In 2020, Haunted MTL brought you the 13 Days of Krampus. Now we offer another exclusive series of holiday horror stories: The Twelve Nightmares of the Holidays. It’s day (coughcoughcough) of 12 Nightmares of the Holidays. If you missed it, check out the others so far: here for Jen’s, here for Nicole’s and here for Phil’s.
This story takes place in the same universe as my other story, Meat Cute, but with new characters. I hope you enjoy.
Rude hated this time of year and also, hypocritically, loved it. He grew up loving it. The snow. The cold. The silence. The dark. The peaceful blinking of lights on pure, fresh mounds of snow. The way that blood would steam in the cold air, just like breath.
Christmas is a magical time.
It’s also the time where he feels the loneliest.
He really isn’t like these other two-bit serials out here on MONSTR – the dating app for the vile, the diabolic, and the creatures who go hump and bump in the night. And sure, he even had dated a few killer Kringles over the years.
But they were so egotistical and never had room or time on their slay-sleighs for Rude.
Rude was on his own.
Two weeks ago he had a horrible Yeti date that ended with a broken table, a few normies 6-feet under and a lifetime ban at Bennigans. It stung his pride, especially when the Yeti roared it should have eaten him for dinner instead of the overcooked steak, if he wasn’t such a freak.
Rude sighs, looking through the dating app. The people who are trying to get with him are abysmal. Bottom of the barrel. All Santas at the end of their rope or looking for an ironic kill.
Except one.
Not even a holiday-themed date.
A mothman.
Rude pauses. He’s into Yeti, sure. They have a lot of bulk, lots of fur. Even though the Santa body-type does drive him a bit wild, especially with a real beard to pull- hoo, boy.
But the profile seems a bit mysterious and Rude is starting his descent into desperation.
Finally he replies to the mothman.
Thankfully, it doesn’t take long to get a response back.
Rude reaches up to touch a pointed antler on his head in thought. He’s not sure. Sounds pretty hippy-dippy. Pretty pathetic. Chewing on a carrot, he considers his next steps, but then another ping alerts him.
Shifting uncomfortably, he types back.
It sounds…weird. Rude checks the clock. 8 P.M. on Christmas eve. And he’s alone.
His nose does that weird thing it does when he’s worried or excited, that flutter of life. Red and jittery like Morse code.
Fuck it. Life’s too short to be moping, right?
Directions were promptly sent.
***
The mothman is huge. Much bigger than Rude imagined. And built. Like, must do bench presses and sit ups every day – completely shredded.
And at first, Rude can’t help but be a bit disappointed by that. He likes, well, bellies that wiggle like a bowl full of jelly. He likes red and white – mothman is a deep black. He likes soft and round – mothman is sleek and gaunt. He likes a gay little twinkle and a loud, “Ho, ho, ho, you’ve been a very bad boy this year!”
Mothman is quiet, stoic. Still and solid like a wall, keeping the cold breeze off of Rude.
But the way mothman’s eyes glow red, hypnotic almost, like dual hearts beating in the empty sockets of his eyes…well, it’s a bit endearing, Rude admits.
They sit together in the woods.
Rude has no clue what’s going on.
He looks around for victims to kill, like maybe there’s a trap somewhere close by, but it seems like it’s just them. Them, the snow, the woods, the wind…and the moon.
A buttery, full moon which makes everything look pallid and sharp.
“You…are human?” Mothman asks, in very slow rumbling words.
“Oh.” Rude pauses. He usually doesn’t get this question from Santas. They understand it. Or maybe not. Maybe just act like they do. Maybe don’t care enough to understand it. “I was part of a genetic experiment. I was human. But now, I’m…not. I’m a freak hybrid.”
Mothman reacts in surprise. “No…you are you.”
“Oh, like, I meant that as a ‘let the freak flag fly, man.’ I don’t mind. In fact, I kind of signed up for it. I always wanted to be a part of Christmas, part of the whole naughty and nice. Who lives and who dies kind of thing. I just got the reindeer genetics, not the jolly fat man genetics. The down side, not the upside.”
Mothman tilts his head, a little like a dog trying to understand. “I don’t think Christmas…is about death…?”
Rude chuckles. “You’re grossly misinformed then. It’s all about life and death. About baby murder and the baby that was going to be murdered later on…plus, you know, my own folks. It just happens.”
He shrugs and his nose does the nervous flutter. It does that whenever he thinks about his parents, murdered on this very night, so many years ago.
“Oh, nose!” Mothman is transfixed.
“Yeah, that’s a side effect from the mutations, unfortunately. Weird glowing nose.” Rude is starting to realize it’s easy to talk to the mothman. He seems mellow. Live and let live, which is unusual for a monster. Usually Rude’s used to monsters like the Yetis, who yell and throw their weight and power around. But here’s the mothman, sitting beside him on a fallen tree, hunched over to be closer to Rude. Sheltering him from the cold like a gentleman.
“Nice…nose glow.” Mothman quietly murmurs and Rude’s nose shines brighter from that.
“Ha, ha, um…yeah. So, you like to kill for sport, leisure, pleasure?” He tries to change the subject, very aware of his nose now.
“I eat…nothing more…Blood comes from Earth…becomes Earth again. No more.” Mothman says quietly, and the rumble of his voice sounds like the movement of snow under your boots. Soft and constant. Lulling.
“Ah, yeah…” Rude says awkwardly, usually excited for the thrill of the hunt with other serials. But. But maybe this is fine, too.
He looks up at the moon, his breath curling into a mist. He’s never had a Christmas like this – slow, quiet, and thoughtful. The last few were an utter bloodbath of rage and testosterone. Of trying to find himself into places he didn’t fit and into relationships where he didn’t belong.
“I think I was angry for a while,” he offers, “Maybe I still am. I’m angry a lot at other people. How they can put away their serial clothes and be normal people. How monsters have their own community. I don’t have that. I just have myself, you know?
“And this time of year is always hard. I just keep looking for something, you know? When does Rudolph get his Christmas? When does he get to say, ‘I told you assholes so’? When do I get to be happy when everyone does it so easily-”
He doesn’t even realize Mothman creeping closer and closer until there he is, right there – one claw held up. And very carefully, with that outstretched claw, Mothman takes it and gently pokes the glowing red nose on Rude’s face. A soft, unexpected boop.
It’s such a silly and random gesture, Rude’s besides himself. Wide-eyed, he looks to the mothman, utterly bewildered. “The hell?”
“Nice…shiny nose.” Mothman murmurs softly. Shyly.
Oh…maybe…maybe Mothmen are drawn to lights?
Rudolph can’t help but laugh, the noise gliding over the bare trees and smooth snow of the forest. The mothman tilts his head again at the sound and he doesn’t smile, perhaps can’t, but there’s warmth there.
A warmth Rude hasn’t felt for…maybe most of his life.
“Hey,” he says with a chuckle, ”after we howl into the darkness, you want to get some hot chocolate and you can teach me Parcheesi?”
Very gently, the mothman touched his frozen claws to the warm human hand besides him and nodded slowly. His red eyes avoiding Rude’s gaze shyly.
And that Christmas, there were no missing children (although perhaps a few missing stray animals because one must eat), but a bond was formed. And hot chocolate was drunk. And Parcheesi was played poorly by two unlikely monsters on what started out as a lonely evening for both of them.
When not ravaging through the wilds of Detroit with Jellybeans the Cat, J.M. Brannyk (a.k.a. Boxhuman) reviews mostly supernatural and slasher films from the 70's-90's and is dubiously HauntedMTL's Voice of Reason.
Aside from writing, Brannyk dips into the podcasts, and is the composer of many of HauntedMTL's podcast themes.
I have recently begun exploring Fibonacci poetry and penned this as a consideration for the Lovecraftian terrors while considering that Kansas was once an inland sea. It is also based on the beloved and enigmatic painting of Christina’s World by Andrew Wyeth.
She stares ahead; the landscape yawns ever further spanning the distance between us and that deep unthinkable unknowable abyss. This plain was once an inland sea, a vast ocean filled with terrors beyond our ken.
Time stands still for none of us. It marches towards our inevitable decay. Our fragile flesh succumbs to the horror of the void, cradling our fallen progeny and yearning for home. Christina, hurry back. Now.
It could happen anywhere… The farmhouse beckons from its horizon vantage point, thousands of blades of grass groping like tiny tendrils. The ancestors grasping at straws, hoping to evade inevitable collapse, their loss.
Stars fall. Panic sounds beyond our comprehension. Their silent screams fall on deaf ears. We cannot interpret their guttural languages or understand their diminutive cries this far from the tide. Slumbering depths still snore here.
The ebb and flow roil and churn with water’s rhythms, caress the expanse of grasses covering this now fragile and forsaken ocean. The landscape gapes and stretches wide, reaching to grab hold of her dress, earthbound. Lost her.
Christina’s World Lost: digitally manipulated photograph by Jennifer Weigel from her Reversals series
So what better follow up to Invisibles Among Us in Nightmarish Nature than Monstrous Mimicry? Further exploring the leaps that critters will go to in order to eat and not be eaten. This time we’re focusing on those creatures that want to intentionally be mistaken for one another.
Insects Pretending to Be Insects
This is a pretty common subgroup in the mimicry set. Featuring such celebrities as the Viceroy Butterfly, which looks an awful lot like the Monarch. Why? Because everyone knows Monarch Butterflies taste nasty and cause indigestion. Duh? Though it appears the Viceroy took further cues from this and is not all that tasty in its own right either. Dual reinforcement is totally the way to go – it tells predators not to eat the yucky butterflies regardless. But some bugs go a bit further in this, imitating one another to seek out food or protection. Various wasps, spiders, beetles, and even some caterpillars impersonate ants for access to their nest or because ants aren’t as appetizing as their buggy counterparts to much of anything outside of the myrmecophagous crowd (as shared before, here’s a fun diversion with True Facts if you have no idea), though some also have nefarious plans in mind. And similarly, the female photoris fireflies imitate other firefly signals luring smaller males to try to mate with them where they are instead eaten.
Aunt Bee
Kind of Weird Mimicry: Insects Pretending to Be Animals
Moths are pretty tasty, as far as many birds and small mammals are concerned, so several of them find ways to appear less appetizing. Using mimicry in their larval form, they may try to look specifically like bird scat or even like snakes to drive away predators, with elaborate displays designed to reinforce their fakir statuses. And once they emerge as moths, they continue these trends, with different species flashing eye spots to look like owls, snakes, cats, and a myriad of other animals most of their predators don’t want to tangle with. But other insects pretend to be larger animals too, with some beetles and others producing noises often associated with predator, typically towards the same end – to deter those who might otherwise eat them.
Hiss. Boo. Go away!
Animals Pretending to Be Animals
Similarly some animals will mimic others. Snakes may resemble one other, as seen in the Milk versus King versus Coral Snakes and the popular rhyme, Red with Black is safe for Jack or venom lack, but Red with Yellow kills a fellow for all that it isn’t 100% accurate on the Red-Yellow end (better to err on the side of caution than not – so assume they are deadly). Fish and octopuses will imitate other fish for protection status or to conceal opportunistic predatory behaviors. And lots of animals will mimic the sounds others make, though Lyrebirds tend to take the cake in this, incorporating the vocalizations into mating rituals and more.
No octopussy here
Really Weird Mimicry: Animals Pretending to Be Insects
Some of the weirdest mimicry comes out in animals pretending to be insects or small fish, where a predator will flick its strangely formed tongue that looks like a fish or water nymph to draw in more tiny critters that feel safe with their own, only to find themselves snapped up as dinner. Snapping turtles are notorious for this, disguising themselves in the muck to make their big asses less obvious and reinforce the ruse. Even some snakes do this.
Worm-baited lure
Weirder Still
Then there are things that pretend to be plants. Like orchid mantises. Or sea slugs that look like anemones (some of which eat anemones and have stingers to match). I mentioned a few of these in the Invisibles Among Us segment last time, because some are highly specialized to look like very specific things and others just aren’t. Essentially, nature loves to play dress up and be confusing and adaptive. It’s like Halloween year round. And who can really argue with that?
This prose poem considers sinking into self, how ongoing struggles with mental health and well-being have led me to take actions that reinforce the patterns therein, especially regarding depression and existential angst, succumbing to cycles that are familiar in their distress and unease. For these struggles are their own form of horror, and it can be difficult to break free of their constraints. I know I am not alone in this, and I have reflected upon some of these themes here before. My hope in sharing these experiences is that others may feel less isolated in their own similar struggles.
She withdrew further into herself, the deep, dark crevices of her psyche giving way to a dense thicket. She felt secure. In this protective barrier of thorns and stoicism, she hoped to heal from the heartache that gnawed at her being, to finally defeat the all-consuming sadness that controlled her will to live and consumed her joy. She didn’t realize that hope cannot reside in such a dark realm, that she built her walls so impenetrable that no glimmers of light could work their way into her heart to blossom and grow there. That by thusly retreating, she actually caged herself within and without, diving straight into the beast’s lair. And it was hungry for more.
Drifting Photograph of road sediment by Jennifer Weigel
Morphing altered from Drifting photograph by Jennifer Weigel
Sinking altered from Drifting photograph by Jennifer Weigel
Jennifer Weigel
December 18, 2022 at 8:58 pm
I love this series. I love how it speaks to longing and how the monsters are more human than we ourselves are at times.