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In 2020, Haunted MTL brought you the 13 Days of Krampus. Now we offer another exclusive series of holiday horror stories: The Twelve Nightmares of the Holidays. It’s day (coughcoughcough) of 12 Nightmares of the Holidays. If you missed it, check out the others so far: here for Jen’shere for Nicole’shere for Phil’s, here for T.T.’s, here for Court Court’s, here for Eve’s, and here for Nicole’s.

This is a continuation of Christmas Dinner, which can be found here. It can be stand alone, though. It’s a year after the events in the first story.

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Christmas is about traditions and family. And Dr. Virginia ‘Ginny’ Kostyshyn is making up her own this year – frozen chicken nuggets for dinner every night, crying while playing Roger Whitaker’s ‘Home for Christmas’ on repeat, glasses of Riesling wine while watching ‘It’s a Wonderful Life’, and dodging Dr. Katherine ‘Kate’ Wright’s texts. 

Work is harder to dodge Kate, though, since they work in the same lab, in the same office and on the same experiments. And Kate doesn’t like to tiptoe and pussyfoot the way Ginny does. 

But thanks to Ginny’s insistent avoidance and quietness, they’ve reverted back to last names. All while Subject 205 a.k.a. Greg, now an off-hand lab assistant, watches the situation darkly. 

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And he’s not apt to get into other people’s business, far be it from him, a year-old reanimated body. However, he has vague memories of last Christmas with Ginny. Fractured recollections of tinsel, eyes glaring at him, skin sliding off, mashed potatoes, Roger Whitaker…and Ginny crying as she stitched him back up.

He also remembers wiping away a tear and apologizing. For being who he is. For being what he is. For ruining everything like he ruined in his first life. And he recalls her hands being so warm, as warm as her smile, as she told him that they had nothing to apologize for. 

And tonight is Christmas Eve, with Dr. Wright putting on her coat, coldly silent, and Dr. Kostyshyn slowly shutting down her laptop and hesitating. 

“All right, Greg,” Dr. Wright says, her clipped accent echoing in the white, clean lab. “Have a good night. Dr. Woodruff is on call. He’ll be in tomorrow. Have a holly jolly and all that.”

“Yes,” he grunts and his eyes peer over to Dr. Kostyshyn, the offset orbs wide and inquiring. He earns a stern look for it, so he concedes, “You, too.”

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Dr. Kostyshyn peeks up, but Dr. Wright just nods, “Dr. Kostyshyn.”

Ginny Kostyshyn’s face falls and she nods in return. “Yes, good night. Have a happy-”

But Dr. Wright is already walking out the door. Ginny can feel her chest clench, another new tradition. She gathers her coat and scarf listlessly. “I’ll come by tomorrow, Greg, don’t worry.”

“I don’t worry,” he says, feeling some of that heartache. He doesn’t worry, though, when he has a plan. 

“Ah, good. Then…I guess have a good night.”

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***

Ginny checks her phone but no texts to dodge tonight. Not from Kate and not from her family. One text from Bath and Bodyworks telling her about a special and wishing her a happy holiday season. 

At least someone cares.

She sniffles as she flops into her couch and searches around for a half empty bottle she left last night. This isn’t like her. She knows that, so why can’t Kate know that?

The last argument they had, Kate told her to grow up and stop pining over a love that wasn’t reciprocated. Just like that. Ginny’s family didn’t love her. 

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Yes, maybe it’s true. Maybe they haven’t called her since last Christmas. Maybe they hated her. Maybe they’ve blocked her on social media. Maybe they never would have her come back. Maybe she’d never have her mother’s lasagna again. 

Stupid things like that seem so much more significant. 

Stupid, stupid traditions she could no longer have, but still remember. 

And after the bottle is empty, the tradition of crying herself to sleep begins again, as it did the night before, and the night before that. 

***

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Kate is angry and getting piss drunk, looking at her phone again. It’s useless, she knows, but still. 

She sighs and puts it back into her pocket. Along with other lonesome losers, she’s in a dive bar, watching some American football highlights from a game twenty years ago. Her parents are already asleep in Birmingham, six hours ahead of her. 

She tries to watch the television, but it’s just flashing images. It’s just lights and muted sounds. It’s not real, doesn’t feel real. Merry Christmas. 

She’s been away from her family for ten years now and she was half-hoping, now that Ginny’s family was bust, that maybe, just maybe, they might have gone to her hometown. It’s been five years since she’s gone back and even though she calls and Skypes, it’s about as real as the television. Just flashing images. It’s not the smell of her mother, the warmth of her father, and the sassy gleam in her granny’s eye. It’s all different. 

But when she vaguely brought up the holidays, Ginny shut down. 

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Ginny shut down, but worst of all, shut her out. 

She taps the counter for another and the bartender nods. “‘Kay, but then you’re cut off.”

“Got it.” She had a long, quiet few days ahead of her. It wasn’t so much she was angry at Ginny, it was just hard to have someone keep grieving and not know what to do. Kate had never been the shoulder to cry on. She had put all of her efforts into school, career, study, science, and technology. She wanted to be one of the best.

But being one of the best made her one of the lonliest and she thought those days were over when Ginny somehow wormed her way into Kate’s life and heart. 

She thinks about the gift in her desk, sitting there for the next few days. For an eternity, perhaps, unopened. 

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How disappointing. 

How frustrating.

How soft and stupid. 

She finishes her drink and cashes out. 

***

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One empty bottle later in Ginny’s home and one cold, drunken walk later to Kate’s home, and suddenly they both get a call. A call from the lab. It rings to both of them, at opposite ends of the city. It wakes Ginny up and startles Kate into falling off the sidewalk.

“H-hello?” Ginny stutters into the phone, frizzled hair in her mouth.

Kate is still picking herself back up and then joins. “What?”

“Oh, hello,” Greg says, monotone, as usual. “You both may want to come back to the lab.”

Sighing, Kate replies, “Dr. Woodruff is-”

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“He’s dead,” Greg states, looking down at the man split in two. Shame, really. Woodruff wasn’t too bad. Just opened his mouth when he ate and clipped his toenails in the lab. “Remember the man-pig hybrid Dr. Chuz is working on?”

“Yes,” they say in unison but with alternating inflections. 

“Oh God,” Ginny exclaims.

“What happened?” Kate asks, looking for a cab or something to get her to the lab. It’s hard with everything spinning. 

“It escaped…somehow,” Greg quietly explains. “I think it’s a bit sick, though. Reanimated meat probably didn’t do it any good.”

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“Greg?! Are you okay?” Ginny asks and gets up, tangling in her coat and scarf. 

He looks down, legs half-eaten and chartreuse blood pooling around him. “Hmm, I’m still alive. The legs need work, though.”

“We’re on our way,” Kate tells him, and still looks around at an empty street, “…somehow. I can’t drive. Ginny, can you pick me up?”

“Uh…” She looks at the empty bottle on the ground. “Unfortunately…I probably shouldn’t drive.”

They both sigh.

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“Let’s get cabs and meet there. Greg, is it still in the building?”

“Oh yes,” he states, as the mig- er pan, whatever it is, is heaving in the corner, vomiting up bits of the doctor and vile parts of himself. Greg eyes the bits and bobs in morbid fascination. “I don’t think he’s going anywhere for a while. I think I didn’t agree with him.”

“They keep a shotgun upstairs, so we’ll come down with that.”

“A shotgun, Kate?! While we’re- uh…”

“Pissed?”

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“I’m not- Oh, no, I’m just tipsy.”

“You’re slurring.”

“And I’m losing blood,” Greg calming brings them back on point.

“Right. Since you’re ‘just tipsy’ and American, you can call, well, shotgun.”

“Oh, Kate,” Ginny admonishes as she flings her shoes on. “Don’t worry, Greg. We’re on our way.”

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And just like that, his plan is in action.

***

When they both make their way to the underground lab, Ginny faring better than Kate’s weaving and swaying. However, they find a horrific mess. Just…a mess. Everything is turned upside-down. Blood on the walls, on the floor, on the ceiling and doors. 

Calmly, in the mess, Greg is leaning against a desk, playing a word game on his phone. His legs are torn asunder and remain only in strings of cartilage, bone, and muscles. It reminds Ginny of oozing and meaty string cheese. Looking up, he nods. “Merry Christmas.”  

“Jesus H!” Kate breathes out. 

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“Where is it?” Ginny says, shotgun shaking in her hands, almost the size of her. 

“I think it’s dead,” he tells them and points to a hidden corner. “I heard gagging and struggling…Serves it right.”

Ginny goes to peek while Kate remains. “Aren’t you a bit calm?”

They share a glance to size up each other as Kate sways and refuses to acknowledge it as much as Greg refuses to acknowledge his string cheese legs. There’s a pause before he says, “Why wouldn’t I be? I’ve done nothing wrong.”

After her investigation, Ginny breathes in relief. “It’s dead! I think it died by aspiration.”

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“Hallelujah,” Kate sarcastically replies, still glaring at Greg, who is almost at the next level in his game.   

“Well,” Ginny sighs, pulling off her coat. “I guess we, uh…”

She gestures to the bits of Dr. Woodruff, the larger pieces of him, the vomit, the lab, the everything. “Greg is first, I suppose.”

“I guess, the wanker,” Kate mumbles, slipping off her own coat, then having to find the coat rack in the calamity. “You don’t deserve us, 205.”

He shrugs as he contently plays on his phone, continuing to ooze out, without real concern now that the scientists are here. 

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Ginny puts 205 up into the examination bed and sedates him while Kate goes into her desk to get some supplies. That’s when she finds her present to Ginny with a frown. It seems as good a time as any.

Before they need to scrub up and put on surgical gowns, she tosses it to Ginny. “Merry Christmas. It’s after midnight.”

“Oh, sorry. Your present is at my apart-”

“Just open it.”

It’s small. Very small. Box-shaped. And Ginny is nervous and afraid. It could be something that she’s not ready for. What if it’s a tone-deaf, ‘let me be your family since you don’t have one’? What could she even say if it’s a ring? It just feels cruel. 

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With shaking hands, she opens it slowly, relieved to find a key instead. A key? To where? Kate wouldn’t be so cheesy as to say to her heart. It’s not a car key, thank goodness. 

“It’s to a cabinet,” Kate explains, seeing the confusion. “Remember when we were here the first year and there was that cabinet and you lost the key?”

Blinking, she half-recalls. Honestly, she just remembers being scolded for it and the panic afterwards. 

“And you kept looking for it and I got annoyed and just took a crowbar and sledgehammer to it. Remember?”

Ginny laughs. “Oh, yeah. I thought you were crazy.”

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“You called me impatient at the time.” Swaying, but sobering up, Kate sighs and walks over to Ginny. Sees the little key in her green-bloodied hands, shining like the star on top of a Christmas tree. “You said it’d turn up eventually.”

“God, that was years ago, though.”

Kate’s hands curve around Ginny’s carefully. “I know that you’re upset with your family. It’s not what you wanted or expected. They’re being shits about it and it hurts to be on the outside. 

“I found the key recently and I just wanted to give it back and remind you that sometimes it takes time. You were right. Sometimes you have to be patient. Maybe with them. Maybe with yourself…Maybe sometimes even with me. But you’re going to get back what you lose. Not always in the moment you want it, but you’ll find it. You just have to be patient and remember what you have now.”

Ginny purses her lips so she doesn’t cry like a sop, but leans forward to touch her forehead to the chin there. With a long breath, she replies, “Thank you.”

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“Of course. And maybe if you’re not too busy…you can come back with me and meet the Wrights. My mum collects ugly porcelain swans, my dad has the worst jokes, their dog is full of farts, but gran isn’t so bad. And I’m not saying that as-…I want you to meet them. They’re much more normal and better people than I’ll ever be.” 

A stray tear falls as Ginny sniffs and chuckles. “You’re not so bad.”

“I’m about to sew up a reanimated corpse that was half-eaten by a pig-headed abomination…I’m not great. But…I’ve got you here, so it’s not awful.” She leans down to punctuate her gift with a kiss. 

Ginny smiles and accepts the offered kiss warmly, realizing how much she’s missed it. “Mm, and when we’re done, we get to clean up the body of the aforementioned abomination and get to break the news to Dr. Chuz.”

“That’s okay. I’ll do it. I don’t mind ruining his Christmas; he misspells my name constantly.” Kate smirks and kisses Ginny’s cheek.

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“Merry Christmas, Dr. Wright,” Ginny quietly says, hugging tight onto her girlfriend. 

“Merry Christmas, Dr. Kostyshyn,” Kates replies and holds her back, just as tightly.

When not ravaging through the wilds of Detroit with Jellybeans the Cat, J.M. Brannyk (a.k.a. Boxhuman) reviews mostly supernatural and slasher films from the 70's-90's and is dubiously HauntedMTL's Voice of Reason. Aside from writing, Brannyk dips into the podcasts, and is the composer of many of HauntedMTL's podcast themes.

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1 Comment

1 Comment

  1. Jennifer Weigel

    December 25, 2022 at 4:12 pm

    I am glad this is revisited and hope that there is peace for all of them in the aftermath of the two year’s holidays.

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Original Creations

Werewolf-ing It Well, Part 3 by Jennifer Weigel

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Continuing our junkyard dawg werewolf story from the previous two St. Patrick’s Days… Here are Part 1 from 2022 and Part 2 from 2023 if you want to catch up.


Werewolf transformation digital art by Jennifer Weigel
Werewolf transformation digital art by Jennifer Weigel

So apparently it really was my lucky day at that suburban gas mart last St. Patrick’s Day. I got the mother lode of all Scratchers. I hit it big time. I had no real idea of what that meant, but it looked promising. Maybe I could get a Cadillac to tour Route 66 AND a cabin in the woods… But who was gonna drive?

Now apparently you can’t just cash these things in at the register. You have to mail them in or something. Why does life have to be so complicated? Anything involving those good for nothing mailmen has to be rigged or part of some larger conspiracy, I’m sure. But I pocketed my prize and made some plans. I couldn’t rely on old Sal not to just pocket my prize for himself; he wasn’t the sort that would let me have my dream. Or even understood that I had dreams beyond just chasing rabbits (though those are the best).

The next full moon I whined and howled at Sal to take me in to work with him. Sal just patted me on the head. Didn’t even offer a treat or nothing. Seriously, I had to get out of there, this suburban situation was the pits. I couldn’t do another year of it, watching my life tick away. So, when that didn’t work, I gently grabbed my Scratchers ticket like I was retrieving a very important slipper and slunk over and hid in his truck under that ratty blanket he kept in the back.

I managed to creep into the junkyard office and hide there while Sal was sleeping on the job. Those mastiffs nearly ratted me out, but fortunately they were chained up, and they weren’t all that bright anyway. Just growled a string of profanities at my cur form, like I hadn’t heard that before. Anyway, I waited it out and before long I heard Monty’s car pull up, rattling like the dilapidated Honda Civic held together with duct tape that it was. Sal’s truck pulled off, spitting gravel and exhaust in its wake as always.

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Dusk was setting in and I could feel the change starting. Nothing to do for it, guess I’d just have to run with it then. Monty had settled in as usual, watching bad porn and staring off into nothing. He still smelled like day old jelly donuts (the kind you can get a whole bag for $1) and coffee, as usual. Good boy Monty, how I’ve missed you and the occasional stale donut, even if it wasn’t a cookie. I approached him from behind and coughed.

Monty nearly leapt out of his skin. He blanched as if he’d seen a ghost before he managed to find his voice. “Shit, that wasn’t a dream,” he stammered, pointing. As he realized I meant him no harm, he regained his composure and even offered me a day-old jelly donut, which I accepted gratefully. I think he could tell that my tail would have been wagging if I’d still had one at that time.

“Lucky, what in all of hell are you doing here?” he asked, eyes still wide as saucers. “And for Christ’s sake, put on some pants.” He offered up the spare uniform that still just hung from the hook behind the door. I guess in my fervor to talk to him I’d forgotten to dress. Oops.

Werewolf transformation digital art by Jennifer Weigel
Werewolf transformation digital art by Jennifer Weigel

“Monty, old friend, I need a favor,” I barked. I handed him the Scratchers. His eyes grew wider.

“Shit, where’d you get this?” That’s a lot of money,” Monty exclaimed. “They’ve been looking for the winner of this one…”

“I’d stashed it in my hidey spot under the place where the carpet peels up after I got it… It’s our ticket out of here,” I retorted. “You don’t think I want to spend the rest of my days laying around suburbia with tightwad treat-skimping Sal do you?”

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“I suppose not,” Monty quipped. “But what’d you have in mind?”

“You and me, we could get a cabin in the woods, live off the land. Get out of this shit-hole. Hell, you could even get a real car, one of those big-boat Cadillacs with the wide tongue-lolling windows…”

“Um, you could do a lot more than that with this, but I catch your drift. And I want out of this hellhole too. But, like…? I mean, you aren’t gonna bite me or anything, or get all weird.” Monty fidgeted like he did when he was nervous. “I guess I knew but didn’t want to admit it – dude you’re a freak show.”

“Gee thanks. Trust me, being a dog is better any day except that you can’t drive or get your own treats and crap,” I retorted. “And if was gonna bite you I’d have done so a long time ago. It doesn’t work that way, anyway. Seriously, you don’t believe all that werewolf mumbo jumbo on Netflix too, do you?”

Werewolf transformation digital art by Jennifer Weigel
Werewolf transformation digital art by Jennifer Weigel

Monty shook his head tentatively. “I don’t really know what to believe. I mean, I guess I always knew you were like this, but I didn’t let it sink in.”

“Well, get over it and help me get my dream cabin,” I snipped. “Seriously don’t just stand there gawking all night; I put on clothes and everything. I only have tonight.”

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“You mean before you turn back into a dog?” Monty asked.

I nodded, still licking the jelly off my lips.

“But I thought werewolf changes happened every full moon,” Monty asked.

“I do, but these Scratchers change like the wind. We gotta cash in quick,” I growled. “And if you try to turn on me, I’ll hunt you down. That’s OUR ticket outta here.”

“No, no, I get it,” Monty said. “I’ll make good on it, I promise. I can follow up on the ticket first thing tomorrow; it says to mail it in or go to the courthouse or something. I’ll figure it out… I guess you can stay with me until we get it sorted, but you have to be really quiet about it. I’m not supposed to have pets in that crap apartment for all that a little dog hair would be an improvement.”

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Portrait of myself with dark makeup and crow skull headdress, backlit by the sun.
Portrait of myself with dark makeup and crow skull headdress, backlit by the sun.

Check out more of Jennifer Weigel’s writing here at Jennifer Weigel Words.

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Lighter than Dark

LTD: The Firing Squad

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So you’ve just gotten the pink slip.

Work is letting you go. Amidst all of the layoffs, you just didn’t make the cut. Well, I’m sorry to say, but it behooves you to go quietly. And quickly. Because you don’t want to stick around for the Firing Squad…

In fact, if your HR department is outsourced to one of those Eldritch contractors like so many are nowadays, get outta dodge NOW. Like seriously. Leave the lunch you brought in the fridge; leave the personal items in and on and around your desk. Hell, leave your coat and purse if you are not near them. You can get new ones. Maybe one of your ex-coworkers can help you retrieve your stuff later. Because you need to get out while the getting is still good.

The Firing Squad is coming.

And if they so much as see a pink slip anywhere in your immediate vicinity, it is complete and total annihilation…

Ready Aim Fire...  The Firing Squad appears digital art by Jennifer Weigel
Ready Aim Fire… The Firing Squad appears
Wing Shot...  The Firing Squad takes aim digital art by Jennifer Weigel
Wing Shot… The Firing Squad takes aim
Sharp Shooter...  You're a goner! digital art by Jennifer Weigel
Sharp Shooter… You’re a goner!

I warned you… Those Eldritch contractor HR departments mean business… It’s like going to the Library. Or making Jell-O.

Portrait of myself with dark makeup and crow skull headdress, backlit by the sun.
Portrait of myself with dark makeup and crow skull headdress, backlit by the sun.

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Original Creations

Sporespawn, a short story by Jennifer Weigel

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Sporespawn was thriving. The Mars colony had become more efficient and better at finding and using native resources with the Martians’ influence. The native creatures were a dust-borne sort, essentially existing as microscopic eggs in stasis waiting for new hosts to infect until opportunity presented itself. These particles could exist in a state of torpor for centuries, millennia, perhaps even longer. It was unclear how ancient some of them were, and the alien humans had no way of calculating this. When the humans had first arrived on the planet they hadn’t even realized the dust they were breathing was alive, nor could they discern that it was infectious. Not until it was too late anyway.

The humans who had been involved in the Martian terraforming effort had all eventually become Incubators and succumbed to becoming a part of Sporespawn. Over several generations, the terror of the situation had subsided and the colonists had acclimated to their new role as host bodies for the Martian creatures. It wasn’t all bad, the Martians looked out for their Incubators and kept them safe until the Spawning, and the period before then was 40+ years long. So an infected person could live a relatively full life in that span, even including having children of their own. And since the humans were infected and became Incubators at a very young age, typically around 5 or 6, they never really questioned their roles, merely following along like sheep until the slaughter.

Plus, the native Martian creatures were much better equipped instinctively to handle all of the chaos that the hostile-to-humans environment threw at them. The alien humans had struggled just trying to survive in the settlement, let alone make much progress, until enough of them had become Incubators to make better sense of their circumstances. And it wasn’t as if they didn’t get to make any decisions in their lives at all, more like the guardian angel on their shoulder whispering in their ear (or that little voice in their heads that belonged to the Martian creatures inhabiting their body) was much more involved in their lives, its presence increasing the more mature the Martian beings residing within became.

Sporespawn art evolution generated by NightCafe AI art generator
Sporespawn art evolution generated by NightCafe AI art generator

Fetsch was thirty-nine. She had lived a full life in Sporespawn, working from when she was just 7-years old to plant and harvest potatoes in the still relatively harsh conditions of the roundhouse, an area designed specifically to grow food. The voices in her head had grown louder and more insistent in recent years, and as always she was persuaded to obey them. She could not remember a time before her guardian angels had whispered in her ear, protecting her from pending dust storms and helping her to survive the blackouts when they happened. They taught her how to get everything back online quickly and maintain tight control of all of the atmospheric conditions in the controlled habitat. She trusted them with her life, and they seemed to have her best interests at heart. And her Elders had always taught her to mind the guardian angels; she always did as she was taught.

Now that she was an Elder herself, she had retired from potato farming and was in charge of taking care of the younglings, including her own daughter, now 4 years old, and the baby. She was lactating and nursed those who needed it. As Fetsch had grown older, she began to work harder at taking care of the younger members of the society, helping them to master agriculture and teaching them the trade, just as her Elders had modeled when she was young. It was, after all, the natural order of things. At about six years of age, after becoming one with Sporespawn, the children would finally start learning how to survive in this difficult land by shadowing the adults and doing what they could to help out.

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Sporespawn art evolution generated by NightCafe AI art generator
Sporespawn art evolution generated by NightCafe AI art generator

But at this point Fetsch couldn’t even remember which children were her own amongst the throng of infants and toddlers. In fact, she couldn’t remember much of anything, really; her existence was drowned out by her migraines. Recently the headaches had worsened considerably, and her visibly throbbing temples drowned out much of her memory and awareness. Her skin was stretched so thin as to appear transparent over her bulging forehead, which pulsed and convulsed of its own accord. Red tendrils wormed their way beneath the surface, edging towards the surface and causing it to swell further.

Fetsch remembered seeing other adults like this as they were nearing the Spawning. She knew that eventually their heads burst open, spewing forth a cloud of particulate among the children in their care. She knew that this was also her fate. And yet, she found it strangely comforting, knowing that her life would end as part of the ongoing cycle towards the continuation of Sporespawn. For this was also a part of the natural order of things, and her guardian angels ensured her that her Spawning would fulfill the needs of the colony and provide for generations to come. She could think about little else as she played amongst the children, her mind becoming more and more infantile as the pressure throbbing inside her brain grew. She looked forward to the end, when everything would go black and the headaches would finally subside. Hopefully it wouldn’t be too terribly much longer.

Sporespawn art evolution generated by NightCafe AI art generator
Sporespawn art evolution generated by NightCafe AI art generator

If you want to read another of my stories prominently featuring Mars dust, please follow these links to Part 1, Part 2 and Part 3 of Cozmik Debris (and it’s later conclusion here on Nightmarish Nature: Terrifying Tardigrades).

Portrait of myself with dark makeup and crow skull headdress, backlit by the sun.
Portrait of myself with dark makeup and crow skull headdress, backlit by the sun.

Feel free to check out more of Jennifer Weigel’s work here on Haunted MTL or on her writing, fine art, and conceptual projects websites.

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