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Welcome to the fourth story of the Spring Horror Collection for 2022, where Haunted MTL’s writers craft original tales of terror that’ll grow on you. Check with us all week for new stories.

For more original stories, check out Haunted MTL’s Original Creations.

Man in a suit with a skull for a face
Image by 0fjd125gk87 from Pixabay

They called him Harold, a ghost, really, who walked only when it was dark and crisp. The kids, like me, knew he lived by the river, but could never find where exactly he lived. There were some rumors that he was, in fact, a ghost, except for the strange things he’d leave behind, little artifacts of a monster we couldn’t understand.

His face was wrong, that’s what we all knew and agreed upon. However some kids said that he had ripped off his own face and stitched on a new one ever so often. Other kids said that a bear ate it in the night and it never healed up right. KAnd some other kds said that he was actually a demon and that’s just how demons looked. Kids said a lot to fill up the silence of what wasn’t known and what was feared, which happened to be a lot. Each new year was a new cycle of children and, thus, a new cycle of theories.

I was never a brave or outstanding child. I was fast enough for my height, but average all the way around. It wasn’t a shock, though, I came from average people in an average town. But for some reason, I was the only one who actually ever saw Harold, up close and face-to-godawful-face. Even though everyone, including my sisters, will say I’m a bullshitter, I’m not. Actually, I wish I were, but even now, years later, it still follows me on cold, damp nights. I can feel his sunken, white eyes and I wonder…

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It’s not exactly an exciting tale. I was walking home from band. I had my trumpet, it was already dark in the early spring night. The path I took only had the moonlight and a pocket flashlight my step-dad gave me for my birthday. I’d love to say that there was suspense, that he was waiting and stalking me, but it wasn’t that. It was a flash out of nowhere. He ran into me, fell right on top of me. 

This is the part that’s slow-motion, though, because I can still see and taste everything. Crystal clear. He pushed into me – we fell. The flashlight landed to my side and he was above me. Suddenly, there was something wriggling in my mouth. It tasted-…God, like a toilet, like a rotten bag of Taco Bell after three weeks. I spat it out and couldn’t even scream. 

I saw him right there, above me, making some squawking noise in surprise; his mouth was puffy and red, but shrunken back. Some of his jawbone poked out of the red flesh and was as white as the moon. His milky white eyes bulged at me in surprise. But that wasn’t what got me. No.

Part of his face was caved in, stripped of skin, but wet tendons swelled as he groaned in surprise. From the bits of putrified muscles and tendons of his face wriggled fat, bone-white maggots, dripping down like rain. Dropping down onto me and wriggling onto my skin. 

I lost my shit. Completely. I kicked and flailed and ran so fast and far, before collapsing and vomiting until I saw stars. My step-dad went out but only found my trumpet and nothing else. I couldn’t even play after that, no matter how hard I was teased. 

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Now it keeps me up for different reasons. I’m in my last year of residency. Myiasis. That’s the term. It’s rare. It’s painful. It’s a nightmare. Being eaten alive from the inside out; having the maggots incubate and grow inside you, just to have them eat their way through you. Your body breaking down, feeling them literally crawl under your skin…

Harold still keeps me up at night. I wonder how many monsters are created and how many we could save. How many are still suffering, and how many will continue to suffer because of stupid little boys and the tales that they tell…

When not ravaging through the wilds of Detroit with Jellybeans the Cat, J.M. Brannyk (a.k.a. Boxhuman) reviews mostly supernatural and slasher films from the 70's-90's and is dubiously HauntedMTL's Voice of Reason. Aside from writing, Brannyk dips into the podcasts, and is the composer of many of HauntedMTL's podcast themes.

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2 Comments

2 Comments

  1. J.M. Faulkner

    March 25, 2022 at 3:45 am

    Googled Myiasis… I have to say… yikes

  2. Jennifer Weigel

    March 28, 2022 at 10:05 am

    Wonderfully creepy. My friend’s cat once had a maggot burrow into her after she was chasing a rabbit down its hole. Apparently they congregate at the entrances to the burrows. It was a kind of nightmare all its own having to get it removed and then treating her against possible infection. Also the wasps that lay their eggs on spiders so that the young eat the spider from within saving vital organs for last weird me out. These things are not entirely as uncommon as some might wish.

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Original Creations

Religious Icons Revisited for the Second Second Coming

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Those religious icons really get around. This time it’s a journey to visit the Deep Ones. And Dracula’s Castle. Because everyone has to be a tourist now and then, and what’s the point if you don’t pick up a souvenir or two?

New religious icons - Jesus Christ visits Cthulhu and the Deep Ones
New religious icons – Jesus Christ visits Cthulhu and the Deep Ones

This was a gift for a friend for their sea life monster theme bathroom. It started as one of those old school wood plaques where the picture is waxed on. And the eyes were originally that creepy – all I did was add the tentacles. So don’t blame the overall weirdness on me, it wasn’t all my doing.

Bloody Mary goes to Transylvania
Bloody Mary goes to Transylvania

Oh, and apparently Mary wanted in on the action, so she’s gone to Dracula’s Castle for a bite. She even brought back her own religious icons souvenirs…

Repainted faux wood plate by Jennifer Weigel

So this one isn’t as old, nor is it real wood. But it still totally goes with Mary’s journey. And it’s also a little blacklight reactive with the flowers.

Portrait of myself with dark makeup and crow skull headdress, backlit by the sun.
Portrait of myself with dark makeup and crow skull headdress, backlit by the sun.

And feel free to check out more of Jennifer Weigel’s work here on Haunted MTL or here on her website.

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Original Creations

Repaint Porcelain Figs Plus by Jennifer Weigel

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So I just keep on going… Here are some more repaint porcelain figurines and other madcap painting. OK maybe some of them aren’t porcelain, but still totally redone.

Pennywise It Clown repaint by Jennifer Weigel
Pennywise It Clown repaint by Jennifer Weigel

This Pennywise clown started as some plastic figurine from Italy. I was drawn to this because of the pretty marble base. It’s a nice touch, don’t you think? I’ve seen others in this series and honestly they’re all kind of creepy to start with, so they really lend themselves towards repaint prospects. Perhaps I’ll pick up more to redo in similar ways later on… Oh, and the eyes are blacklight sensitive, in case he wasn’t creepy enough already.

Lydia the Beetlejuice Bride repaint by Jennifer Weigel
Lydia the Beetlejuice Bride repaint by Jennifer Weigel

With all of the new movie hype, I couldn’t resist a throwback to the classic Beetlejuice, and this little bride figurine and teddy bear were just too perfect. Featuring more blacklight sensitive accents, like her veil flowers. And I don’t know why she only has one glove, I blame it on the 1980s… Or maybe she was just that drunk (you’d have to be for that wedding)…

Zombie Apocalypse Prepper repaint by Jennifer Weigel
Zombie Apocalypse Prepper repaint by Jennifer Weigel

So yeah, all those preppers ready for the zombie apocalypse – you know some of them are gonna get bitten. It’s in the script, what can I say? More blacklight eyes, cause why not?

Abigail vampire ballerina repaint by Jennifer Weigel
Abigail, vampire ballerina repaint by Jennifer Weigel

I admit I haven’t seen this film, but it sure looks fun. Mathilda, eat your heart out. Literally.

Sexy Sadie by Jennifer Weigel
Sexy Sadie by Jennifer Weigel

OK so this isn’t a repaint. Nor is it porcelain. What is it even doing here? Well, she’s cool and ready for a party and kinda reminded me of Abigail, so she sort of just tagged along. Sexy Sadie started as an Avon perfume bottle with a fragrance I didn’t care for (I think it was called Head Over Heels). Because honestly the bottle topper was all that mattered. And now she has her own disco dancing platform. What more could a vampish vixen want?

Portrait of myself with dark makeup and crow skull headdress, backlit by the sun.
Portrait of myself with dark makeup and crow skull headdress, backlit by the sun.

And feel free to check out more of Jennifer Weigel’s work here on Haunted MTL or here on her website.

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Original Creations

Beyond the Veil: Video Script by Jennifer Weigel

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I wrote this script for Beyond the Veil awhile back, exploring the bond between two twin sisters, Edith and Edna, who had lived their lives together. There was a terrible car crash and someone didn’t make it.  The other is trying to contact them beyond the veil…

Spirit Witch altered doll sculpture by Jennifer Weigel
Spirit Witch altered doll sculpture by Jennifer Weigel

Beyond the Veil Setting:

Two women reach out to one another individually in a séance setting.

One sits on one side of a dining table.  The other sits at the other side.  Each studies a candle just beyond her reach; there is darkness between the two candles.  The long table is barely hinted at in the interstice between the two but it is clearly present.

The camera is stationary showing both in profile staring through each other.

The women are both portrayed by the same actress who is also the voice of the narrator, who is unseen.  All three voices are identical so that it is impossible to tell which of the two women the narrator is supposed to represent.

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Both women are spliced into the same scene.  They are together but apart.  The two candles remain for the duration of filming so that the two halves of the film can either be overlapped (so that both women appear incorporeal) or cut and sandwiched in the middle between the candles (so both women appear physically present).  It is possible to set the scene thusly using both methods in different parts of the story, with both women seemingly flickering in and out of being, both individually and apart.

Script:

I. Black, audio only.

Narrator:

I was riding with my twin sister.

We were in a terrible car crash.

The car drove over the median and rolled.

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It spun off the road where it caught fire.

There was smoke everywhere.

My sister didn’t make it.

II. Fade in to the long table with two lit candles; flames flickering.

Two women are just sitting at either end.

They stare blankly through each other.

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Call and Response

                        Edith: Now I’m trying to contact her…

                        Edna: …beyond the veil.

Simultaneous:

                        Edith: Edna, do you hear me?

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                        Edna: Edith, do you hear me?

Together (In Unison):

                        If you hear me, knock three times.

Narrator:

Knock.

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Knock.

Knock.

Call and Response:

                        Edith: I miss you terribly.

                        Edna: I miss you so much.

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                        Edith: Do you remember…

                        Edna: … the car crash?

                        Edith: We rolled…

                        Edna: … over the median.

                        Edith: There was fire.

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                        Edna: There was smoke.

                        Edith: I could hear the sirens.

                        Edna: They were coming…

                        Edith: … to rescue us.

                        Edna: But they were so far away.

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                        Edith: So far…

                        Edna: … away….

Simultaneous:

                        Edith: Are you okay?

                        Edna: Are you hurt?

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Together (In Unison):

                        Knock three times for yes.  Knock once for no.

Narrator:

Knock

– pause –

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Knock

  – pause –

 Together (Syncopated):

                        What’s it like, on the other side?

– long pause –

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   Simultaneous:

                        Edith: I miss you, Edna.

                        Edna: I miss you, Edith.

  Together (Syncopated):

                        It’s so lonely here.

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 Call and Response:

                        Edith: There’s no one here.

                        Edna: I’m all alone.

                        Edith: Without you…

                        Edna: …the spark of life…

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                        Edith: …is gone…

                        Edna: … so far away.

                        – pause –

Together (Entirely Out of Sync):

                        It’s so dark.

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III. Fade out to black

Narrator:

I was riding with my twin sister.

We were in a terrible car crash.

The car drove over the median and rolled.

It spun off the road where it caught fire.

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There was smoke everywhere.

I didn’t make it.

Close up of sculpture
Close Up of sculpture

I had planned to actually turn this into the video for which it was written, but quickly discovered that my plans for recording required a space that was too drastically different from my new house (and new large gaming table) and that my vision for filming could not be well-fully executed or realized. So now it exists as a script only.

Portrait of myself with dark makeup and crow skull headdress, backlit by the sun.
Portrait of myself with dark makeup and crow skull headdress, backlit by the sun.

And feel free to check out more of Jennifer Weigel’s work here on Haunted MTL or here on her website.

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