This episode of Streamin’ Demons we are taking on the top queer horror that’s streaming this week with M3GAN, Babadook, and Ticked-Off Trannies With Knives.
Horror has always been a genre that has been used to explore social issues, and the queer community has been no exception. Queer horror is a genre that has been gaining traction in recent years as a way to explore the queer experience and to give visibility to those who have been historically underrepresented in horror films and literature.
The release of M3GAN this week has been met with critical acclaim from fans of the queer horror genre. Like Chucky but want to take away the gore? This film is for you! Although Box swears it is a gay icon film, but Jim can’t see the connection. He thinks it’s a movie about a young girl and her robotic companion, M3GAN. M3GAN has been praised for its well-executed horror elements and its empowering story of a (possibly) queer protagonist. Director Anukul Anand has done an excellent job of creating a thrilling and suspenseful horror experience. This week, be sure to check out M3GAN for a unique and powerful horror experience.
Jim’s Score: (3.5 / 5)
The Babadook is a critically acclaimed Australian horror film that highlights the struggles of a single mother and her son with a mysterious entity that haunts their home. A lot of fans and critics praised the film for its unique take on the horror genre. Although Jim doesn’t see it as Queer, Box swears that it has subtle queer themes and clever use of symbolism. Most recently, The Last Drive In with Joe Bob Briggs featured the movie on Shudder.
Babadook is an excellent example of how we can see horror films as exploration of gender identity and sexuality. The Babadook explores themes of love, family, and acceptance. It’s an essential viewing experience for those looking for a queer horror movie. Its powerful message of acceptance and understanding is sure to resonate with any viewer, regardless of their sexuality. Whether you’re a fan of horror films or simply looking for a unique movie experience, The Babadook is definitely one to check out.
Box’s Score: (4 / 5)
Ticked Off Trannies With Knives Review
The Ticked Off Trannies With Knives review is one of the most talked about reviews of queer horror films. It is a scathing look at the representation of transgender characters in horror films. The review points out the lack of transgender characters in the horror genre and the need for more positive representation. It highlights the importance of creating films which are inclusive and respectful of all genders. In addition, it calls out filmmakers who are not creating inclusive horror films and argues that these filmmakers are out of touch with the current landscape of gender representation. This review is an important discussion for any fan of queer horror. Although we might not always agree on movies, it’s important to keep funding queer voices to create them.
Box’s Score: (3 / 5)
Jim’s Score: (3.5 / 5)
American Horror Story Delicate, Multiply Thy Pain
American Horror Story Delicate began last night, Killer Queens. And it was, well, a complicated episode. This makes sense because this season is about a complicated topic.
Just in case you didn’t know, this whole season is based on the novel Delicate Condition by Danielle Valentine. If you haven’t read it yet, you should.
Anna Victoria Alcott is an actress who just got her big break. She was in a horror movie that no one can stop talking about.
Except Anna herself. Because this career success couldn’t have come at a worse time. She and her husband Dex are in the middle of the difficult IVF process. It’s expensive, time-consuming and painful. Ironically, so is trying to win an Oscar.
But Anna has other things to worry about. Someone is messing with her. Several women are watching her in public. Worse, someone appears to be getting into her home, slashing notes she leaves for Dex, and removing her vital IVF medication from the fridge so it spoils. Her calendar is hacked to move her doctor appointments around so she misses them. Worst of all, someone broke into her home and crawled into bed with her.
Of course, no one takes any of these concerns seriously. Her agent, Siobhan, is focusing on getting her an Oscar. Her husband, Dex, doesn’t seem to give a shit about her except for when it comes to having a baby. He’s frequently dismissive of her concerns and only seems to want her around when it’s convenient for him. He goes so far as to kick her out of his show opening because she’s on edge.
You know, maybe because she’s clearly being stalked by someone who is trying to keep her from having a baby.
AHS Asylum had a lot of dark and important things to say about mental health care in America. AHS Coven had a lot of dark and important things to say about race and gender relationships.
Last season, AHS NYC wasn’t so subtle. Yes, there was a killer. But the real historical horror of the AIDs epidemic in the 80s was the focus of the season. And that worked very well.
This season, the story is clearly about female body autonomy. Anna is a woman struggling with so many issues that modern women face. The balance between our careers and our families. Feeling like growing old is the most unforgivable thing a woman can do. And of course, the fact that our bodies often feel like they don’t belong to us.
I was also pleased to see some AHS alumni. Denis O’Hare as Dr. Hill was delightful. Leslie Grossman and Billie Lourd will be involved soon, and they never bring anything less than their A-game.
This episode also did something I never thought could happen. It managed to scare me with a calendar notification. That was a special moment for me as a horror fan and calendar-obsessed person.
What didn’t work
Here are some things I didn’t love. First off, the main character Anna is a pushover. She can’t say no to Dex, Talia, Dr. Hill, or Siobhan. No one gets a no from this woman!
Anna didn’t act like that in the book. She stood up to everyone all the time, it was great. She wasn’t getting any support, but she was advocating for herself! That was such an important part of her character, and I’m sad to see that she’s lost that here.
I also hate the changes made to Siobhan and Talia. Now, please understand that this isn’t me complaining that the book was different. That’s not my point. Siobhan was a kind, loving woman who supported her best friend even while dying of cancer. Talia was a smart, business-oriented woman who was still kind. She was trying to start a family with her transgender husband, and bonded with Anna over their IVF journeys. These were vital characters in the story.
I feel like they’ve been railroaded.
All that being said, this was a decent start to AHS Delicate. It’s not the best start of a season we’ve had. But it’s okay. I’m looking forward to seeing what the rest of the season is going to bring. (4 / 5)
Wheel of Time, Strangers and Friends
Episode two of Wheel of Time, widened the divide between the show and the books. Things are happening out of order, people are acting out of character. Whether this is to the detriment of the show, however, has yet to be determined.
One character missing from episode one was Rand. You know, our main character. But we finally catch up with him now.
He’s living in a city with a woman named Selene. They don’t have what I’d call a super healthy relationship. She spends a bit too much time talking about her ex.
Yes, for those of you who didn’t read the books, this is going to be important.
Rand is also working at an insane asylum. He’s kind and patent with his charges, but not all of his fellow caregivers are.
Meanwhile, Lan and Moiraine are recovering form their Fade attack from last episode. Rather than taking the time to actually heal, Moiraine decides to head out to find Rand. Her team comes with her, which seems to really bother her.
While that little hissy fit is taking place, Nynaeve is causing issues. Not by anything she’s doing, but by what she’s not doing. As none of the regular novice teacher have been able to get her to use the One Power, Liandrin offers to try. No one, including me, is thrilled with this. But, the Aes Sedai are desperate. They know that The Dark One is around, and they need Nynaeve to be ready. So, they let the person who’s driven other students to their deaths and actively committed multiple hate crimes take over.
What could go wrong?
The special effects in this episode were really well done. I especially liked the dead fade nailed to the wall.
I was also pleased with the introduction of Elayne. Ceara Coveney is playing her, and doing a fine job. She’s warm, kind and sweet. I am thrilled that she’s around.
One of the greatest things about Wheel of Time is the friendships between the characters. Rand, Perrin, Mat, Nynaeve and Egwene legitimately care about each other. Elayne seems to care for Egwene right away. I really love that.
What didn’t work
One thing that bothered me in this episode, and frankly the last episode, was Liandrin keeping Mat in prison. I feel like this wasn’t adequately explained. Why does she have him? How did she trap him? What in the hell is she trying to get from him? Perhaps I simply missed something, and please let me know in the comments if this is the case. But it feels like some poor writing to me.
I also don’t love how Moiraine is portrayed in this episode. Really, in this season so far.
I get that she’s never exactly been a warm person. She’s not personable, open, or kind. Some (most) fans of the book would likely agree that she’s kind of a bitch.
But she’s not a bitch for no reason. She certainly isn’t the sort to lash out at the people who love her because she’s in pain. And that’s what she’s doing through this episode. She’s taking her pain out on Lan. And that’s just out of character for her.
It feels very much like a lot is being skipped over from the Wheel of Time books. But, so far at least, I don’t feel like anything vital has been missed. It feels more like the story is being streamlined.
Yes, I understand how this might go horribly wrong. I think we’ve all seen that. But as of right now, the changes make sense for the switch in mediums.
Now, let’s see if it stays that way.
(3 / 5)
Revisitations: The Devil Went Down to Georgia
So I’ve been working on more painting into found art (as seen here before) and I thought I’d share a newer one, based on the song The Devil Went Down to Georgia by Charlie Daniels. But first let’s make like my She Wolf post enjoy a couple variations of the song, shall we?
First we have Charlie Daniels, the writer of the song which was inspired by the beautiful poem by Stephen Vincent Benet titled The Mountain Whipporwill. You can read the poem on Your Daily Poem here.
Then we have to watch my favorite version, the animated music video by Primus. I know there are claymation-haters out there who find the effect bit too “uncanny valley” but how can you not just love those chickens?
Anyway, without further ado, here is my painting, incorporated into a found still life, original signed L. Harady.
Here The Devil is defeated, crushed along the lower edge of the artwork beneath the fiddle and lamenting his loss. The bow jabs into his sneering nose as if to add insult to injury, but his eyes still glow, alight with the prospect of coming back for another round. (They actually do glow, I have acquired some blacklight reactive nail polish to use in these pieces now.) I suppose I may go to Hell for this portrayal (or for defiling yet another painting) but alas, such is the price of art sometimes. I guess I’ll add it to the list…