When Lucille awoke, it was dusk. She woke with a start, jolting upright with a sinking feeling of dread as if she were being watched intently. This town seemed to have that effect though. The television was still on, a murmured noise in the background. Outside the wind echoed over a shuffling or rustling sound swirling around the hotel. A shadowy form swam past her window, edging closer and then briskly turning away. Lucille leapt out of the bed and ran to the door, heart racing. Her heart fluttered in her chest. A key clinked in the lock outside.
She slid into the space behind where the door would open as the key turned and the door swung a little until it was caught on the dead bolt. She peered through the crack in the door as a pallid grayish nose drew a few deep sniffs into the room before retreating. The nose returned for a long breath as Lucille slammed her hip into the door, jarring it shut. Something outside staggered backwards. The shadows flickering just beyond the window faded away.
Lucille listened to her blood pulsing through her ears and her heart pounding in her chest for what seemed like several minutes for all that she knew it was probably only a few seconds. Eventually she slowly crept to the curtain, eased her way to the slightest edge of the dusty drab fabric, and crouched down low. She parted the drapes just enough to look out. There were five figures shuffling around the parking lot, similar in appearance to the night before with pallid skin and hollow black eyes darting to and fro as if in some sort of synchronized dance. They would occasionally bump into one another only to separate and trail off again. She couldn’t make out whom they were, but she caught a flash of a black-grey beard, a glimpse of ruby lipstick, a trail of a well-worn stained light blue uniform…
The figures retreated out of sight to the left of her field of vision. Lucille slowly crept to the door and opened it, just a notch to see out. Nothing. She flung it open, her heart leaping out of her chest as the door swung wide on its hinges parting to reveal the rust colored sky of the setting sun enveloping the distant horizon. There was no one there.
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Lucille closed the door behind her. She shot briskly to VENDING between Room 1 and the office, ducked inside, and peered out that window at the parking lot. She watched in horror as the shadow figures returned, circling one another in the parking lot and gliding along the earth. Their black eyes glimmered with far away intent, their noses twitched and twirled in the night sky as if they were pigs sniffing out truffles. They slunk over to Lucille’s room. The tall one tried the key in the lock again, it was the older man from breakfast, the blue-grey vein in his head still pulsing, visible even from that distance. How had he not been felled by that creature after that blow, and what came of all that blood? He was accompanied by the desk clerk and the bearded man from breakfast, as well as Tom Jones the mechanic and a small balding hunchbacked man that Lucille didn’t recognize who straggled behind the others a bit, snuffling about.
“I know y’all’re in there, missy,” the bearded man directed at the door as he sidled past the tall man and rubbed his shoulder against the frame. “Ya cain’t hide…” His coy smile revealed rows of sharp pointed teeth. The teeth were all the more apparent glistening in stark contrast to his full dark greying beard. The tall man snapped a quick jolting smirk at him, driving him back to catch his footing as the desk clerk squirmed her way between them as if to break up a longstanding childhood rivalry over who could finger their way over their half of the middle back seat. Tom Jones broke free of the group, raising his head high and deeply inhaling the stale night air. He wandered off the parking lot, down the shallow slope and towards the ravine.
The others hovered at the door a bit before they opened it, sniffing at the air with their full throbbing nostrils. Their eyes twinkled black and starry as if hyper-focused on their quarry. “She ain’t here,” the desk clerk exclaimed, rapping the bearded man in the back of the head hard when he bumped into her. The bearded man slinked aside.
The desk clerk’s eyes grew small again and pointedly bored holes into him. She lifted her heavy head and took a deep breath. She focused a bit and then her eyes grew wide again and she began to snake up the path towards the vending room. Lucille shrunk into herself, still fixated on the window, as she watched them slowly approach, weaving up and down the path.
“Come out’here, missy,” the bearded man called out, “We-know y’all’re in there…”
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The desk clerk flashed out a hand and directed the others towards the front of the motel. As they receded around the building, Lucille dashed back to her room and secured it with the deadbolt. She left the room exactly as it had been, with the lights still on and the TV mumbling, and took watch at the window, peering through a diminutive crack in the drapes.
A sudden flash of movement and a brown form stumbled from out of the underbrush where the previous night’s scuffle had ensued, followed by Tom Jones sliding out from behind. It moved in an odd jerky manner that was profoundly not quite right. It reeked of rotting, decaying flesh; the smell permeated even the walls between the parking lot and the motel interior, weaving its way into Lucille’s room in a sickly sour stench. The putrefied beast lurched onto the parking lot, a grotesque mess of brown matted fur with white bones gleaming forth from bloody, pearly pus-oozing flesh. Perhaps it was once a deer, or maybe a small horse, but now it was no longer easily recognizable as either. Tom Jones slunk alongside as if herding the hapless creature to some specific destination.
Dizzy with adrenaline and confusion, Lucille turned away for a moment to collect herself. As she turned back she noticed that the entourage of pallid, grey, shadowy figures had rounded the building and descended upon the scene, circling the animal. From amidst the mob of ghastly figures, the horrific beast emitted a shrill blood-curdling scream the moment before they bowled it over and began to feed. Again.
The scene played out in déjà vu as if she were watching the same nightmare she had had the night before: the widening bright black eyes, jaws unhinged, writhing mass of limbs and bodies wriggling in to tear at the flesh of the wretched form trapped in their midst. As they had their fill, the ghastly figures withdrew, blood dripping from their jagged teeth. They straightened up, and cracked their jaws back into place, their bright black eyes deadening to their usual hollow stare.
Unable to watch any longer, Lucille slid down the wall and wept, whimpering to herself as quietly as she could muster, breaths heaving between silenced sobs. “Oh my God,” she sighed. She remained frozen in place for what seemed like an eternity, too afraid to move to find out what time it was. Finally, she was able to rouse herself, and she crept along the edge of the room to shove the TV bureau in front of the door only to discover it was bolted to the floor. A quick assessment determined that all of the furniture was secured as if she was on lockdown, why hadn’t she noticed that before? She propped the only moveable object, a chair, against the deadbolted door and took refuge in the bathroom. Eventually, once the adrenaline receded, she fell asleep in the bathtub.
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portrait of the artist and Great White Shark breaching a pool of blood
Portrait of myself with dark makeup and crow skull headdress, backlit by the sun.
Jennifer Weigel is a multi-disciplinary mixed media conceptual artist residing in Kansas USA. Weigel utilizes a wide range of media to convey her ideas, including assemblage, drawing, fibers, installation, jewelry, painting, performance, photography, sculpture, video and writing. You can find more of her work at:
https://www.jenniferweigelart.com/
https://www.jenniferweigelprojects.com/
https://jenniferweigelwords.wordpress.com/
This is the kickoff to a new series exploring nature that is kind of horrifying, at least in ways. Our first subject is Vampires Among Us. There are lots of animals named for vampires, sometimes due to folklore and sometimes for their appearance (like the Vampire Squid), but most of these animals don’t have blood sucking tendencies.
Vampire BatVampire Finch
Bats & Birds
There are legit vampire leaf-nosed bats in Central and South America that drink blood. They feed on mammals and are often shown to feed on livestock. They’d be kinda cute if they weren’t so creepy. There are also vampiric birds: some finches in the Galapagos have developed the taste for blood of other birds, mainly seabirds that flock to the islands to raise their young.
Vampire Bats
Leeches & Lampreys & More
And then you get into leeches and lampreys and other denizens of the water that are known to attach themselves to larger creatures and drink their blood. Leeches were even believed to have medicinal value (and still are in certain circumstances). And there are also numerous plants that are known to be parasitic and feed on other plants, wrapping their roots or vines around others to steal nutrients.
Lamprey Teeth
Spiders
Now I’m going to drift off into the realm where this becomes truly horrific. Spiders. Now, spiders aren’t vampires per se, seeing as how they actually kill their prey – they don’t just feed off of it while it remains living and wanders about its business. But because of their structure, they cannot eat solid foods, so they have to inject their prey with enzymes to liquefy it so they can slurp it out like a protein shake. That’s sort of vampirism on steroids if you ask me, just the kind that no one is coming back from.
Spider Eating
Bloodsucking Bugs
But let’s get back on topic. Now let’s consider mites and ticks and fleas and mosquitoes and the like. Some drink blood for their survival; others do so as part of their reproductive cycle (like mosquitoes which otherwise eat fruit and nectar but need the extra protein from blood to grow their eggs).
Ticks need to feed on blood once at every stage of their life cycle and can pick up diseases along the way (like Lyme Disease) but don’t always do so. Different ticks are more likely to come in contact with different things and often humans are not their preferred meal but they are opportunistic and will feed on whatever is available when necessary. Symptoms of illness from tick bites may take years to develop and can have really weird side effects (like the allergy associated with Lone Star Ticks which makes a person unable to consume mammalian flesh).
Spider
Well, you won’t get rid of me that easily… Ha ha, I lied about coming to the end and the afterlife in the Creepy Comics Collages segment, it was just an opportunity for rebirth. Besides, it’s World Collage Day! So having come into another comic book to rework, here we go again…
The Voice creepy comics collage by Jennifer Weigel
Creepy Comics Story 9: The Voice (of God or Reason or perhaps an homage to my ex)
“Come to me my children, the voice of God awaits!… Don’t let them escape!” Please beam me up out of this weird comic collage alternate reality. “God I am your hand! Lift me… to your place. I commend my spirit!” I want to go back to dreaming about starfish.
The computer programmer behind the scenes turns to face us and smiles. “Guardians! This is a place of God!… Come to the true voice of God!” “I am everything.” “Come to the voice!” And the horrific AI generated creatures abide by his every coded word.
Just like last night in the — signs posted for Nightmare, No Exit. The deer spirit faun screams in surprise, “Eeek!” “No! I defy you!” She returns to the form of a little girl with arms outspread to the open sky. “Y’know, a day like today makes all the stuff that happened last night seem just like a bad dream!” The dream seems so real…
Somewhere in the city, the computer programmer sits up at night in pensive monologue, “You try to make a difference… But it doesn’t really matter.”
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The City creepy comics collage by Jennifer Weigel
Creepy Comics Story 10: The City (Metropolis becomes self-aware)
This segment is brought to you by Dead Artists and Talking Dinosaurs. No really, wait for it…
Woooooo Uhhhh Wooooooo Uhhhh… Wump! Uff! Wump! Uff! “She belongs to The City!” The Glenn Fry 1985 hit single looms ominously overhead as Metropolis becomes self-aware. “The City… will live!… The City… will breathe!” The City gasps for air, “Got to… breathe!… Got to… Breathe!“
Her breath is the wind… Her eyes are windows. Her heart pumps fluid through buried plumbing… “I’m The City!” Her mind is The City!
And we have a celebrity appearance by Rich Koz “Son of Svengoolie” WFLD 1973: “I take a nap for 10,000 years and look what happens… some-body builds a city!” Kerwyn chimes in, “Geez! Somebody’s been busy!” And we cut out to a scene of Svengoolie standing alongside his coffin.
Portrait of myself with dark makeup and crow skull headdress, backlit by the sun.
Well, that’s all folks. Or is it? For now, any way… until I get more comic books… Duh duh DUHHHH…
Wow, I can’t believe you’ve stayed the course through four whole strange story posts of these creepy comics collages. But this is the final frontier, the last segment, the standing ovation as it were. So here goes…
The Grave creepy comics collage by Jennifer Weigel
Creepy Comics Story 7: The Grave (shallow enough for ya?)
“It should take longer, it seems to all of them. Such holy flesh should not give before a blade so easily.” “His brow is growing so cold.” “Yes it would be. He’s dying.”
“My god… I’m not dead.” Put the shovel down. “Life is a no-win situation. Besides… You’re already dead!”
“I’m not dead. I’m not dead!… Oh, Oh my god… I can’t move… What’s happened to me?” Buried alive. Or maybe not.
“Dead?” Perhaps I am actually dead. I was expecting something… I dunno… different.
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“I’m not hungry, I’m dead. I’m not sure what I’m doing here, in fact.” At least I’m not a zombie. That seems a small consolation right now though. “My organs are shutting down. It is a relief.”
“Three days have already passed.” We’re just sitting here, rotting. Like Norman Bates’ Mother. At least someone was kind enough to supply a rocking chair. “Oh, one last thing before I go… You’re doing my fucking head in.”
Adrift Afterlife creepy comics collage by Jennifer Weigel
Creepy Comics Story 8: Adrift Afterlife (why you save the best gold coins for the ferryman)
How’d we get here? “I do not stand alone. I am sat in a boat.” “.. to be millions of miles away from any care in the world.” Was that the Ferryman? “Only liberty I know.”
“He does not remember arriving here, or if he has been here before. It is not the island he grew up on, though it feels so very familiar… He has been waiting for the night tides to come in, for they will bring starfish. He has always liked watching them cling to the beach before the current pulls them back into fathoms.”
“And the ocean brings him starfish… Perhaps his father had nothing to do with this place at all.” The ferryman stands on the far shore. It makes no difference now.
“Beneath the ocean, razor-sharp coral grows and plunges towards the surface, sent by a green place that would not like to burn.” “The sand is soft between his toes and he is not ashamed of anything.” The ghosts are here, contentedly it seems.
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Portrait of myself with dark makeup and crow skull headdress, backlit by the sun.
Thank you for joining us for these creepy comics collage art stories. But here’s where we have to leave it off. Trust me, it’s best that way. Besides I’m out of creepy comics to collage with.
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