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Day 17

Edgar entered the stock room, following after the girl pushing the cart. The stockroom was darker than the store was, and it took a moment for his eyes to adjust. When they finally could discern anything, he noticed Dani standing, supporting the weight of a woman who had a limp, bruised, and battered leg.

The teenage girl rolled the cart over the the other women and Dani glanced up at Edgar expectantly.

“Can you carry her?”

Edgar shrugged and made his way to Dani and the woman. Dani turned her face to the woman she had been bearing the weight of.

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“Mary, this is Edgar. He is with me, he’s going to carry you, okay?”

Mary seemed apprehensive – likely alarmed by Edgar’s size. She nodded. “Alright. But what about my leg?”

Dani shook her head. “It’s really going to fucking hurt when it dangles, I will splint it when we get back to our camp.”

May grit her teeth and nodded rapidly. Edgar stepped behind Dani and lifted Mary’s arm over his shoulder and the back of his neck and, with a sudden motion, scooped the woman into his arms. Mary let out a sudden scream but covered her mouth with her free hand. Dani took a few steps back and turned to the teenager.

“Alicia, right?”

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“Yeah?”

“I need you to push that shopping car in front of the door back there.”

Alicia looked puzzled.

“We need to come back to this place; I want to block off any of the doors with carts, so we know if something came in here later,” Dani explained.

Alicia shrugged and rolled the cart to the back door. Edgar began carrying Mary out of the stick room. Dani hung back so Alicia wouldn’t get separated. Edgar paused for a moment, allowing Mary to track her daughter as she did her task.

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The group of four made their way to the front of the store where Jimmy was waiting, somewhat agitated, by two shopping carts of salvaged supplies. He spun around, shocked to see the group had grown by two more.

“Alright, so this is not what I expected out of a supply run” he said.

Dani made the introductions. “Edgar, Jimmy, this is Mary and her daughter Alicia. They were trapped in the stock room.”

Jimmy looked the two new survivors over and turned his attention toward Mary’s bruised leg. He glanced at Dani and was about to say something, but she cut him off. “It’s a break, a nasty one, but we should be able to set it. No cuts or anything.” She made sure to emphasize the “anything” as she spoke – no need to worry about an infection just yet. Jimmy shrugged, seemingly convinced for the moment.

He turned back and gestured to the carts – they weren’t exactly full, but it was still a rather nice haul. “I think we’ve done pretty well… we can stretch this. I am worried about getting back, though.” He pointed across the street, and Dani glared into the distance. About six of the ghouls were wandering a parking lot. Right between them as Dani’s position sat their car… right in the middle of the street.

Jimmy continued, “I think if we are very, very quiet, we can get this stuff loaded into the trunk. It’ll be a tight fit in the cab, but-“

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Edgar shifted Mary’s weight in his arms, and she yelped as pain shot through her leg. Every one shuddered, alarmed by the sudden jolt of noise.

“It’s gonna be harder with Edgar having his hands full…” Alicia whispered.

Jimmy turned to the teen and nodded. “Yeah, that’s what I’m thinking.”

“Sorry,” Mary whispered.

Dani shook her head and looked at her, “It’s nothing to apologize for. We just need to think this over.”

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Dani weighed their options for a moment. The six ghouls in the parking lot were toward the far end near an abandoned clothing store, a couple of ghouls could also be seen at the gas station kitty-corner to the drugstore and a small strip mall on the right-hand side had motion in the window of a liquor store.

Dani turned back to the group. “I think what we need to do is head out there quietly and open the doors and trunk. We can then have Edgar take Mary and Alicia to the cab, and then Jimmy and I can run the carts out and dump everything into the trunk as fast as possible.”

Edgar shrugged his shoulders, but the motion moved Mary in his arms, and she grimaced from the pain that shot through her leg. He looked at her with a furrowed brow.

“Sorry, Miss.” He turned his gaze to Dani and Jimmy. “That should work,” he added.

Alicia crept toward the entrance. “I can open the doors, if that will help?”

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Mary glared at her. “Absolutely not!”

Everyone cast a hard gaze at Mary, chiding her for the sudden burst in volume. She flinched but continued, “I don’t want you out there by yourself.”

Abigail rolled her eyes. “Keys?” she asked.

“The doors are unlocked already,” Jimmy said. He tossed her the keys. “You just need to get the trunk.”

Abigail smiled and crept out the door. Mary began to wriggle in Edgar’s arms, but he held onto her tightly.

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“Easy, Mary. Easy. We’ll keep her safe.”

Mary relented and fell limp. Dani and Jimmy rolled the carts into position as the girl made her way down the grass embankment. Within moments she had opened the rear passenger door and unlocked the trunk, ducking back out of sight from the ghouls wandering the lot across the street. She scanned the area quietly and waved Edgar over.

Edgar, ducking slightly to no effect, carried Mary and quickly and gingerly as he could across the parking lot of the drug store and down the embankment. With Alicia’s help, he managed to load Mary into the back seat, but the process was painful. Dani and Jimmy heard her whimper from inside the entrance and glanced at one another nervously.

Mary was loaded in, along with Alicia. Edgar was crouched near the front of the passenger side. He scanned the area and nodded at Dani and Jimmy. He continued to stay crouched, but something nearby was making noise. It grew closer as the other two began to roll the carts out from the drug store, and soon Edgar could tell it was a car.

But the sudden sound a police siren tearing through the air changed everything.

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The Dead Life is a Haunted MTL original fiction series.

David Davis is a writer, cartoonist, and educator in Southern California with an M.A. in literature and writing studies.

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Original Creations

Beyond the Veil: Video Script by Jennifer Weigel

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I wrote this script for Beyond the Veil awhile back, exploring the bond between two twin sisters, Edith and Edna, who had lived their lives together. There was a terrible car crash and someone didn’t make it.  The other is trying to contact them beyond the veil…

Spirit Witch altered doll sculpture by Jennifer Weigel
Spirit Witch altered doll sculpture by Jennifer Weigel

Beyond the Veil Setting:

Two women reach out to one another individually in a séance setting.

One sits on one side of a dining table.  The other sits at the other side.  Each studies a candle just beyond her reach; there is darkness between the two candles.  The long table is barely hinted at in the interstice between the two but it is clearly present.

The camera is stationary showing both in profile staring through each other.

The women are both portrayed by the same actress who is also the voice of the narrator, who is unseen.  All three voices are identical so that it is impossible to tell which of the two women the narrator is supposed to represent.

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Both women are spliced into the same scene.  They are together but apart.  The two candles remain for the duration of filming so that the two halves of the film can either be overlapped (so that both women appear incorporeal) or cut and sandwiched in the middle between the candles (so both women appear physically present).  It is possible to set the scene thusly using both methods in different parts of the story, with both women seemingly flickering in and out of being, both individually and apart.

Script:

I. Black, audio only.

Narrator:

I was riding with my twin sister.

We were in a terrible car crash.

The car drove over the median and rolled.

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It spun off the road where it caught fire.

There was smoke everywhere.

My sister didn’t make it.

II. Fade in to the long table with two lit candles; flames flickering.

Two women are just sitting at either end.

They stare blankly through each other.

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Call and Response

                        Edith: Now I’m trying to contact her…

                        Edna: …beyond the veil.

Simultaneous:

                        Edith: Edna, do you hear me?

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                        Edna: Edith, do you hear me?

Together (In Unison):

                        If you hear me, knock three times.

Narrator:

Knock.

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Knock.

Knock.

Call and Response:

                        Edith: I miss you terribly.

                        Edna: I miss you so much.

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                        Edith: Do you remember…

                        Edna: … the car crash?

                        Edith: We rolled…

                        Edna: … over the median.

                        Edith: There was fire.

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                        Edna: There was smoke.

                        Edith: I could hear the sirens.

                        Edna: They were coming…

                        Edith: … to rescue us.

                        Edna: But they were so far away.

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                        Edith: So far…

                        Edna: … away….

Simultaneous:

                        Edith: Are you okay?

                        Edna: Are you hurt?

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Together (In Unison):

                        Knock three times for yes.  Knock once for no.

Narrator:

Knock

– pause –

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Knock

  – pause –

 Together (Syncopated):

                        What’s it like, on the other side?

– long pause –

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   Simultaneous:

                        Edith: I miss you, Edna.

                        Edna: I miss you, Edith.

  Together (Syncopated):

                        It’s so lonely here.

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 Call and Response:

                        Edith: There’s no one here.

                        Edna: I’m all alone.

                        Edith: Without you…

                        Edna: …the spark of life…

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                        Edith: …is gone…

                        Edna: … so far away.

                        – pause –

Together (Entirely Out of Sync):

                        It’s so dark.

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III. Fade out to black

Narrator:

I was riding with my twin sister.

We were in a terrible car crash.

The car drove over the median and rolled.

It spun off the road where it caught fire.

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There was smoke everywhere.

I didn’t make it.

Close up of sculpture
Close Up of sculpture

I had planned to actually turn this into the video for which it was written, but quickly discovered that my plans for recording required a space that was too drastically different from my new house (and new large gaming table) and that my vision for filming could not be well-fully executed or realized. So now it exists as a script only.

Portrait of myself with dark makeup and crow skull headdress, backlit by the sun.
Portrait of myself with dark makeup and crow skull headdress, backlit by the sun.

And feel free to check out more of Jennifer Weigel’s work here on Haunted MTL or here on her website.

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Original Series

Nightmarish Nature: Screwed Up Screwworms

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Yeah yeah, the insects tend to get ALL the attention here on Nightmarish Nature. But honestly, this one takes the beefcake. It’s the New World Screwworm Fly, and it’s as terrifying as the name suggests. And they aren’t limited to the Americas, there is an Old World version as well, as they can be found pretty much anywhere tropical or seasonably suited.

Warm weather woes...  Screwworm fly sipping a boat drink out of a coconut with a text bubble "Take me to the tropics."
Warm weather woes…

Revolting Little Buggers

The Screwworm Fly is a parasitic fly larvae that burrows into its host to feed, named because it seems to screw deeper and deeper into the flesh over time. This process is called myiasis and do NOT look it up online, you WILL regret it. They blur those images out for very valid reasons, trust me (and not because of pornographic content). And these maggots will continue to burrow en masse, rather than staying put as a botfly larvae would.

Do Not Do an Image Search on Screwworm Myiasis, Like Seriously – You Will NEVER Unsee That

The female Screwworm fly lays her eggs on an open wound or orifice of her chosen host… And not just one egg or a couple of eggs, no – hundreds, even thousands of them. Let’s let that sink in a bit, shall we? Or screw in as it were. Although any warm-blooded animal is a prime target, cattle are a fly favorite, costing millions of head of cattle to this sick and disgusting horror annually. And if beef isn’t on the menu, Fido or even yourself might be.

Too many maggots...  Showing one is maddening enough.  One screwfly larva with text bubble "I just keep on digging" and caption Multiply this by at least two orders of magnitude (regarding quantity not size).
Too many maggots… Showing one is maddening enough.

The Great American Worm Wall

In fact, this particular feature here on Nightmarish Nature is so terrifying that the United States has made agreements with all of Central America, even including countries that do not generally share its interests, in order to create a “Great American Worm Wall” to prevent them from spreading back into the United States. I’m not going to go into all of the creepy and juicy details of this bizarre science fiction freak fact, you’ll just have to watch it here on Half As Interesting’s YouTube channel.

Essentially, the Worm Wall is a complicated byproduct of scientists studying radioactivity on the flies’ maturity as well as the flies’ sexual lives and using this information against them to nearly eradicate the species and banish it from much of its former range. So, Peter Parker, if you thought everyone was messing with your love life before, be glad you weren’t bitten by a radioactive Screwworm.

If you’ve enjoyed this segment of Nightmarish Nature, feel free to check out some previous here:

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Vampires Among Us

Perilous Parenting

Freaky Fungus

Worrisome Wasps

Cannibalism

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Terrifying Tardigrades

Reindeer Give Pause

Komodo Dragons

Zombie Snails

Horrifying Humans

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Giants Among Spiders

Flesh in Flowers

Assassin Fashion

Baby Bomb

Orca Antics

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Creepy Spider Facts

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Original Creations

On Becoming Hallowed, All Hallows Eve Poem by Jennifer Weigel

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Like I said before, I’m really getting into the spirit of the season this year. So reconsidering The Mourners yet again, and haunting the faith a bit, I decided to share a poem that I wrote thinking about All Hallows Eve as a preview of more things to come this month of October.

Mourners drawing by Jennifer Weigel, graphite on paper
Mourners drawing by Jennifer Weigel

On Becoming Hallowed

Holy.  Holy.  Holy.  Light the candle.  Chant the hymn.

For now the veil between the living and the dead grows thin.

Fingers held to lips in silence; lies beneath their skin.

Family found, ancestral ghosts return to haunt their kin.

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Skeletons in closets, grotesque yearnings trapped within.

A bleached and bony face flashes a slightly knowing grin.

It’s not the shadows but the darkness that we fear therein.

Bless this Church whose saintly bodies live and dwell herein.

Unto Death, they claim to sanctify our souls from sin.

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Those familiar faces shame; this fight we cannot win.

Come what may, they betray.  Pray/prey and heads will spin.

Forevermore and evermore to nevermore…  Amen.

Mourners drawing by Jennifer Weigel, graphite on paper
Mourners drawing by Jennifer Weigel

I thought this poem really captured All Hallows Eve, in some of the same sentiments as the movie High Spirits, which I loved almost as much as Beetlejuice back in the day.

Portrait of myself with dark makeup and crow skull headdress, backlit by the sun.
Portrait of myself with dark makeup and crow skull headdress, backlit by the sun.

And feel free to check out more of Jennifer Weigel’s work here on Haunted MTL or here on her website.

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