Morgana woke up first and already showered, smelling like soap and desperation, when she roughly shook me awake. In the darkness, the flecks of green in her eyes reflected back my own sweaty, terrified face. I blinked and tried to gather where I was and what was going on.
“We need to go soon,” she whispered, even though we were the only ones in her room, “Can you survive without a shower?”
I cracked my bones back into order and sat up slowly like an old man in the morning who had forgotten what he was supposed to do that day. It was feelings that trickled back instead of thoughts. I had a vague sense of urgency and horror that stuck in my dry throat. The urgency became stronger as she helped lift me to my feet and murmured, “Alex, go get your EMT bag. Hurry, please!”
As I stumbled to my room, I felt guilt and more exhaustion. Anger swooped in, but never landed, just circled above me. Each step made me more tired. I pushed things around for my bag before finding it on the kitchen counter. I shed my clothes and put on new ones that weren’t exactly clean, but didn’t smell like a few people had died in them, including me.
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When I stumbled back into her room, she pulled me out and dragged me with her.
“We have to go now,” she hissed and her hand clutching my wrist was so tight, I knew that each finger was busy bruising my wrist. I didn’t argue since I was just trying to keep up mentally and physically. My feet were flying out in a flurry just to keep up, like a little kid being pulled and stumbling over his shoelaces and his own stupid feet. The huge bag on my back encouraged gravity and my own awkwardness to crash into the cement. The only things keeping me up were my sleepy determination not to break my face on the ground and Morgana’s insistence that I keep following her.
Morgana led us to some sketchy areas. I tried to be as quiet as possible, but my lungs cried for air and my muscles cried for a comfortable chair and to never be moved again. Nothing eased or soothed the aching, even the wind was nearly rejected by my lungs. Graciously, she propped me up on a wall and said quickly, “Stay here. Just play along.”
She spoke so fast, my brain finally caught up when she went into the slimy mouth of a bar. I rested against the muddy brick wall, closing my eyes and hoping that my bag wouldn’t get mugged from me. The cruel combination of standing and the cold air woke me up. As soon as my mind began to defog, I realized what we were doing and my hands started to shake. I sloppily kicked against the wall to expend some nervous energy.
At any moment, she would have a bloody stump that used to be a person that, in some magic way, I needed to make back into some semblance of a human.
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When she walked out with a living human with all his parts and pieces, I overclocked my anxiety. This wasn’t in my head plan. I didn’t think I had to see victim #2 as a person, especially a douchebag with his arm around her, like he owned her, marking his fucking territory, when I’m the one who was building her a goddamn van and came out in the middle of the night to save his ass. The least he should have done was show me some damn respect. I was fuming.
“Is that him?” The asshole scoffed and he was the kind that had the gelled hair, white teeth, unstained shirt, and matching pants. A hypocrite and worse, a bully. His large brown eyes sized me up in a second and any pride or respect that I may have had in his mind was instantly deleted, and all that was left was the impression of something softer than a fart and less noticeable.
I didn’t even feel like saving this prick.
“Yeah,” she smiled to me in a very forceful, very play-along way, “That’s my boyfriend.”
“No wonder he wants to watch someone fuck you,” he laughed and she playfully punched him.
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“Hey, he’s a great guy–“
“Just not enough to satisfy you, huh?” He flirted in front of my fucking eyes.
I have been insulted before. I probably have an honorary degree in it at some college. I have had my girlfriends stolen before (usually by my oldest brother) and I’ve dealt with it. But to be put in an awkward position by my girlfriend to where I’m belittled to my face, under the pretext that I was going to watch a smegma-sucking panty-gobbler bone her against a filthy wall while I stood in wonder and wished to be half the man that he was — yeah, that’s a fucking no.
But I didn’t leave because, bottom-line, I’m a pussy and even more so, I’m passive-aggressive. There would be a time when I’d be angry, sullen, and sulky — where I could jab little barbs into her until I felt better about myself and she felt worse about herself and we could break even. I didn’t need to be like that asshole, I didn’t need to feel better than someone else, didn’t have to step on them to get my jollies. I just have to feel at the same level.
“Who said that you could satisfy me?” She teased and walked over to kiss me quickly, whispering in the cover of my lips, “Just do this. One time. I need it now.”
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I kissed her back, not possessively, because I knew what was coming, what was mine, and what the next day was going to bring. The angrier I became, the cooler I felt, until it was a very thin line of hatred directed his way as he started sucking on her face.
She played along, but she wasn’t toying or charming like she was when we were in bed and half-naked, with my lips almost smiling and her mouth floating closer to mine. There was a different kind of sexual energy between them, but, at the core, hers wasn’t sexual at all. It was frightening. I knew I was seeing her at her worst as she pushed him hard against the wall, hard enough to jar him.
“Woah, baby, be–“, he tried to laugh off what could have been a concussion, but her mouth latched onto his and refused to let go.
My stomach rolled over and my nausea grew as I watched her lips pull back and mark a messy trail from his face to his neck. The ruby lipstick smeared wildly across his skin in bloody little footprints. The closer she came to his neck, the faster my heart trembled, keeping a step in front of her mouth. My legs threatened to give under and I reached out to brace myself against the wall. The moment was getting so hot and close, my mouth filled with excitement, tingling against my gums and stiff jaw.
And then it happened.
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I felt out of myself, like watching from the screen of my computer. His eyes grew wide and threatened to pop, his face flushed and the veins rose to the surface, clawing their way up. His mouth opened wide, but only short puffs of breath passed through. His hands tried to push her away, but she clung on. I couldn’t see her face, just the whites of her hands as she held him tighter by the back of his skull.
He moaned quietly and his legs slowly bent. She kneeled with him and they landed softly on the ground. He moaned again and his large eyes were glassy and wet.
I couldn’t watch any more, but could still hear him wriggle against her and gasp out. I pulled out a freshly rolled cigarette that I had hidden in my jacket and lit it. God, I needed something that night to ground me and tell me it was going to be fine. It was either the forgiving arms of vodka or the jittery push of nicotine and the cigarette was all I had.
I listened to an empty can of beer roll away, pushed by the momentum of his spastic jerking. His breathing jutted painfully into the alley, becoming uneven, and promised to collapse the whole thing — each lobe of the lungs just caving in under each breath. Her mouth sounded busy and when he quieted down, I could hear the long suction smack of her lips sucking up his blood. I puffed away and soon, I was pulling out the last cigarette I had hidden, and thrusting it in my mouth. I moved it side-to-side with my tongue to distract myself.
“I’m done,” she wetly announced, snapping her head away from his neck, and darted away from him.
He hit the ground in a damp thump and didn’t move. There was a moment of tension between us as I looked to her smeared face and she painfully ripped her eyes away from the contact. Each sound was amplified in the alley and each step I took sounded like the drum solo of a very distracted and inexperienced drummer. As I rolled him over, each tap of her heels made my heart flinch briefly. His face was lifeless and with hesitation I started to work, opening my bag as quickly as the zipper could open its enormous mouth.
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As I dug my fingers into the guy’s neck, finding the artery between the slick meat of his shoulder, I began to feel sorrier for him. He was an asshole, but he was essentially innocent. He was gullible and his lust was his downfall, as it’s been mine so many times before. The more I fought to save something left of him, the more I felt like I should have been the one in his place, We were so different from each other – I had gone to bars often to make an ass of myself and maybe get laid by someone even more pathetic than me. When you’re drunk, you have more freedom to be the person you’re not. You have an excuse to be whoever the hell you want to be – whether that’s a cocky son-of-a-bitch in that guy’s case, someone more interesting and fun in my case, or someone who can control the world in my brother’s case.
The alcohol was working against him physically. If he hadn’t had so much to drink, I wouldn’t have been sweating into the poor guy’s ripped-opened skin, hoping that he would stop bleeding.
Morgana was good – keeping her distance from me. I hardly knew she was there. I could concentrate without interruption of being asked how long it was going to take or to hurry because someone was coming. She calmly watched from a rare shadow by a dumpster. Finding a cove away from light, I heard her lean against the wall and inhale deeply.
“We need to call someone,” I said, finally pulling back and setting him against the wall.
“They would track us,” she murmured behind me.
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“Not if I jam the call,” I answered and threw her a rag to clean up with. It wasn’t pretty, still smelled like grease, but she used it as soon as she caught it.
“Will he be ok?”
“No, not if someone more…professional doesn’t come soon.”
“Oh,” she sighed out and even the one syllable broke into two under the weight and gravity of the mention of death. I wanted to hug her and say stupid things I couldn’t ever mean, but I wouldn’t mean them, so I didn’t do it. I didn’t want to give her false hope.
“Where do we call?” She asked.
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“I’ll call,” I told her and lifted the bag to her, “Take this and go home. I’ll be there later.”
“I want to do something,” she said, her teeth not quite biting her lip, but holding it, and I felt somehow better just watching that sign of restraint. “I don’t like just waiting around.”
“You’ve already done enough,” I told her and–no, no, I didn’t mean it like that at all. But as soon as I said it, she yanked the bag and walked away.
I stood gaping at my own stupidity — she didn’t look back. She walked with purpose and pain.
And I was all alone to deal with the dying dickhead.
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J.M. Brannyk lives in constant duality, like a tossed coin, but is steadily adjusting to the movements. They study geology and other nihilistic interests. Surprisingly, there’s a romantic side that’s hard to kill.
Those religious icons really get around. This time it’s a journey to visit the Deep Ones. And Dracula’s Castle. Because everyone has to be a tourist now and then, and what’s the point if you don’t pick up a souvenir or two?
This was a gift for a friend for their sea life monster theme bathroom. It started as one of those old school wood plaques where the picture is waxed on. And the eyes were originally that creepy – all I did was add the tentacles. So don’t blame the overall weirdness on me, it wasn’t all my doing.
Oh, and apparently Mary wanted in on the action, so she’s gone to Dracula’s Castle for a bite. She even brought back her own religious icons souvenirs…
So this one isn’t as old, nor is it real wood. But it still totally goes with Mary’s journey. And it’s also a little blacklight reactive with the flowers.
So I just keep on going… Here are some more repaint porcelain figurines and other madcap painting. OK maybe some of them aren’t porcelain, but still totally redone.
This Pennywise clown started as some plastic figurine from Italy. I was drawn to this because of the pretty marble base. It’s a nice touch, don’t you think? I’ve seen others in this series and honestly they’re all kind of creepy to start with, so they really lend themselves towards repaint prospects. Perhaps I’ll pick up more to redo in similar ways later on… Oh, and the eyes are blacklight sensitive, in case he wasn’t creepy enough already.
With all of the new movie hype, I couldn’t resist a throwback to the classic Beetlejuice, and this little bride figurine and teddy bear were just too perfect. Featuring more blacklight sensitive accents, like her veil flowers. And I don’t know why she only has one glove, I blame it on the 1980s… Or maybe she was just that drunk (you’d have to be for that wedding)…
So yeah, all those preppers ready for the zombie apocalypse – you know some of them are gonna get bitten. It’s in the script, what can I say? More blacklight eyes, cause why not?
I admit I haven’t seen this film, but it sure looks fun. Mathilda, eat your heart out. Literally.
OK so this isn’t a repaint. Nor is it porcelain. What is it even doing here? Well, she’s cool and ready for a party and kinda reminded me of Abigail, so she sort of just tagged along. Sexy Sadie started as an Avon perfume bottle with a fragrance I didn’t care for (I think it was called Head Over Heels). Because honestly the bottle topper was all that mattered. And now she has her own disco dancing platform. What more could a vampish vixen want?
I wrote this script for Beyond the Veil awhile back, exploring the bond between two twin sisters, Edith and Edna, who had lived their lives together. There was a terrible car crash and someone didn’t make it. The other is trying to contact them beyond the veil…
Beyond the Veil Setting:
Two women reach out to one another individually in a séance setting.
One sits on one side of a dining table. The other sits at the other side. Each studies a candle just beyond her reach; there is darkness between the two candles. The long table is barely hinted at in the interstice between the two but it is clearly present.
The camera is stationary showing both in profile staring through each other.
The women are both portrayed by the same actress who is also the voice of the narrator, who is unseen. All three voices are identical so that it is impossible to tell which of the two women the narrator is supposed to represent.
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Both women are spliced into the same scene. They are together but apart. The two candles remain for the duration of filming so that the two halves of the film can either be overlapped (so that both women appear incorporeal) or cut and sandwiched in the middle between the candles (so both women appear physically present). It is possible to set the scene thusly using both methods in different parts of the story, with both women seemingly flickering in and out of being, both individually and apart.
Script:
I. Black, audio only.
Narrator:
I was riding with my twin sister.
We were in a terrible car crash.
The car drove over the median and rolled.
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It spun off the road where it caught fire.
There was smoke everywhere.
My sister didn’t make it.
II. Fade in to the long table with two lit candles; flames flickering.
Two women are just sitting at either end.
They stare blankly through each other.
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Call and Response
Edith: Now I’m trying to contact her…
Edna: …beyond the veil.
Simultaneous:
Edith: Edna, do you hear me?
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Edna: Edith, do you hear me?
Together (In Unison):
If you hear me, knock three times.
Narrator:
Knock.
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Knock.
Knock.
Call and Response:
Edith: I miss you terribly.
Edna: I miss you so much.
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Edith: Do you remember…
Edna: … the car crash?
Edith: We rolled…
Edna: … over the median.
Edith: There was fire.
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Edna: There was smoke.
Edith: I could hear the sirens.
Edna: They were coming…
Edith: … to rescue us.
Edna: But they were so far away.
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Edith: So far…
Edna: … away….
Simultaneous:
Edith: Are you okay?
Edna: Are you hurt?
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Together (In Unison):
Knock three times for yes. Knock once for no.
Narrator:
Knock
– pause –
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Knock
– pause –
Together (Syncopated):
What’s it like, on the other side?
– long pause –
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Simultaneous:
Edith: I miss you, Edna.
Edna: I miss you, Edith.
Together (Syncopated):
It’s so lonely here.
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Call and Response:
Edith: There’s no one here.
Edna: I’m all alone.
Edith: Without you…
Edna: …the spark of life…
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Edith: …is gone…
Edna: … so far away.
– pause –
Together (Entirely Out of Sync):
It’s so dark.
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III. Fade out to black
Narrator:
I was riding with my twin sister.
We were in a terrible car crash.
The car drove over the median and rolled.
It spun off the road where it caught fire.
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There was smoke everywhere.
I didn’t make it.
I had planned to actually turn this into the video for which it was written, but quickly discovered that my plans for recording required a space that was too drastically different from my new house (and new large gaming table) and that my vision for filming could not be well-fully executed or realized. So now it exists as a script only.
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