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In 2020, Haunted MTL brought you the 13 Days of Krampus. Now we offer another exclusive series of holiday horror stories: The Twelve Nightmares of the Holidays. It’s day (coughcoughcough) of 12 Nightmares of the Holidays. If you missed it, check out the others so far: here for Jen’shere for Nicole’shere for Phil’s, here for T.T.’s, here for Court Court’s, here for Eve’s, and here for Nicole’s.

This is a continuation of Christmas Dinner, which can be found here. It can be stand alone, though. It’s a year after the events in the first story.

Home for Christmas banner with two women almost kissing and an anatomical body in the background of stars

Christmas is about traditions and family. And Dr. Virginia ‘Ginny’ Kostyshyn is making up her own this year – frozen chicken nuggets for dinner every night, crying while playing Roger Whitaker’s ‘Home for Christmas’ on repeat, glasses of Riesling wine while watching ‘It’s a Wonderful Life’, and dodging Dr. Katherine ‘Kate’ Wright’s texts. 

Work is harder to dodge Kate, though, since they work in the same lab, in the same office and on the same experiments. And Kate doesn’t like to tiptoe and pussyfoot the way Ginny does. 

But thanks to Ginny’s insistent avoidance and quietness, they’ve reverted back to last names. All while Subject 205 a.k.a. Greg, now an off-hand lab assistant, watches the situation darkly. 

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And he’s not apt to get into other people’s business, far be it from him, a year-old reanimated body. However, he has vague memories of last Christmas with Ginny. Fractured recollections of tinsel, eyes glaring at him, skin sliding off, mashed potatoes, Roger Whitaker…and Ginny crying as she stitched him back up.

He also remembers wiping away a tear and apologizing. For being who he is. For being what he is. For ruining everything like he ruined in his first life. And he recalls her hands being so warm, as warm as her smile, as she told him that they had nothing to apologize for. 

And tonight is Christmas Eve, with Dr. Wright putting on her coat, coldly silent, and Dr. Kostyshyn slowly shutting down her laptop and hesitating. 

“All right, Greg,” Dr. Wright says, her clipped accent echoing in the white, clean lab. “Have a good night. Dr. Woodruff is on call. He’ll be in tomorrow. Have a holly jolly and all that.”

“Yes,” he grunts and his eyes peer over to Dr. Kostyshyn, the offset orbs wide and inquiring. He earns a stern look for it, so he concedes, “You, too.”

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Dr. Kostyshyn peeks up, but Dr. Wright just nods, “Dr. Kostyshyn.”

Ginny Kostyshyn’s face falls and she nods in return. “Yes, good night. Have a happy-”

But Dr. Wright is already walking out the door. Ginny can feel her chest clench, another new tradition. She gathers her coat and scarf listlessly. “I’ll come by tomorrow, Greg, don’t worry.”

“I don’t worry,” he says, feeling some of that heartache. He doesn’t worry, though, when he has a plan. 

“Ah, good. Then…I guess have a good night.”

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***

Ginny checks her phone but no texts to dodge tonight. Not from Kate and not from her family. One text from Bath and Bodyworks telling her about a special and wishing her a happy holiday season. 

At least someone cares.

She sniffles as she flops into her couch and searches around for a half empty bottle she left last night. This isn’t like her. She knows that, so why can’t Kate know that?

The last argument they had, Kate told her to grow up and stop pining over a love that wasn’t reciprocated. Just like that. Ginny’s family didn’t love her. 

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Yes, maybe it’s true. Maybe they haven’t called her since last Christmas. Maybe they hated her. Maybe they’ve blocked her on social media. Maybe they never would have her come back. Maybe she’d never have her mother’s lasagna again. 

Stupid things like that seem so much more significant. 

Stupid, stupid traditions she could no longer have, but still remember. 

And after the bottle is empty, the tradition of crying herself to sleep begins again, as it did the night before, and the night before that. 

***

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Kate is angry and getting piss drunk, looking at her phone again. It’s useless, she knows, but still. 

She sighs and puts it back into her pocket. Along with other lonesome losers, she’s in a dive bar, watching some American football highlights from a game twenty years ago. Her parents are already asleep in Birmingham, six hours ahead of her. 

She tries to watch the television, but it’s just flashing images. It’s just lights and muted sounds. It’s not real, doesn’t feel real. Merry Christmas. 

She’s been away from her family for ten years now and she was half-hoping, now that Ginny’s family was bust, that maybe, just maybe, they might have gone to her hometown. It’s been five years since she’s gone back and even though she calls and Skypes, it’s about as real as the television. Just flashing images. It’s not the smell of her mother, the warmth of her father, and the sassy gleam in her granny’s eye. It’s all different. 

But when she vaguely brought up the holidays, Ginny shut down. 

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Ginny shut down, but worst of all, shut her out. 

She taps the counter for another and the bartender nods. “‘Kay, but then you’re cut off.”

“Got it.” She had a long, quiet few days ahead of her. It wasn’t so much she was angry at Ginny, it was just hard to have someone keep grieving and not know what to do. Kate had never been the shoulder to cry on. She had put all of her efforts into school, career, study, science, and technology. She wanted to be one of the best.

But being one of the best made her one of the lonliest and she thought those days were over when Ginny somehow wormed her way into Kate’s life and heart. 

She thinks about the gift in her desk, sitting there for the next few days. For an eternity, perhaps, unopened. 

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How disappointing. 

How frustrating.

How soft and stupid. 

She finishes her drink and cashes out. 

***

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One empty bottle later in Ginny’s home and one cold, drunken walk later to Kate’s home, and suddenly they both get a call. A call from the lab. It rings to both of them, at opposite ends of the city. It wakes Ginny up and startles Kate into falling off the sidewalk.

“H-hello?” Ginny stutters into the phone, frizzled hair in her mouth.

Kate is still picking herself back up and then joins. “What?”

“Oh, hello,” Greg says, monotone, as usual. “You both may want to come back to the lab.”

Sighing, Kate replies, “Dr. Woodruff is-”

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“He’s dead,” Greg states, looking down at the man split in two. Shame, really. Woodruff wasn’t too bad. Just opened his mouth when he ate and clipped his toenails in the lab. “Remember the man-pig hybrid Dr. Chuz is working on?”

“Yes,” they say in unison but with alternating inflections. 

“Oh God,” Ginny exclaims.

“What happened?” Kate asks, looking for a cab or something to get her to the lab. It’s hard with everything spinning. 

“It escaped…somehow,” Greg quietly explains. “I think it’s a bit sick, though. Reanimated meat probably didn’t do it any good.”

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“Greg?! Are you okay?” Ginny asks and gets up, tangling in her coat and scarf. 

He looks down, legs half-eaten and chartreuse blood pooling around him. “Hmm, I’m still alive. The legs need work, though.”

“We’re on our way,” Kate tells him, and still looks around at an empty street, “…somehow. I can’t drive. Ginny, can you pick me up?”

“Uh…” She looks at the empty bottle on the ground. “Unfortunately…I probably shouldn’t drive.”

They both sigh.

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“Let’s get cabs and meet there. Greg, is it still in the building?”

“Oh yes,” he states, as the mig- er pan, whatever it is, is heaving in the corner, vomiting up bits of the doctor and vile parts of himself. Greg eyes the bits and bobs in morbid fascination. “I don’t think he’s going anywhere for a while. I think I didn’t agree with him.”

“They keep a shotgun upstairs, so we’ll come down with that.”

“A shotgun, Kate?! While we’re- uh…”

“Pissed?”

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“I’m not- Oh, no, I’m just tipsy.”

“You’re slurring.”

“And I’m losing blood,” Greg calming brings them back on point.

“Right. Since you’re ‘just tipsy’ and American, you can call, well, shotgun.”

“Oh, Kate,” Ginny admonishes as she flings her shoes on. “Don’t worry, Greg. We’re on our way.”

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And just like that, his plan is in action.

***

When they both make their way to the underground lab, Ginny faring better than Kate’s weaving and swaying. However, they find a horrific mess. Just…a mess. Everything is turned upside-down. Blood on the walls, on the floor, on the ceiling and doors. 

Calmly, in the mess, Greg is leaning against a desk, playing a word game on his phone. His legs are torn asunder and remain only in strings of cartilage, bone, and muscles. It reminds Ginny of oozing and meaty string cheese. Looking up, he nods. “Merry Christmas.”  

“Jesus H!” Kate breathes out. 

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“Where is it?” Ginny says, shotgun shaking in her hands, almost the size of her. 

“I think it’s dead,” he tells them and points to a hidden corner. “I heard gagging and struggling…Serves it right.”

Ginny goes to peek while Kate remains. “Aren’t you a bit calm?”

They share a glance to size up each other as Kate sways and refuses to acknowledge it as much as Greg refuses to acknowledge his string cheese legs. There’s a pause before he says, “Why wouldn’t I be? I’ve done nothing wrong.”

After her investigation, Ginny breathes in relief. “It’s dead! I think it died by aspiration.”

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“Hallelujah,” Kate sarcastically replies, still glaring at Greg, who is almost at the next level in his game.   

“Well,” Ginny sighs, pulling off her coat. “I guess we, uh…”

She gestures to the bits of Dr. Woodruff, the larger pieces of him, the vomit, the lab, the everything. “Greg is first, I suppose.”

“I guess, the wanker,” Kate mumbles, slipping off her own coat, then having to find the coat rack in the calamity. “You don’t deserve us, 205.”

He shrugs as he contently plays on his phone, continuing to ooze out, without real concern now that the scientists are here. 

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Ginny puts 205 up into the examination bed and sedates him while Kate goes into her desk to get some supplies. That’s when she finds her present to Ginny with a frown. It seems as good a time as any.

Before they need to scrub up and put on surgical gowns, she tosses it to Ginny. “Merry Christmas. It’s after midnight.”

“Oh, sorry. Your present is at my apart-”

“Just open it.”

It’s small. Very small. Box-shaped. And Ginny is nervous and afraid. It could be something that she’s not ready for. What if it’s a tone-deaf, ‘let me be your family since you don’t have one’? What could she even say if it’s a ring? It just feels cruel. 

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With shaking hands, she opens it slowly, relieved to find a key instead. A key? To where? Kate wouldn’t be so cheesy as to say to her heart. It’s not a car key, thank goodness. 

“It’s to a cabinet,” Kate explains, seeing the confusion. “Remember when we were here the first year and there was that cabinet and you lost the key?”

Blinking, she half-recalls. Honestly, she just remembers being scolded for it and the panic afterwards. 

“And you kept looking for it and I got annoyed and just took a crowbar and sledgehammer to it. Remember?”

Ginny laughs. “Oh, yeah. I thought you were crazy.”

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“You called me impatient at the time.” Swaying, but sobering up, Kate sighs and walks over to Ginny. Sees the little key in her green-bloodied hands, shining like the star on top of a Christmas tree. “You said it’d turn up eventually.”

“God, that was years ago, though.”

Kate’s hands curve around Ginny’s carefully. “I know that you’re upset with your family. It’s not what you wanted or expected. They’re being shits about it and it hurts to be on the outside. 

“I found the key recently and I just wanted to give it back and remind you that sometimes it takes time. You were right. Sometimes you have to be patient. Maybe with them. Maybe with yourself…Maybe sometimes even with me. But you’re going to get back what you lose. Not always in the moment you want it, but you’ll find it. You just have to be patient and remember what you have now.”

Ginny purses her lips so she doesn’t cry like a sop, but leans forward to touch her forehead to the chin there. With a long breath, she replies, “Thank you.”

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“Of course. And maybe if you’re not too busy…you can come back with me and meet the Wrights. My mum collects ugly porcelain swans, my dad has the worst jokes, their dog is full of farts, but gran isn’t so bad. And I’m not saying that as-…I want you to meet them. They’re much more normal and better people than I’ll ever be.” 

A stray tear falls as Ginny sniffs and chuckles. “You’re not so bad.”

“I’m about to sew up a reanimated corpse that was half-eaten by a pig-headed abomination…I’m not great. But…I’ve got you here, so it’s not awful.” She leans down to punctuate her gift with a kiss. 

Ginny smiles and accepts the offered kiss warmly, realizing how much she’s missed it. “Mm, and when we’re done, we get to clean up the body of the aforementioned abomination and get to break the news to Dr. Chuz.”

“That’s okay. I’ll do it. I don’t mind ruining his Christmas; he misspells my name constantly.” Kate smirks and kisses Ginny’s cheek.

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“Merry Christmas, Dr. Wright,” Ginny quietly says, hugging tight onto her girlfriend. 

“Merry Christmas, Dr. Kostyshyn,” Kates replies and holds her back, just as tightly.

When not ravaging through the wilds of Detroit with Jellybeans the Cat, J.M. Brannyk (a.k.a. Boxhuman) reviews mostly supernatural and slasher films from the 70's-90's and is dubiously HauntedMTL's Voice of Reason. Aside from writing, Brannyk dips into the podcasts, and is the composer of many of HauntedMTL's podcast themes.

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1 Comment

1 Comment

  1. Jennifer Weigel

    December 25, 2022 at 4:12 pm

    I am glad this is revisited and hope that there is peace for all of them in the aftermath of the two year’s holidays.

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Original Creations

Religious Icons Revisited for the Second Second Coming

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Those religious icons really get around. This time it’s a journey to visit the Deep Ones. And Dracula’s Castle. Because everyone has to be a tourist now and then, and what’s the point if you don’t pick up a souvenir or two?

New religious icons - Jesus Christ visits Cthulhu and the Deep Ones
New religious icons – Jesus Christ visits Cthulhu and the Deep Ones

This was a gift for a friend for their sea life monster theme bathroom. It started as one of those old school wood plaques where the picture is waxed on. And the eyes were originally that creepy – all I did was add the tentacles. So don’t blame the overall weirdness on me, it wasn’t all my doing.

Bloody Mary goes to Transylvania
Bloody Mary goes to Transylvania

Oh, and apparently Mary wanted in on the action, so she’s gone to Dracula’s Castle for a bite. She even brought back her own religious icons souvenirs…

Repainted faux wood plate by Jennifer Weigel

So this one isn’t as old, nor is it real wood. But it still totally goes with Mary’s journey. And it’s also a little blacklight reactive with the flowers.

Portrait of myself with dark makeup and crow skull headdress, backlit by the sun.
Portrait of myself with dark makeup and crow skull headdress, backlit by the sun.

And feel free to check out more of Jennifer Weigel’s work here on Haunted MTL or here on her website.

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Original Creations

Repaint Porcelain Figs Plus by Jennifer Weigel

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So I just keep on going… Here are some more repaint porcelain figurines and other madcap painting. OK maybe some of them aren’t porcelain, but still totally redone.

Pennywise It Clown repaint by Jennifer Weigel
Pennywise It Clown repaint by Jennifer Weigel

This Pennywise clown started as some plastic figurine from Italy. I was drawn to this because of the pretty marble base. It’s a nice touch, don’t you think? I’ve seen others in this series and honestly they’re all kind of creepy to start with, so they really lend themselves towards repaint prospects. Perhaps I’ll pick up more to redo in similar ways later on… Oh, and the eyes are blacklight sensitive, in case he wasn’t creepy enough already.

Lydia the Beetlejuice Bride repaint by Jennifer Weigel
Lydia the Beetlejuice Bride repaint by Jennifer Weigel

With all of the new movie hype, I couldn’t resist a throwback to the classic Beetlejuice, and this little bride figurine and teddy bear were just too perfect. Featuring more blacklight sensitive accents, like her veil flowers. And I don’t know why she only has one glove, I blame it on the 1980s… Or maybe she was just that drunk (you’d have to be for that wedding)…

Zombie Apocalypse Prepper repaint by Jennifer Weigel
Zombie Apocalypse Prepper repaint by Jennifer Weigel

So yeah, all those preppers ready for the zombie apocalypse – you know some of them are gonna get bitten. It’s in the script, what can I say? More blacklight eyes, cause why not?

Abigail vampire ballerina repaint by Jennifer Weigel
Abigail, vampire ballerina repaint by Jennifer Weigel

I admit I haven’t seen this film, but it sure looks fun. Mathilda, eat your heart out. Literally.

Sexy Sadie by Jennifer Weigel
Sexy Sadie by Jennifer Weigel

OK so this isn’t a repaint. Nor is it porcelain. What is it even doing here? Well, she’s cool and ready for a party and kinda reminded me of Abigail, so she sort of just tagged along. Sexy Sadie started as an Avon perfume bottle with a fragrance I didn’t care for (I think it was called Head Over Heels). Because honestly the bottle topper was all that mattered. And now she has her own disco dancing platform. What more could a vampish vixen want?

Portrait of myself with dark makeup and crow skull headdress, backlit by the sun.
Portrait of myself with dark makeup and crow skull headdress, backlit by the sun.

And feel free to check out more of Jennifer Weigel’s work here on Haunted MTL or here on her website.

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Original Creations

Beyond the Veil: Video Script by Jennifer Weigel

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I wrote this script for Beyond the Veil awhile back, exploring the bond between two twin sisters, Edith and Edna, who had lived their lives together. There was a terrible car crash and someone didn’t make it.  The other is trying to contact them beyond the veil…

Spirit Witch altered doll sculpture by Jennifer Weigel
Spirit Witch altered doll sculpture by Jennifer Weigel

Beyond the Veil Setting:

Two women reach out to one another individually in a séance setting.

One sits on one side of a dining table.  The other sits at the other side.  Each studies a candle just beyond her reach; there is darkness between the two candles.  The long table is barely hinted at in the interstice between the two but it is clearly present.

The camera is stationary showing both in profile staring through each other.

The women are both portrayed by the same actress who is also the voice of the narrator, who is unseen.  All three voices are identical so that it is impossible to tell which of the two women the narrator is supposed to represent.

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Both women are spliced into the same scene.  They are together but apart.  The two candles remain for the duration of filming so that the two halves of the film can either be overlapped (so that both women appear incorporeal) or cut and sandwiched in the middle between the candles (so both women appear physically present).  It is possible to set the scene thusly using both methods in different parts of the story, with both women seemingly flickering in and out of being, both individually and apart.

Script:

I. Black, audio only.

Narrator:

I was riding with my twin sister.

We were in a terrible car crash.

The car drove over the median and rolled.

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It spun off the road where it caught fire.

There was smoke everywhere.

My sister didn’t make it.

II. Fade in to the long table with two lit candles; flames flickering.

Two women are just sitting at either end.

They stare blankly through each other.

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Call and Response

                        Edith: Now I’m trying to contact her…

                        Edna: …beyond the veil.

Simultaneous:

                        Edith: Edna, do you hear me?

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                        Edna: Edith, do you hear me?

Together (In Unison):

                        If you hear me, knock three times.

Narrator:

Knock.

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Knock.

Knock.

Call and Response:

                        Edith: I miss you terribly.

                        Edna: I miss you so much.

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                        Edith: Do you remember…

                        Edna: … the car crash?

                        Edith: We rolled…

                        Edna: … over the median.

                        Edith: There was fire.

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                        Edna: There was smoke.

                        Edith: I could hear the sirens.

                        Edna: They were coming…

                        Edith: … to rescue us.

                        Edna: But they were so far away.

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                        Edith: So far…

                        Edna: … away….

Simultaneous:

                        Edith: Are you okay?

                        Edna: Are you hurt?

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Together (In Unison):

                        Knock three times for yes.  Knock once for no.

Narrator:

Knock

– pause –

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Knock

  – pause –

 Together (Syncopated):

                        What’s it like, on the other side?

– long pause –

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   Simultaneous:

                        Edith: I miss you, Edna.

                        Edna: I miss you, Edith.

  Together (Syncopated):

                        It’s so lonely here.

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 Call and Response:

                        Edith: There’s no one here.

                        Edna: I’m all alone.

                        Edith: Without you…

                        Edna: …the spark of life…

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                        Edith: …is gone…

                        Edna: … so far away.

                        – pause –

Together (Entirely Out of Sync):

                        It’s so dark.

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III. Fade out to black

Narrator:

I was riding with my twin sister.

We were in a terrible car crash.

The car drove over the median and rolled.

It spun off the road where it caught fire.

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There was smoke everywhere.

I didn’t make it.

Close up of sculpture
Close Up of sculpture

I had planned to actually turn this into the video for which it was written, but quickly discovered that my plans for recording required a space that was too drastically different from my new house (and new large gaming table) and that my vision for filming could not be well-fully executed or realized. So now it exists as a script only.

Portrait of myself with dark makeup and crow skull headdress, backlit by the sun.
Portrait of myself with dark makeup and crow skull headdress, backlit by the sun.

And feel free to check out more of Jennifer Weigel’s work here on Haunted MTL or here on her website.

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