Danielle Kim sat quietly against the wall, staring at the bloody remains of her neighbors. It had been two days since the broadcasts online had stopped. Yesterday, radio broadcasts about safe zones began to vanish throughout the day. Any broadcasts since were intermittent and only conveyed fears, prayers, and screams for help.
She hadn’t bothered listening to the radio today. At the time she was too preoccupied with the sounds of struggle in the apartment next to her. She didn’t really know her neighbors that well. Now she found herself staring at the blood that pooled around the corpse of… was it Julie? It might as well have been Julie, now. Danielle had spoken to her a handful of times in the five years that they were neighbors. Most of those conversations came after the apocalypse.
After the sounds of screaming and heavy thumps against the wall had suddenly cut out, Danielle left her quarantined apartment. She had stepped onto the walkway and saw the stone steps that lead up to the second floor were still demolished, and that no ghouls had managed to make it up.
The second floor only consisted of two apartments, built above the two apartments below. In a panic a week earlier, after a horde of ghouls caught the woman who lived below her. Julie’s boyfriend, Danielle didn’t really know his name, had smashed the stairs with a large hammer. Julie and Danielle had done their best to fight off the ghouls who attempted to climb up at the time.
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It was far too late for the neighbor below. Between the heavy thuds of the massive hammer striking the stone steps were the bloody, gargling cries of her dying moments. Julie had attempted to climb down, to help, but Danielle held her back. Since then, the three of them had locked themselves away, hiding from the ghouls and hearing the periodic scream until the screams stopped coming.
Danielle turned her attention from the demolished stairs to the other apartment and saw that the door was open. She had knocked lightly but heard nothing from inside. She had decided then to step inside.
Julie was already dead. Her boyfriend was on his knees, his face buried into her face. Sitting here now, Danielle didn’t remember making a noise, but she recalled the boyfriend looking up at the time, his eyes pale and unblinking. Between his teeth was a chunk of Julie’s cheek.
He had turned. When had that happened? When did he get sick?
It was hard for Danielle to remember now, but she must have stumbled back to her apartment and grabbed something to defend herself. In the present, Danielle looked around the living room and saw the volleyball trophy she had grabbed, tossed away. The marble corner was caked in hair, blood, and brain matter. She turned back to see her handiwork. Next to Julie’s body was the boyfriend; his skull caved in and his arm thrown over Julie. A parody of a sleeping couple.
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Danielle began to sob. Everything had fallen apart. She felt like a fool for not having fled somewhere, anywhere, sooner. He was making arrangements, he said. It was his idea to stay isolated and to get out together “at the right time.” She foolishly followed his idea. Idiot.
The sobbing continued until Julie began to stir. Danielle watched the fingers of the dead woman begin to curl and drag across the carpet. The first stirrings of something horrid being born.
The internet was right. Danielle hadn’t wanted to believe it. The dead were returning to life and attacking the living, forced to wander around in an undead daze.
She rose to her feet and made her way to the trophy. She wouldn’t let that fate befall Julie.
Danielle plunged the corner of the trophy into the temple of Julie’s skull. Soon the rasping moans fell silent, and again, the trophy was discarded across the room.
Those religious icons really get around. This time it’s a journey to visit the Deep Ones. And Dracula’s Castle. Because everyone has to be a tourist now and then, and what’s the point if you don’t pick up a souvenir or two?
This was a gift for a friend for their sea life monster theme bathroom. It started as one of those old school wood plaques where the picture is waxed on. And the eyes were originally that creepy – all I did was add the tentacles. So don’t blame the overall weirdness on me, it wasn’t all my doing.
Oh, and apparently Mary wanted in on the action, so she’s gone to Dracula’s Castle for a bite. She even brought back her own religious icons souvenirs…
So this one isn’t as old, nor is it real wood. But it still totally goes with Mary’s journey. And it’s also a little blacklight reactive with the flowers.
So I just keep on going… Here are some more repaint porcelain figurines and other madcap painting. OK maybe some of them aren’t porcelain, but still totally redone.
This Pennywise clown started as some plastic figurine from Italy. I was drawn to this because of the pretty marble base. It’s a nice touch, don’t you think? I’ve seen others in this series and honestly they’re all kind of creepy to start with, so they really lend themselves towards repaint prospects. Perhaps I’ll pick up more to redo in similar ways later on… Oh, and the eyes are blacklight sensitive, in case he wasn’t creepy enough already.
With all of the new movie hype, I couldn’t resist a throwback to the classic Beetlejuice, and this little bride figurine and teddy bear were just too perfect. Featuring more blacklight sensitive accents, like her veil flowers. And I don’t know why she only has one glove, I blame it on the 1980s… Or maybe she was just that drunk (you’d have to be for that wedding)…
So yeah, all those preppers ready for the zombie apocalypse – you know some of them are gonna get bitten. It’s in the script, what can I say? More blacklight eyes, cause why not?
I admit I haven’t seen this film, but it sure looks fun. Mathilda, eat your heart out. Literally.
OK so this isn’t a repaint. Nor is it porcelain. What is it even doing here? Well, she’s cool and ready for a party and kinda reminded me of Abigail, so she sort of just tagged along. Sexy Sadie started as an Avon perfume bottle with a fragrance I didn’t care for (I think it was called Head Over Heels). Because honestly the bottle topper was all that mattered. And now she has her own disco dancing platform. What more could a vampish vixen want?
I wrote this script for Beyond the Veil awhile back, exploring the bond between two twin sisters, Edith and Edna, who had lived their lives together. There was a terrible car crash and someone didn’t make it. The other is trying to contact them beyond the veil…
Beyond the Veil Setting:
Two women reach out to one another individually in a séance setting.
One sits on one side of a dining table. The other sits at the other side. Each studies a candle just beyond her reach; there is darkness between the two candles. The long table is barely hinted at in the interstice between the two but it is clearly present.
The camera is stationary showing both in profile staring through each other.
The women are both portrayed by the same actress who is also the voice of the narrator, who is unseen. All three voices are identical so that it is impossible to tell which of the two women the narrator is supposed to represent.
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Both women are spliced into the same scene. They are together but apart. The two candles remain for the duration of filming so that the two halves of the film can either be overlapped (so that both women appear incorporeal) or cut and sandwiched in the middle between the candles (so both women appear physically present). It is possible to set the scene thusly using both methods in different parts of the story, with both women seemingly flickering in and out of being, both individually and apart.
Script:
I. Black, audio only.
Narrator:
I was riding with my twin sister.
We were in a terrible car crash.
The car drove over the median and rolled.
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It spun off the road where it caught fire.
There was smoke everywhere.
My sister didn’t make it.
II. Fade in to the long table with two lit candles; flames flickering.
Two women are just sitting at either end.
They stare blankly through each other.
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Call and Response
Edith: Now I’m trying to contact her…
Edna: …beyond the veil.
Simultaneous:
Edith: Edna, do you hear me?
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Edna: Edith, do you hear me?
Together (In Unison):
If you hear me, knock three times.
Narrator:
Knock.
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Knock.
Knock.
Call and Response:
Edith: I miss you terribly.
Edna: I miss you so much.
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Edith: Do you remember…
Edna: … the car crash?
Edith: We rolled…
Edna: … over the median.
Edith: There was fire.
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Edna: There was smoke.
Edith: I could hear the sirens.
Edna: They were coming…
Edith: … to rescue us.
Edna: But they were so far away.
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Edith: So far…
Edna: … away….
Simultaneous:
Edith: Are you okay?
Edna: Are you hurt?
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Together (In Unison):
Knock three times for yes. Knock once for no.
Narrator:
Knock
– pause –
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Knock
– pause –
Together (Syncopated):
What’s it like, on the other side?
– long pause –
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Simultaneous:
Edith: I miss you, Edna.
Edna: I miss you, Edith.
Together (Syncopated):
It’s so lonely here.
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Call and Response:
Edith: There’s no one here.
Edna: I’m all alone.
Edith: Without you…
Edna: …the spark of life…
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Edith: …is gone…
Edna: … so far away.
– pause –
Together (Entirely Out of Sync):
It’s so dark.
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III. Fade out to black
Narrator:
I was riding with my twin sister.
We were in a terrible car crash.
The car drove over the median and rolled.
It spun off the road where it caught fire.
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There was smoke everywhere.
I didn’t make it.
I had planned to actually turn this into the video for which it was written, but quickly discovered that my plans for recording required a space that was too drastically different from my new house (and new large gaming table) and that my vision for filming could not be well-fully executed or realized. So now it exists as a script only.
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spiritsails
September 5, 2019 at 5:45 am
Heck yeah! Looking forward to more. 😀
Deft Beck
September 6, 2019 at 1:01 am
Quite a good start, eager for more.