Connect with us

Published

on

The Slenderman is a well-known character for both gamers and Creepypasta fans alike. Most of us have seen pictures of him. Eerie photos of an incredibly slim, tall man with a white face and three-piece suit. He stalks children at parks, taking them away forever. 

It’s a great scary story, a modern urban legend. And I’d like to think that most of us know that it is only that. 

Unfortunately in 2014, the story became too real for three twelve-year-old girls. Anissa Weier and Morgan Geyser attempted to murder their friend, Payton Leutner. The three girls went into the woods, and Payton was stabbed nineteen times. 

Miraculously, she survived. 

Advertisement

Today, I want to talk about the most comprehensive documentary I have seen to date regarding this tragedy. We’re taking a look at Beware The Slenderman. 

Released in March of 2016 by HBO, this documentary was actually released before the end of the trial. Despite that, it was incredibly informative. 

The two-hour-long documentary can be broken into two basic topics. The first, of course, is the attack on Peyton Leutner and the subsequent trial. The next topic is the one I was more interested in if we’re being honest. Slenderman is a modern-day urban legend. Why did his story have the power to drive two children to kill?

Original Slenderman photo, created by Eric Knudsen

Let’s talk first about the coverage of the criminal trial against Anissa and Morgan. Now, I’m going to tell you something that surprised me. This documentary was released in 2016. The criminal trial was not over until 2017. Seems to me that it would have been better to delay the documentary until the trial was, you know, over. But hey, what do I know? Instead, our climactic ending revolves around one serious question. Would Alissa and Morgan be tried as adults or children?

We saw a lot of interviews with the parents of the two girls. They talked a lot about how seemingly normal they were. About how they were often the target of bullying, and how they only had a few close friends.

This was a very sad, yet touching view of families that are struggling with an impossible situation. How do you love and support your child after they’ve done something so terrible? 

Advertisement

I will warn you that this portion did involve police interviews with the girls. It’s not as upsetting as hearing babies crying while they died like in Transmissions from Jonestown. But it’s still not a warm and fuzzy experience. 

I appreciated the view of the families. It’s a point of view we don’t see as much. Part of me would have liked to see the family of Payton Leutner involved more. I’d have loved to know what they think of all of this. But it appears that they either didn’t want to participate in the documentary or weren’t asked in the first place. And honestly, I think that might be for the best. Even though Payton survived, she was brutally attacked by her two best friends. She and her family deserve to live their lives in peace.

What I was fascinated by was the story of Slenderman as a modern urban legend. What was it about this character that these children latched onto?

In this documentary, he’s compared to the Pied Piper in the way he lured children away from their families. This included a warped and frankly terrifying retelling of the Pied Piper with some of the creepiest animation I have ever seen. I loved it. 

The Pied Piper in a still from Beware The Slenderman.

Slenderman is a perfect character for this sort of infatuation, unfortunately, because there are just not a lot of specifics in his story. He pops up in video games and online tales with any number of motivations. Is he abducting children to torture and kill them? Or is he rescuing them from their cruel peers who ostracize them? His vague back story and vague appearance mean we can look at him and see whatever we want to see. If you want to see a killer, that’s what you’ll see. If you want to see a friend who happens to kill other people sometimes, you can see that too.

Overall, this was a fascinating documentary. It managed to handle a sensitive situation tastefully. No one is made out to be a bad guy here because in the end no one really is a bad guy. I mean, except Slenderman.

Advertisement

This story is a stark reminder that stories have power. They have the power to heal us, inspire us, to change our lives. And if we aren’t very careful, they have the power to destroy our lives as well.

Stay safe, and don’t take things too seriously out there. 

4 out of 5 stars (4 / 5)

Advertisement
Continue Reading
Advertisement
1 Comment

1 Comment

  1. Jennifer Weigel

    March 27, 2023 at 1:38 pm

    Thank you for covering this. I am unfamiliar with the documentary but am a bit aware of the trial and murder. It resonated in similar fashion to some Victorian era murders of children by other children. They are not always as innocent as we’d like to believe.

Leave a Reply

Your email address will not be published. Required fields are marked *

This site uses Akismet to reduce spam. Learn how your comment data is processed.

Movies n TV

American Horror Story Delicate, Rockabye

Published

on

There’s a lot to unpack from this episode of American Horror Story Delicate, Killer Queens, so I don’t want to waste any time. I just want to take a moment and issue a trigger warning. This episode, and therefore this review, talks about several topics that might be upsetting. These include abuse, pregnancy trauma and miscarriage. It’s heavy. If you’re not up for that, here’s a link to my review of Tucker and Dale, which is considerably lighter and funnier.

The story

Our episode starts with Anna trying to get the police to take her seriously about the break-in. There’s just one problem. No one was seen coming in or out of the apartment except Dex. No one shows up on any of the security footage. The police are convinced it’s just Anna’s IFV medication making her see things.

But Anna doesn’t have time to think about the break-in. She’s just been nominated for a Gotham award, and she needs to get into full Awards Show mode. Siobhan gives her something she calls B12 and tells her that her life now revolves around awards prep.

But Anna’s whole life can’t revolve around that, because she’s pregnant now. Even though she seems to be losing time. Like, weeks at a time without even realizing it.

Advertisement

Things just get stranger when she’s at the Gotham Awards and accosted by an overzealous fan in the bathroom. After the woman puts her hands on Anna’s stomach, she knocks her over and the woman hits her head on the sink.

Rather than aiding the woman, Anna goes out to accept her award.

Or does she? After throwing up blood on stage, she finds herself back in the bathroom, being helped up by paramedics.

Everyone agrees that Anna needs some rest and space to heal. So she and Dex go to Talia’s house in the country. There, of course, everything gets much worse. Anna starts to bleed after a yoga session and is taken to the hospital. There, she gets an ultrasound by Nurse Ivy. A nurse that no one else knows at the hospital.

Cara Delevingne in American Horror Story Delicate.

Sadly, the bleeding doesn’t stop. And as we end the episode, it appears that Anna has lost her baby.

What worked

Emma Roberts is doing a fantastic job playing Anna. Proving as always that American Horror Story actors are nothing if not flexible. I find myself wanting to compare Anna to Madison Montgomery from AHS Coven. They’re both actresses who experience abuse from men that one might, sadly, expect for women in their station and age range. Madison is gang-abused by frat boys, and Anna has her autonomy taken away from her as soon as a baby is in question.

Advertisement

That’s where the similarities stop. Can you ever imagine Madison saying, “You’re right, I’m sorry,” to literally anyone? She’d have snapped a man’s neck first. Anna’s body language, voice modulation, and the overall way she carries herself in the world is so different.

This is also part of what makes her relatable. I imagine many of the female-presenting people reading this can remember a time when we’ve said, you’re right, I’m sorry when they were wrong and we weren’t sorry at all.

Maaz Ali in American Horror Story Delicate.

I also really loved the amount of blood in this episode. There is so much blood involved in being a cisgender woman. It’s something we take for granted, but shy away from when in polite company. There was no shying away here. We’re made to see all of it. I don’t think the amount of blood in the miscarriage scene was overkill at all. If anything, it wasn’t enough.

Finally, it’s a small point but one that I appreciated. I bet you already know the one I’m talking about. When Anna is overjoyed to get to wear the same dress once worn by Madonna, Siobhan reminds her in a stern voice not to rip it.

If you didn’t get the joke, look up Kim K and an incident with the iconic Marilyn Monroe dress. I do appreciate anyone who can poke fun at themselves.

The reference to ‘don’t rip it’ with the dress was fun. I hate Kim K and her whole family, but that was funny.

Advertisement

What didn’t work

I’m honestly struggling to find anything in this episode that didn’t work. If I had to pick out something I didn’t like, it was probably that we got the barest cameo from Zachary Quinto. I really hope we get to see more of him as the season progresses.

Another thing I don’t like overall is the character Siobhan. I mentioned this last week, and I’ll try not to mention it again because I don’t see it changing. But the character in the show is a bare reflection of the one in the book.

Siobhan in the book was a loving, selfless friend. Which made the ending, well, let’s say impactful to avoid spoilers for both AHS and Delicate Condition. This version, if she continues as she is, is not going to have the same effect.

I’m also quite done hearing the internet swoon over what a great job Kim K is doing. She’s been acting her entire life, I’d be surprised if she wasn’t good at it. And she’s doing no better or worse than many other guest stars have done in the past seasons of American Horror Story. She’s not bad. But she wouldn’t be getting the credit she is if she wasn’t who she is.

Overall, this was a great episode. It was equal parts funny, gory and infuriating. At this point, my only real complaint is that there are only three episodes left until a season break. But now that the writing strike is over, hopefully the break won’t be too long.

Advertisement
4 out of 5 stars (4 / 5)

Continue Reading

Movies n TV

Cadaver (2020), a Film Review

Cadaver (2020) is a Norwegian post-apocalyptic thriller directed by Jarand Herdal and currently available on Netflix.

Published

on

Cadaver (2020) is a Norwegian post-apocalyptic thriller directed by Jarand Herdal. This unrated film stars Thorbjørn Harr, Gitte Witt, and Thomas Gullestad. As of this review, the film is available on Netflix.

After an apocalyptic event, the survivors endure in a hopeless world. Among these survivors are Leonora (Gitte Witt), Jacob (Thomas Gullestad), and Alice (Tuva Olivia Remman), a family fighting the hopelessness of a lost world. Leonora desires to keep her daughter (Alice) hopeful, and when a theater opens in their decrepit city, she thinks she has found the solution to their despair. However, they will all soon learn how desperate people have become.

Golden masks hanging on meat hooks over a dark background. Below reads: "Netflix: Cadaver."
Cadaver Netflix Promotional Art

What I Like from Cadaver

Cadaver takes on a unique focus for a post-apocalyptic movie. While most in the genre tackle the question of where you find hope, the theatrical lens is not one I’ve seen before. It blends these two unique environments together for a pleasant concoction. As a fan of the post-apocalyptic genre, I must admit I find my niche in the everyday lives of someone in such a world.

Leonora’s (usually called Leo in the film) dreamer nature in this horrendously hopeless environment creates a sympathetic contrast. This dreamer nature doesn’t excuse some of her choices, but she evokes sympathy. While most post-apocalyptic entries provide this balance of hope and survival, Leo’s creativity and passion for the arts give her hope and a more focused ideal.

The relationship between Leo and her husband also creates a nice contrast, as Jacob plays the rationalist and survivor. In this decision, both characters provide that post-apocalyptic dynamic of survival and hope. These interactions allow both actors opportunities to create friction as they pull the plot from their differing perspectives.

Advertisement

I had the chance to listen to the dubbed version, which sounds good. I’m not much for dubs, especially on Netflix, but they did Cadaver with respect and a focus on quality. At the very least, it’s competent and doesn’t distract from the viewing experience.

White background, rubber stamp with disclaimer pressed against the white background.
Disclaimer Kimberley Web Design

Tired Tropes and Trigger Warnings

As hinted at earlier, there are some dumb decisions in the plot. While many fall within character traits, the actions don’t escape criticism. This flaw becomes incredibly repetitive when characters make the same mistake.

Implied suicide occurs throughout the film with one shown incident, but there are circumstances that change the context slightly. A world this bleak invites this depressive and dangerous state as a normality. However, one should prepare if this is a trigger.

A girl to the left most side holding her mother's hand. Their father walking on the right most side. All wear golden masks as they walk a hallway.
Cadaver Family

What I Dislike or Considerations for Cadaver

Again, some decisions had me roll my eyes and endure the plot. This reaction isn’t exactly the experience I seek out in my horror. It’s more haunting to make sensible, or even intelligent, decisions and still endure unavoidable or unforeseen consequences.

It’s likely that nothing in Cadaver surprises you, which underutilizes the interesting premise. There are unique elements, certainly, but never a twist I didn’t see coming. It’s in that execution that Cadaver falls flat and fails to engage a viewer.

The film doesn’t exactly haunt the viewer, but the bleak world effectively depicts the hopelessness of a post-apocalypse. Don’t expect much genuine horror, but you can expect an appropriately uncomfortable and unnerving experience. In short, viewers of Cadaver likely want a unique twist in their post-apocalypse, not a traumatic horror.

Final Thoughts

Cadaver remains a unique viewing experience by adding a slight twist to its post-apocalyptic story. While not a haunting masterpiece, this bleak film will have you feeling the characters’ struggle. While lacking sensible decision-making skills, they are certainly sympathetic survivors struggling in a hopeless world. If this is your niche, it’s certainly worth a view.
3 out of 5 stars (3 / 5)

Advertisement
Continue Reading

Movies n TV

Wheel of Time, What Might Be

Published

on

Episode three of Wheel of Time was easily my favorite so far. It’s dramatic, dark, and speaks to the growing concerns about evil invading the world.

Let’s discuss.

The Story

Let’s begin with Nynaeve. After showing little to no progress, Liandrin thinks she’s ready to go through the Trial of The Arches. This is an initiation that all Aes Sedai have to go through to become a sister. It’s dangerous, not totally understood, and doesn’t have a great survival rate.

One would think some cooler heads would prevail and not let the very new person do this so early. Especially since Nynaeve seems to have some issues with impulse control.

Advertisement

But she goes into the trial, seeing first a scene from her childhood where her parents are attacked. 

The point is to walk back through the arches, leaving her family behind. This she does, but doesn’t look very happy about it. Her second trial involves finding herself back in Two Rivers, where a horrible plague has ripped through the people. Again, she has to walk away from the people that she cares about and come back to reality.

Zoe Robins in Wheel of Time

The third test is a little more tricky. It appears that Nynaeve comes back covered in blood, with no memories of what happened. 

Terrified, she runs from the castle only to find Lan waiting for her. 

In the real world, where Liandrin and the others are waiting for her, she simply never returns. 

This shakes Liandrin. She decides she’s done holding Mat against his will, and lets him leave. Excited, but also smelling a trap, he takes Min with him. 

Advertisement

Still not sure why she had him to start with, but I guess it’s cool that she let him go.

Meanwhile, Rand is working with a familiar face at his hospital. It’s Logain, who we might remember as the false dragon from season one. 

Rand would love some advice about channeling as a man. But it appears that Logain might really have lost his mind.

What worked

My favorite scene in the episode was the one involving Perrin and Lady Suroth. This scene was perfect. 

First off, the character design for Lady Suroth was just perfect. Without moving more than a hand and the crook of her mouth, she manages to be terrifying. 

Advertisement

The massively scary nails help, as does the headdress that is both beautiful and reminiscent of an insect. The sort of insect that seems likely to bite and lay eggs under the skin of a victim. 

Her absolute authority was terrifying. Uno certainly learned that. 

What was more scary, of course, was who was standing next to her. Does she think she’s the one in charge? Or is she perfectly clear on where stands?

What didn’t work

One thing that I don’t love about this season is, unfortunately, not likely to change. It’s true in the books, and it’s true in the show.

Daniel Henney in Wheel of Time

The ensemble cast structure doesn’t work for me. 

It fractures the story in too many directions. It’s too busy, there’s too much going on. At the same time, there isn’t enough going on with individual characters for me to establish an interest in all of them. 

Advertisement

I care what’s happening with Egwene and Nynaeve. I care what’s happening with Perrin.

I don’t care as much about Rand right now. And she wasn’t as involved in this episode, but I don’t care about what Moiraine is going through either.

That could be because the world is coming to an end and they’re refusing to be team players. But maybe that’s just me. 

Overall, this was a fun episode. It feels like pieces are being put into place. The characters are getting ready for something big. Something that we can only see the beginnings of. 

Something that they clearly don’t think they’re ready for. 

Advertisement
3.5 out of 5 stars (3.5 / 5)

Continue Reading

Trending