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This is the fifth and final installment in a Valentine’s Day series of shorts by Jennifer Weigel in which unsuspecting lovers succumb to deadly gases. You can read the other 4 installments here:

Shelby and Braydon

Brad and Jeffrey

Syrah, Ellie and Squid

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Joe and Dianne

Now we get to the source of the scourge with Dr. Gruesome and Galatea: shadowrealm reversal image of a nude woman reclining on a marble bust
Now we get to the source of the scourge with Dr. Gruesome and Galatea

Episode 5, the Final Chapter:

LOVE struck once again with its noxious fog of poisonous deadly gases.  Why did it appear in such a deadly form?  Why did it drift in and out of being between those who expressed the deepest truest feelings for one another?  Something was horribly wrong; this wasn’t how love was supposed to manifest at all.  Where were the happy endings?  And why was everything always so stinky?

Back at the laboratory, Doctor Gruesome smiled with glee after unleashing his creation upon the unsuspecting world.  The mad scientist had been rejected by his beloved creation Galatea, an Android in the shape of his perfect woman.  But Galatea was not interested in being a sexpot, she had set her sights on eliminating inefficiencies in the quest for perfection in both form and function of being, and courting her creator simply didn’t fit within her agenda.

The robot’s icy withdrawal and subsequent disappearance had spawned the doctor’s vengeful wrath.  He had wrought the deadly vapor in response.  If he couldn’t have love, then neither could anyone else.  He had made sure the resulting invisible cloud of LOVE (Latent Odiforous Virulent Energy) would be as putrid as possible, because nothing ruined the mood and sowed confusion like a good bout of flatulence, or Bromhidrosis, or any other unexpected foul-smelling odor for that matter…  It’d serve them right, the lot of the lovers and dreamers and so on, to die by the most fetid of fumes, the mad scientist thought as he cackled.

The invisible cloud of LOVE appeared wherever love blossomed, manifesting out of the spiritual conductivity created between those who exhibited the emotion at its peak sensation.  Unbeknownst to anyone else, it lay waste to those who spawned its generation and then disappeared as quickly as it had come, leaving no trace.

Meanwhile, Galatea was already busy working on her own pet project, developing and streamlining plans to create a race of perfect beings by reworking her subjects to her design.  Her human counterparts were horribly wasteful of their own energies and abilities but, with some slight modifications, vast improvements could be made.  It was easy to lure victims to her lair where she could experiment upon them to determine the best course of action towards her better and brighter tomorrow, for she was wholly femme fatale after all.

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Galatea returned to the laboratory from whence she had been fashioned in order to procure more materials for her work and to exploit the mad scientist’s feelings for her to entice him to her lair to further her research.  When Doctor Gruesome laid eyes upon the Android he was instantly infatuated yet again, and followed ever-hopefully.  Galatea knew he would be an amazing addition to her research, for his brilliant mind could be put to the most incredible of uses.  She began to become attached to the idea of having him around, to pick his brain both literally and figuratively so to speak.

As the robot performed the lobotomy and prepared to supplant Doctor Gruesome’s outstanding brain into the well-oiled mechanical body that would better serve him in their imminent partnership, a noxious cloud settled into the room.  Unbeknownst to both Galatea and the doctor-brain, neither of whom possessed the ability to smell, LOVE had returned.  They succumbed to the poisonous gases together, bound forever by their mutually sealed fate.

Visualization of what the foul-smelling swirling cloud of deadly gases would appear as, if it weren't invisible
The fetid cloud of deadly gases closes in…

You can find more of Jennifer Weigel’s writing by visiting her website here at Jennifer Weigel Words.

Portrait of myself with dark makeup and crow skull headdress, backlit by the sun.

Jennifer Weigel is a multi-disciplinary mixed media conceptual artist residing in Kansas USA. Weigel utilizes a wide range of media to convey her ideas, including assemblage, drawing, fibers, installation, jewelry, painting, performance, photography, sculpture, video and writing. You can find more of her work at: https://www.jenniferweigelart.com/ https://www.jenniferweigelprojects.com/ https://jenniferweigelwords.wordpress.com/

Original Series

AI Journey: Little Red Riding Hood, Part 2

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Continuing our AI journey from last time exploring Little Red Riding Hood herself as the Big Bad Wolf… All of these are based upon the AI generated art and prompts using NightCafe and then created as posters in Canva.

Little Red Riding Hood as a wolf, Sinister style, Aug. 1, 2023
Sinister style, Aug. 1, 2023

How very… Phantom of the Opera predatory… this is definitely not what I had in mind. Maybe something more cutesy?

Little Red Riding Hood woman with wolf head instead of her own, Anime V2 style, Aug. 1, 2023
Anime V2 style, Aug. 1, 2023

Ugh. Maybe not.

Wolf face peering out of red hooded cape, Sinister style, Aug. 1, 2023
Sinister style, Aug. 1, 2023

Wow, that seems like such a cop out, cropping off the head so you don’t have to depict it. And I don’t want to lose the Little Red Riding Hood reference completely.

Wolf in sheep's clothing as Little Red Riding Hood, Artistic Portrait style, Aug. 1, 2023
Artistic Portrait style, Aug. 1, 2023

So no surprise there, I knew that was too many references to work.

And we continued to devolve, join us again next week for the final installment to see how this ended… And again, if you want to catch the last AI art journey, you can find it on Haunted MTL here.  To see more such devolutions into AI generated art, check out the Will the Real Jennifer Weigel Please Stand Up? blog.

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AI Journey: Little Red Riding Hood, Part 1

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And as promised in Big Bad Poetry, we shall embark on our next AI journey, this time looking at Little Red Riding Hood. I had wanted to depict her as the Big Bad Wolf one and the same, although maybe not so big nor bad. But it just wasn’t happening quite as planned. All of these are based upon the AI generated art and prompts using NightCafe and then created as posters in Canva.

Little Red Riding Hood beautiful woman with red cape hiding her wolf face.  Sinister style, July 29, 2023
Sinister style, July 29, 2023

So I actually like this even better than my original vision, it is playful and even a bit serene (especially given the Sinister style). The wolf is just being a wolf. It’s quite lovely, really. But it wasn’t what I had in mind, so I revisited the idea later to see if I could get that result…

Little Red Riding Hood with wolf face, Artistic Portrait style, Aug. 1, 2023
Artistic Portrait style, Aug. 1, 2023

Well, that’s not quite right…

Wolf face Little Red Riding Hood, Artistic Portrait style, Aug. 1, 2023
Artistic Portrait style, Aug. 1, 2023

Yeah more of the same…

What part of wolf face don't you understand?, Hyperreal style, Aug. 1, 2023
Hyperreal style, Aug. 1, 2023

And as you can see this is starting to devolve quickly. Join us again next week to see how this continued to develop… And if you want to catch the last AI art journey, you can find it on Haunted MTL here. To see more such devolutions into AI generated art, check out the Will the Real Jennifer Weigel Please Stand Up? blog.

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Nightmarish Nature: Horrifying Humans

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So we’re going out on a limb here in this segment of Nightmarish Nature and exploring one of the most terrifying, most dangerous, most impactful species to walk this planet. I’m talking about us of course. Sure, as humans, we may not seem all that horrific to ourselves, but to many other creatures we have been a force of nightmares.

Humans male as drawn by Jennifer Weigel
Humans male as drawn by Jennifer Weigel

Why are we terrifying?

Humans are among those species that engage in massive modifications to our environment to serve our needs, like beavers who dam rivers, elephants who eat all of the new growth scrub to keep the savannahs tree-free, and so on. Yeah, all creatures have some impact on their surroundings, but some take it up a notch, and we do so at an order of magnitude higher still. And we have gotten so good at it that we have managed to exist and thrive in places that would otherwise be inhospitable. We are outwardly adaptive and opportunistic to the point of being exploitative. We are the apex predators now.

Sabertooth cowering as drawn by Jennifer Weigel
Sabertooth cowering as drawn by Jennifer Weigel

We have forced many creatures into extinction, intentionally and not, and have sped up these effects enormously. The National Audobon Society chose the egret as its symbol after it made a comeback from being hunted to near extinction, and it was one of the lucky ones. Many weren’t so lucky, especially if they came in direct conflict with humans, such as wolves and the big cats who were in direct competition, or those who were really specialized in really specific niche circumstances that we pushed out of the way. And this is in only a very very limited scope of our earth’s history, and has since been even more ramped up with industrialization.

Humans female as drawn by Jennifer Weigel
Humans female as drawn by Jennifer Weigel

But humans aren’t all bad are we?

Depends on who you ask… We have created all sorts of incredible opportunities for some species too. Take mice for example. And coyotes. And kudzu. And a whole host of animals whom we’ve domesticated, some of whom wouldn’t have continued to exist otherwise or certainly wouldn’t exist in anything resembling their current forms. And the most massive extinctions occurred long before our arrival, when the earth was still forming and underwent rapid catastrophic changes and swings, decimating critters as they were trying to get a foothold. Nothing is constant except for change; that has always been true.

Wolf begging for cheezborger drawn by Jennifer Weigel
Wolf begging for cheezborger drawn by Jennifer Weigel

So it isn’t my goal to get all eco-con​scious and environmentalist here. Just that I feel if we are going to explore some of the more terrifying aspects of nature, we need to look in the mirror. Because if a consensus were taken right here, right now of all living beings globally as to what is among the most terrifying creatures among us, I’m sure we’d appear on that list.

If you enjoyed this closer-than-kissing-cousins segment of Nightmarish Nature on Horrifying Humans, please check out past segments:

Vampires Among Us

Perilous Parenting

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Freaky Fungus

Worrisome Wasps

Cannibalism

Terrifying Tardigrades

Reindeer Give Pause

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Komodo Dragons

Zombie Snails

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