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Bodies Bodies Bodies (2022) is a horror comedy directed by Halina Reijn. This R-rated horror film stars Amandla Stenberg, Maria Bakalova, Myha’la, Rachel Sennott, Chase Sui Wonders, Pete Davidson, Lee Pace, and Conner O’Malley. The film is currently available on fuboTV, Netflix, Hoopla, and Showtime.

Sophie (Amandla Stenberg) brings her girlfriend (Maria Bakalova as Bee) to her friend’s hurricane party. Lasting resentment and toxic relationships infest the group, leaving Bee to witness increasingly uncomfortable situations. Soon after, bodies start dropping.

Three Bodies written in white text. Three characters atop the text. Two carry phones while the other carries a sword.
Alternate Cover

What I Like about Bodies

The chemistry between these toxic friends gives me anxiety. If toxic friendships aren’t a universal experience, toxic traits certainly make themselves apparent in any friend group, and this film maximizes this experience. It’s not revolutionary, but effective and uncomfortable.

Several subtle clues hint at the relationships of these friends, building up as the story progresses and chaos ensues. I love these moments, though the film doesn’t seem confident that the viewer picks up these clues. This decision hinders execution, an unfortunate point for later.

While the performances are strong throughout, Amandla Stenberg and Maria Bakalova remain the main characters and receive the most opportunities to perform. However, almost every character has a moment, or several, and lives up to those moments once given.

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The twist seems obvious, but that doesn’t hinder the viewing experience. While not the biggest fan of the execution, I enjoy the spiraling chaos it creates.

The opening scene shows the two leads making out for viewer engagement. However, I think the contract toward the end gives this scene added context and plot relevance beyond simply sex appeal. While it is unavoidable that so well, many films will go no further. So, added relevance deserves a nod.

Far from the bloodiest film out there, but it doesn’t hesitate to bleed its cast. It uses this blood and limited gore to add weight to the deaths as opposed to haunting or nauseating its audience.

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Tropes, Triggers, and Considerations

As previously hinted, toxic relationships remain key points in the plot. Falling in line with this are points of spousal abuse (physically and mentally) that should remain a consideration.

Idiocy to push the plot along certainly plays a role in the plot. In this case, I consider it a feature. However, it’s still a required taste for viewer consideration.

Addiction and recovery drive several characters. I’ll avoid pointing to them so as not to give away plot details. However, usage and relapse deserve a mention in this section.

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If any of these are deal breakers, give this film a skip.

A group of friends screaming outside. They all are dressed in swim suits or robes.
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What I Dislike, or Food for Thought, about Bodies

Bodies shifts between a mindless and clever horror comedy, never comfortably sticking to one or the other. It pulls off elements of both with expertise, but the tugging and pulling of these different elements limits the execution of either. Because of the above friction, Halina Reijin gives us all the clues to piece everything together and still tells us. Pick an audience and trust them.

As a horror comedy, this film leans on the humor over the horror. The unraveling of characters certainly earns respect but expect a comedy for a better experience. It’s not a particularly scary film, and it doesn’t try to occupy that space.

Final Thoughts

Bodies Bodies Bodies spirals into a chaotic horror comedy, banking on the toxic chemistry of its cast to deliver both. The film never makes a strong stance in either claiming a mindless or clever horror comedy, shifting between both at the expense of the whole. It remains a bumpy but engaging viewing experience, nonetheless.
3 out of 5 stars (3 / 5)

Zeth received his M.A in English with a focus in Creative Writing at CSU, Chico. As a human writer, he published in the 9th volume of Multicultural Echoes, served on the editorial board of Watershed Review, and is a horror reviewer for Haunted MTL. All agree he is a real-life human and not an octopus in human skin. Fascinated by horror novels and their movie adaptations, Zeth channels his bone-riddled arms in their study. Games are also a tasty treat, but he only has the two human limbs to write. If you enjoy his writing, check out his website.

Movies n TV

Suburban Screams, Kelly

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Launched in October of 2023, Suburban Screams is the latest project by acclaimed horror master John Carpenter. It’s a true crime/unsolved mystery series covering events that have terrified people living in, you guessed it, the suburbs.

The story

Our first episode, titled Kelly, is the story of two roommates named Dan and Joey. The actual Dan and Joey tell the story from their own perspective, interspersed with dramatic reenactments. This did feel very much like an episode of Unsolved Mysteries.

One night when Dan and Joey have their girlfriends over, they decide to play with an Ouija board. Since they don’t have one, Dan makes one on a pizza box, complete with a planchette. This is, of course, when things go terribly wrong.

Still from Suburban Screams, Kelly.

Honestly, I have never heard anyone say, “I had a great time with that Ouija board, I’m really glad we did that.”

The couples make contact with a spirit named Kelly. This is very upsetting to Dan’s girlfriend May, as she had a cousin named Kelly who went missing and is presumed dead.

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Dan then finds himself haunted by Kelly. He throws up water, finds his kitchen chairs stacked on the table, and is followed around by a haunting song. Dan feels like he won’t find peace until he helps Kelly find peace.

What worked

There was a lot to enjoy in this first episode. Specifically, I loved the horror visuals. Dan’s vision was very creepy, as an example. And I loved the shots of the body floating down the river. These images were eerie and upsetting.

The storytelling from Dan and Joey was also well done. While I have my doubts about the validity of this story, these two men believe wholeheartedly in what they’re saying. I certainly believe that they experienced something disturbing. Either that or they are some fantastic actors.

What didn’t work

That being said, some things rubbed me the wrong way in this episode.

I’d like to start with the herbs Joey burned during the Ouija session. It looked like sage, or maybe sweetgrass.

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As some of you might know, I am a practicing witch. So I do feel the need to point out that if you want to open a door and invite spirits in, you probably don’t want to be burning sage or sweetgrass as those are going to negate any spiritual activity. This was for sure the action of someone who does not know what the hell they are doing. It just irritated me.

Also, maybe don’t throw open a door indiscriminately to the spirit world. Just saying.

I also didn’t love the acting by Ben Walton-Jones, who played Dan. While it wasn’t a terrible job, the character felt overacted. I don’t know how he had room for that pizza, since he was chewing the scenery most of the episode.

Honestly, this episode felt a little underproduced. When I saw John Carpenter’s name, I was expecting something with some real production value. Great acting, great effects, great music. None of those were in effect here. I’m not sure where their budget went, because it didn’t go to any of the things it should have.

Is it true?

So that brings us to the big question. Do I think this story is true?

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Well, it is verifiable that Kelly Lynn Fitzpatrick was a young woman who unfortunately was found dead in 1999 in Quebec. The rest of the story, so far as I can find, is up to speculation.

Do I believe someone could contact the dead on an Ouija board they made out of a pizza box? Yes, I do. Because Dan made it with his own hands it might have worked better than a store-bought board. But do I think he was haunted to this extent by the spirit of Kelly?

Well, I would say that I believe this about as much as I believe the story of the Amityville house. Something certainly happened here, but I am sure that the details shared in this episode of Suburban Screams are highly overblown.

In the end, while I did have fun watching this episode, this fun was tainted. I would have enjoyed it more if it was presented as a fictional story loosely based on real-life events. Because that is almost certainly what it was.

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3 out of 5 stars (3 / 5)

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Movies n TV

Fallout, The Beginning

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We’ve now reached the end of Fallout, season one. As I mentioned during the last review, I was heartily concerned that this show, like so many others, was going to drop the ball at the finale and ruin an entire season.

Thankfully, that wasn’t the case. This episode was everything it needed to be and more.

Let’s discuss.

The story

We begin our story with Maximus returning to the Brotherhood of Steel compound. He has a head, which he is claiming is the real head of Wilzig.

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I don’t know why he thought that was going to work.

Of course, it doesn’t. The elder cleric is about to kill Maximus until Dane says that they hurt their foot.

Because of this, the Brotherhood is sent out to get the head. Or rather, what’s inside of it. They head to the city run by Moldaver. This happens to be the same place Lucy and The Ghoul are headed.

Still from Amazon Prime's Fallout.

There, Lucy does manage to find her father. What she ends up finding is so much more than she wanted to find.

What worked

The first thing I have to discuss is how seamlessly the storylines of the series combined.

Each of our four main characters has been on their own journey. Lucy is trying to save her father. Maximus wants to become a knight. The Ghoul wants to find his family. Norm wants to know what’s going on in Vault 31.

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I sure wasn’t expecting all of these stories to come together in the way that they did. And to preserve the ending, I don’t dare say more. I will only say that yes, all four stories tie in perfectly with one another. By the end, two characters end up having the very same goal.

As I hinted before, I did not see the twist ending coming.

Ella Purnell in Fallout.

Yes, we might have guessed some things from the last episode. We of course guessed that Lucy’s dad was involved in some nefarious and probably sci-fi way. But the way this story twists at the end is nothing short of serpent-like. Which is why I cannot go into too much detail here. If you haven’t seen it yet, you need to experience it blind.

Finally, I can give the Fallout season finale the most important praise I can ever give a finale. It did its number one job, getting us excited for season two. We have answers, but now we have new and more exciting questions. And even better, we have a desire to see vengeance done.

What didn’t work

Now that the season is done, though, I can bring up something that bothered me through all eight episodes.

I don’t buy Lucy and Maximus’s relationship.

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Maybe because it’s rushed. Maybe because the two actors don’t have a lot of chemistry. Maybe it’s because I’m not sure even now either character could tell you a single thing about the other. There is just no spark between the two. So their love story feels tacked on. I honestly feel like their love story could have been removed from the show entirely and it would have no negative impact.

I also didn’t buy Dane’s confession. This is a minor spoiler, but it comes up early in the episode. Dane confesses that they hurt their foot so that they wouldn’t have to go into the wastelands.

And at first, I kept expecting Maximus to thank them later. I honestly thought that they were just lying to save Maximus’s life. But no, as it turns out, they were not.

But it just doesn’t make sense. The motivations don’t jive. I honestly think it would have been better for the story if they had lied to save Maximus’s life.

At least then there’d be one other Brother of Steel who had some nobility.

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In the end, this first season of Fallout was everything I could ask for. So far as I can tell, it was everything fans of the Fallout franchise could ask for. There wasn’t a bad episode in the bunch. Honestly, the only real complaint I had was that the season was so short.

I’ll be counting down the days to season two, and I hope you’ll be joining me then. Because war, war never changes.

5 out of 5 stars (5 / 5)

If you like my work, you can check out my latest science fiction/horror novel, Nova, launching on May 17th. Pre-orders are available now on Amazon.

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Movies n TV

Fallout, The Radio

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Episode seven of Amazon’s Fallout is the penultimate episode. This is often when a series goes off the rails and starts to mess things up. After being burned so often recently, I was apprehensive when this episode began.

Thankfully, this was a fear that did not come to pass. And so far, Fallout’s finale is doing just fine.

Lana the dog in Fallout.

The story

A lot happened in this episode, so we’re just going to skim over some of the more important storylines. We’ll start with Lucy and Maximus, in Vault 4. Lucy has discovered what she believes is a secret collection of monsters. But of course, it turns out that it’s simply people that the vault dwellers discovered and are trying to help heal. But her meddling around was enough for them to kick her out of the vault. With two weeks’ worth of food and water, of course.

But Maximus assumes they’re going to do something much worse. And so he steals their power coil to fight through the perfectly innocent people and save Lucy.

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Meanwhile, we dive further into The Ghoul’s past, when he was still Western star Cooper.

After attending a Communist meeting, he’s approached by Lee Moldaver. She suggests that Vault Tech is hiding something, something terrible. And she tells Cooper that his wife Barbara knows more about this than she’s letting on. Moldaver gets Cooper to bug Barbara’s Pip Boy, and listen in on an important meeting.

Poor Cooper hears far more than he wants to.

War, war never changes.

What worked

I would like to first point out that this was one of the funniest episodes so far. I mean, it got incredibly tragic and sad by the end. But it also had some great laugh-out-loud moments. This should be a surprise to no one, with such an array of comedians guest starring. Chris Parnell was in the last episode as well but is now joined by the incredibly funny Fred Armisen as DJ Carl. This is of course not his first foray into the funny and spooky world, as he also played Uncle Fester in Wednesday.

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Most of what makes this episode funny is the character’s understated and deadpan responses to wild situations. When Maximus returns the energy coil and is greeted by a simple thank you. When Thaddeus gets an arrow through his neck, and slowly realizes that hey, he might be a ghoul. These were hilarious because they could have been truly dark moments. But because this world is so dark, and the characters have already been through so much, they’re simply done. They take all of this in stride because of course that’s what’s happening. It’s par for the course for them.

Aaron Moten and Ella Purnell in Fallout.

On the other hand, we’ve finally seen the full extent of The Ghoul/Cooper’s past. And it’s so much worse than we could have imagined. I assumed that he’d lost his beloved wife and daughter in the atomic blasts two hundred years ago, somehow not dying with them and instead turning into a literal and figurative monster. The truth is so much worse. I’ll do my best not to spoil the ending. But I will say this. There is nothing more painful than mourning someone and hating them at the same time. And it’s easy to see how Cooper turned into The Ghoul. That sort of pain could drive anyone mad.

This balance between comedy and tragedy is one of the reasons why this episode worked so well. It’s one of the reasons why the series is working so well. It manages to combine the core tenets of theater in a way that never compromises the strengths of either. The eventual downfall of Thaddeus is a great example of this because it’s both tragic and funny. We’ve seen what happens to ghouls, and it’s a horrible end. But as he’s hardly been a sympathetic character, we can all get a good laugh at his predicament as well.

The sheer amount of good old-fashioned gore doesn’t hurt either, of course.

What didn’t work

All that being said, there was one thing that bothered me about this episode. And it was the reveal of Vault 4’s big secret.

Honestly, I was expecting the Vault 4 storyline to go way darker. I wanted it to go way darker. While I’ve never played these games myself, I know enough about the story to say that these vaults are not the bastions of safety and morality that they have so far been portrayed as. And while that has certainly been alluded to, we haven’t seen it.

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We haven’t seen the depravity in these vaults. And it’s there. But maybe we just haven’t gotten to it yet.

In the end, The Radio did exactly what it needed to do. It set us up to have most of our questions answered in the season finale. And I can’t wait to see how it all ends.

4 out of 5 stars (4 / 5)

If you like my work, you can check out my latest science fiction/horror novel, Nova, launching on May 17th. Pre-orders are available now on Amazon.

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