In 2020, Haunted MTL brought you the 13 Days of Krampus. Now we offer another exclusive series of holiday horror stories: The Twelve Nightmares of the Holidays. It’s day (coughcoughcough) of 12 Nightmares of the Holidays. If you missed it, check out the others so far: here for Jen’s, here for Nicole’s and here for Phil’s.
This story takes place in the same universe as my other story, Meat Cute, but with new characters. I hope you enjoy.
Rude hated this time of year and also, hypocritically, loved it. He grew up loving it. The snow. The cold. The silence. The dark. The peaceful blinking of lights on pure, fresh mounds of snow. The way that blood would steam in the cold air, just like breath.
Christmas is a magical time.
It’s also the time where he feels the loneliest.
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He really isn’t like these other two-bit serials out here on MONSTR – the dating app for the vile, the diabolic, and the creatures who go hump and bump in the night. And sure, he even had dated a few killer Kringles over the years.
But they were so egotistical and never had room or time on their slay-sleighs for Rude.
Rude was on his own.
Two weeks ago he had a horrible Yeti date that ended with a broken table, a few normies 6-feet under and a lifetime ban at Bennigans. It stung his pride, especially when the Yeti roared it should have eaten him for dinner instead of the overcooked steak, if he wasn’t such a freak.
Rude sighs, looking through the dating app. The people who are trying to get with him are abysmal. Bottom of the barrel. All Santas at the end of their rope or looking for an ironic kill.
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Except one.
Not even a holiday-themed date.
A mothman.
Rude pauses. He’s into Yeti, sure. They have a lot of bulk, lots of fur. Even though the Santa body-type does drive him a bit wild, especially with a real beard to pull- hoo, boy.
But the profile seems a bit mysterious and Rude is starting his descent into desperation.
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Finally he replies to the mothman.
Thankfully, it doesn’t take long to get a response back.
Rude reaches up to touch a pointed antler on his head in thought. He’s not sure. Sounds pretty hippy-dippy. Pretty pathetic. Chewing on a carrot, he considers his next steps, but then another ping alerts him.
Shifting uncomfortably, he types back.
It sounds…weird. Rude checks the clock. 8 P.M. on Christmas eve. And he’s alone.
His nose does that weird thing it does when he’s worried or excited, that flutter of life. Red and jittery like Morse code.
Fuck it. Life’s too short to be moping, right?
Directions were promptly sent.
***
The mothman is huge. Much bigger than Rude imagined. And built. Like, must do bench presses and sit ups every day – completely shredded.
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And at first, Rude can’t help but be a bit disappointed by that. He likes, well, bellies that wiggle like a bowl full of jelly. He likes red and white – mothman is a deep black. He likes soft and round – mothman is sleek and gaunt. He likes a gay little twinkle and a loud, “Ho, ho, ho, you’ve been a very bad boy this year!”
Mothman is quiet, stoic. Still and solid like a wall, keeping the cold breeze off of Rude.
But the way mothman’s eyes glow red, hypnotic almost, like dual hearts beating in the empty sockets of his eyes…well, it’s a bit endearing, Rude admits.
They sit together in the woods.
Rude has no clue what’s going on.
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He looks around for victims to kill, like maybe there’s a trap somewhere close by, but it seems like it’s just them. Them, the snow, the woods, the wind…and the moon.
A buttery, full moon which makes everything look pallid and sharp.
“You…are human?” Mothman asks, in very slow rumbling words.
“Oh.” Rude pauses. He usually doesn’t get this question from Santas. They understand it. Or maybe not. Maybe just act like they do. Maybe don’t care enough to understand it. “I was part of a genetic experiment. I was human. But now, I’m…not. I’m a freak hybrid.”
Mothman reacts in surprise. “No…you are you.”
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“Oh, like, I meant that as a ‘let the freak flag fly, man.’ I don’t mind. In fact, I kind of signed up for it. I always wanted to be a part of Christmas, part of the whole naughty and nice. Who lives and who dies kind of thing. I just got the reindeer genetics, not the jolly fat man genetics. The down side, not the upside.”
Mothman tilts his head, a little like a dog trying to understand. “I don’t think Christmas…is about death…?”
Rude chuckles. “You’re grossly misinformed then. It’s all about life and death. About baby murder and the baby that was going to be murdered later on…plus, you know, my own folks. It just happens.”
He shrugs and his nose does the nervous flutter. It does that whenever he thinks about his parents, murdered on this very night, so many years ago.
“Oh, nose!” Mothman is transfixed.
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“Yeah, that’s a side effect from the mutations, unfortunately. Weird glowing nose.” Rude is starting to realize it’s easy to talk to the mothman. He seems mellow. Live and let live, which is unusual for a monster. Usually Rude’s used to monsters like the Yetis, who yell and throw their weight and power around. But here’s the mothman, sitting beside him on a fallen tree, hunched over to be closer to Rude. Sheltering him from the cold like a gentleman.
“Nice…nose glow.” Mothman quietly murmurs and Rude’s nose shines brighter from that.
“Ha, ha, um…yeah. So, you like to kill for sport, leisure, pleasure?” He tries to change the subject, very aware of his nose now.
“I eat…nothing more…Blood comes from Earth…becomes Earth again. No more.” Mothman says quietly, and the rumble of his voice sounds like the movement of snow under your boots. Soft and constant. Lulling.
“Ah, yeah…” Rude says awkwardly, usually excited for the thrill of the hunt with other serials. But. But maybe this is fine, too.
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He looks up at the moon, his breath curling into a mist. He’s never had a Christmas like this – slow, quiet, and thoughtful. The last few were an utter bloodbath of rage and testosterone. Of trying to find himself into places he didn’t fit and into relationships where he didn’t belong.
“I think I was angry for a while,” he offers, “Maybe I still am. I’m angry a lot at other people. How they can put away their serial clothes and be normal people. How monsters have their own community. I don’t have that. I just have myself, you know?
“And this time of year is always hard. I just keep looking for something, you know? When does Rudolph get his Christmas? When does he get to say, ‘I told you assholes so’? When do I get to be happy when everyone does it so easily-”
He doesn’t even realize Mothman creeping closer and closer until there he is, right there – one claw held up. And very carefully, with that outstretched claw, Mothman takes it and gently pokes the glowing red nose on Rude’s face. A soft, unexpected boop.
It’s such a silly and random gesture, Rude’s besides himself. Wide-eyed, he looks to the mothman, utterly bewildered. “The hell?”
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“Nice…shiny nose.” Mothman murmurs softly. Shyly.
Oh…maybe…maybe Mothmen are drawn to lights?
Rudolph can’t help but laugh, the noise gliding over the bare trees and smooth snow of the forest. The mothman tilts his head again at the sound and he doesn’t smile, perhaps can’t, but there’s warmth there.
A warmth Rude hasn’t felt for…maybe most of his life.
“Hey,” he says with a chuckle, ”after we howl into the darkness, you want to get some hot chocolate and you can teach me Parcheesi?”
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Very gently, the mothman touched his frozen claws to the warm human hand besides him and nodded slowly. His red eyes avoiding Rude’s gaze shyly.
And that Christmas, there were no missing children (although perhaps a few missing stray animals because one must eat), but a bond was formed. And hot chocolate was drunk. And Parcheesi was played poorly by two unlikely monsters on what started out as a lonely evening for both of them.
When not ravaging through the wilds of Detroit with Jellybeans the Cat, J.M. Brannyk (a.k.a. Boxhuman) reviews mostly supernatural and slasher films from the 70's-90's and is dubiously HauntedMTL's Voice of Reason.
Aside from writing, Brannyk dips into the podcasts, and is the composer of many of HauntedMTL's podcast themes.
Those religious icons really get around. This time it’s a journey to visit the Deep Ones. And Dracula’s Castle. Because everyone has to be a tourist now and then, and what’s the point if you don’t pick up a souvenir or two?
This was a gift for a friend for their sea life monster theme bathroom. It started as one of those old school wood plaques where the picture is waxed on. And the eyes were originally that creepy – all I did was add the tentacles. So don’t blame the overall weirdness on me, it wasn’t all my doing.
Oh, and apparently Mary wanted in on the action, so she’s gone to Dracula’s Castle for a bite. She even brought back her own religious icons souvenirs…
So this one isn’t as old, nor is it real wood. But it still totally goes with Mary’s journey. And it’s also a little blacklight reactive with the flowers.
So I just keep on going… Here are some more repaint porcelain figurines and other madcap painting. OK maybe some of them aren’t porcelain, but still totally redone.
This Pennywise clown started as some plastic figurine from Italy. I was drawn to this because of the pretty marble base. It’s a nice touch, don’t you think? I’ve seen others in this series and honestly they’re all kind of creepy to start with, so they really lend themselves towards repaint prospects. Perhaps I’ll pick up more to redo in similar ways later on… Oh, and the eyes are blacklight sensitive, in case he wasn’t creepy enough already.
With all of the new movie hype, I couldn’t resist a throwback to the classic Beetlejuice, and this little bride figurine and teddy bear were just too perfect. Featuring more blacklight sensitive accents, like her veil flowers. And I don’t know why she only has one glove, I blame it on the 1980s… Or maybe she was just that drunk (you’d have to be for that wedding)…
So yeah, all those preppers ready for the zombie apocalypse – you know some of them are gonna get bitten. It’s in the script, what can I say? More blacklight eyes, cause why not?
I admit I haven’t seen this film, but it sure looks fun. Mathilda, eat your heart out. Literally.
OK so this isn’t a repaint. Nor is it porcelain. What is it even doing here? Well, she’s cool and ready for a party and kinda reminded me of Abigail, so she sort of just tagged along. Sexy Sadie started as an Avon perfume bottle with a fragrance I didn’t care for (I think it was called Head Over Heels). Because honestly the bottle topper was all that mattered. And now she has her own disco dancing platform. What more could a vampish vixen want?
I wrote this script for Beyond the Veil awhile back, exploring the bond between two twin sisters, Edith and Edna, who had lived their lives together. There was a terrible car crash and someone didn’t make it. The other is trying to contact them beyond the veil…
Beyond the Veil Setting:
Two women reach out to one another individually in a séance setting.
One sits on one side of a dining table. The other sits at the other side. Each studies a candle just beyond her reach; there is darkness between the two candles. The long table is barely hinted at in the interstice between the two but it is clearly present.
The camera is stationary showing both in profile staring through each other.
The women are both portrayed by the same actress who is also the voice of the narrator, who is unseen. All three voices are identical so that it is impossible to tell which of the two women the narrator is supposed to represent.
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Both women are spliced into the same scene. They are together but apart. The two candles remain for the duration of filming so that the two halves of the film can either be overlapped (so that both women appear incorporeal) or cut and sandwiched in the middle between the candles (so both women appear physically present). It is possible to set the scene thusly using both methods in different parts of the story, with both women seemingly flickering in and out of being, both individually and apart.
Script:
I. Black, audio only.
Narrator:
I was riding with my twin sister.
We were in a terrible car crash.
The car drove over the median and rolled.
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It spun off the road where it caught fire.
There was smoke everywhere.
My sister didn’t make it.
II. Fade in to the long table with two lit candles; flames flickering.
Two women are just sitting at either end.
They stare blankly through each other.
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Call and Response
Edith: Now I’m trying to contact her…
Edna: …beyond the veil.
Simultaneous:
Edith: Edna, do you hear me?
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Edna: Edith, do you hear me?
Together (In Unison):
If you hear me, knock three times.
Narrator:
Knock.
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Knock.
Knock.
Call and Response:
Edith: I miss you terribly.
Edna: I miss you so much.
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Edith: Do you remember…
Edna: … the car crash?
Edith: We rolled…
Edna: … over the median.
Edith: There was fire.
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Edna: There was smoke.
Edith: I could hear the sirens.
Edna: They were coming…
Edith: … to rescue us.
Edna: But they were so far away.
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Edith: So far…
Edna: … away….
Simultaneous:
Edith: Are you okay?
Edna: Are you hurt?
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Together (In Unison):
Knock three times for yes. Knock once for no.
Narrator:
Knock
– pause –
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Knock
– pause –
Together (Syncopated):
What’s it like, on the other side?
– long pause –
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Simultaneous:
Edith: I miss you, Edna.
Edna: I miss you, Edith.
Together (Syncopated):
It’s so lonely here.
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Call and Response:
Edith: There’s no one here.
Edna: I’m all alone.
Edith: Without you…
Edna: …the spark of life…
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Edith: …is gone…
Edna: … so far away.
– pause –
Together (Entirely Out of Sync):
It’s so dark.
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III. Fade out to black
Narrator:
I was riding with my twin sister.
We were in a terrible car crash.
The car drove over the median and rolled.
It spun off the road where it caught fire.
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There was smoke everywhere.
I didn’t make it.
I had planned to actually turn this into the video for which it was written, but quickly discovered that my plans for recording required a space that was too drastically different from my new house (and new large gaming table) and that my vision for filming could not be well-fully executed or realized. So now it exists as a script only.
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Jennifer Weigel
December 18, 2022 at 8:58 pm
I love this series. I love how it speaks to longing and how the monsters are more human than we ourselves are at times.