There’s quite a few Stephen King movie adaptations that bear little resemblance to the books they’re based on. Stephen King’s Silver Bullet, based loosely on King’s novella The Cycle of the Werewolf, may be one of the more hilariously entertaining deviations from its source material. Whether that was internal or not remains to be seen.
The Cycle of the Werewolf
The Cycle of the Werewolf is unique in King’s repertoire in that it was released as a fully illustrated short novel with each month of the year being a chapter in the story of a werewolf terrorizing the fictional town of Tarker’s Mills, Maine. The chapter format of the book was in part because it was originally supposed to be a calendar, but King found the format too constraining for his storytelling style and it was expanded into a novella.
There aren’t any real main characters in the book. Instead it focuses on the events of the month from the point of view of various townspeople. The plot doesn’t really start until around July and even then it doesn’t bring some relevant characters back together until the last chapter December.
The story itself is a pretty basic werewolf tale with a few notable twists. It’s really illustrator Bernie Wrightson’s gorgeous drawings that help bring the story to life. They complement the story beautifully and can tell the entire story almost on their own.
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In general, it’s a short but fun little novella that doesn’t break any boundaries but tells a solid gothic horror story nonetheless.
Stephen King’s Silver Bullet (major spoilers here because, boy, do we have a lot to talk about)
The movie adaptation of the book takes almost a 360 in terms of tone and atmosphere from the book. Where the book had an almost grotesque feel to it, the movie goes full out 80s B-movie horror, and to great effect I might add. It’s become something of a cult classic and was the perfect fodder for those pre-teen late night slumber parties huddled up together under your blanket fort.
Our main character is now Marty Coslaw (whose last name I will never get over); a wheelchair bound pre-pubescent who really has a darkly sadistic side, more on that later. Marty’s sister Jane, who didn’t really play much of a part in the book, hates him and constantly calls him a booger for all the things he seems to get away with due to his disability (she’s right by the way). Gary Busey is also there playing basically himself. Seriously, he was allowed to ad lib most of his lines because he related to the character of Uncle Red so much.
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There are some werewolf kills early on, but the movie mostly forgoes the month to month format entirely and kills off half the town over the course of a few full moons when a vigilante group is formed and decides to go out into the woods at night with no flashlights and zero planning. It ends about as well as you would expect.
One thing that did carry over to the movie from the book is a scene where the town priest, Reverend Lowe, played by Everett McGill, has a dream sequence of his entire congregation turning into werewolves. It kind of lets the cat out of the bag who the werewolf is at that point, but it’s also one of the most memorable scenes in the movie due to the novelty of a whole room full of people just werewolfing out.
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It’s around the half point mark in the movie where things start to veer even more wildly from the book. Now you would think the silver bullet in the title of werewolf movie would refer to an actual silver bullet, right? Not in the case of this movie. It’s actually the name of a diesel powered motorcycle wheelchair that Uncle Gary Busey gives Marty on the Fourth of July. That sucker gets up to at least 80mph, can be in no way shape or form street legal, and, as we see later, isn’t very effective against werewolves.
Uncle Gary Busey also gives Marty some fireworks to shoot off once everyone else is asleep since the town’s were canceled due to random werewolf serial killer on the loose, but probably not for COVID if this last year is anything to go by.
Since Marty is such a self-serving little bugger, he of course goes out and shoots off his fireworks and almost gets killed by the werewolf. He only just manages to get away by shooting the werewolf in the eye with a bottle rocket, which is really just unfair when the werewolf doesn’t get any projectiles to defend itself with.
After that mess, Marty recruits his sister to track down his victim under the guise of collecting cans for school (that was an actual thing in the 80s, you just had to be there). In the book Marty gets sent away for the summer and doesn’t run into the werewolf in human form until Halloween. Here it takes them about 12 hours tops to find him. Or more accurately, to find that bat from the picture up above when Jane discovers it in the werewolf’s garage, although where and when she saw the bat before remains a mystery since it was the local bar owner’s.
Marty then proceeds to be a troll and mails the werewolf some seriously bad takes.
Like any good 80s movie, there proceeds a wheelchair car chase scene, after which, Marty somehow convinces his Uncle Gary Busey that his life is in danger (even though he’s the one sending death threat mail) and he needs a real silver bullet to protect himself. After a very odd conversation with a gun dealer about what good presents bullets are for kids, Uncle Gary Busey gets the silver bullet for Marty and stays over to babysit Marty and Jane after sending their parents away on vacation (less witnesses).
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The werewolf does show up at Marty’s that night, and very nicely announces himself by busting straight through the wall like the Kool-Aid man.
Remorselessly, Marty grabs the gun and the bullet and shoots the poor creature in its head before it can even begin to explain why it’s there. He and Jane then proceed to reenact that creepy Folgers Coffee Christmas commercial with the brother and sister that are a little too close to each other for comfort. End of movie.
Final Girl Thoughts
Whether or not you consider the movie or the book a classic, or even a cult classic, Cycle of the Werewolf and Stephen King’s Silver Bullet does make for some entertaining camp. It’s interesting to see what’s essentially the same story told in two very different styles. Roger Ebet even called the movie a parody of the book, and while I wouldn’t go quite that far, it definitely deserves an award for stretching the source material to a new limit. 4 out of 5 Cthulhu for an all around good time.
(4 / 5)
Published in January of 2024, This Wretched Valley is Jenny Kiefer’s debut novel and is a horror written for hikers, campers, and all of your general outdoorsy type people. Reminiscent of Scott Smith’s The Ruins, with a healthy helping of Adam Nevill’s The Ritual, This Wretched Valley is a story of restless and vengeful spirits with some spectacular body horror scenes you will not forget.
The Plot.
Set in Kentucky, This Wretched Valley’s main plot covers a week in March of 2019. The time-stamped chapters follow four college friends and their faithful Australian Shepherd. One of the four friends, Clay, has discovered a rock formation that appears to have never been climbed or explored. The group embark on an expedition that is part rock climbing exploration and part scientific research. From the moment they enter the valley at the base of the rock things don’t feel right. Their dog, Slade, is acting funny and the plant life grows in unusual varieties and patterns for this part of Kentucky. After an accident climbing the rock things go from bad to worse, with strange apparitions appearing before them and dead animals being left at the edges of the camp. The worst thing is that despite following their GPS, they can’t seem to find their way back to the car. Tempers flare, but is it because of the situation they find themselves in, or is something influencing their emotions?
Highlights.
One of the highlights of This Wretched Valley is the short chapters that are dotted throughout the book. These chapters tell the stories of other people who came before our hikers, from other centuries, that suffered due to their presence in the valley. As the main chapters culminate the characters from the historical chapters begin to pop up in the present.
The descriptions of the injuries the hikers suffer, real and imagined, are excellent. Kiefer really knows how to make a reader squirm, if you enjoy blood and gore this book is for you. There is one scene in particular with a swarm of flies that I read twice.
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Drawbacks.
I know it is a necessary evil in horror, that the main characters must miss things that may seem obvious to the reader for the story to build. I mean, if the hikers in This Wretched Valley picked up on how the dog was acting in the first chapter and left we wouldn’t have this excellent book. That being said, so many things begin to go wrong, but each is shrugged off or explained away. The ignorance of huge things that were happening right in front of them seemed a little too wilful. Perhaps we can give Kiefer the benefit of the doubt and assume that maybe this was the point, the wilfully ignorant get what they deserve.
Another grip I have with this book is the head-hopping. Rather than focus on one character in a chapter and reading their point of view, Kiefer has head hopped. Delivering various points of view within a chapter, sometimes within a paragraph. And that’s fine, many authors do this. However, at times it was hard to figure out who was seeing or thinking a particular thing. Going back to reread some paragraphs did help, but stopping in the middle of the action to reread is not ideal.
The Final Take.
While I’m not an avid outdoorsman myself – camping, hiking, and climbing aren’t my passions. I found myself thoroughly engaged with the descriptions of the natural world in this novel. Kiefer, a rock climbing enthusiast, clearly brings a genuine passion and expertise to her depictions of This Wretched Valley. I believe any reader who enjoys these pursuits will find a particular resonance in her writing.
For those interested, I discovered that Jenny Kiefer owns Butcher Cabin Books, a unique horror bookstore in Louisville, Kentucky. If you’re in the area perhaps pop in and explore a book store dedicated to the world of horror literature.
(4 / 5)
“Lives coil within lives. Dreams coil within dreams.”
First and foremost, I would like to thank Lucretia Grindle for providing me with an ARC of This Work of Darkness. Being immersed in 17th-century Salem Massachusetts was just what I needed to escape the insanity of the holiday season. With a planned publication date of January 16, 2025, This Work of Darkness is Book 2 of Grindle’s Salem duology. For anyone who has not read The Devil’s Glove, Book 1 of this series, please see my review here.
The Plot.
In the opening chapters of This Work of Darkness, we meet back up with Resolve Hammond. Now a young woman of means, living comfortably within the English family home in the heart of Salem, Massachusetts. Her days are filled with the rhythms of life in the bustling town – tending to the English family store and interacting with the townsfolk. However, beneath this veneer of contentment lies a deep-seated guilt. Years ago, Resolve made a solemn promise to Thaddeus and Abigail Hobbs: she would always protect and care for Abigail as a sister. Driven by a conscience burdened by her broken promise, Resolve seeks out Abigail. The stark contrast between her own privileged existence and the abject poverty and despair she witnesses at the Hobbs farm does nothing to alleviate her guilt. Abigail’s deteriorating mental state serves as a painful reminder of Resolve’s failings. As Resolve grapples with her guilt and the haunting memories of her past, a sinister undercurrent begins to stir within Salem. Accusations of spectral visitations and inexplicable afflictions erupt within the community, casting a pall of fear and suspicion over the townsfolk. One by one, the women in Resolve’s life – her friends, her confidantes, the very fabric of her social circle – are swept away by the hysteria, accused of witchcraft, and dragged before the court.
Highlights.
A key highlight of This Work of Darkness lies in Grindle’s masterful weaving of historical figures and events with her compelling fictional characters. This is historical fiction at its finest. The novel is rich with recognizable names and occurrences from the Salem Witch Trials, prompting me to frequently delve into further research, eagerly verifying the historical accuracy of characters I didn’t immediately recognize. To my delight, many of these were indeed real figures, and the book itself served as a fascinating gateway to deeper historical exploration. Grindle deserves significant praise for her poignant portrayal of the human suffering that unfolded during this period. Unlike many novels on the Salem Witch Trials, This Work of Darkness delves deeply into the individual experiences of its characters, meticulously exploring their motivations, relationships, and the profound impact of the hysteria on their lives.
Drawbacks.
This Work of Darkness is a sequel and as such of course must make references to the first work as a way to join the two together. However, I found that Grindle spent a lot of time in the first half of this novel recounting and rehashing the events of The Devil’s Glove. This can feel somewhat repetitive for readers experiencing this book as a sequel, and overwhelming for those approaching the novel as a standalone work.
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As I mentioned in my review of The Devil’s Glove, Grindle is a wordsmith. This has not changed. However, while the phrase “Mother Gossip” (not a character but the gossip trending through the social circles of the story) initially adds a unique flavor to the novel’s language, its frequent recurrence throughout the narrative detracts from the overall reading experience. This repetitive use of the phrase, despite its initial charm, becomes somewhat tedious and disrupts the flow of the otherwise creatively written story.
The Final Take.
This Work of Darkness had me digging through the back of my bookshelf and rediscovering the joy that is Henry Miller’s, The Crucible. While the complete truth of the Salem Witch Trials may forever remain shrouded in mystery, Grindle’s exploration of the social and psychological factors that fueled the accusations was particularly insightful and entertaining.
As with its predecessor, I found myself captivated by the narrative, marking numerous passages and quotes. Perhaps my favorite from the entire series, is found in Chapter 29:
‘Truth, I would remind him, had little to do with anything these days. What mattered was what people chose to believe. That was what turned the jail keys.”
“Skin to skin. Blood to blood. Heart sister to heart sister.”
In Lucretia Grindle’s The Devil’s Glove: Salem Book 1(May 2023), readers are transported to the chilling precipice of the Salem Witch Trials. This meticulously researched novel blends historical accuracy with supernatural elements. Grindle crafts a captivating tale of fear, mistrust, and the enduring power of human connection.
Set in the remote Puritan village of Falmouth, on the eve of the infamous trials, the story unfolds amidst the clash of cultures. A war is brewing between the English settlers and the existing Native American community, fueling suspicion and resentment. Grindle masterfully explores the themes of colonialism, othering, and the enduring human need for connection.
The Plot.
In 1688, on the eve of the Salem Witch Trials, we meet Resolve Hammond. A young woman with the unsettling gift of seeing beyond the veil of reality. When Avis Hobbs dies, Resolve’s mother, a healer with deep ties to the local Native American tribe, suspects foul play.
Despite the growing tension between the villagers and their Native American neighbors, Resolve’s mother remains silent, fearing accusations of witchcraft. But Resolve, privy to unsettling visions, senses a sinister truth. Who would poison Avis, and why does Avis’s daughter, Abigail, seem eerily pleased?
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As the village descends into paranoia and the threat of war with the neighboring native community looms, Resolve must confront her unsettling gift and use it to uncover the truth, even as the men in power manipulate events for their own gain.
Highlights.
Lucretia Grindle is a wordsmith. I rarely find myself stopping to reread sentences and passages just because once was not enough. The prose in this book is unrivaled. Beautiful metaphors and turns of phrase adorn every page. I was so pleased to be reading on Kindle, highlighting line upon line, “murmur piles upon murmur like rotting leaves”, “feel for the flutter of the soul at the neck” and “the kitchen is a cave of shapes” are just a few of my favorites.
The research that Grindle must have completed for this novel must also be noted. This is not only obvious with the inclusion of real people but also in the immersiveness of the setting. Details so small you might miss them are dropped like rain throughout the chapters, each contributing to filling the bucket that is 1688 New England.
Drawbacks.
There are no drawbacks to The Devil’s Glove in so far as the plot, characters, and writing are involved. I did find some repeated metaphors and spelling errors; this however is not a problem with the story or the author but an editing issue that takes nothing away from the story or prose. Not so much a drawback, but perhaps a misrepresentation was that The Devil’s Glove would tell the story of a mother and daughter who are suspected or accused of witchcraft. This is not this book. Although there is deep distrust between the Hammonds and the Puritan townsfolk, there is little in the way of actual accusations until the novel’s end.
The Final Take.
The Devil’s Glove is an exquisitely written novel that was a pleasure to read. It is reminiscent of Outlander with splashings of A Discovery of Witches. I was lucky enough to receive an ARC of the sequel, This Work of Darkness. I will be beginning this as soon as this review is posted. After reading the last lines of The Devil’s Glove there is no way I’m wasting a second to find out what comes next.