-“Where
I lay my head is home.”
–L. Ulrich and J. Hetfield
He allowed the slick glass bottle to slip inside, felt the
gin burn his tongue, and swallowed.
“Such a good boy,” she cooed.
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C licked an arch blooming sweat under his nose, “What’s
happening?”
The creature coiled inward against the pillow of her spine. Miss G silently gave the quieting mass within her a small blessing, a meant purr pushing past her lips through the final six syllables.
“Ssshhhh,” she exhaled. “Take
another pull, C. Just like that.”
He tried to memorize the fire
blooming his throat raw—keep track of how long it took to lick his lips clean
around.
Miss G walked two long fingers from his nipple to the
steer-head brass buckle posting guard above a zipper that strained, teeth
nearly leaving an imprint in the salty air.
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“We don’t wait long and this night
has been long enough, too long. It’s time to begin.” She hummed as nail tips
skirted cotton.
A third set of eyes began to blink
in the wet dark. Their lashes extended outward to tickle Miss G’s lungs,
retracted again, and the unwinding started slow.
“I have known you through every
life I have lived,” Miss G said, her mouth moving fast, her hand paused beneath
the belt now undone.
C caught her wrist in his own warm
palm and felt the room open wide. He watched her tongue dart around her teeth. He heard the other
sounds past his breathing, past her words. He heard the first crashing waves
against his skimmer when he was a boy. He tasted brine and ash and raw meat.
Miss G focused her expression,
twisted the thin wrist free, and spit brackish foam in a thin line into the
space between her own open jaw and C’s memory-dazed face. The slick formed
first a bridge, and then a roping necklace connecting her neck to his.
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***
Through any much distance, they
looked like drunk lovers, arms guarding the other’s waist, heads tilted close
with temples touching as they stumbled in an uneven pace from the dune’s peak
and down toward the darkening water.
From far away, anyone might guess
that Miss G was suddenly overcome with lust, with urgent need to be held,
pressed rough into the millions of crushed shells under their feet. She slipped
C’s encircling arm and pulled him with her into the kelp dotting the cool
evening sand. From a passing glance, they were locked in a kiss, tongues
certainly hard at work in convincing the bodies to go further, take more.
Miss G’s skin lay in a deflated
mound near the shore’s crocked edge.
The creature eases the soft spiral into
its new home. First, lowering its tail into C’s expanding throat, it unwinds
down past the pliable chest to fill C’s belly, two pincers extending toward the
round ball joints of his shoulder. A nice fit, a comfortable fit.
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Soon, the tide will lap its long tongue over this shell, this beast with too many hearts.
Kelli Allen’s work has appeared in numerous journals and anthologies in the US and internationally. She has served as Poetry Editor for The Lindenwood Review and she directs River Styx’s Hungry Young Poets Series. She is currently a visiting professor of English Literature at Northeast Normal University in Changchun, China. She is the recipient of the 2018 Magpie Award for Poetry. Her chapbook, Some Animals, won the 2016 Etchings Press Prize. Her chapbook, How We Disappear, won the 2016 Damfino Press award. Her full-length poetry collection, Otherwise, Soft White Ash, arrived from John Gosslee Books (2012) and was nominated for the Pulitzer Prize. Her collection, Imagine Not Drowning, was released by C&R Press in January 2017. Allen’s new collection, Banjo’s Inside Coyote, arrived from C&R Press March, 2019. www.kelli-allen.com
So here is our last installment of our AI journey exploring the idea of Little Red Riding Hood and the Big Bad wolf being one and the same. All of these are based upon the AI generated art and prompts using NightCafe and then created as posters in Canva. Feel free to check out Part 1 and Part 2 of this exploration if you missed them.
A non sequitur I know, but I couldn’t resist. If you picked up where we left off you’ll get it.
Seriously?! Again with the cropped off head cop out…
Finally! That was a journey. And not even worth the result, in my opinion.
Anyway, here is a bonus montage I made out of a bunch of additional Red Riding Hood prompts for an article that never happened…
Prompts for Montage:
1.) What if Little Red Riding Hood and the Big Bad Wolf were one and the same being? 2.) Her wolf face peering out of her red cloak, fangs dripping with the blood of another victim, lost in the forest and never found. 3.) Little Red Riding Hood closes in for the kill, lunging from her red cloak, her wolf fangs dripping with blood. 4.) I am Little Red Riding Hood. I am the Big Bad Wolf. I am coming for you. 5.) Howling within, the rage sears forth from the red cloak, discarded in the deep woods. Red Riding Hood succumbs to the lycanthropy. 6.) Heaving breaths. Dripping blood. Red Riding Hood is not what she appears. She is a wolf in sheep’s clothing. 7.) Her red cloak masks the fangs hidden below the surface. 8.) It starts with a long sighing breath. Waiting. The wolf within stirs. 9.) Red Riding Hood trembles. She succumbs to the lycanthropy. 10.) The wolf bursts forth from within. It takes over Little Red Riding Hood’s mind, her body, her being. 11.) Red Riding Hood howls. She is ravenous with hunger for blood. The wolf within has taken over. Mind, spirit, body. She feasts on the blood of the moon. 12.) Big Bad Wolf Red Riding Hood ravenous blood moon feast 13.) Blood moon beckons. I. Little Red Big Bad Riding Hood Wolf. Freedom howling night curse. 14.) Beware. Bewolf. BeRedRidingHood. Betwixt. Beyond. 15.) I pad quietly as the forest dissolves around me. Red Riding Hood and Wolf, one and the same. 16.) Wolf within howling dark recesses of the mind, Red Riding Hood lost 17.) Red Riding Hood HOWL wolf bane true existence polymorph within-and-without. 18.) Red howl Riding Wolf dark existence brooding within
Continuing our AI journey from last time exploring Little Red Riding Hood herself as the Big Bad Wolf… All of these are based upon the AI generated art and prompts using NightCafe and then created as posters in Canva.
How very… Phantom of the Opera predatory… this is definitely not what I had in mind. Maybe something more cutesy?
Ugh. Maybe not.
Wow, that seems like such a cop out, cropping off the head so you don’t have to depict it. And I don’t want to lose the Little Red Riding Hood reference completely.
So no surprise there, I knew that was too many references to work.
And as promised in Big Bad Poetry, we shall embark on our next AI journey, this time looking at Little Red Riding Hood. I had wanted to depict her as the Big Bad Wolf one and the same, although maybe not so big nor bad. But it just wasn’t happening quite as planned. All of these are based upon the AI generated art and prompts using NightCafe and then created as posters in Canva.
So I actually like this even better than my original vision, it is playful and even a bit serene (especially given the Sinister style). The wolf is just being a wolf. It’s quite lovely, really. But it wasn’t what I had in mind, so I revisited the idea later to see if I could get that result…