Fred moved into the apartment in early September. It was a simple place, not much to write home about. Still, he tried to tout the benefits of being on his own to Lily, requesting her to visit as soon as she was able, but he knew the six-hour drive away from the city would be a hurdle to overcome and she was still immersed in her studies.
Mostly the apartment was just barren and devoid of any life or personality. Other than a large long-dead stained patch over the toilet that the landlord assured him had been taken care of and that looked old, the rest of the apartment was just a white blank slate. It was too bad Lily and he couldn’t add color to the canvas of this home together. Give it time, he thought. It’s part of the plan.
He had finally found a reasonable job and taken it. The competition here was not as harsh and he felt his skills were more in need in the backwash anyway. The city was pretty progressive but he didn’t have the 2-3 years under his belt that he needed to make anything of himself. Not yet anyway. But there was a desperate shortage of therapists and counselors rurally. He could make the biggest difference here. Still, it was going to be awful lonely. He sighed.
The next few months dragged on. Lily and he talked and texted constantly. He had begun to make a little bit of a name for himself, especially helping those struggling with addiction. There was a large need; group therapy only did so much, and not everyone fit the standard mold for treatment. Fred considered the limitations of the deeply religious community influence which impacted the groups even more than where he had come from. He tried to provide alternatives to those who were turned off by this.
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Lily’s first visit was over the long Thanksgiving weekend. She had wanted to come sooner, but there was a major exam over the previous holiday and she couldn’t get away. Still, they were grateful for the time that they had, and they made sure not to waste it.
After the first night of unbridled passion after the three-month hiatus from physical contact, Fred found himself called to the bathroom at 3 AM. As he stood at the toilet, something caught his attention.
Drip.
He hadn’t bothered to turn on the overhead light, not wanting to wake Lily, and he couldn’t make anything out in the darkness.
Drip.
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He looked down but the dim light revealed nothing. He filed it away in the back of his mind to take up with the landlord in the morning and returned to bed.
The next morning, Fred studied the toilet. There were indeed some dark brown spots on the floor beside it. He was certain they were not of his making. they almost looked like old dried blood. He looked up and was taken aback. The stained region was fresh, and it had grown. The musty smell of old decay began to set in. And it was dripping.
Drip.
Lily stared at the stain. Something about it seemed to upset her even more than it should have. She was unnerved and didn’t want to linger in its presence. Then again, women are always more squeamish about these kinds of things, Fred considered to himself. There was something rather offputting about it though, especially given how quickly it had sprung to resurrected life.
Drip.
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The landlord was of little help. A prudish elderly man, he sized Lily up as soon as he showed up, glancing back and forth between her and Fred. “You know you’re not supposed to have guests unannounced,” he declared.
“My apologies,” Fred answered, trying to mend the rift in the weighted air between them. “This is my fiancée Lily. She’s here for the long weekend.”
The landlord raised an eyebrow. “Long weekend, eh? Just remember, there’s a two-week limit on how long any one person can stay without their being on the lease. And I don’t change my leases. Keeps things quiet around here; I’m too old for any drama.” He bowed his head slightly to Lily in a well-rehearsed gesture of gentlemanly propriety and turned towards the attic door at the end of the hall.
The landlord allowed Fred to follow him upstairs. It seemed the door in the ceiling that led to the attic was unlocked or that the landlord didn’t bother with it. There were only two units up here and no one would have reason to go up there. Fred’s only neighbor, a diminutive middle-aged woman named Debra, kept to herself; he suspected she couldn’t even reach this door if she wanted to. And the landlord lived downstairs alone. It was just the three of them. So there was no real need to lock it.
They made their way over to the corner above Fred’s apartment. The musty odor grew stronger as they approached but there was no evidence of anything being amiss. The roof was intact. The insulation was clean. The attic was dry and dusty as was expected. The landlord shrugged. I’ll put a coat of Killz over it. That’s all I can do for now. My daughter’s cooking for the holiday; they pick me up at 10.”
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The smell of wet paint masked the stain but Lily wasn’t convinced. “I dunno about this place,” she said, shuddering.
“It’s only a six month lease,” Fred said. “It’s up in February. We’ll get a better place after that, someplace we can share. Together. I’ll have a better lay of the land by then.”
“Alright I guess,” Lily glanced again at the ceiling.
Over the weekend, the staining emerged slightly from beneath the drying paint, like rust creeping through to oxidize in the exposed air. It restabilized at about the point where it had originally been, when Fred had first moved in. Lily left and went home. The musty smell subsided and the stained patch dried to a dull muted distant discoloration. Fred shrugged it off to the Killz and to time and went on about his life. He had bigger things to worry about.
Lily returned over the December holidays. The semester was over and exams were in; she was free for the week between Christmas and New Years. The end was becoming clearer every day. One more semester and she was done, and Fred would be a half-year closer to the three-years experience he needed for them to move back…
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About half a day into her week-long stay, the stain reemerged from its dormancy.
Drip.
Although it had seemed like a blessing at first, unfortunately the landlord was away for the week. So was the neighbor Debra. Fred and Lily had the place completely to themselves.
Drip.
Fred went to the local hardware store and bought a gallon of Killz so he could recoat the stained region himself, but it kept bleeding through, more and more forcefully as the days swept by.
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Drip.
On day four, the stain began to cascade down the wall in the corner, pooling at the floor and threatening to overtake the bathroom corner. The smell of decay became pervasive, as if a squirrel or a rat had died deep within the wall someplace.
Drip.
Lily was horrified and did as much as she could to avoid the bathroom. She even began making twice-daily trips to the grocery store to use their facilities, using the apartment bathroom only when no other options were available.
“I know. I’m sorry. It’s a small town,” Fred exclaimed despairingly. “The nearest hotel is an hour away and I have clients lined out and group on Tuesday. I need to be here for them. The holidays are a rough time and I have two people on suicide watch as it is.”
He checked the attic again. Nothing. He applied yet another coat of Killz. He even put down towels to sop up the seepage, knowing full well that said towels would need to be destroyed later. But nothing helped.
Drip.
On the sixth day, Lily rose from bed at 2 AM desperately needing to go to the bathroom. Her constipated innards were a mess from the constant stress of trying not to go and the floodwalls were coming down. She had no choice. She ran into the bathroom and leapt upon the toilet in the darkness, trying not to wretch as her slipper caught in something sticky that had enveloped the base of the commode.
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Fred woke to Lily screaming. He ran into the bathroom and flicked on the light but she wasn’t there. There was no sign of her. Just the gooey stain-soaked corner leached up against the toilet. He looked up at the ceiling and noticed that it was bulging. The ceiling was stretched taut over a lump and it was moving… Something was trapped in there!
Fred raced up to the attic. The area above the toilet was obviously swollen, almost to the point where it appeared transparent. A vague female silhouette scraped at the outgrowth to no avail, a shadow flickering away to darkness. Fred darted over to the form. It was oozing sticky pus-like sap, hardening as it began to recede back into the attic floor. He tore at the form, flinging insulation and shouting. “Lily!”
The bulge continued to dwindle and grow more and more faint. The stickiness subsided. The insulation became drier chaff that dissipated to dust as it was flung. As the bulge withdrew into the attic floor without a trace, Fred raced downstairs again.
His apartment was quiet. Too quiet. The stained patch in the bathroom had receded to its seemingly long-dead dormant state. There was no sign of his fiancée or of the horrors they had borne witness to over the last two days. Everything was static.
Jennifer Weigel is a multi-disciplinary mixed media conceptual artist residing in Kansas USA. Weigel utilizes a wide range of media to convey her ideas, including assemblage, drawing, fibers, installation, jewelry, painting, performance, photography, sculpture, video and writing. You can find more of her work at:
https://www.jenniferweigelart.com/
https://www.jenniferweigelprojects.com/
https://jenniferweigelwords.wordpress.com/
Those religious icons really get around. This time it’s a journey to visit the Deep Ones. And Dracula’s Castle. Because everyone has to be a tourist now and then, and what’s the point if you don’t pick up a souvenir or two?
This was a gift for a friend for their sea life monster theme bathroom. It started as one of those old school wood plaques where the picture is waxed on. And the eyes were originally that creepy – all I did was add the tentacles. So don’t blame the overall weirdness on me, it wasn’t all my doing.
Oh, and apparently Mary wanted in on the action, so she’s gone to Dracula’s Castle for a bite. She even brought back her own religious icons souvenirs…
So this one isn’t as old, nor is it real wood. But it still totally goes with Mary’s journey. And it’s also a little blacklight reactive with the flowers.
So I just keep on going… Here are some more repaint porcelain figurines and other madcap painting. OK maybe some of them aren’t porcelain, but still totally redone.
This Pennywise clown started as some plastic figurine from Italy. I was drawn to this because of the pretty marble base. It’s a nice touch, don’t you think? I’ve seen others in this series and honestly they’re all kind of creepy to start with, so they really lend themselves towards repaint prospects. Perhaps I’ll pick up more to redo in similar ways later on… Oh, and the eyes are blacklight sensitive, in case he wasn’t creepy enough already.
With all of the new movie hype, I couldn’t resist a throwback to the classic Beetlejuice, and this little bride figurine and teddy bear were just too perfect. Featuring more blacklight sensitive accents, like her veil flowers. And I don’t know why she only has one glove, I blame it on the 1980s… Or maybe she was just that drunk (you’d have to be for that wedding)…
So yeah, all those preppers ready for the zombie apocalypse – you know some of them are gonna get bitten. It’s in the script, what can I say? More blacklight eyes, cause why not?
I admit I haven’t seen this film, but it sure looks fun. Mathilda, eat your heart out. Literally.
OK so this isn’t a repaint. Nor is it porcelain. What is it even doing here? Well, she’s cool and ready for a party and kinda reminded me of Abigail, so she sort of just tagged along. Sexy Sadie started as an Avon perfume bottle with a fragrance I didn’t care for (I think it was called Head Over Heels). Because honestly the bottle topper was all that mattered. And now she has her own disco dancing platform. What more could a vampish vixen want?
I wrote this script for Beyond the Veil awhile back, exploring the bond between two twin sisters, Edith and Edna, who had lived their lives together. There was a terrible car crash and someone didn’t make it. The other is trying to contact them beyond the veil…
Beyond the Veil Setting:
Two women reach out to one another individually in a séance setting.
One sits on one side of a dining table. The other sits at the other side. Each studies a candle just beyond her reach; there is darkness between the two candles. The long table is barely hinted at in the interstice between the two but it is clearly present.
The camera is stationary showing both in profile staring through each other.
The women are both portrayed by the same actress who is also the voice of the narrator, who is unseen. All three voices are identical so that it is impossible to tell which of the two women the narrator is supposed to represent.
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Both women are spliced into the same scene. They are together but apart. The two candles remain for the duration of filming so that the two halves of the film can either be overlapped (so that both women appear incorporeal) or cut and sandwiched in the middle between the candles (so both women appear physically present). It is possible to set the scene thusly using both methods in different parts of the story, with both women seemingly flickering in and out of being, both individually and apart.
Script:
I. Black, audio only.
Narrator:
I was riding with my twin sister.
We were in a terrible car crash.
The car drove over the median and rolled.
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It spun off the road where it caught fire.
There was smoke everywhere.
My sister didn’t make it.
II. Fade in to the long table with two lit candles; flames flickering.
Two women are just sitting at either end.
They stare blankly through each other.
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Call and Response
Edith: Now I’m trying to contact her…
Edna: …beyond the veil.
Simultaneous:
Edith: Edna, do you hear me?
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Edna: Edith, do you hear me?
Together (In Unison):
If you hear me, knock three times.
Narrator:
Knock.
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Knock.
Knock.
Call and Response:
Edith: I miss you terribly.
Edna: I miss you so much.
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Edith: Do you remember…
Edna: … the car crash?
Edith: We rolled…
Edna: … over the median.
Edith: There was fire.
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Edna: There was smoke.
Edith: I could hear the sirens.
Edna: They were coming…
Edith: … to rescue us.
Edna: But they were so far away.
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Edith: So far…
Edna: … away….
Simultaneous:
Edith: Are you okay?
Edna: Are you hurt?
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Together (In Unison):
Knock three times for yes. Knock once for no.
Narrator:
Knock
– pause –
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Knock
– pause –
Together (Syncopated):
What’s it like, on the other side?
– long pause –
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Simultaneous:
Edith: I miss you, Edna.
Edna: I miss you, Edith.
Together (Syncopated):
It’s so lonely here.
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Call and Response:
Edith: There’s no one here.
Edna: I’m all alone.
Edith: Without you…
Edna: …the spark of life…
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Edith: …is gone…
Edna: … so far away.
– pause –
Together (Entirely Out of Sync):
It’s so dark.
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III. Fade out to black
Narrator:
I was riding with my twin sister.
We were in a terrible car crash.
The car drove over the median and rolled.
It spun off the road where it caught fire.
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There was smoke everywhere.
I didn’t make it.
I had planned to actually turn this into the video for which it was written, but quickly discovered that my plans for recording required a space that was too drastically different from my new house (and new large gaming table) and that my vision for filming could not be well-fully executed or realized. So now it exists as a script only.
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