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Joe Bob Briggs is known for hosting The Last Drive-In on Shudder and AMC+. From October 6th-8th, hundreds of his fans (known as mutants or the mutant family) descended upon the West Wind Drive-In Theater in Las Vegas. They all came together to experience the Third Annual World Drive-In Festival. This is my Jamboree story.

Poster for The Third Annual World Drive-In Movie Festival and Jamboree
A promotional poster by Unlovely Frankenstein for the Third Annual Jamboree.

The City of Sin

Flying into Las Vegas from the midwest feels like entering into an entirely different dimension. Flashing lights and chimes from dozens of slot machines greet you as you step off of the plane. I’m not superstitious but I am a little stitious, so I plunk twenty dollars in the first machine I see and win five dollars.

After picking up our rental car and checking into our hotel, all plans of adventuring in the big city went out the window. We order room service and I scroll through the platform formerly known as Twitter. Watching everyone arrive for the Jamboree filled me with a mixture of excitement and dread.

Jamboree Jitters

I didn’t know what to wear. What if people didn’t like me? Will I overheat and pass out? My husband hands me a drink and tells me to stop spiraling. But according to my therapist, I’m the best at spiraling. After a few sips and even more deep breaths, I veer back towards excitement.

Waking up at 6:30 AM is not ideal while you’re in town for a movie festival that runs from 2 PM – 2 AM. Alas, my east coast circadian rhythm doesn’t give a shit about what is ideal. Though waking up early on Friday did give us a chance to gather our needed supplies from a local store called Wal-Mart. 

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Flying in meant we had to bear the additional expense of purchasing a cooler, folding chairs and an FM band radio. We also bought blankets and pillows to create a cozy viewing area in the back of our rental SUV. I knew we would want these items to have the best possible experience, but I also knew we would have no way of bringing most of the items home. For a trip that already cost us thousands in terms of the hotel, festival tickets + add ons, rental car and flights – it stung.

Ticket prices for the Jamboree itself are reasonable, especially if you purchase them early. However, it’s hard to ignore that many mutants were priced out of attending this year due to the location. My husband and I combined our birthday, anniversary, and Christmas gifts for our two-day experience. The ability to camp onsite helped to lower costs for many attendees, but camping on a blacktop without shade or showers is not my particular idea of fun.

They Paved Paradise, Put Up a Drive-In Lot

However, pulling into the West Wind Drive-In makes its location choice very apparent. Growing up, the drive-in theater I attended had one screen. The three screens at my college drive-in are dazzling. The West Wind has six screens. And we took over five of them. (The sixth screen was playing Paw Patrol: The Mighty Movie with a double feature I was unable to determine. I can only imagine what those parents were thinking.)

With a combination of Jamboree volunteers and West Wind staff scanning tickets and directing parking, arrival was smooth and easy. We spotted filming for Charles Band’s Barbie & Kendra Crash Joe Bob’s Drive-In Jamboree immediately, and would continue to see them filming the rest of the weekend. I’m definitely looking forward to watching it when it comes out, and hopefully it has its world premier on The Last Drive-In.

Approaching a gathering of people in the camping area, I was nervous. Meeting people in real life that you’ve only previously known online is intimidating. For about half a second. When you’ve bonded with anyone over a love of movies, there’s never a shortage of conversation topics. There’s also apparently never a shortage of trinkets. I was given pins, stickers, and a friendship bracelet ala Taylor Swift spelling out the word “breasts.” I felt somewhat bad only being able to offer name tags in return, but it turns out those are valuable currency.

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A photo taken at the Jamboree showing the author's wrist and a friendship bracelet that reads "breasts."
My “breasts” bracelet courtesy of a member of the mutant family.

The Jamboree Line Experience

Waiting in line for our photo opportunity, we heard the sweet dulcet sounds of Mutant Karaoke. The entertainment was appreciated as Joe Bob and Darcy were roughly an hour late for photos. Thankfully the line formed under the shade of the concessions building, so the wait was not unbearable. Meeting Joe Bob and Darcy, although very briefly, was incredible. I’ve already framed the photo.

Our next wait-in-line experience was for the Welcome BBQ dinner. Unfortunately, this line was not shaded and I cursed myself for not buying an umbrella to bring. We went through the line and were given plates of food and sent on our way. The food was good, but I’m pretty confident in saying that it wasn’t worth the $50 per person price tag. The concession stand is reasonably priced and fast, so we could have fed ourselves dinner for $30 total without the long wait.

If It’s Too Loud, You’re Too Old!

As John Brennan and the Bigfeet took the stage, my husband and I made our way back to our vehicle. We were blessed with a good spot that had a great view of the stage and one of the screens. A bad parking spot didn’t exclude anyone from a good view, as the first few rows of parking spots in front of the stage were cleared for chairs. 

Future attendees should include some hearing protection in their packing lists, as the sound from the stage was very loud. Luckily, I always carry ear plugs with me so the sound was not an issue for me. John Brennan and the Bigfeet put on an energizing and entertaining show as a skunk must have wandered around the parking lot.

Charles Band then took the stage and announced they would be filming the final scene of their aforementioned movie during their allotted time. As someone who has never been a part of a film’s production, it was really cool to get such a behind the scenes look at the process. I won’t spoil the ending, but this is sure to be a very amusing film.

A photo of the cast and crew of Barbie & Kendra Crash Joe Bob’s Drive-In Jamboree on stage with Joe Bob and Darcy.
Filming for the final scene of Charles Band’s Barbie & Kendra Crash Joe Bob’s Drive-In Jamboree

You’re Just a Filmmaker

The night truly began as Joe Bob took the stage to wild audience cheers and applause. He discussed the importance of filmmaking before showing his famous speech to “aspiring” filmmakers he made while hosting One Cut of the Dead (2017) in the second season of The Last Drive-In. The speech is incredibly inspiring and I recommend watching it if you haven’t already done so. It was the perfect lead-in to a celebration of truly independent filmmakers. 

The film festival then kicked off with David Liban’s feature Publish or Perish. The film covers exactly what lengths a professor will go to receive tenure and is more dark comedy than outright horror. It does an excellent job of building tension and leaves the audience asking “Can he really get away with this?” up until the very end. 

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The second film of the night was Buddy Cooper’s Mutilator 2, the long awaited sequel to his 1985 film The Mutilator. Cast and crew were onsite at the Jamboree selling merch and interacting with fans, building the excitement before airing. The movie fully delivers with a bloody and funny meta-horror experience.

Keep Them Coming

Sean Haitz’s Cannibal Comedian rounded out the feature length films, with a movie about -you guessed it- a cannibal comedian juggling his roadside human meatball stand and his burgeoning career as a comedian. Two vehicles featured in the film were on location at the Jamboree along with the cast and crew, which I did not realize until they appeared on screen. The movie is laugh out loud funny and delivers when it comes time for the kills.

The night finished with eight short films, several of which are now available on YouTube: 

  • Above the Staircase written & directed by Dennis Sema
  • Baby Fever directed by Hannah May Cumming and written by Hannah May Cumming & Alex Hartwig
  • The Casting Couch directed by Matt Thiesen & Justin Lee and written by Milly Sanders
  • That Damned Yellow Raincoat written & directed by Jason Huls
  • Hideous Heart directed by Nicholas Camp & Don Thiel and written by Nicholas Camp
  • Satanimation directed by Gregory Garrett Boone & Jason Hooper and written by Jason Hooper
  • The Mages of Rage and the Desecration of the House of Mimicry directed by Jason Sheedy and written by Brett Brooks & Jason Sheedy
  • We Forgot about the Zombies – written & directed by Chris McInroy

Well-Deserved Awards

All films shown as part of the film festival were introduced by Joe Bob with his signature drive-in totals and awarded a Drive-In Academy Award, also known as a Hubbie. The award is inscribed on a vintage Chevy hubcap and was given in-person on stage to those who were able to attend the Jamboree. I hope those involved in making these films felt the love the audience poured into them as we felt the love they poured into their craft.

A photograph of the Hubbie award given to Tom Atkins. It shows a Chevrolet hubcap with added inscriptions that read "Lifetime Achievement Award Tom Atkins"
and "Joe Bob's Drive-In Jamboree July 10, 2022."
The Hubbie Award given to Tom Atkins at 2022’s Drive-In Jamboree

After midnight, sound ordinances require a switch from stage sound to radio. My husband and I did our best to stick it out for as long as possible, but the soft droning of the radio and the softer pillows piled in our backseat told us it was time to head back to the hotel.

Deal Me in Again

Despite arriving at roughly the same as we did on Friday, our parking spot on Saturday was unfortunately at one of the screens facing away from the stage. Thankfully, we were able to set our chairs up near friends near the front of the stage. We wanted the best possible view for the live taping of The Last Drive-In and ended up being right in front of the central teleprompter. Someone moving our stuff was a concern, but as we checked in throughout the day it remained in the same spot. 

Since we had not purchased add-ons for Saturday, we had more free time to shop at the merch tables. Every vendor was super friendly and there was a good variety of items to choose from at multiple price points. All of the tables were also under shade which was greatly appreciated, despite Saturday being slightly cooler than Friday.

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I also conquered a small piece of my nerves to introduce myself to Yuki Nakamura, who is behind production design on The Last Drive-In!

Article author Kait is seen standing under a white tent next to Yuki Nakamura at Joe Bob's Jamboree.
I am hot and sweaty and I never know what to do with my hands.

We also had more time to spend with fellow attendees on the second day. The mutant family is a diverse group of people who are all brought together by their love of Joe Bob and horror, but they also have something else in common. They’re cool as fuck. We met so many kind and funny and thoughtful people who welcomed us right into their spaces without hesitation. It made all my earlier fears and anxiety seem so silly.

Let’s Get it Started

Pre-show entertainment on Saturday included a very entertaining Mutant Rap Battle. The one and only Gringo Fantastico took the stage alongside a handful of other talented mutants as they gave it their all to win copies of Troma films. The contestants are all crowned winners and walk away with movies in hand. 

John Brennan and the Bigfeet then took the Jamboree stage again, this time with a special surprise just for The Last Drive-In superfan Eric Butts. The band learned an original song written by Butts and brought him on stage to perform it with them. Dave Sheridan (known for his character Officer Doofy and in character as Blow Job Briggs) joined them and they put on a performance I will never forget. Seriously, who knew a song about Waffle House could be so damn catchy?

Viva Las Vegas

I will also never forget Joe Bob taking the stage to kick off the live-episode filming with a “mutated” rendition of Viva Las Vegas. Hearing his musical stylings is always an unexpected treat. I think he narrowly missed out on a career as a prolific lounge entertainer. With energy levels at all time high – we were officially part of a live studio audience.

A photo of Joe Bob singing Viva Las Vegas on stage at the Jamboree.
Joe Bob takes the stage to perform the opening musical number.

I will be providing an in-depth review of this episode when it airs on Shudder next year, but I can say with absolute certainty that audiences are in for a treat. It is astounding to me how similar watching the taping felt to watching an episode at home. Joe Bob and Darcy are naturals on stage. Darcy has mentioned how anxious events like these make her, but you would never guess from watching her.

Roger and Julie Corman are the featured guests of the Jamboree, with both receiving their own Hubbie awards. Julie receiving separate honors for her contributions to film was a thoughtful gesture by Joe Bob in a night that could have easily been all about her husband.

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Can You Say That on TV?

The interview takes place during the first showing of the night, Corman’s 1959 film A Bucket of Blood. It is an entertaining take-down of beatnik culture in black and white and felt like a perfect film to experience at a drive-in. The interview is full of fascinating stories, and the story-telling goes to 11 when Bruce Dern appears as a surprise guest.

A photo of Joe Bob interviewing Roger Corman on stage at the Jamboree.
Joe Bob interviewing Roger Corman.

The second film of the night is 1983’s Deathstalker. Joe Bob seems delighted to be showing this movie, and I have absolutely no idea why. It’s a sword and sorcery movie and whenever I try to describe it all that comes out is “It’s a movie about attempted rapes.” It was entertaining enough, although I was more entertained by audience reactions.

The night did not end when the live-taping ended, though. Once stage sound was cut and switched to FM, the drive-in played The Wild Angels (1966) about the Hell’s Angels. As well as The Trip (1967) about an LSD trip. Surprise guest Dern appears in both of these Corman films, making them a logical choice to finish the night. We seize the opportunity to sneak out during The Wild Angels.

Not My Circus, Not My Monkeys

Unfortunately, or fortunately depending on what accounts you read, we were not present for Sunday shenanigans at the Jamboree. Sleepaway Camp day featured a cast reunion and Chris Jericho alongside an all-night marathon of the full series of movies.

Jamboree Camaraderie

So, what do you call a gathering of hundreds of members of the Mutant Family? A group of crows is a murder. It’s tempting to borrow that name for a group of people who relish in watching on-screen death. However, after spending two days baking under the Las Vegas sun at the 3rd Annual World Drive-In Movie Festival (also known as Joe Bob’s Jamboree), I’d like to propose something entirely different: a camaraderie. I’ve seen first hand the solid foundation of trust and friendship, so no other word makes sense to me.

(One experience I did not have, due to sheer nerves, was meeting Joe Bob and Darcy outside of my purchased photo opportunity. This does not mean they were not available, as they spent countless hours meeting mutants and signing autographs free of charge. I know many people were absolutely thrilled at the chance to have a few moments of dedicated time with the hosts of the show that brought us all together.)

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Kait (she/her) haunts the cornfields of the Midwest after being raised in a small Indiana town built on sickness and death. She consumes all sorts of horror-related content and spits their remains back onto your screen. You can follow her on Twitter at @ KaitHorrorBreak, where she live tweets The Last Drive-In with Joe Bob Briggs and posts other spooky things.

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Street Trash: A Mind-Melting Masterpiece of Mayhem

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Holy crow, folks! Buckle up, because we’re about to dive headfirst into the gloriously gooey world of “Street Trash” – the 2024 remake that’ll make you question your life choices and possibly your sanity. Trust me, this ain’t your grandma’s horror flick (unless your grandma’s into melting hobos and alien smurfs, in which case, I probably swiped right on that one and you’re out of milk.)

Street Trash still courtesy of Lightbulb Films

What’s the Deal with Street Trash?

Picture this: a bunch of homeless misfits discover a sinister plot to wipe out every street dweller in the city. Cue the chaos, the melting, and enough WTF moments to make your brain leak out of your ears. It’s like if “They Live” and Cheech’s “Born in East LA” had a love child, and that child was raised by a family of radioactive dumpsters.

Yes, even the damn credits are worth watching. Marvel, eat your heart out. – Jim Phoenix, HauntedMTL

From the Twisted Mind Behind Fried Barry

Remember “Fried Barry”? That mind-bending trip from 2020 that left you questioning reality? Well, the same madman is back, and he’s cranked the insanity up to eleven. If you thought “Fried Barry” was a wild ride, “Street Trash” is like strapping yourself to a rocket made of hallucinogens and blasting off into a dimension of pure, unadulterated chaos.

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Body Horror That’ll Make You Hurl (In a Good Way)

Let’s talk gore, baby! This flick kicks off with some of the most stomach-churning body horror I’ve seen in years. We’re talking face-melting, blood-spewing, organs-on-the-outside kind of nastiness. It’s so gross, it loops back around to beautiful. You’ll be disgusted, amazed, and possibly a little turned on (no judgment here, folks).

Not Just Gore – There’s Heart (and Other Organs) Too

But wait, there’s more! “Street Trash” isn’t just about turning people into human slushies. It’s got heart, humor, and even some genuinely touching moments. You’ll laugh, you’ll cry, you’ll wonder why that blue alien demon thing is so damn adorable. It’s an emotional rollercoaster, if rollercoasters were made of meat and powered by existential dread.

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The Visuals: A Trippy 80s Fever Dream

Visually, this movie is like someone took the 1980s, stuffed it into a blender with a bunch of neon paint and psychedelic mushrooms, and hit “puree.” The colors pop, the effects are mind-blowing, and every frame is a work of demented art. It’s the kind of movie that makes you want to lick the screen (please don’t, though – trust me on this one).

Why You Need to Watch This Cinematic Acid Trip

Street Trash still courtesy of Lightbulb Films

It’s batshit crazy: In the best possible way. Every time you think it can’t get weirder, it does.

  1. The effects are insane: Practical effects that’ll make you go “How the fuck did they do that?”
  2. It’s got layers, man: Like an onion, but if that onion was sentient and trying to kill you.
  3. The blue alien thing: Seriously, it’s like if the Smurfs went on a bender and decided to star in a horror movie.
  4. The credits: Yes, even the damn credits are worth watching. Marvel, eat your heart out.

Final Verdict: Five Out of Five Motherfucking Fives

Look, I don’t throw around perfect scores like confetti at a serial killer’s birthday party. But “Street Trash” deserves every single one of those fives. It’s the best way to close out 2024’s cinematic offerings, a tour de force of weirdness that’ll stick with you long after the credits roll (which, again, you need to watch).

5 out of 5 stars (5 / 5)

So, do yourself a favor: grab some popcorn (and maybe a barf bag), turn off your brain, and let “Street Trash” melt your face off. It’s a ride you won’t forget – no matter how hard you might try.

Remember, kids: Stay in school, don’t do drugs, and for the love of all that’s holy, watch “Street Trash.” Your eyeballs will thank you (right before they try to escape your skull).

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Little Shop of Horrors – Musical Madness Review

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So I can’t believe that no one has reviewed Little Shop of Horrors the Broadway musical here on Haunted MTL. We have seen the old 1960 Roger Corman version in a Joe Bob Briggs special here, but not the Broadway smash hit and movie. This surprises me given its cheeky sense of humor and quirky colorful but dark themes. I personally love this musical, but then again I’m probably biased seeing as how I’m a Disney Renaissance kid, and Howard Ashman was influential in that movement as well. And the movie version is directed by Frank Oz, so you know the puppetry is top notch.

Little Shop of Horrors movie poster
Little Shop of Horrors movie poster

Spoiler alert: I hate revealing too much in my reviews but I will touch on some topics that reveal themes from within. So if you somehow managed to completely miss this under whatever rock you’ve been hiding since 1982, I’d recommend watching it. Right now. What are you waiting for, like seriously? Here’s a link to Amazon Prime even. Feel free to come back afterwards and read the rest of this review. And you’re welcome.

Little Shop of Horrors focuses on a flesh-eating plant. Whether it came from outer space or is a weird hybrid of some kind of souped up Venus flytrap is actually not that relevant. Hell, it could be a Burp special, as featured here previously. The plant’s origin story doesn’t actually matter all that much. What’s important is that it convinces protagonist Seymour to care for it, which starts off a little more innocently and ends in a killing spree that claims even the lives of both Seymour and his beloved Audrey by the end. Because it’s a hungry plant and it needs blood and fresh meat.

As you already know, my father was a dentist. So reactions to Orin Scrivello DDS could go either way. But in the movie version Steve Martin does an excellent job portraying the sadist, and you can’t help but kind of love him for it (especially in the scene with Bill Murray as the masochist patient) for all that you’ll still cheer a little when he gets fed to the carnivorous flesh-eating plant. The Broadway death by laughing gas is his just desserts and well portrayed, and just one of the beautiful dark comedy blossoms within this musical foray into inappropriate humor that ranges into such taboo topics as unintended suicide, relationship abuse, and socioeconomic disparity.

Steve Martin in Little Shop of Horrors
Steve Martin in Little Shop of Horrors

Anyway, I give the musical and movie 4.0 Cthulhus. 4 out of 5 stars (4 / 5)

The main reason I wanted to review this was actually because the Smoky Valley Theater high school recently presented Little Shop of Horrors in Lindsborg, Kansas in November 2024, and I wanted to give them a shoutout. The actors and actresses did a fabulous job with it. I especially liked that they further explored the Audrey II character of the plant by casting it as an actual actress, saving on large-scale puppeteering and bringing new life to the musical. This worked much better than I had anticipated when I’d heard of the change, with superb adaptive costuming that evolved over time. I would kill for that flytrap cape complete with its red and emerald satin and toothy accent trim. Maybe at the next solar eclipse…

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Dexter Original Sin Fender Bender, The Perfect Mix of Comedy and Sadness

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Episode four of Dexter Original Sin was an interesting one. It was equal parts funny and upsetting.

It also brought up an issue I’ve always had with Dexter.

Let’s discuss.

The story

Our story doesn’t waste any time, starting with the kidnapped boy, Jimmy Powell, hanging dead from a bridge.

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This crime scene turns out to be a little too much even for Dexter. So, he decides to go hunting. He discovers a killer for hire called Mad Dog. And let me save you the Google. Yes, that is Joe Pantoliano who played Cypher in The Matrix.

Christian Slater and Patrick Gibson in Dexter Original Sin.

So desperate to feel better, Dexter maybe rushes things a little bit. Which, it should surprise no one, leads to a hilarious and disastrous result.

What worked

There has always been a part of the later seasons of Dexter that bothered me. Spoilers ahead.

When Deb learns about Dexter’s Dark Passenger, she goes right off the deep end. This includes, among other things, heroin use. Which always seemed out of character for me. Now, finding out she was experimenting with drugs as a teen, that makes more sense. While I won’t say this is as good as Deep Space 9 retconning the infamous stage hand incident in Troubles with Tribbles, it was nice.

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I also really enjoyed Joe Pantoliano’s character, Mad Dog. He was funny in just the right way. Not slapstick. Not over the top, because that never would have fit here. But he’s animated and joyful in a way that no other character is. He’s clearly got his priorities right, as we can see when he begs Dex not to smash his guitar. He was just so fun. And this episode needed this levity since the rest of it was so heavy.

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Joe Pantoliano and Patrick Gibson in Dexter Original Sin.

As we discussed, this episode started with a poor dead boy. This caused both Dexter and Harry to completely ignore Deb. Furious, she shouts what must have been the best and most emotionally devastating line in the series so far.

“How am I supposed to compete with a dead kid?”

Now the question I’m left with, the question that I’m sure the writers intended to leave us with, is this. Does she mean the dead boy her dad’s investigating? Or does she mean her dead brother?

Does she know she has a dead brother?

I felt like these two elements, the levity brought by Mad Dog and the heavy death of the little boy worked really well together. It keeps the story balanced, keeps it from being too much.

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What didn’t work

While this episode cleared up something about Deb for me, it also brought to light something I’ve never appreciated about the character Dexter.

He’s not a sociopath.

A sociopath is a person with a personality disorder manifesting itself in extreme antisocial attitudes and behavior and a lack of conscience. They would not, generally, have a different response to a child being killed than an adult. But Dexter has always had that issue.

It makes him a better person, but it shows a misunderstanding of the character in the books. And, frankly, a misunderstanding of the condition.

I also need to complain about the melon scene. Normally, everyone knows the point of smashing a melon in forensics. Whether accurate to the real world or not, melons are used to show what might happen if someone’s skull is crushed. The point is to see the difference in different heights, and where the blood splatter might go.

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If one is going to spray blood where they want it to be or put a little metal plate on one melon so that it doesn’t break naturally, then it defeats the whole purpose of dropping them.

Now, some of you might think this was the point of the scene. Dexter is very new at this. Maybe he was doing it wrong, showing a lack of understanding of the process. I have two issues with this. One, Dexter is pre-med, he should have known better. And two, Masuka is not new. And he was standing right there the whole time. Why didn’t he say something? This was just a clumsy and confusing scene in an episode that was otherwise well done.

All in all, this was another good episode. I loved the blend of funny and heartbreaking. I loved the special guest star. And I loved the cliffhanger ending. I can’t wait to see what happens next.

4 out of 5 stars (4 / 5)

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