Misty glanced at her phone. It wasn’t like him to be late. She checked her messages: no contact, no email, no sign of any change in plans. She checked her calendar. This was the right time and place. What could be taking him so long?
“Sorry I’m late,” a throaty calm and collected male voice echoed in her head. It was the kind of deep hollow voice that sinks into your heart and reverberates through your soul, the sort that should be narrating those late night mystery shows that leave you awake in bed, pondering the unfathomable. There were many who would give themselves freely over to that voice and follow it to the ends of the earth, but Misty knew better.
Nothing had changed. To the casual observer, the middle-aged woman sat alone at the café table, sipping a cup of hot tea with lemon and honey and nibbling intermittently on a beignet. Her bobbed black hair perfectly framed her gaunt face as she stared blankly ahead, a slight smile creeping to her ruby lips while she lost herself in her thoughts. There was an almost otherworldly quality about her, but nothing anyone could place without more of an understanding of the inner workings of the Dark Arts. Her visitor arrived unbeknownst to anyone else as a pinpoint glimmer of green light deep in the recesses of her eyes, which she discreetly hid behind dark sunglasses.
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Misty blinked slowly. “Did you take care of it?” she thought.
The voice answered in her mindscape. “The deed has been done, exactly as you specified.”
“Good.” Misty’s smile widened and she took another sip of her tea. “And the onlookers?”
“No one suspected a thing. He just fell over when the Pact was discharged; he had broken his vows and thusly paid the price. It was assumed to be a heart attack. He was pronounced dead on arrival.”
To engage in this kind of dark magick was risky, especially out in the open, and on parade day no less. Those that could navigate the alliances were in high demand and were often tied up in a multitude of things beyond their own puppet-mastery. But parade day was actually perfect timing, as most spectators wouldn’t know the difference between a spell or a hex or a soul-binding incantation, and the throngs of tourists provided a great diversion.
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The deed needed to be done, and Misty couldn’t do it herself because that would break her own end of the bargain. She’d had to find an arbitrator, an angel walking the earth as its conscience of sorts. But these “angels” always had their own agendas… She fingered the gold ring on her left hand and grimaced, hearkening back to the day she’d found her husband in bed with his buxom young secretary who had been wearing Misty’s very own bathrobe. She’d wished she could have ended it then and there but she knew better, so she bit her tongue and bided her time.
“Do you remember our arrangement?” the male voice interjected rather forcefully, jarring her from her reverie. “Now it’s up to you to uphold your part in this…”
Misty’s smile faded and her demeanor became more somber. That was the problem with soul-binding, you had to wheel and deal your way out of it through the darkest of magicks, and for every Pact that you wanted to break free of, it seemed you formed another two lesser alliances. It was tiresome, but this was the end of the line and it was worth everything.
Misty stroked a small wooden box in her purse, which she had been holding in her lap. “Yes,” she answered, her lips parting slightly to mouth the word as she thought it. “Payback’s a bitch, especially when you deal with devils,” she thought to herself, contemplating her late husband’s fate as much as her agreement with the arbitrator.
“Good,” the voice in her head hissed, “You know what to do with it…”
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Misty nodded slowly to herself and took a long last sip of her tea, which had grown cold. She hated playing a pawn in all of this but it was too late to turn back now. She meticulously opened the box and pulled out a diminutive antique single-shot pistol. She wrapped the gun in her folded cloth napkin and placed it in her lap as she lowered her purse to the ground, poised and ready to strike. The single silver bullet marked her fulfillment of her end of the bargain.
A small brass bell sounded as the door beside the café leading to the upstairs curiosity shoppe and small apartment opened. Madame Alcatrez, spiritual advisor, was seeing a client off after a Tarot reading. As they parted ways, Madame Alcatrez lingered in the doorway a moment too long, just enough time for Misty to strike.
Misty stood and brandished the pistol, releasing the napkin to drift to the ground. Her eyes ablaze with green fire hidden in the dark recesses of her sunglasses, she aimed and fired the single silver round at Madame Alcatrez, hitting her squarely in the heart. Madame Alcatrez’s dying words filled the void between them, “I’ve been expecting you.” Misty fell slowly to the ground as her final obligation and the magicks that surrounded it left her body. Madame Alcatrez crumpled, and the street flew into a frenzy of activity.
Misty came to in jail. The trial was short and the sentencing was abrupt – two life sentences. Still, it was better than the alternative, and Misty had finally extracted herself from the Pact that she bore. She smiled as she was escorted to prison, now all she had to do was await Eternity…
Jennifer Weigel is a multi-disciplinary mixed media conceptual artist residing in Kansas USA. Weigel utilizes a wide range of media to convey her ideas, including assemblage, drawing, fibers, installation, jewelry, painting, performance, photography, sculpture, video and writing. You can find more of her work at:
https://www.jenniferweigelart.com/
https://www.jenniferweigelprojects.com/
https://jenniferweigelwords.wordpress.com/
Those religious icons really get around. This time it’s a journey to visit the Deep Ones. And Dracula’s Castle. Because everyone has to be a tourist now and then, and what’s the point if you don’t pick up a souvenir or two?
This was a gift for a friend for their sea life monster theme bathroom. It started as one of those old school wood plaques where the picture is waxed on. And the eyes were originally that creepy – all I did was add the tentacles. So don’t blame the overall weirdness on me, it wasn’t all my doing.
Oh, and apparently Mary wanted in on the action, so she’s gone to Dracula’s Castle for a bite. She even brought back her own religious icons souvenirs…
So this one isn’t as old, nor is it real wood. But it still totally goes with Mary’s journey. And it’s also a little blacklight reactive with the flowers.
So I just keep on going… Here are some more repaint porcelain figurines and other madcap painting. OK maybe some of them aren’t porcelain, but still totally redone.
This Pennywise clown started as some plastic figurine from Italy. I was drawn to this because of the pretty marble base. It’s a nice touch, don’t you think? I’ve seen others in this series and honestly they’re all kind of creepy to start with, so they really lend themselves towards repaint prospects. Perhaps I’ll pick up more to redo in similar ways later on… Oh, and the eyes are blacklight sensitive, in case he wasn’t creepy enough already.
With all of the new movie hype, I couldn’t resist a throwback to the classic Beetlejuice, and this little bride figurine and teddy bear were just too perfect. Featuring more blacklight sensitive accents, like her veil flowers. And I don’t know why she only has one glove, I blame it on the 1980s… Or maybe she was just that drunk (you’d have to be for that wedding)…
So yeah, all those preppers ready for the zombie apocalypse – you know some of them are gonna get bitten. It’s in the script, what can I say? More blacklight eyes, cause why not?
I admit I haven’t seen this film, but it sure looks fun. Mathilda, eat your heart out. Literally.
OK so this isn’t a repaint. Nor is it porcelain. What is it even doing here? Well, she’s cool and ready for a party and kinda reminded me of Abigail, so she sort of just tagged along. Sexy Sadie started as an Avon perfume bottle with a fragrance I didn’t care for (I think it was called Head Over Heels). Because honestly the bottle topper was all that mattered. And now she has her own disco dancing platform. What more could a vampish vixen want?
I wrote this script for Beyond the Veil awhile back, exploring the bond between two twin sisters, Edith and Edna, who had lived their lives together. There was a terrible car crash and someone didn’t make it. The other is trying to contact them beyond the veil…
Beyond the Veil Setting:
Two women reach out to one another individually in a séance setting.
One sits on one side of a dining table. The other sits at the other side. Each studies a candle just beyond her reach; there is darkness between the two candles. The long table is barely hinted at in the interstice between the two but it is clearly present.
The camera is stationary showing both in profile staring through each other.
The women are both portrayed by the same actress who is also the voice of the narrator, who is unseen. All three voices are identical so that it is impossible to tell which of the two women the narrator is supposed to represent.
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Both women are spliced into the same scene. They are together but apart. The two candles remain for the duration of filming so that the two halves of the film can either be overlapped (so that both women appear incorporeal) or cut and sandwiched in the middle between the candles (so both women appear physically present). It is possible to set the scene thusly using both methods in different parts of the story, with both women seemingly flickering in and out of being, both individually and apart.
Script:
I. Black, audio only.
Narrator:
I was riding with my twin sister.
We were in a terrible car crash.
The car drove over the median and rolled.
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It spun off the road where it caught fire.
There was smoke everywhere.
My sister didn’t make it.
II. Fade in to the long table with two lit candles; flames flickering.
Two women are just sitting at either end.
They stare blankly through each other.
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Call and Response
Edith: Now I’m trying to contact her…
Edna: …beyond the veil.
Simultaneous:
Edith: Edna, do you hear me?
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Edna: Edith, do you hear me?
Together (In Unison):
If you hear me, knock three times.
Narrator:
Knock.
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Knock.
Knock.
Call and Response:
Edith: I miss you terribly.
Edna: I miss you so much.
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Edith: Do you remember…
Edna: … the car crash?
Edith: We rolled…
Edna: … over the median.
Edith: There was fire.
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Edna: There was smoke.
Edith: I could hear the sirens.
Edna: They were coming…
Edith: … to rescue us.
Edna: But they were so far away.
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Edith: So far…
Edna: … away….
Simultaneous:
Edith: Are you okay?
Edna: Are you hurt?
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Together (In Unison):
Knock three times for yes. Knock once for no.
Narrator:
Knock
– pause –
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Knock
– pause –
Together (Syncopated):
What’s it like, on the other side?
– long pause –
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Simultaneous:
Edith: I miss you, Edna.
Edna: I miss you, Edith.
Together (Syncopated):
It’s so lonely here.
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Call and Response:
Edith: There’s no one here.
Edna: I’m all alone.
Edith: Without you…
Edna: …the spark of life…
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Edith: …is gone…
Edna: … so far away.
– pause –
Together (Entirely Out of Sync):
It’s so dark.
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III. Fade out to black
Narrator:
I was riding with my twin sister.
We were in a terrible car crash.
The car drove over the median and rolled.
It spun off the road where it caught fire.
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There was smoke everywhere.
I didn’t make it.
I had planned to actually turn this into the video for which it was written, but quickly discovered that my plans for recording required a space that was too drastically different from my new house (and new large gaming table) and that my vision for filming could not be well-fully executed or realized. So now it exists as a script only.
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