The Last of Us: Episode 5: Endure and Survive
“Endure and Survive,” The Last of Us‘ fifth episode, released Friday, February 10 (a couple days early because February 12 was Super Bowl Sunday). This episode goes into the story of Henry and Sam Burrell, the iconic brothers fighting for their lives in Kansas City, Missouri.
*This review contains HEAVY spoilers*
Through the Tunnels
We last left the Burrells holding Ellie and Joel at gunpoint. The beginning of “Endure and Survive” backtracks to 10 days or so ago, where the brothers are hiding in an attic, away from Kathleen and the FEDRA-resistance group. The two have a tight relationship. With Henry in his mid-twenties and Sam being only eight (a few years younger than Sam in the video game), the two rely on each other for survival. Henry has to be twice on guard for Sam not only because of his young age, but because Sam is also Deaf. The two communicate through American Sign Language and an erasable sketchpad, both of which are used heavily throughout the episode. The silence of their languages adds an even greater immersion of tension to the terrifying world.
After a week in the attic, the brothers run out of food and are forced to find new shelter. This leads them to discovering Ellie and Joel. Henry makes it clear that he and Sam do not want to hurt anyone; instead, they need help escaping the city. With some convincing from Ellie, Joel reluctantly decides to team up with the brothers. The four make a plan to travel through the maintenance tunnels, where Henry is almost positive no infected reside.
Fortunately, Henry is correct. The crew is safe from infected and discover an underground community, where families lived free from infected, FEDRA and enemies alike. They hide out in what appears to be a schoolroom; Joel and Henry sit down to talk while Ellie and Sam bond over their love for the Savage Starlight comic series.
While the journey to this scene contrasts from the game, its identical set design and intimate dialogue sums up a large part of the Last of Us is all about. More than a shooting game, it is a deep study of humanity. Humans are shaped through their experiences and that shapes their behavior and decisions. With the help of good writing and acting, these characters feel and are real.
The realness of these characters is a large reason for The Last of Us’ success. The writers in both the game and series are not asking for us to forgive Kathleen or any other characters, including Joel, who enact tremendous pain and suffering on others. They are not providing an excuse for their actions. Rather, The Last of Us illustrates that humanity is complex and not a binary of black and white or right and wrong. In times of desperation, people will do what they can to survive even if they know it to be very, very wrong.
In both the game and show, Sam asks if the infected are still people underneath the disease. An answer is never provided and we are left to ponder this horror of an existence alone.
Endure and Survive the Bloater
The tunnels spit the group of four out into a desolate neighborhood in the dead of night. They feel a rare sense of security before a sniper shoots them back into reality. Leaving Henry to watch the kids, Joel makes his way to the sniper, shoots him down and clears a path for the rest. Suddenly, Kathleen and her crew of tanks roar through the streets. Joel shoots down one of the tank, which crashes into a house and blows up. But Kathleen’s army is strong, and this attack is nothing compared to what else she has up her sleeve.
The crew of four are, in a word, fucked.
When Henry finally decides to show himself, begging for Kathleen to let the kids go, he is interrupted. The destroyed tank sinks into a large hole in the ground. Everyone is silent, shocked by what they’ve witness, unprepared for the monstrous hoard of infected that cascade out the hole.
Now Kathleen and her army have an enemy greater than our protagonists. Everyone fights off the infected with their guns and machines, but no one can take down the bloater, a behemoth and one of the final stages of infection. The creature is ruthless as it rips people’s heads off and deflects bullets like flies.
Despite all the odds being stacked against them, Ellie and the Burrells somehow manage to escape. They rest for the night in a little motel. When morning comes, Sam is no longer himself. He was bitten during their encounter with the infected, and has transformed overnight. He attacks Ellie. Henry is forced to shoot his brother and, succumbing to grief and shock, himself.
The Verdict
Joel and Ellie are once again on their own. Before returning on their journey west, they bury the brothers beside each other and Ellie places Sam’s sketchpad with the note “I’m sorry” on his grave. They now make their way to Tommy’s.
“Endure and Survive” is, by far, the strongest episode in this impressive series. If one needed to sum up The Last of Us in its entirety, episode five could do the job. It has all the moments of action, sincerity, comedy, hardcore action and intense tragedy. All of these elements are included while pacing the story and . All the actors in this episode stand out, but Lamar Johnson and Keivonn Montreal Woodard truly shine. Their performances of these iconic brothers brought Henry and Sam to life and, despite how short their stay, will be dearly missed.
(5 / 5)
We can anticipate to catch up with Tommy 20 years after the events in episode one. We can expect perhaps another slower episode like episode 4. This is a rather slow part in the game (minus the various shootout fights). However, this show is great at throwing a few curveballs, so we’ll just have to wait for Sunday, February 19.
Until then, make sure you check out the other shows and games we’re watching and playing at HauntedMTL.
Released in 2011, Grave Encounters is one of the better-liked-found horror movies by both critics and horror fans alike. At least, that’s the opinion of the few who’ve seen it. For some reason, it’s not as well known as many others in the genre. So today, let’s spread awareness for this overlooked spooky gem.
The story
We begin our story with a TV executive, talking about an ill-fated reality show named Grave Encounters. He explains that everything went south during the taping of episode six. While the footage was retrieved, the ghost hunters were not. Our TV executive assures us that what we are about to see is not a movie, and has only been cut for time.
We then dive into the footage collected from episode six. The ghost-hunting team will spend the night in an old mental hospital called Collingwood Psychiatric Hospital.
During the night, the team does see a few eerie things. A door slams shut. A wheelchair moves on its own. Fairly standard ghost-hunting fair.
The real horror starts when the team isn’t released from the hospital in the morning. Because morning doesn’t come. The sun doesn’t rise and the doors don’t open to the outside world. Lance, TC, Sasha, Matt and Houston are all trapped inside an ever-changing hospital, with the patients who remain even in death.
What worked
The first thing I want to talk about, and the part that attracted me to the film in the first place, is the parody element. Fans of ghost-hunting shows like Ghost Hunters will recognize many of the same elements. The title even has a very similar font. As someone who loves a good ghost hunt, but often finds that these shows take themselves a little too seriously, this was quite enjoyable.
Another thing I loved about Grave Encounters was the effects. The ghosts were shocking, not just the first time we saw them but every time. This is even more impressive when we remember that this movie had a budget of $120,000. The creators taught themselves how to do these effects, and most of them are practical, not CGI. This would have been impressive if the effects were just passible. And they were far more than that.
Finally, I want to talk about the character development. We start the film without much sympathy for our characters. Especially Lance. Lance was so punchable at first. He was flippant about others’ pain. He was clear that he’d make up evidence if he couldn’t find any. And he didn’t seem too interested in listening to his team.
By the end of the movie, though, we care about him and the rest of the team. And it takes so little time for us to change our minds. We see TC talk to his daughter, and realize he’s never going to get home to her. We see Sasha care about the people lost in the hospital. We see Lance protect Sasha and the rest of his team. We see that these people, as willing as they are to financially benefit from other people’s pain, actually do care about each other. No one is a coward. No one is leaving people behind. That’s admirable. And that makes me give a damn about them.
What didn’t work
All that being said, it wasn’t a perfect movie. To start with, there are some questions we don’t get answers to. And not in an acceptable way. It’s okay that we don’t know what really happens in the end. It’s okay that we don’t know how the spirits manipulate time. It’s not okay that one character is simply eaten by fog. That scene, close to the end, just felt lazy.
I will also say that some of the acting wasn’t great. Especially from Sasha, played by Ashleigh Gryzko. I won’t say she was terrible. But her acting was overdone. She was also a bit of a scream queen. We didn’t learn much about Sasha, except that she’s the token girl. Her character could have been fleshed out a bit more.
Overall, Grave Encounters is a great film. Whether you’re a fan of found footage, ghost hunting, or just spooky stories well told, this is one to put on your TBW list sooner rather than later.
For Haunted MTL, this is Nicole signing off.
(4.5 / 5)
Episode four of Agatha All Along started on a sad note and ended on a shocking reveal. Can we really ask for anything more?
The story
We begin this episode, as mentioned, at the graveside of poor Sharon. She’s the first to pass away on The Road, but I’ll be quite surprised if she’s the last.
It’s one thing to have died. But it’s quite another to have died surrounded by people who don’t really care and won’t really mourn you.
After that, we continue down The Road to find another house. This one appears to be familiar to Alice. She tries to turn around and go the other way, but The Road won’t let her escape that easy.
What they find inside is the home Alice shared with her mother. They also find a record of Alice’s mother’s version of the Ballad. After the coven starts experiencing Alice’s family curse, they realize the only way out is to sing The Ballad that can protect them. One that’s been protecting Alice for most of her life.
They do escape the house, but not unscathed. Teen is badly injured. And we see another side of Agatha. Maybe even one she didn’t know she had.
What worked
This aspect shocked me, but Agatha is a good team leader. This is undercut because we all know she doesn’t care about her team. But twice now she has stepped in and helped when a member of the coven was struggling. She didn’t do it with love but with honesty. And sometimes that’s what we need.
Another thing I want to draw attention to is the sexual tension between Agatha and Rio. However, they’re doing a fine job drawing attention to it themselves.
It is killing me.
There is so much history between these two characters that we just don’t know yet. But we want to know. This is one of the biggest drives to watch the next episode, at least for me. While at first, it seemed like Agatha was to blame for their riff, it appears after this episode that it might have been Rio. Or, frankly, it might have been both of them. All I know is that I am constantly reminded of Rio’s question to Agatha from the first episode.
“Do you remember why you hate me?”
Finally, I thought the 70’s vibe of this episode was very fun. I especially liked the camera shots that were quite reminiscent of old 70’s show. The split screens, the quick gasp shots. It reminded me of Scooby Doo and Jabber Jaw in the best way.
What didn’t work
I don’t have much negative to say about this episode. The only real complaint I have is that I didn’t like this new version of The Ballad. It’s fine, but it isn’t nearly as cool as the first.
All in all, this was a great episode. I have so many questions about Teen, about Rio, and about what The Road has in store for the rest of them. And I can’t wait to see what’s next.
(4.5 / 5)
Movies n TV
Evil: “A is for Angel” (S2E2)
“A is for Angel” is an episode of the supernatural drama, Evil. The assessors investigate a potential angelic possession.
“A is for Angel” is an episode of the supernatural drama, Evil, created by Michelle King and Robert King. The central cast includes Katja Herbers, Mike Colter, Aasif Mandvi, Michael Emerson, Christine Lahti, and Andrea Martin. It originally aired under CBS before moving to Paramount+. As of this review, it’s available through Netflix and Paramount+ and its add-ons.
The assessors investigate a potential angelic possession. David (Mike Colter) meets a helpful nun (Andrea Martin as Sister Andrea). Kristen (Katja Herbers) talks to the police. Sheryl (Christine Lahti) takes out her frustration on someone who deserves it. Leland (Michael Emerson) makes a haunting confession.
What I Like about Evil: “A is for Angel”
While “A is for Angel” fears depicting a biblically accurate angel, it still evokes a haunting terror such angels evoke. Brandon J. Dirden’s Raymond/Archangel Michael provides an unsettling performance that directly comments or alludes to actions that angels take in the bible.
This episode introduces Sister Andrea, who will become a key character of the series, acting as a spiritual advisor and mentor to David specifically. She’s interesting enough to evoke lasting memorability, given more attention than debut characters in their introductory episodes.
Leland’s confession to David gets dark, revealing much of the personal relationship the two had before the series began. While nothing remains confirmed, and Leland clearly aims to antagonize David, David’s reaction suggests that some truthful admissions linger within the deception. However, it’s ultimately a viewer’s decision to weigh these claims.
“A is for Angel” creates a rather terrifying dynamic that evokes a haunting narrative. Where the previous episode focused more on what comes next, “A is for Angel” dives into the horrific implications of the procedural plot.
Tired Tropes and Triggers
As mentioned earlier, the procedural plot involves an angelic possession and some Old Testament godliness, which might upset some viewers. Some points suggest sexism and abuse, but little of this receives attention beyond the claim.
A character potentially murdered their wife, suggesting spousal abuse, but the reality of the situation seems blurred. Regardless, the victim tries to leave their abuser, which is a common source of abuse in domestic violence.
While nothing remains confirmed, a child molester apparently receives angelic punishment. The viewer takes the word of the angel’s supposed host on this claim, which hardly means an absolute confirmation.
Suicide, potentially assisted suicide, is another plot point alluded to in the episode. Little remains a proven fact, but the suggestion seems plausible considering what the viewer knows of the situation. As this remains the only confirmation, the claims seem interpretable.
What I Dislike about Evil: “A is for Angel”
Again, “A is for Angel” puts a lot of focus on the horrifying concept of an angel but doesn’t try to depict a biblically accurate angel. Frankly, it’s a wasted opportunity, considering the haunting nature of their descriptions. Such descriptions rival that of Lovecraftian abomination in horrifying potential. It seems like a perfect opportunity for a show or film like Evil. Even as “A is for Angel” challenges the depictions, it hesitates to open its’ trillions of eyes to the opportunities available.
Leland allows the assessors into his home and leaves valuable evidence for the team to find. For such an intelligent character, these oversights seem uncharacteristic. Viewers might assume this frantic response is a ploy, but his reactions suggest otherwise.
Final Thoughts
“A is for Angel” returns Evil to the horror roots that the previous episode hadn’t lingered on. The episode unravels some mysteries of the past that better contextualize relationships. If you’re eager for Old Testament godly intervention, this episode brings out a proper dose of it.
(3 / 5)
