This season of Goosebumps has been kind of slow so far. While there have certainly been some fun moments, it’s been more misses than hits. But The Girl Next Door turned that around.

It also felt like it was tailor-made for someone like me. Millennials love nostalgia, and this episode had that in droves. But you know what we also love?

Found footage.

The story

We begin our episode with Anthony in Dr. Pamani’s lab. He’s really gone to pieces. And rather than trying to put him back together, Dr. Pamani seems to want to melt these pieces down.

Meanwhile, the teens gather at Cece and Devin’s grandmother’s nursing home to watch the tape. When they do, they learn more than some of them wanted to about their parents’ childhoods.

Together with them, we see a day or two before Matty and his friends went missing. We see Jen being toxic towards a new girl named Hannah. Yes, this is the same Hannah that Devin is currently spending time with.

Eventually, the rest of the kids realize this too. They go to find Devin, who by that time was very much in need of rescuing.

What worked

Let’s start by talking about the dark comedy in this episode. Because it was legitimately hilarious. Starting with Anthony’s overly calm conversation with our mystery antagonist, Dr. Pamani. He asks her if she killed his brother, and she says no. Then he asks if she’s killing him. Which is a fair question at that time, because she seems to be melting his body parts.

Also, she was smart enough to know about our mystery plant monster but not smart enough to keep her damned face off the doorbell camera. That feels very Boomer and very funny.

As we mentioned earlier, this episode relies heavily on found footage. Namely, the video Anthony and Matty made that caught the final moments of the teens who died at Camp Nightmare. Found footage is catnip for me, so I loved it. But it was also good found footage. It included the lovely little moments we all enjoy, like people asking why someone’s still filming. Or the shocked looks of people recording things they weren’t supposed to hear. And, of course, the sad moments that are only sad in hindsight. Like Anthony and Matty’s last game of table tennis.

I won’t lie, I almost teared up at that one.

The Ghost Next Door (Classic Goosebumps #29)

• Goosebumps available now on Disney+!”HOW COME I’VE NEVER SEEN YOU BEFORE?”Hannah’s neighborhood has gotten a little
• weird
• Ever since that new boy moved in next door

$7.99

Buy on Amazon

Last update on 2025-02-25 / Affiliate links / Images from Amazon Product Advertising API

Finally, I want to talk about Dr. Pamani. Because so far she’s been great. We have no idea if she’s going to end up as a friend or enemy. And I think it largely is going to depend on the circumstances. She doesn’t have the same goals as the teens, but I don’t know that her goals are bad. She is only interested in containing these monster plants. This is a worthy goal. She isn’t going to care if some kids and their parents die in her efforts to save the world, though. This seems like it would be an acceptable loss for her. So while she isn’t exactly bad, she isn’t good either. And I’m sure if push comes to shove, she’ll shove.

What didn’t work

As much as I loved Dr. Pamani, I am sad to say I wasn’t as pleased with Hannah. Going into this episode, I was expecting her to be a pod person. Creation of the plant creature. I noticed she looked a bit like a mix between Alex and Frankie, and thought the plant might have taken some of their DNA and made a body for itself. But, if you’ve read the book this episode is named after, I bet you know that wasn’t Hannah’s story. But that doesn’t make a whole lot of sense.

We haven’t been dealing with ghosts this whole season. And episode six of an eight episode season isn’t when we should start throwing in new world rules. We had an antagonist the characters were dealing with. We didn’t need another one.

There are only two episodes left in the season, so things should be wrapping up. I’m excited to see how they handle it. And interested to see if everyone’s making it out of the basement alive.

Set against the brooding, mist-shrouded landscapes of 1970s Yorkshire, Starve Acre (2023) is a chilling folk horror adaptation of Andrew Michael Hurley’s acclaimed novella. Directed by Daniel Kokotajlo (Apostasy) and featuring compelling performances from Matt Smith (Dr. Who) and Morfydd Clark (The Rings of Power), the film explores the effects of a child’s loss on a marriage, weaving a tapestry of atmospheric suspense and unsettling dread.

Starve Acre (DVD + Blu-ray)

• Starve Acre (DVD + Blu-ray) Director: Daniel Kokotajlo Daniel Kokotajlo’s impressive follow-up to his award-winning Apostasy is a brilliant adaptation of Andrew Michael Hurley’s acclaimed novel
• In 1970s Yorkshire, Richard and Juliette relocate to Richard’s childhood home, hoping the idyllic country surroundings will benefit their young son
• However, a sudden tragic event drives a wedge through the family, which triggers Richard, an academic archaeologist, to bury himself in obsessively exploring a local folkloric myth

$29.97

Buy on Amazon

Last update on 2025-02-24 / Affiliate links / Images from Amazon Product Advertising API

The Plot.

Richard (Matt Smith) and Jules (Morfydd Clark), seeking respite from their son Owen’s (Arthur Shaw) debilitating asthma, relocate to Richard’s isolated childhood home in rural Yorkshire.

Richard, a college lecturer specializing in history and archeology, soon begins delving into his late father’s unsettling belongings, dredging up painful memories, and the unsettling history of the property, called Starve Acre, and an ancient tree that used to grow on the heart of it. He discusses the tree with his son and they make a pact to find the roots of the tree that must surely still be buried underground somewhere.

Meanwhile, Owen’s behavior takes a disturbing turn. He struggles to integrate into the village, culminating in a disturbing act of violence against an animal during a local fair, ostracizing the family from the community. (Trigger warning: This scene depicts animal cruelty.) The isolation and escalating tension amplify the family’s growing mental strain. An unseen, malevolent presence, known as Jack Grey or Jack Dandelion, begins to manifest, weaving its way into their already fractured reality and drawing them into a terrifying descent.

Highlights.

At its core, Starve Acre is a harrowing exploration of parental grief, a theme masterfully conveyed through Matt Smith and Morfydd Clark’s exceptional performances. The film’s reliance on prolonged, intimate close-ups demands a profound emotional vulnerability. Smith and Clark navigate this vulnerability with remarkable skill, avoiding melodrama and delivering powerful performances. Their palpable chemistry, further enhanced by the film’s intimate visual style, underscores the profound tragedy at the heart of the story, moving it past mere folk horror genre conventions, showcasing the power of casting to illuminate the depths of human suffering.

Drawbacks.

The only thing that threw me off watching this movie was the pacing. It was slow, which is fine with this type of rural, atmospheric suspense, but it began to drag just a little too much. As mentioned in the highlights, the film relies on prolonged close-ups to achieve its atmosphere, this is okay when highlighting emotion, but when the camera is held on the misty rural backdrop for more than 10 seconds, I can only say that the cinematographer is overindulging just a bit.

Starve Acre Beautifully written and triumphantly creepy Mail on Sunday Paperback 29 Oct. 2020

• The worst thing possible has happened
• Richard and Juliette Willoughby’s son, Ewan, has died suddenly at the age of five
• Starve Acre, their house by the moors, was to be full of life, but is now a haunted place

Buy on Amazon

Last update on 2025-02-24 / Affiliate links / Images from Amazon Product Advertising API

The Final Take.

Starve Acre elevates Andrew Michael Hurley’s novella in surprising ways. While the book thrives on ambiguity, the film illuminates its shadowy corners, providing a satisfying sense of clarity. This expansion enriches the overall experience, making both the film and the novella essential companions. Whether you’ve read or watched one, the other will deepen your appreciation of this unsettling tale.

The assessors investigate a potential haunting who happens to be Kristen’s (Katja Herbers) neighbor in “The Demon of the End.” David (Mike Colter) turns away from temptation and embraces his visions. Andy (Patrick Brammall) finds himself trapped and struggling. Kristen visits her mother (Christine Lahti as Sheryl) at work.

“The Demon of the End” is the tenth episode of season 3 of Evil, created by Michelle King and Robert King. The central cast includes Katja Herbers, Mike Colter, Aasif Mandvi, Michael Emerson, Christine Lahti, and Andrea Martin. As of this review, it’s available through Netflix and Paramount+ and its add-ons.

What I Like about “The Demon of the End”

“The Demon of the End” begins shortly after the last episode, keeping momentum with a memorable introduction. “The Angel of Warning” provides another memorable introduction, but this episode directly connects the tragedy with the characters we know. It hits hard and lingers on that emotional investment.

Li Jun Li continues her exceptional performance as Grace realizes the cost of assuming she understands her vision. One might speculate why this realization troubles her, but the moments leading to her appearance visibly haunt her.

The evolution of Andy’s (Patrick Brammall) storyline provides a few twists that suggest a focus for the character. Andy often seems like one of the characters neglected by the plot, and “The Demon of the End” provides some work in remedying this issue. While the follow through varies between episodes, it’s still effective in this episode.

Sale

Evil: Season Three [Blu-Ray]

• Katja Herbers, Mike Colter, Aasif Mandvi (Actors)
• Robert King (Director)
• Audience Rating: NR (Not Rated)

$30.61

Buy on Amazon

Sale

Evil: Season Three [DVD]

• Katja Herbers, Mike Colter, Aasif Mandvi (Actors)
• Robert King (Director)
• Audience Rating: NR (Not Rated)

$23.45

Buy on Amazon

Last update on 2025-01-31 / Affiliate links / Images from Amazon Product Advertising API

Kristen remains the central character for most plotlines, passing from each catastrophic revelation with surprisingly effective pacing. Katja Herbers chews each scene, often displaying her thoughts with her expression alone.

When Evil lets a scene simmer, it leads to some of the show’s best moments. The combined revelations at the end between the characters hold many such moments. Kristen’s final scenes of the season bring this visual storytelling to life. Small moments connect previous episodes to the current plot as everything becomes clear to Kristen and the viewer.

Tired Tropes and Triggers

This is less a trope or trigger, but a character displays a moment that suggests an OCD. It’s a brief moment with little room to make any definitive claims.

Perhaps toxic family relationships should be mentioned. However, little is unpacked at the current moment, leaving potential plotlines for season 4 to develop further or drop.

David suggests a character pray at a particularly low moment regardless of their belief. I find it benign, but it might not sit well for some. However, this is a series following assessors for the Catholic church.

What I Dislike about “The Demon of the End”

There’s nothing I particularly dislike or take issue with in “The Demon of the End.” The one criticism is that of leaving in something akin to a cliffhanger, forcing season 4 to begin with season 3’s natural conclusion. Yes, it builds anticipation, but it leads to a non-conclusion.

Final Thoughts on “The Demon of the End”

“The Demon of the End” brings the end of season 3 with a few memorable moments and directions for season 4. It ends the season by promising a future confrontation with two key characters and several mysteries to explore further. The episode mostly feels complete in its execution, though it ends right before a full conclusion.

Final Thoughts on Season 3

Season 3 is the shortest season of Evil, breaking the 13-episode trend of 1 and 2. This decision seems a positive development, allowing a more focused plot that pushes the greater narrative along. However, it is a shame that this season drew a shorter straw, considering the initial fumbling of season 2. Viewers receive a clear move toward a definitive conclusion. 
(4.5 / 5)