Dracula (1931): A Look at its Strengths and Weaknesses
When you picture Dracula, don’t you often think of Bela Lugosi’s style, almost as the default?
With an apparent resurgence in vampire-themed TV shows (particularly on Netflix), why not look at another vampire classic? Yes, I’m talking about Tod Browning’s Dracula. Even though it’s not my favorite vampire (or even Dracula) film of all time, there’s no denying that this film is incredibly influential. It helped solidify Dracula as a permanent movie monster, and Bela Lugosi’s appearance as the Count is as iconic as ever. Think about it: When you picture Dracula, don’t you often think of Bela Lugosi’s style, almost as the default? Though Ed Wood later transformed Bela into a B-movie goofball, in this movie he’s undeniably suave as hell. Rather than sounding hokey (like in Ed Wood), his voice in this film sounds exotic, cool, and like it carries a world full of woeful wisdom.
While I could praise Bela’s performance all day, it is not the only worthwhile performance in this film. One should also emphasize the manic and delightful performance of Dwight Frye as Renfield. Renfield always seems ready to go apeshit, yet he is always tempered by his own fear of the Count. Though I’ve always loved Tom Waits’ performance in Bram Stoker’s Dracula in the 1990s, it’s very hard to imagine anyone needing to play the character better than Frye.
If that’s not enough, the 1931 Dracula has a commendable performance by Edward Van Sloan as Professor Van Helsing. He also comes across as a cool dude, whereas Anthony Hopkin’s version in Bram Stoker’s was just a lunatic, almost seeming comparable to Renfield himself. Like Lugosi, Van Sloan comes across as a cool guy, even if not quite as suave.
The Flaws? (Yes, I Think There Are Some)
It’s hard to pick on a classic because it makes it seem like I’m being a contrarian or even a full-blown misanthrope. Still, I have to say this movie always felt incomplete to me. It just seems like it could have been more. For example, Dracula’s (all but inevitable) defeat at the end is simply lackluster. The weird thing is, 1922’s Nosferatu isn’t quite as bad in this regard, somehow. It’s hard to put this critique into words, but maybe it has to do with the overall tone. Nosferatu comes across almost as more of a magical fairytale, whereas Browning’s Dracula is more of a straightforward tale that requires a bigger payoff.
One expects Nosferatu to fade into the sun, but for Lugosi to get steaked in the heart off-camera, it is unimpressive. When you don’t get that visual of Dracula actually in his death throws but a tiny whimper instead, it’s simply disappointing. There really is not a compelling showdown between Van Helsing, Johnathan Harker (David Manners), and the fanged one, and I challenge anyone to argue otherwise.
The other big, obvious flaw is the run time. This is one movie that should have simply been longer, had more stuff thrown into it, and maybe some more character development. Browning’s version does not have as much meat on its bones as one could possibly imagine. For these reasons, I ultimately prefer Bram Stoker’s Dracula and the two major Nosferatu‘s (Murnau’s and Herzog’s) — although the ’90s movie is perhaps sleazier than it should be.
Those critiques aside, I would be remiss to not watch Browning’s Dracula every once in a while. It is, after all, better than something like Jason Takes Manhattan, which I’ve seen more times than I should freely admit (and that movie has a shittier, way more mystifying demise of its villain). Ultimately, though, Bela Lugosi, Frye and Edward Van Sloan make this movie. Were it not for them, it would have just been a classic due to it being an early horror film, as opposed to being genuinely iconic. Without Bela’s unending influence, our conception of Dracula and vampires simply wouldn’t be the same.
What are your thoughts on Dracula? Let us know in the comments!
American Horror Story Delicate, Multiply Thy Pain
American Horror Story Delicate began last night, Killer Queens. And it was, well, a complicated episode. This makes sense because this season is about a complicated topic.
Just in case you didn’t know, this whole season is based on the novel Delicate Condition by Danielle Valentine. If you haven’t read it yet, you should.
Anna Victoria Alcott is an actress who just got her big break. She was in a horror movie that no one can stop talking about.
Except Anna herself. Because this career success couldn’t have come at a worse time. She and her husband Dex are in the middle of the difficult IVF process. It’s expensive, time-consuming and painful. Ironically, so is trying to win an Oscar.
But Anna has other things to worry about. Someone is messing with her. Several women are watching her in public. Worse, someone appears to be getting into her home, slashing notes she leaves for Dex, and removing her vital IVF medication from the fridge so it spoils. Her calendar is hacked to move her doctor appointments around so she misses them. Worst of all, someone broke into her home and crawled into bed with her.
Of course, no one takes any of these concerns seriously. Her agent, Siobhan, is focusing on getting her an Oscar. Her husband, Dex, doesn’t seem to give a shit about her except for when it comes to having a baby. He’s frequently dismissive of her concerns and only seems to want her around when it’s convenient for him. He goes so far as to kick her out of his show opening because she’s on edge.
You know, maybe because she’s clearly being stalked by someone who is trying to keep her from having a baby.
AHS Asylum had a lot of dark and important things to say about mental health care in America. AHS Coven had a lot of dark and important things to say about race and gender relationships.
Last season, AHS NYC wasn’t so subtle. Yes, there was a killer. But the real historical horror of the AIDs epidemic in the 80s was the focus of the season. And that worked very well.
This season, the story is clearly about female body autonomy. Anna is a woman struggling with so many issues that modern women face. The balance between our careers and our families. Feeling like growing old is the most unforgivable thing a woman can do. And of course, the fact that our bodies often feel like they don’t belong to us.
I was also pleased to see some AHS alumni. Denis O’Hare as Dr. Hill was delightful. Leslie Grossman and Billie Lourd will be involved soon, and they never bring anything less than their A-game.
This episode also did something I never thought could happen. It managed to scare me with a calendar notification. That was a special moment for me as a horror fan and calendar-obsessed person.
What didn’t work
Here are some things I didn’t love. First off, the main character Anna is a pushover. She can’t say no to Dex, Talia, Dr. Hill, or Siobhan. No one gets a no from this woman!
Anna didn’t act like that in the book. She stood up to everyone all the time, it was great. She wasn’t getting any support, but she was advocating for herself! That was such an important part of her character, and I’m sad to see that she’s lost that here.
I also hate the changes made to Siobhan and Talia. Now, please understand that this isn’t me complaining that the book was different. That’s not my point. Siobhan was a kind, loving woman who supported her best friend even while dying of cancer. Talia was a smart, business-oriented woman who was still kind. She was trying to start a family with her transgender husband, and bonded with Anna over their IVF journeys. These were vital characters in the story.
I feel like they’ve been railroaded.
All that being said, this was a decent start to AHS Delicate. It’s not the best start of a season we’ve had. But it’s okay. I’m looking forward to seeing what the rest of the season is going to bring. (4 / 5)
Wheel of Time, Strangers and Friends
Episode two of Wheel of Time, widened the divide between the show and the books. Things are happening out of order, people are acting out of character. Whether this is to the detriment of the show, however, has yet to be determined.
One character missing from episode one was Rand. You know, our main character. But we finally catch up with him now.
He’s living in a city with a woman named Selene. They don’t have what I’d call a super healthy relationship. She spends a bit too much time talking about her ex.
Yes, for those of you who didn’t read the books, this is going to be important.
Rand is also working at an insane asylum. He’s kind and patent with his charges, but not all of his fellow caregivers are.
Meanwhile, Lan and Moiraine are recovering form their Fade attack from last episode. Rather than taking the time to actually heal, Moiraine decides to head out to find Rand. Her team comes with her, which seems to really bother her.
While that little hissy fit is taking place, Nynaeve is causing issues. Not by anything she’s doing, but by what she’s not doing. As none of the regular novice teacher have been able to get her to use the One Power, Liandrin offers to try. No one, including me, is thrilled with this. But, the Aes Sedai are desperate. They know that The Dark One is around, and they need Nynaeve to be ready. So, they let the person who’s driven other students to their deaths and actively committed multiple hate crimes take over.
What could go wrong?
The special effects in this episode were really well done. I especially liked the dead fade nailed to the wall.
I was also pleased with the introduction of Elayne. Ceara Coveney is playing her, and doing a fine job. She’s warm, kind and sweet. I am thrilled that she’s around.
One of the greatest things about Wheel of Time is the friendships between the characters. Rand, Perrin, Mat, Nynaeve and Egwene legitimately care about each other. Elayne seems to care for Egwene right away. I really love that.
What didn’t work
One thing that bothered me in this episode, and frankly the last episode, was Liandrin keeping Mat in prison. I feel like this wasn’t adequately explained. Why does she have him? How did she trap him? What in the hell is she trying to get from him? Perhaps I simply missed something, and please let me know in the comments if this is the case. But it feels like some poor writing to me.
I also don’t love how Moiraine is portrayed in this episode. Really, in this season so far.
I get that she’s never exactly been a warm person. She’s not personable, open, or kind. Some (most) fans of the book would likely agree that she’s kind of a bitch.
But she’s not a bitch for no reason. She certainly isn’t the sort to lash out at the people who love her because she’s in pain. And that’s what she’s doing through this episode. She’s taking her pain out on Lan. And that’s just out of character for her.
It feels very much like a lot is being skipped over from the Wheel of Time books. But, so far at least, I don’t feel like anything vital has been missed. It feels more like the story is being streamlined.
Yes, I understand how this might go horribly wrong. I think we’ve all seen that. But as of right now, the changes make sense for the switch in mediums.
Now, let’s see if it stays that way.
(3 / 5)
Fantastico Disasterpiece Theatre: Francois and The Unicorn Review
Gringo Fantastico is a troubled luchador presenting Troma films from the safety of a derelict recreation center nestled in chaotic Tromaville. He is tortured by the French-Canadian Demon Piñata Francois who trash talks and hurls abuse throughout the episodes. This week’s special guest is Jonah Ray Rodrigues. New episodes release on the first of each month on Troma NOW.
Roll the Tape!
Welcome back to Tromaville for Chapter Dos of Fantastico Disasterpiece Theatre! Gringo Fantastico (Nate Turnpaugh) returns to the screen with guest Jonah Ray (current host of Mystery Science Theater 3000) to proudly host Ed Wood’s Plan 9 from Outer Space (1957). Turnpaugh espouses his love for the movie in our most recent interview and credits his friends with helping him to discover it. “They kept trying to get me to watch it, and one day I finally did.”
On a totally unrelated note, the Mirriam-Webster dictionary defines libel as “a written or oral defamatory statement or representation that conveys an unjustly unfavorable impression.” For no reason at all, I choose to immediately correct the record and inform you that Fantastico actually hosts Herb Freed’s Graduation Day (1981).
We once again begin with grainy VHS footage of an interview from the luchador’s past. Much like the previous episode, Fantastico becomes upset at the prodding questions being asked of him. As this ongoing narrative continues to build, it is becoming obvious Fantastico is coming close to a breaking point.
These segments, while short, work to highlight Turnpaugh’s screenwriting ability. They feel authentic and demonstrate a solid understanding of wrestling culture. Crafting a compelling story can be difficult when it is broken into parts and spread across significant time. However, he creates bite-sized pieces of lore that manage to both satisfy and leave the audience craving more.
A Piñata by Any Other Name
Before the movie can start, Fantastico has to deal with the usual shenanigans from Francois. When it is time to bring out Jonah Ray for his interview from the Satellite of Love, Francois outright refuses. The interview must come at the cost of Fantastico’s soul. Fearing for the worst but desperate to continue the episode, Fantastico agrees to a one-day-only loan of his soul.
Enter Francine. She’s a sassy yet loving unicorn who only wants the best for Fantastico. She is complimentary and eager to help, offering her kind words in a sugary sweet voice. For all intents and purposes, she is the opposite of Francois. And yet, she is Francois. At least, she is Francois after consuming Fantastico’s soul.
Turnpaugh continues the ongoing theme of addressing his PTSD within the episode. He explains it as, “the whole concept of self-worth with the PTSD and things like that because that is a problem that I’ve experienced. When people are constantly negative towards you and you constantly have to defend yourself and you constantly be on edge and finally something happens and you don’t have to do that anymore. But you’re so guarded when that happens that you don’t know how to act.”
Throughout the episode, Fantastico chafes against Francine’s presence. He is unsure of what to do when someone speaks affectionately to him after suffering Francois for so long. The only punishments she doles out are rainbows that make you laugh. It’s unsettling and a little uncomfortable and is exactly what working to replace negative self-talk with positive self-talk feels like.
The Satellite of Love
The interview segments with Jonah Ray feel like listening to old friends banter. Turnpaugh tells me he first met Ray at the Malco Drive-In Theater last year where they both attended Joe Bob’s Jamboree. He admits to being caught off guard when Ray knew who he was and was familiar with his work.
Fame and the mental games it causes one to play ends up becoming a large part of the interview. When asked by Fantastico when he felt like he had made it, Jonah Ray responds “I don’t think there is a there, there.” He likens the fame game to climbing a ladder. “You’re […] looking up […] but you rarely look back down.”
One of the best portions of the interview is when Jonah Ray goes full meta and begins roasting the ego necessary to take on the role of a media host. It’s hard not to laugh when you remember this is coming from the mouth of one host straight into the ear of another. It is important to note that both men are playing characters as hosts, which according to Ray changes the dynamic.
New Place, Same Thing
Jonah Ray also spends time talking about the difference in production having moved away from Netflix and onto Gizmoplex. He says it has been a lifelong dream to host MST3K and the move has allowed him space to better bring his vision of hosting to the screen. Netflix, while important in bringing MST3K back, seems to have sucked some of the soul out of the show. He believes moving to Gizmoplex helps with delivering the level of quality fans expect.
Turnpaugh is familiar with format shifts, having moved his show from YouTube onto Troma Now. I ask how this has changed things in terms of production and he says while he has never felt more supported, he has started placing more pressure on himself. “The pressure is never from Troma.” Lloyd Kaufman clearly believes in the show, as he’s recently started giving it top-billing on the site.
Back to Basics
The end of the episode brings back an extremely confused Francois. It seems consuming Fantastico’s soul didn’t go exactly as planned. Turnpaugh promises that audiences have not seen the last of Francine and that some answers may be coming sooner rather than later. You’ll just have to tune in next month to see what insanity happens next in Tromaville.
My rating for the episode: (4.6 / 5)
Follow @realfantastico on the platform formerly known as Twitter to join in with the rest of the Fantasticats as they live-tweet each episode the Friday after release. Episode three features special guests Toby Poser, John Adams and Lulu Adams.