Ppppfffftttt, an RPG story by Jennifer Weigel
Poised Potion Poison Potential, an RPG story by Jennifer Weigel
(There – I finally said it! Second time’s the charm. Can we move along now?)
So I think Barbarella is losing it. Like she’s been sneaking healing potions. We never did manage to get to an alchemist before she downed one of those unmarked flasks we got off the goblins when we took their lair. Yeah, we all know they’re healing potions but I can’t help but think the goblins weren’t getting their goods legit. I mean, they are goblins, ‘nuff said. And I’ve heard some of the black market varieties have other weird properties too, so I fear maybe she’s gotten a bad one or something.
Anyway, she’s been acting strange, spending a lot of time by herself. And not working out, like usual, but rather rifling through the treasure trove. Not that she’s at all sneaky about it. I mean c’mon, it is Barbarella after all. She’s kind of the polar opposite of discreet. She’s always been more of a don’t-tread-on-me and mess-with-my-buddies-mess-with-my-war-axe kind of a girl.
It’s making Squidge suspicious. Yeah I know, Squidge is a bit edgy anyway, but they’re acting even more so now. They seem to have an even tighter grip on whatever things they’ve stashed away all up in that cloak of holding or whatever it is that they never take off and that makes it hard to remember much of anything about them. Hell, I don’t even know what gender they are, not that it matters anyway. I don’t concern myself with what Squidge is or isn’t up to so I don’t really care; generally the best is to assume the worst and move on. Nosing around in Squidge’s business is like begging for a stab wound to the back in your sleep, if you know what I mean. But they’ve been acting even more paranoid than normal, so I think they’ve noticed that something is off too.
You know, it’s been a long time since I’ve even had to down a healing potion; I tend to stay in the far back and let the other two hack n slash, it’s safer that way. And health elixirs aren’t my cup-of-probiotic-smoothie-protein-tea (it’s all too snake oil salesman fad craze diet antioxidant stuff for me). I’m more of a freewhellin fireball flingin kind of spell-slinger. The healing arts magics are a bit too… mushy gushy lovey dovey for me.
We aren’t a goody-two-shoes fixer-upper team, more of a nice-fill-in-the-blank-I-think-I’ll-take-it kind of ensemble. You know the type. #thuglifeforever. But times like this do make me wish we had a paladin or a cleric or even a druid to tag along. Where do you find the moral high grounders when you need them anyway? Sure, I guess I could go to a church or something, but some of the lesser evil critters I’ve wagered pacts and bargains with may not take too kindly to that. And the nature nice guys are all save-the-treants which generally doesn’t mesh with the whole fireball jive.
I guess Squidge could ask someone, but they only really talk to The Guild and just in that you-don’t-stab-my-back-I-don’t-stab-yours kind of sense, so we don’t have anyone to consult with on these kinds of things. It’s certainly not worth seeking out a 100 gp pearl for a wizened old wizard to snort for further clarity, even if the relative scarcity and exchange rate has made them significantly smaller and easier to haul around at this juncture, assuming you can find them at all. I swear, if the alchemists didn’t need to get high to get anything done it’d be a whole lot easier for everyone. And don’t even get me started on the Oracle, that nympho dominatrix bitch. Suffice to say I will NOT be going back there anytime soon, for ANY reason.
So here we are. Maybe whatever it is’ll pass on its own. But I noticed a couple more of those goblin healing potions have gone missing. We all know they don’t work if you aren’t hurt. And I swear I saw Barbarella take her own axe to the shin before she downed one when she thought I wasn’t looking during my nightly séance with the campfire flames. My cohorts don’t realize I can actually do more than it seems from my ritual state. The demonspawn that grant me my powers aren’t always all-engrossing, especially if I’m channeling things I’ve done a bajillion times already and not trying to harness something new. Frankly sometimes it’s best to tune the spirits out since they pontificate at length for no reason, but I suppose I’m not one to talk.
I keep coming back to this thought though. Why would Barbarella hurt herself just to chug a stupid goblin potion anyway? Usually those dares go the other way. Goblin potions taste like bad grog two days following a dwarven ale upchuck hangover, and that’s if you’re lucky. Often they’re worse. And they’re not even that good as far as healing elixirs, mending maybe a minor flesh wound at best. They’re crappy, no getting around it, and a last resort at best. Why would she deliberately go out of her way to drink that shit?
You know, there’s a whole stash of the things left, and I am a bit down on health myself. Maybe I should try one to see what the allure is. Perhaps the camaraderie and shared experience could help me get Barbarella to sober up and leave the toxic sludge alone. Or at the very least, maybe I’ll understand what she sees in them. Perhaps they’re new and improved, but I seriously doubt it seeing as how they’re still just ill-obtained swag we got off some low-level goblins. You know, no one ever really gives goblins anything worth having unless they’re trying to exploit them in some way, and even then it’s really not worth it, seeing as how the goblins don’t have anything anybody wants to barter…
I swear those potions were in this satchel here; we had like over 100 of the things. Oh, here’s one, way down in the bottom of the bag having fallen under some of the other crap we looted that wasn’t worth much of anything. Wow I really had to dig deep to fish that out, and it’s only been about a week since the goblins’ lair… In the light looks like the same ol’ ordinary purple black pink tinged sludge we normally find, a tad more sparkle factor but not enough to care. Now why are Barbarella and Squidge both looking at me like I’m holding the golden goose egg of everlasting mana and fingering their weapons?
If you enjoyed this RPG story by Jennifer Weigel, perhaps you will want to see some art from previous campaigns or read the Twilight saga, both on Haunted MTL here.
And feel free to check out more of Jennifer Weigel’s work here on Haunted MTL or here on her website.
Those religious icons really get around. This time it’s a journey to visit the Deep Ones. And Dracula’s Castle. Because everyone has to be a tourist now and then, and what’s the point if you don’t pick up a souvenir or two?
This was a gift for a friend for their sea life monster theme bathroom. It started as one of those old school wood plaques where the picture is waxed on. And the eyes were originally that creepy – all I did was add the tentacles. So don’t blame the overall weirdness on me, it wasn’t all my doing.
Oh, and apparently Mary wanted in on the action, so she’s gone to Dracula’s Castle for a bite. She even brought back her own religious icons souvenirs…
So this one isn’t as old, nor is it real wood. But it still totally goes with Mary’s journey. And it’s also a little blacklight reactive with the flowers.
And feel free to check out more of Jennifer Weigel’s work here on Haunted MTL or here on her website.
So I just keep on going… Here are some more repaint porcelain figurines and other madcap painting. OK maybe some of them aren’t porcelain, but still totally redone.
This Pennywise clown started as some plastic figurine from Italy. I was drawn to this because of the pretty marble base. It’s a nice touch, don’t you think? I’ve seen others in this series and honestly they’re all kind of creepy to start with, so they really lend themselves towards repaint prospects. Perhaps I’ll pick up more to redo in similar ways later on… Oh, and the eyes are blacklight sensitive, in case he wasn’t creepy enough already.
With all of the new movie hype, I couldn’t resist a throwback to the classic Beetlejuice, and this little bride figurine and teddy bear were just too perfect. Featuring more blacklight sensitive accents, like her veil flowers. And I don’t know why she only has one glove, I blame it on the 1980s… Or maybe she was just that drunk (you’d have to be for that wedding)…
So yeah, all those preppers ready for the zombie apocalypse – you know some of them are gonna get bitten. It’s in the script, what can I say? More blacklight eyes, cause why not?
I admit I haven’t seen this film, but it sure looks fun. Mathilda, eat your heart out. Literally.
OK so this isn’t a repaint. Nor is it porcelain. What is it even doing here? Well, she’s cool and ready for a party and kinda reminded me of Abigail, so she sort of just tagged along. Sexy Sadie started as an Avon perfume bottle with a fragrance I didn’t care for (I think it was called Head Over Heels). Because honestly the bottle topper was all that mattered. And now she has her own disco dancing platform. What more could a vampish vixen want?
And feel free to check out more of Jennifer Weigel’s work here on Haunted MTL or here on her website.
I wrote this script for Beyond the Veil awhile back, exploring the bond between two twin sisters, Edith and Edna, who had lived their lives together. There was a terrible car crash and someone didn’t make it. The other is trying to contact them beyond the veil…
Beyond the Veil Setting:
Two women reach out to one another individually in a séance setting.
One sits on one side of a dining table. The other sits at the other side. Each studies a candle just beyond her reach; there is darkness between the two candles. The long table is barely hinted at in the interstice between the two but it is clearly present.
The camera is stationary showing both in profile staring through each other.
The women are both portrayed by the same actress who is also the voice of the narrator, who is unseen. All three voices are identical so that it is impossible to tell which of the two women the narrator is supposed to represent.
Both women are spliced into the same scene. They are together but apart. The two candles remain for the duration of filming so that the two halves of the film can either be overlapped (so that both women appear incorporeal) or cut and sandwiched in the middle between the candles (so both women appear physically present). It is possible to set the scene thusly using both methods in different parts of the story, with both women seemingly flickering in and out of being, both individually and apart.
Script:
I. Black, audio only.
Narrator:
I was riding with my twin sister.
We were in a terrible car crash.
The car drove over the median and rolled.
It spun off the road where it caught fire.
There was smoke everywhere.
My sister didn’t make it.
II. Fade in to the long table with two lit candles; flames flickering.
Two women are just sitting at either end.
They stare blankly through each other.
Call and Response
Edith: Now I’m trying to contact her…
Edna: …beyond the veil.
Simultaneous:
Edith: Edna, do you hear me?
Edna: Edith, do you hear me?
Together (In Unison):
If you hear me, knock three times.
Narrator:
Knock.
Knock.
Knock.
Call and Response:
Edith: I miss you terribly.
Edna: I miss you so much.
Edith: Do you remember…
Edna: … the car crash?
Edith: We rolled…
Edna: … over the median.
Edith: There was fire.
Edna: There was smoke.
Edith: I could hear the sirens.
Edna: They were coming…
Edith: … to rescue us.
Edna: But they were so far away.
Edith: So far…
Edna: … away….
Simultaneous:
Edith: Are you okay?
Edna: Are you hurt?
Together (In Unison):
Knock three times for yes. Knock once for no.
Narrator:
Knock
– pause –
Knock
– pause –
Together (Syncopated):
What’s it like, on the other side?
– long pause –
Simultaneous:
Edith: I miss you, Edna.
Edna: I miss you, Edith.
Together (Syncopated):
It’s so lonely here.
Call and Response:
Edith: There’s no one here.
Edna: I’m all alone.
Edith: Without you…
Edna: …the spark of life…
Edith: …is gone…
Edna: … so far away.
– pause –
Together (Entirely Out of Sync):
It’s so dark.
III. Fade out to black
Narrator:
I was riding with my twin sister.
We were in a terrible car crash.
The car drove over the median and rolled.
It spun off the road where it caught fire.
There was smoke everywhere.
I didn’t make it.
I had planned to actually turn this into the video for which it was written, but quickly discovered that my plans for recording required a space that was too drastically different from my new house (and new large gaming table) and that my vision for filming could not be well-fully executed or realized. So now it exists as a script only.
And feel free to check out more of Jennifer Weigel’s work here on Haunted MTL or here on her website.
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