have managed to drive it back down the toilet. That’s why it isn’t here. You don’t stick around to fight sewer alligators…”
Todd rolled his eyes, “I told you there’s no such thing as sewer alligators.”
“Well, if you’re so sure, then why don’t you keep watch? Or are you too scared?” Lance said.
Kyle zipped up his pants and flushed, holding down the handle again. The basin emptied in an eddy. It refilled with water and just sat there ominously.
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“Fine,” Todd shouted at Lance.
“You have to stay and watch the toilet until we say you can leave,” Lance smirked, “Or until someone else needs to use it and kicks you out.”
“Whatever.” Todd shook his head and hunkered down. He slid his phone out of his pocket and began playing Candy Crash Test Dummies. He muttered under his breath, “There’s still no such thing as sewer alligators…”
Kyle and Lance returned to the living room to resume their racing game. Less than three minutes later a shrill yelp resounded forth from the bathroom. They came running.
Todd was standing there flustered, pointing at the toilet and waving his finger. He shook all over, his skin blanched to a ghostly pale.
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“See, I told you, there are too sewer alligators,” Lance proudly declared.
“That was no gator,” Todd gasped. “That was a rat the size of my dog Freet-O.”
“A Chihuahua-sized rat?!” Kyle exclaimed, eyes growing wide. He edged towards the commode and peered in from the side. There was nothing inside, just water. He reached across the basin and dropped the lid as fast as he could. It landed with a resounding thud.
The three boys raced out of the bathroom and left the toilet to its own devices. It wasn’t worth waiting around to see what foul creatures lurked within. Kyle’s mom was going to have to deal with the critter problem on her own.
Jennifer Weigel is a multi-disciplinary mixed media conceptual artist residing in Kansas USA. Weigel utilizes a wide range of media to convey her ideas, including assemblage, drawing, fibers, installation, jewelry, painting, performance, photography, sculpture, video and writing. You can find more of her work at:
https://www.jenniferweigelart.com/
https://www.jenniferweigelprojects.com/
https://jenniferweigelwords.wordpress.com/
Those religious icons really get around. This time it’s a journey to visit the Deep Ones. And Dracula’s Castle. Because everyone has to be a tourist now and then, and what’s the point if you don’t pick up a souvenir or two?
This was a gift for a friend for their sea life monster theme bathroom. It started as one of those old school wood plaques where the picture is waxed on. And the eyes were originally that creepy – all I did was add the tentacles. So don’t blame the overall weirdness on me, it wasn’t all my doing.
Oh, and apparently Mary wanted in on the action, so she’s gone to Dracula’s Castle for a bite. She even brought back her own religious icons souvenirs…
So this one isn’t as old, nor is it real wood. But it still totally goes with Mary’s journey. And it’s also a little blacklight reactive with the flowers.
So I just keep on going… Here are some more repaint porcelain figurines and other madcap painting. OK maybe some of them aren’t porcelain, but still totally redone.
This Pennywise clown started as some plastic figurine from Italy. I was drawn to this because of the pretty marble base. It’s a nice touch, don’t you think? I’ve seen others in this series and honestly they’re all kind of creepy to start with, so they really lend themselves towards repaint prospects. Perhaps I’ll pick up more to redo in similar ways later on… Oh, and the eyes are blacklight sensitive, in case he wasn’t creepy enough already.
With all of the new movie hype, I couldn’t resist a throwback to the classic Beetlejuice, and this little bride figurine and teddy bear were just too perfect. Featuring more blacklight sensitive accents, like her veil flowers. And I don’t know why she only has one glove, I blame it on the 1980s… Or maybe she was just that drunk (you’d have to be for that wedding)…
So yeah, all those preppers ready for the zombie apocalypse – you know some of them are gonna get bitten. It’s in the script, what can I say? More blacklight eyes, cause why not?
I admit I haven’t seen this film, but it sure looks fun. Mathilda, eat your heart out. Literally.
OK so this isn’t a repaint. Nor is it porcelain. What is it even doing here? Well, she’s cool and ready for a party and kinda reminded me of Abigail, so she sort of just tagged along. Sexy Sadie started as an Avon perfume bottle with a fragrance I didn’t care for (I think it was called Head Over Heels). Because honestly the bottle topper was all that mattered. And now she has her own disco dancing platform. What more could a vampish vixen want?
I wrote this script for Beyond the Veil awhile back, exploring the bond between two twin sisters, Edith and Edna, who had lived their lives together. There was a terrible car crash and someone didn’t make it. The other is trying to contact them beyond the veil…
Beyond the Veil Setting:
Two women reach out to one another individually in a séance setting.
One sits on one side of a dining table. The other sits at the other side. Each studies a candle just beyond her reach; there is darkness between the two candles. The long table is barely hinted at in the interstice between the two but it is clearly present.
The camera is stationary showing both in profile staring through each other.
The women are both portrayed by the same actress who is also the voice of the narrator, who is unseen. All three voices are identical so that it is impossible to tell which of the two women the narrator is supposed to represent.
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Both women are spliced into the same scene. They are together but apart. The two candles remain for the duration of filming so that the two halves of the film can either be overlapped (so that both women appear incorporeal) or cut and sandwiched in the middle between the candles (so both women appear physically present). It is possible to set the scene thusly using both methods in different parts of the story, with both women seemingly flickering in and out of being, both individually and apart.
Script:
I. Black, audio only.
Narrator:
I was riding with my twin sister.
We were in a terrible car crash.
The car drove over the median and rolled.
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It spun off the road where it caught fire.
There was smoke everywhere.
My sister didn’t make it.
II. Fade in to the long table with two lit candles; flames flickering.
Two women are just sitting at either end.
They stare blankly through each other.
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Call and Response
Edith: Now I’m trying to contact her…
Edna: …beyond the veil.
Simultaneous:
Edith: Edna, do you hear me?
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Edna: Edith, do you hear me?
Together (In Unison):
If you hear me, knock three times.
Narrator:
Knock.
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Knock.
Knock.
Call and Response:
Edith: I miss you terribly.
Edna: I miss you so much.
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Edith: Do you remember…
Edna: … the car crash?
Edith: We rolled…
Edna: … over the median.
Edith: There was fire.
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Edna: There was smoke.
Edith: I could hear the sirens.
Edna: They were coming…
Edith: … to rescue us.
Edna: But they were so far away.
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Edith: So far…
Edna: … away….
Simultaneous:
Edith: Are you okay?
Edna: Are you hurt?
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Together (In Unison):
Knock three times for yes. Knock once for no.
Narrator:
Knock
– pause –
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Knock
– pause –
Together (Syncopated):
What’s it like, on the other side?
– long pause –
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Simultaneous:
Edith: I miss you, Edna.
Edna: I miss you, Edith.
Together (Syncopated):
It’s so lonely here.
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Call and Response:
Edith: There’s no one here.
Edna: I’m all alone.
Edith: Without you…
Edna: …the spark of life…
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Edith: …is gone…
Edna: … so far away.
– pause –
Together (Entirely Out of Sync):
It’s so dark.
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III. Fade out to black
Narrator:
I was riding with my twin sister.
We were in a terrible car crash.
The car drove over the median and rolled.
It spun off the road where it caught fire.
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There was smoke everywhere.
I didn’t make it.
I had planned to actually turn this into the video for which it was written, but quickly discovered that my plans for recording required a space that was too drastically different from my new house (and new large gaming table) and that my vision for filming could not be well-fully executed or realized. So now it exists as a script only.
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Jonny
January 25, 2022 at 12:23 pm
This is actively the worst thing ever, but I love it.
Jennifer Weigel
January 25, 2022 at 7:51 pm
Thank you I think lol. Partly inspired by some of the heartfelt and real admissions on I Used to Believe. https://www.iusedtobelieve.com/