HMTL Recap and Review -Swamp Thing: S1E10 – “Loose Ends”
Welcome back to Haunted MTL’s extensive recap and review series for Swamp Thing on DC Universe. Sadly, this is where it ends. Swamp Thing was canceled early on in the year, shortly after the first episode aired.
The show was a pleasure to watch and recap, but unfortunately, the shortened episode order had a real effect on the final moments of the series. Let us take one last jaunt around the swampy-town of Marais.
Where the Stories End
Abby and the Swamp Thing
It is a real, real bummer that Abby became sidelined a bit during the latter half of the season. A lot of her work in the narrative was sort of that thankless stuff that dragged her away from the action and away from Swamp Thing. Though it was Abby who led the charge to rescue Swamp Thing, the Blue Devil showed up and stole the show a bit in an intense, creepy sequence in the last episode.
Sadly, Abby doesn’t do a whole lot in the finale. She is mostly relegated to reacting to events. The underlying tragedy of her falling for the not-even-a-human Swamp Thing is tragic, and Crystal Reed sells it, but there is just not much to do for Abby beyond reacting to what is going on around Marais. Her arc for the episode begins with her trying her best to connect with Swamp Thing, saying that he is still Alec. However, he must deal with his own pain and he heads into the swamp. So, she decides to work with Liz to find out more about The Conclave.
Swamp Thing, grappling with what he is, is visited by a hallucination of Alec Holland. Their conversation is haunting and effecting, and Swamp Thing comes to realize that Alec lives on in his own rudimentary plant-brain. What is most important is that Abby does not see him as a monster. Now Swamp Thing must decide who he will be.
The pair reunite in the lab of Alec Holland. She truly feels something for Swamp Thing, and that is enough for now. He warns her of the darkness that still lurks in the wild, but she refuses to give up on him. Together they will face the growing darkness that rises in the swamp.
Villainous Machinations Made Moot
Abby’s journey around Marais during the episode ties up some lingering plotlines. She goes to Maria to find some information, but the poor woman is too far gone. Madame Xanadu is there as well and offers Maria relieve in a delusion. Maria is gone now, consumed by a hallucination that her daughter lives and is there with her.
It is a tragic, sad ending for one of the stronger antagonists in the show.
Avery attempts to get involved with a group of paramilitary enforcers for The Conclave into the swamp to find the creature. This does not go well for him, as he is pushed aside outright by Ellery. Avery, rejected by The Conclave as a wildcard, turns to drink to deal with his woes.
The Conclave’s operation, meanwhile, is a resounding failure. The Swamp Thing uses his rapidly expanding control of plant-life to isolate and hunt down the team, led by guest star Jake Busey. It’s a brutal sequence that only leaves Ellery alive. Swamp Thing tells Ellery to let The Conclave know what has happened, and that they will not return to his swamp.
Avery, bottles deep by now, learns of Matt Cable’s accident and rushes to the hospital. Lucilia is there and he makes a desperate, grasping bid to reconnect to his would-be murderers. Lucilia tells Avery that will never happen. She’ll never forgive Avery for making Matt a murderer.
Lucilia leaves and sits in her cruiser. An angry Avery springs up from the seat behind her and stabs her. She blacks out. When she returns to consciousness, it is inside the trunk of the cruiser that Avery has sent into the swamp to finish her off. He watches the car submerge beneath the water.
The Loose Ends
Three principal characters also need to be covered in this finale.
Jason Woodrue’s story was a slow burn through most of the season, with little glimpses into the obsessive personality that lied beneath the arrogant exterior. The madness that is Woodrue really came forward during the penultimate episode “The Anatomy Lesson,” but goes full bore here. Kevin Durand plays Woodrue with a menace that reminds you of why he is a genre-darling. He menaces his wife, Carolyne, who is tied to a chair. Jason tries to feed her the cooked pieces of Swamp Thing’s harvest organs, believing they are the cure to her affliction.
He, of course, tests it himself, but he collapses. Jason regains consciousness, becoming even more of a terror and he tries to fight off Abby who does her best to help Carolyne. Unfortunately for him, Abby’s 911 call went through. We see Jason being led out from the house in handcuffs, screaming, almost feral.
In a post-credit tag, we see some time has passed in Marais where a previously comatose Matt has regained consciousness. He returns to the police department and finds it overgrown. He then stumbles upon a plant-man… Jason Woodrue, now the Floronic Man.
Our last visit with Daniel, The Blue Devil, finds him hurriedly packing up to finally leave town. He leaves the shop to Liz and, still wracked by the voice of the devil, speeds away from the town to an uncertain future. A future we’ll never get to see. At least his mission from The Phantom Stranger has been fulfilled.
What Stood Out?
Swamp Thing’s rapidly-growing power being unleashed on the mercenaries was a great way to show how much more powerful he has become. It also does a lot to establish him as a real danger if left unchecked. One could imagine in the future, had the show been given further seasons, Swamp Thing potentially succumbing to more feral, dangerous characteristics in his attempt to save the Green.
Sigh.
The Final, Final Verdict on Swamp Thing
As a series finale “Loose Ends” really just doesn’t feel satisfactory. It can work for a season finale, as many of the elements presented were meant to. Yet, the whole series sort of rests on the arrival point of “Loose Ends” and it just crumbles away. “Loose Ends” is a solid episode, but the weight put upon it just sinks the whole affair. It bounces around between a lot of stories and tries to tie them up. Some of these are better handled than others.
As a whole, the show just worked. It was respectful to the lore, adapted many key elements, and as a whole delivered something for Swamp Thing fans and casual viewers. At its best, the show was a Southern Gothic drama with a badass swamp monster and magic, and I will miss that.
Swamp Thing deserved better than to be canceled the way it was.
(3.5 / 5)
Deep Roots
We’re never gonna see Swampy go toe-to-toe with the Floronic Man, and that hurts.
Rest in peace, Swamp Thing. You were beautiful while you lasted.
Movies n TV
The Formal Introduction of Evil’s “The Demon of Sex”
“The Demon of Sex” is the third episode of Evil’s season 3. The assessors investigate a new marriage that struggles with intimacy.
“The Demon of Sex” is the third episode of Evil’s season 3, created by Michelle King and Robert King. The central cast includes Katja Herbers, Mike Colter, Aasif Mandvi, Michael Emerson, Christine Lahti, and Andrea Martin. As of this review, it’s available through Netflix and Paramount+ and its add-ons.
The assessors investigate a new marriage that struggles with intimacy. Kristen (Katja Herbers) takes control of her family. Ben (Aasif Mandvi) has an existential crisis after facing plumbing difficulties. Sheryl (Christine Lahti) struggles with the new work culture. Sister Andrea (Andrea Martin) battles a demon.
What I Like about “The Demon of Sex”
Ben usually seems underutilized as a character, especially in personal development, but season 3 works hard to rectify that issue. A skeptic’s disillusionment is an obvious choice for this type of character, but the writing and Aasif Mandvi’s performance drive the execution. It also adds another dynamic to his character referenced throughout the series, if rarely shown again, in the Science League.
“The Demon of Sex” is also a good episode for Sheryl, who struggles and triumphs in her new position. While her character trajectory teeters back and forth, “The Demon of Sex” shows what her development can look like when given the attention it deserves.
![Evil: Season Three [DVD]](https://hauntedmtl.com/wp-content/plugins/aawp/public/image.php?url=YUhSMGNITTZMeTl0TG0xbFpHbGhMV0Z0WVhwdmJpNWpiMjB2YVcxaFoyVnpMMGt2TlRGYWJYaGtVVFpFYlV3dVgxTk1NVFl3WHk1cWNHYz18MTczODczMTA1MQ=)
- Katja Herbers, Mike Colter, Aasif Mandvi (Actors)
- Robert King (Director)
- Audience Rating: NR (Not Rated)
![Evil: Season Three [Blu-Ray]](https://hauntedmtl.com/wp-content/plugins/aawp/public/image.php?url=YUhSMGNITTZMeTl0TG0xbFpHbGhMV0Z0WVhwdmJpNWpiMjB2YVcxaFoyVnpMMGt2TlRFdGJuQndVRmhtU1V3dVgxTk1NVFl3WHk1cWNHYz18MTczODczMTA1MQ=)
- Katja Herbers, Mike Colter, Aasif Mandvi (Actors)
- Robert King (Director)
- Audience Rating: NR (Not Rated)
Last update on 2025-01-31 / Affiliate links / Images from Amazon Product Advertising API
“The Demon of Sex” also furthers the frenemy relationship between Kristen and Sister Andrea, providing ample material for both characters to explore. “The Demon of Sex” shows Kristen’s willingness to compromise and furthers Sister Andrea’s character flaws.
Leland (Michael Emerson) finally finds an attack that might work on Sister Andrea, beginning a plot thread to explore across the season. Commenting on this plot point might give credit to future episodes, but it’s a compelling example of Leland actually being devious and in control.
“The Demon of Sex” leans on Evil’s dark comedic tone, not intending to haunt the viewer but to entertain them. It dives further into the comical nature of corporate evil and marketing, showing a general shallowness in both arenas in which exploitation occurs. It’s dark, troubling, and entertaining without pulling its punches.
Tired Tropes and Triggers
In an episode titled “The Demon of Sex,” the titular demon seems to hold conflicting motives. First, it grows strong in the married couple’s abstinence, which suggests a different focus. But when acts become carnal, it’s the general kinkiness that makes the demon strong. Considering the couple talks about their troubles with a licensed therapist, it seems to evoke a general kink shame to the execution. However, the therapy also fails to resolve the underlying issues.
A slightly gory moment might unsettle some viewers, but it’s a single moment in an otherwise goreless episode.
What I Dislike about “The Demon of Sex”
As mentioned in a previous review, another demon seems to indicate a more direct concept of “sex,” while the motives of this demon seem more complex. It’s a minor point, but I can’t fathom why they didn’t connect this title with the more literal succubus that’s plagued this season already. Addressing that demon also seems like a more logical entry point as the audience sees what it’s been doing.
“The Demon of Sex” sets the groundwork for future plot points. While not a fault of the episode, it blends in the background, doing what it needs to and little more. I don’t mean to pretend this is a negative, but it doesn’t haunt the viewer like past or future episodes.
Final Thoughts
“The Demon of Sex” delivers but remains buried around more memorable episodes with more lasting power. It sets up key points for several characters and allows some to shine, but it doesn’t hold iconic moments to look back on. Ultimately, it functions as intended and keeps the audience eager for future developments.
(3 / 5)
Movies n TV
A Journey from Cosmic Horror to Shell Beach, or Dark City (1998)
Dark City (1998) is an R-rated Cosmic Horror film directed by Alex Proyas, often earning the fitting labels of tech noir.
Dark City (1998) is a Cosmic Horror film directed by Alex Proyas, though I’ve seen labels of tech noir, which certainly fits. This R-rated film stars Rufus Sewell, Kiefer Sutherland, Jennifer Connelly, and William Hurt. As of this review, Dark City is available to Kanopy and Amazon Prime Video subscribers, with additional purchase options on other services.
John Murdoch (Rufus Sewell) wakes up in a hotel bathtub, plagued with strange memories and amnesia. Chased by strangers, he follows his memories of Emma (Jennifer Connelly), avoiding those who hunt him in his desperate attempt to understand his situation. As mysterious forces hinder him, Dr. Daniel Schreber (Kiefer Sutherland) claims to know secrets that might help. Emma Murdock (Jennifer Connelly) haunts him.
What I Like about Dark City
Dark City earned 12 awards and an additional 19 nominations. These recognitions include the 1999 Saturn Award from the Academy of Science Fiction, Fantasy & Horror Films and the 1998 Bram Stoker Award. In short, Dark City earns a strong critical reception.
Part detective tale and part cosmic horror, Dark City lures its viewer in with its aesthetic and premise. I hesitate in saying that the mystery drives the film as the beginning narration does spill most of the finer points. However, Rufus Sewell delivers a performance of someone so overwhelmed and out of his element that the terror shows despite our knowledge. This film wants the audience to know the mystery, focusing on characters learning the truth to hook them.
![Dark City (Director's Cut) [Blu-ray]](https://hauntedmtl.com/wp-content/plugins/aawp/public/image.php?url=YUhSMGNITTZMeTl0TG0xbFpHbGhMV0Z0WVhwdmJpNWpiMjB2YVcxaFoyVnpMMGt2TlRGcFEya3plbXh2Umt3dVgxTk1NVFl3WHk1cWNHYz18MTczODczMTA1MQ=)
- Factory sealed DVD
- Rufus Sewell, William Hurt, Kiefer Sutherland (Actors)
- Alex Proyas (Director)
- Amazon Prime Video (Video on Demand)
- Rufus Sewell, William Hurt, Kiefer Sutherland (Actors)
- Alex Proyas (Director) – Alex Proyas (Writer) – Andrew Mason (Producer)
Last update on 2025-01-31 / Affiliate links / Images from Amazon Product Advertising API
Every performance nails its particular niche. From Kiefer Sutherland’s Dr. Schreber’s untrustworthy scientist to Jennifer Connelly’s mysterious Emma, each performance enriches the plot. This praise belongs to the entire cast, as many performances hold nuances that make sense after learning the entire truth.
Dark City maintains tension for most of its runtime, with the ending being an exception. That isn’t to say that the film fails to create a haunting story, but the focus shifts as the characters learn more about their situation. While both parts of the film accomplish their objectives, it does minimize the horror.
Tired Tropes and Triggers
At the backdrop of this story, there’s a serial killer murdering sex workers. It’s a familiar plotline, and Dark City doesn’t push against its familiarity in most aspects. However, the reasons behind this plot are somewhat more complex beyond simple shock value.
There was one notable voyeuristic nude scene, but the first naked body is Rufus Sewell’s John. Besides these moments, Dark City doesn’t lend itself to voyeurism. Instead, it prefers a largely sexless and detached perspective, which seems common among Lovecraftian-inspired properties.
What I Dislike about Dark City
As briefly mentioned, Dark City doesn’t deliver a traditional mystery because the beginning narration spoils most of that mystery. While this doesn’t inherently hinder the film, it’s a decision that doesn’t seem to make much sense. Most of the narration gets shown or told to the audience later. It’s as if the audience isn’t trusted to understand these elements. However, this film repeats this information or shows it with better execution, making the narration unnecessary.
Without divulging too much, the ending empowers a particular character that hinders the cosmic horror influences. It’s hard to believe the danger of cosmic forces when they prove to be your equal.
While not a fault of Dark City, The Matrix would focus more on empowering its main character through realizing some truth. Since The Matrix came out a year after this film, Dark City holds a stronger claim to the trend. However, the execution of this plot point goes to The Matrix. Despite the drastically different focus and genres, I can’t help but wonder how much The Matrix’s success has overshadowed this film’s lasting power.
Final Thoughts
Dark City creates a tense journey for audiences to follow, combining cosmic horror and tech noir to create something unique. It’s a cult classic that earned an award after its digital re-release because few films provide its unique mix of genres. If you crave a dark mystery where humanity must adapt to overcome the impossible with a flare of cosmic horror, this film might satisfy your craving.
(4 / 5)
Episode four of Goosebumps The Vanishing is named after one of my least favorite of the original Goosebumps book series. I’m clearly in the minority since there are four Monster Blood books. And I’m sad to say that this episode very much lived down to the expectations the book set.
The story
We begin this episode with a flashback. Cece is excited to go to her debate group that Summer. She even brags to her fellow Type A teenage girlfriends. Then, she doesn’t get in.
That’s right, she’s been lying to everyone about going to debate class every day.
However, she still managed to get an interview for a college application. Too bad she gets sick at the meeting. She finds herself back at her mother’s apartment, throwing up in the sink. And if that wasn’t bad enough, the thing she throws up pulls itself out of the sink and tries to attack her.
What worked
I’m not going to lie, this was not a boring episode. Even scenes that were conversations among teen girls in a coffee shop were full of action. At no point did it struggle to keep my attention.
I was also pleased by how the Monster Blood creature looked. Or, whatever this thing is. The way it moved was eerie. The way the characters interacted with it was seamless. This effect was quite well done.
What didn’t work
Unfortunately, that’s where my praise for this episode ends. To start with, the monster still doesn’t make a lot of sense to me. I’ve complained about this in the last few episodes, so I won’t spend a lot of time on this. But it still does not make sense that this sentient spore went from possessing a person to a car to a cup, to then being puked up into its own body. A body made of blood, puke and kombucha.
I also complained last episode about Cece’s character. She was too perfect. And, as though this episode heard me, we now know that she was never as perfect as she was trying to seem.
However, as far as dark secrets for perfect Type A teens go, this one was weak and cliche. She’s lying to everyone about getting into some fancy debate team. And who hasn’t seen this? Who hasn’t seen this sort of thing before?
While there is nothing new under the sun, there are good ways to redo a cliche. And then, there’s this. It brought nothing new to the table.
This same complaint can be applied to the big conflict of this episode. As of now, we have three groups fighting the same monster from different levels. Frankie, Cece and Devin are being chased by the Monster Blood. Alex and CJ are aware something is wrong, but so far they only think it involves the car. And Anthony is chasing after the plants in the sewer. Like the proverbial blind people with the elephant, they all have a piece of the puzzle but need to put it together to get the whole picture. But everyone’s too busy running around to take five minutes to explain things to somebody else.
- Item #:NTS503520
- ISBN13:9780545035200
- Format:Paperback Book
Last update on 2025-01-31 / Affiliate links / Images from Amazon Product Advertising API
What a boring motif. People refusing to talk to each other and explain things is the storyline for every single romantic comedy ever. And it’s never, ever, clever.
Overall, this season is struggling. The characters don’t feel genuine, the story is cliche, and the rules of the world don’t make sense. While it’s not boring, it is hard to care about anything that’s happening aside from it being fast-paced and fun to watch. So while it might be fairly entertaining, it’s not a show I’m likely to remember fondly or revisit. And we’re already halfway through the season. So if Goosebumps is going to prove me wrong, it had better act fast.
(2.5 / 5)
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