Connect with us

Published

on

Low Pressure by Martin Toman

Phillip drove without thinking. He looked squarely ahead at the strip of bitumen, a single carriageway heading away from the small town where he worked as the senior engineer at the paper mill. The trees that bordered each side of the road waved their limbs in distress, the blasting gale that preceded an imminent storm whipping their bare forms. Every time Phillip passed a break in the trees, he felt his truck veer across the centre line, buffeted by the blunt fists of air that compressed through the gaps. All the while vehicles driving in the opposite direction barreled down against him. At their passing Phillip could feel their speed as his truck struck the low pressure pocket left in their wake.

All day the approaching storm front had framed the horizon. The weather bureau had forecast it would come down in the late afternoon, but as Phillip pulled off the road and onto his property it had yet to fall. In the last moments of daylight grey clouds scudded across the blue black sky. The horizon was all darkness, and no stars would peep through.

When Phillip pulled into the shed he turned off the engine and took the keys out of the ignition. Through the closed windows he could hear the wind pushing at the sides of the car port. He opened and closed the truck door without bothering to lock it, and walked to the adjacent side entrance to his house. As he put his key into the lock the wind abated for a moment, as if holding its breath. He paused, the pinging sound of the engine popping in the shed as it cooled, the air cold even through his thick coat. And then the rain came, at first individual drops on the tin roof, and then merging to a steady din.  The day long wind made a return, the gusts too lazy to go around him. Phillip opened the door.

His first thought upon entering was: This isn’t how I left it.

Advertisement

Every workday morning when Phillip left his house he had the habit of leaving it in a certain way: the toilet seat down, the bed made, books stacked neatly on the coffee table. Years ago when he had first arrived in town he had entertained the idea that he would bring women home with him. They’d walk in after he’d met them somewhere, the instant chemistry guiding them to the bedroom, where everything would be prepared for him to show off the way he lived, how female friendly he was. Eventually it became a habit, a check list of things he would do before he went out. But in a town as small as the one where he worked there were few single women, and most of them were attached to his workplace. Phillip knew better than to mix his personal and work spheres. And as the local women were all paired off with local men, there had been no ladies to seduce in his well-kept bachelor pad, no spontaneous moments of attraction to turn his fantasies into reality. The closest he got to available female company was Kelly, the hairdresser in town.

Despite his aspirations, loneliness was a natural state to Phillip. When he was a child he lived with his mother. He had no brothers or sisters, and had no memory of his father, who had left when he was a baby. His mother would walk him to the school gate, and collect him from the same spot in the afternoon. Phillip spent long afternoons in his room, school holidays in the park. He spoke to himself. He invented friends in his head for company. 

Sometime since he had left this morning there had been violence in his house. The sofa was overturned, a side table and lamp upset. The lamp was turned on, the naked globe exposed by the bent angle of the lampshade. Phillip paused at the front door, unmoving. The storm, metastasizing through the day, hammered on the roof. He tracked his eyes across the room. A picture on the wall had been shifted and hung evenly. Near the sink in the adjoining kitchen there was a dinner plate pool of blood, and leading from it were more blood marks: boot prints, a trail leading to the corridor, a hand print on a wall.

Phillip followed the blood down the hall. He concentrated upon his senses: what he could see, what he could hear. The foot marks faded the further he walked from the kitchen, but the consistent trail showed him the way. The dark lines and drops curved around the corner to the bathroom. There was another pooling at the foot of the door. The handle was smeared with blood. He touched it with his finger. It came away tacky. He put his ear to the door, but he couldn’t hear anything above the sound of the rain beating on the roof.  

He opened it. A naked woman submerged in the bath. The bathwater a bled out red. The woman’s face unrecognisable in the murk, her shape amorphous in the semi-opaque water. Phillip walked towards her on legs that suddenly felt as if they controlled by someone else. He dipped his hand into the bath and thought, lukewarm. The ground rushed up to meet him. Darkness.

Advertisement

…..

Phillip awoke in the midst of a dream. The room was still winter dark, but it felt like it was almost morning. He reached out to the side table where he normally kept his mobile, and found it plugged into its charger cable. He looked at the screen. Half of five. The wind that had excoriated the countryside yesterday had blown away. It was silent. In his mind’s eye the remnants of his dream had already started to fade, but he could still remember what it had been about, even if those visions would soon disappear as most dreams do. Phillip had dreamt of his childhood cat.

When Phillip was twelve his mother bought him the animal. A simple desexed male, grey and white. Denied the company of other children he poured his affection into the feline, projecting himself onto his soulless form. When the cat was seven he escaped the house when Phillip was putting out the garbage bins. Out of his usual environment, bewildered by the bright street lights and traffic noise, the cat ran out onto the road and was struck by a car. Phillip gathered the body from the gutter. Sharp teeth drawn back in grimace, a crescent spray of blood across the bitumen. Phillip buried the animal in the backyard in the darkness, wiping the tears from his cheeks with the back of his hand as he shoveled the dirt. His face became streaked with earth and cat blood, like war paint. Afterwards he went inside and ran himself a scalding hot shower. Under the water he wept.

And then as the thoughts of the cat washed away, Phillip remembered. The body. The blood. Immediately his skin felt overly sensitive, prickly. His clothes and sheets scratchy. He lay in the silence, desperately attuned to the noises of the house. Nothing. The rain had passed, and he could detect nothing in the still. He pulled back the covers and swung his legs out of the bed. He had to find out.

The bathroom was spotless. Everything was as he would normally leave it. He ran his fingers around the bath, it was dry and clean. The door handle shone its normal dull chrome. Phillip walked down the hall. The floor was clean, no marks visible on the wall. A stack of clean dishes from a meal sat in the drainer next to the sink, the white tiles blemish free. He bent down. Even the colour of the grout was consistent. His lounge was as normal, the furniture in its regular place, the lamp upright and in the centre of its side table, the picture straight.

Advertisement

Phillip took a glass out of a cupboard, filled it with tap water. He closed his eyes. I must be losing my fucking mind.    

…..

Two hours later as Phillip drove to work there was standing water on the edges of the bitumen. It must have rained through most of the night. Washed out gravel from driveways had run into the roadway. 

 Phillip was first into the mill. He went to the office, checked his emails. There were more than usual, a few backed up from yesterday. Sometimes the local server dropped out and there was a delay in correspondence getting through. He wrote his replies, and went down to the factory floor, started the machines, ran the safety checks, filled out the compliance ledger. The first shift arrived and he went back to the office, looked out the window. His staff were on board, machines ticking over, cutting and sorting. Jenny, the second plant engineer and his understudy, was looking at him.

You feeling ok, Phill? 

Advertisement

            He glanced at her.

            Why do you ask?

            Yesterday, you know, when you left work you said you weren’t feeling well.

            I did?

            Yes, you did. Are you ok now?

Advertisement

            Phillip ran his hand through his hair. His scalp felt sore, like every hair follicle was irritated.

            I had the strangest dream, well actually two dreams. The second was about the cat I had when I was kid. The first was so real I dunno, but it turned out to be nothing.

            I’m not surprised your dreams were freaky. When you left yesterday you said you had a migraine and were just going home to sleep it off. You looked out of it. I covered for you when you left. Nothing happened, it’s all good.

            You covered for me?

Yes. You left early. You weren’t well. But you’re better now, yeah? Or do you want to take the day?

Advertisement

No, I’m fine, really. Just fine. Let’s get about the day, eh? Paper and all that. Pressing, folding, cutting. Jenny turned away. She bent over, put her lunch in the office bar fridge. Phillip thought to himself, I’d rather take you home and press you up against something.

            The rest of the day passed without incident. The events of the night before seemed to take on more of a dream like quality as the day stretched out, the sharpness of the images blurring into a fog of unreality. By the time he finished up he was sure that he had imagined it. That he had driven home from work yesterday with a blinding headache, had an early dinner and went to bed to sleep it off. Except he couldn’t remember doing any of that, and when he tried to recall anything of the previous evening he felt queasy and hot, like he was nursing a brooding fever.

…..

Phillip arrived home from work in the deepening dusk. After the storm front of the day before, the sky patched out between isolated clouds and a bleary blue, as if it couldn’t decide what mood it was in.

He stood at the side entrance, inserted his key into the lock and waited. He held his breath, and opened the door. It was as he left it this morning. The air locked in his lungs escaped like an explosion. He leant against the doorframe, closed his eyes, Some dreams are just dreams. The rest of his night was unremarkable. The last thing he did before turning out the light was plug his phone into the charging cable. Outside the night was silent. All Phillip could hear was his own breath sliding in and out.

Advertisement

…..

Phillip woke under the brightening sky. His first sensation was of cold, and then the discomfort of the surface beneath his back. He propped up on his elbows and tried to get his bearings. He was lying in the tray of his truck. It was nearly light. He was parked down near the river, at the far end of his property. He could hear the sliding sound of the water passing through the river stones. He looked up. The fading stars stared down on him coldly. What the fuck is going on?

It was then that Phillip noticed the grey tarpaulin next to him. It was covering something about his size. The shovel from his shed was lying between him and the sheet of material, the lump.

Phillip leapt from the truck without thought, landing on the muddy grass of his paddock. He noticed that he was fully dressed. Whatthefuckwhatthefuckwhatthefuck. Phillip stared at the tarp. Even in the half-light it was unmistakable. A person shaped lump under the sheet. He undid the latches at the back of the truck, lowered the rear, and flipped over the edge of the tarp. An exposed naked foot, shin, calf muscle. Chipped blue green nail polish on the toenails. White skin, almost luminous in the dim.

Phillip grasped the tarp and flung it over, the material landing on the grass. A naked woman. Beautiful. Voluptuous. She lay on her back, arms by her sides, palms down. A deep gash under her chin to her ear, but no signs of bleeding. He walked around the side of his vehicle, looked at her face. He knew her. It was Kelly, the hairdresser. She was the woman in the bath. It was her blood on the door handle, carpet, walls, kitchen floor. Dead in the back of his truck, under his tarpaulin, with his shovel resting next to her, on his property. And then he realised it was no dream. He must have murdered her. He had done this. He had no memory of it, just a series of blanks spaces over the last two days.

Advertisement

…..

Phillip bulled his truck down the road away from town. He was making every effort not to think. As the engine droned away under him he concentrated on his breathing, searching for the point where one breath stopped and another started, but never finding that moment of stillness. The emptiness. He look at his hands. There were traces of dirt under his fingernails, still there no matter how hard he had scrubbed. It was nearly dusk. He had spent the much of the day burying Kelly near the river. He chose the nicest spot he could find. He had placed river stones on top of the disturbed dirt, but was under no illusions that the grave would conceal her body permanently, but he felt he owed her the effort nonetheless. When he returned the shovel to his shed he found a bag with her clothing and shoes, and a pile of bloody rags and cleaning products. His vacuum cleaner was also in there, the dirt canister full of dark fibers and dust. His phone had rung three times while he was digging, two calls from Jenny’s extension at work, one from his own. He expected that he had maybe two days at most before Jenny or someone else made their way to his property to check on him. Phillip also assumed that people were searching for Kelly, and that it wouldn’t be long before someone made the connection.

So Phillip drove. He harbored no hope of escape, but the thought of telling the police his story was unbearable. And then the shame of facing Kelly’s family in court, admitting his guilt to the world.

There was no explanation that he could find. It was utterly inexplicable. He searched his mind for a memory, any recollection that would tell him the story of his actions. There was only the suspicion that there was another voice within him that knew what had happened. Another version of Phillip sleeping restlessly within the dark fugues of his existence, that was as much a part of him as any of his memories, any moment of his past. An imaginary friend that dreamt his own dreams. He hoped that there was only one story to tell, that there were no other graves scattered across his land, runaways and hitch hikers and prostitutes long since missing, now under his earth.

Phillip thought of the cat he had loved when he was a child, struck by a car and killed in an instant. The split second of fear the cat had felt before impact, and then the immediate darkness. He hoped that he would share such a moment when it came.

Advertisement

The truck chased its headlights into the dark. If Phillip had the eyes of a cat he could have seen another winter storm gathering on the horizon, a cell of low pressure, soon to break.

Author, Martin Toman.

Martin Toman lives with his people in a tree house overlooking Melbourne, Australia. He has been published online and in print, and recently in publications such as Across the Margin, Fresh Ink and Literally Stories.

Continue Reading
Advertisement
Click to comment

Leave a Reply

Your email address will not be published. Required fields are marked *

This site uses Akismet to reduce spam. Learn how your comment data is processed.

Original Creations

Beyond the Veil: Video Script by Jennifer Weigel

Published

on

I wrote this script for Beyond the Veil awhile back, exploring the bond between two twin sisters, Edith and Edna, who had lived their lives together. There was a terrible car crash and someone didn’t make it.  The other is trying to contact them beyond the veil…

Spirit Witch altered doll sculpture by Jennifer Weigel
Spirit Witch altered doll sculpture by Jennifer Weigel

Beyond the Veil Setting:

Two women reach out to one another individually in a séance setting.

One sits on one side of a dining table.  The other sits at the other side.  Each studies a candle just beyond her reach; there is darkness between the two candles.  The long table is barely hinted at in the interstice between the two but it is clearly present.

The camera is stationary showing both in profile staring through each other.

The women are both portrayed by the same actress who is also the voice of the narrator, who is unseen.  All three voices are identical so that it is impossible to tell which of the two women the narrator is supposed to represent.

Advertisement

Both women are spliced into the same scene.  They are together but apart.  The two candles remain for the duration of filming so that the two halves of the film can either be overlapped (so that both women appear incorporeal) or cut and sandwiched in the middle between the candles (so both women appear physically present).  It is possible to set the scene thusly using both methods in different parts of the story, with both women seemingly flickering in and out of being, both individually and apart.

Script:

I. Black, audio only.

Narrator:

I was riding with my twin sister.

We were in a terrible car crash.

The car drove over the median and rolled.

Advertisement

It spun off the road where it caught fire.

There was smoke everywhere.

My sister didn’t make it.

II. Fade in to the long table with two lit candles; flames flickering.

Two women are just sitting at either end.

They stare blankly through each other.

Advertisement

Call and Response

                        Edith: Now I’m trying to contact her…

                        Edna: …beyond the veil.

Simultaneous:

                        Edith: Edna, do you hear me?

Advertisement

                        Edna: Edith, do you hear me?

Together (In Unison):

                        If you hear me, knock three times.

Narrator:

Knock.

Advertisement

Knock.

Knock.

Call and Response:

                        Edith: I miss you terribly.

                        Edna: I miss you so much.

Advertisement

                        Edith: Do you remember…

                        Edna: … the car crash?

                        Edith: We rolled…

                        Edna: … over the median.

                        Edith: There was fire.

Advertisement

                        Edna: There was smoke.

                        Edith: I could hear the sirens.

                        Edna: They were coming…

                        Edith: … to rescue us.

                        Edna: But they were so far away.

Advertisement

                        Edith: So far…

                        Edna: … away….

Simultaneous:

                        Edith: Are you okay?

                        Edna: Are you hurt?

Advertisement

Together (In Unison):

                        Knock three times for yes.  Knock once for no.

Narrator:

Knock

– pause –

Advertisement

Knock

  – pause –

 Together (Syncopated):

                        What’s it like, on the other side?

– long pause –

Advertisement

   Simultaneous:

                        Edith: I miss you, Edna.

                        Edna: I miss you, Edith.

  Together (Syncopated):

                        It’s so lonely here.

Advertisement

 Call and Response:

                        Edith: There’s no one here.

                        Edna: I’m all alone.

                        Edith: Without you…

                        Edna: …the spark of life…

Advertisement

                        Edith: …is gone…

                        Edna: … so far away.

                        – pause –

Together (Entirely Out of Sync):

                        It’s so dark.

Advertisement

III. Fade out to black

Narrator:

I was riding with my twin sister.

We were in a terrible car crash.

The car drove over the median and rolled.

It spun off the road where it caught fire.

Advertisement

There was smoke everywhere.

I didn’t make it.

Close up of sculpture
Close Up of sculpture

I had planned to actually turn this into the video for which it was written, but quickly discovered that my plans for recording required a space that was too drastically different from my new house (and new large gaming table) and that my vision for filming could not be well-fully executed or realized. So now it exists as a script only.

Portrait of myself with dark makeup and crow skull headdress, backlit by the sun.
Portrait of myself with dark makeup and crow skull headdress, backlit by the sun.

And feel free to check out more of Jennifer Weigel’s work here on Haunted MTL or here on her website.

Continue Reading

Original Series

Nightmarish Nature: Screwed Up Screwworms

Published

on

Yeah yeah, the insects tend to get ALL the attention here on Nightmarish Nature. But honestly, this one takes the beefcake. It’s the New World Screwworm Fly, and it’s as terrifying as the name suggests. And they aren’t limited to the Americas, there is an Old World version as well, as they can be found pretty much anywhere tropical or seasonably suited.

Warm weather woes...  Screwworm fly sipping a boat drink out of a coconut with a text bubble "Take me to the tropics."
Warm weather woes…

Revolting Little Buggers

The Screwworm Fly is a parasitic fly larvae that burrows into its host to feed, named because it seems to screw deeper and deeper into the flesh over time. This process is called myiasis and do NOT look it up online, you WILL regret it. They blur those images out for very valid reasons, trust me (and not because of pornographic content). And these maggots will continue to burrow en masse, rather than staying put as a botfly larvae would.

Do Not Do an Image Search on Screwworm Myiasis, Like Seriously – You Will NEVER Unsee That

The female Screwworm fly lays her eggs on an open wound or orifice of her chosen host… And not just one egg or a couple of eggs, no – hundreds, even thousands of them. Let’s let that sink in a bit, shall we? Or screw in as it were. Although any warm-blooded animal is a prime target, cattle are a fly favorite, costing millions of head of cattle to this sick and disgusting horror annually. And if beef isn’t on the menu, Fido or even yourself might be.

Too many maggots...  Showing one is maddening enough.  One screwfly larva with text bubble "I just keep on digging" and caption Multiply this by at least two orders of magnitude (regarding quantity not size).
Too many maggots… Showing one is maddening enough.

The Great American Worm Wall

In fact, this particular feature here on Nightmarish Nature is so terrifying that the United States has made agreements with all of Central America, even including countries that do not generally share its interests, in order to create a “Great American Worm Wall” to prevent them from spreading back into the United States. I’m not going to go into all of the creepy and juicy details of this bizarre science fiction freak fact, you’ll just have to watch it here on Half As Interesting’s YouTube channel.

Essentially, the Worm Wall is a complicated byproduct of scientists studying radioactivity on the flies’ maturity as well as the flies’ sexual lives and using this information against them to nearly eradicate the species and banish it from much of its former range. So, Peter Parker, if you thought everyone was messing with your love life before, be glad you weren’t bitten by a radioactive Screwworm.

If you’ve enjoyed this segment of Nightmarish Nature, feel free to check out some previous here:

Advertisement

Vampires Among Us

Perilous Parenting

Freaky Fungus

Worrisome Wasps

Cannibalism

Advertisement

Terrifying Tardigrades

Reindeer Give Pause

Komodo Dragons

Zombie Snails

Horrifying Humans

Advertisement

Giants Among Spiders

Flesh in Flowers

Assassin Fashion

Baby Bomb

Orca Antics

Advertisement

Creepy Spider Facts

Continue Reading

Original Creations

On Becoming Hallowed, All Hallows Eve Poem by Jennifer Weigel

Published

on

Like I said before, I’m really getting into the spirit of the season this year. So reconsidering The Mourners yet again, and haunting the faith a bit, I decided to share a poem that I wrote thinking about All Hallows Eve as a preview of more things to come this month of October.

Mourners drawing by Jennifer Weigel, graphite on paper
Mourners drawing by Jennifer Weigel

On Becoming Hallowed

Holy.  Holy.  Holy.  Light the candle.  Chant the hymn.

For now the veil between the living and the dead grows thin.

Fingers held to lips in silence; lies beneath their skin.

Family found, ancestral ghosts return to haunt their kin.

Advertisement

Skeletons in closets, grotesque yearnings trapped within.

A bleached and bony face flashes a slightly knowing grin.

It’s not the shadows but the darkness that we fear therein.

Bless this Church whose saintly bodies live and dwell herein.

Unto Death, they claim to sanctify our souls from sin.

Advertisement

Those familiar faces shame; this fight we cannot win.

Come what may, they betray.  Pray/prey and heads will spin.

Forevermore and evermore to nevermore…  Amen.

Mourners drawing by Jennifer Weigel, graphite on paper
Mourners drawing by Jennifer Weigel

I thought this poem really captured All Hallows Eve, in some of the same sentiments as the movie High Spirits, which I loved almost as much as Beetlejuice back in the day.

Portrait of myself with dark makeup and crow skull headdress, backlit by the sun.
Portrait of myself with dark makeup and crow skull headdress, backlit by the sun.

And feel free to check out more of Jennifer Weigel’s work here on Haunted MTL or here on her website.

Advertisement
Continue Reading

Trending