Notes from The Last Drive-In: S1E7
This week at The Last Drive-In we see how music can elevate crappy films beyond being forgotten and turn already good movies into great ones. Our films this week could not be more different in tone, style, and quality, but they both have very, very strong musical choices. One film goes the route of a cult, horror-adjacent prog-rock band, while the other does Farsi dance and punk tunes.
We’re back with Joe Bob again this week at The Last Drive-In, exclusively on Shudder. It’s important to note, Mutants, that as of this moment Shudder has not committed to renewing The Last Drive-In for another round, so what I ask is that you take a moment to tweet @shudder with your desire for more episodes. Don’t forget the hashtag #TheLastDriveIn either!
Contamination (1980)
Opening Rant: Gentrification (Riverplace Courtyard on the Square Plaza)
Contamination, sometimes also known as Alien Contamination, is a 1980 Italian cash-in on the popularity of Ridley Scott’s Alien. The film follows a smart aleck cop, a frigid Pentagon Colonel, and a traumatized astronaut who investigate a link between a coffee company and mysterious green eggs. These eggs explode, causing those who come into contact with them to explode as well. This was marketed in Italy as a sequel to Alien.
Though the movie is not a great movie, it does have a fantastic score by “The Goblin,” which Joe Bob points out is comprised of the remaining members of “Goblin” after some internal drama. The film was directed by Luigi Cozzi, best known for Starcrash. It stars Ian McCulloch, Louise Marleau, Marino Masé and Siegfried Rauch. The film was also notorious as a video nasty.
Reviews
Joe Bob awarded Contamination two and a half stars. In particular, the film has an amazing collection of Drive-In Totals that at one point leaves our loquacious host breathless. Part of the appeal, judging by some of Joe Bob’s breaks revolve around the sheet audacity of Luigi Cozzi, and to a greater extent Italian cinema of the 1970s and 1980s. Though, the film did receive a score deduction due to a poorly conceived, neck-up shower scene. The highlights of Joe Bob’s commentary, however, comes from his rather hilarious stories anecdotes of Luigi Cozzi who seemed like a real “character,” to put it lightly.
Haunted MTL can only really afford a star and a half for Contamination. The movie is a mishmash of stolen bits from other movies that are not even stitched together in a way that makes them work. The film has heavy, heavy doses of exposition, and the horror is lacking, to say the least. In fact, the movie during it’s final third becomes a second-rate James Bond film. Not even the presence of a cycloptic, evil alien master pulling the strings can save this mess.
But wow, that soundtrack is a good one.
Best Line: “Sewers are just as warm, damp, and comfortable as an incubator.”
A Girl Walks Home Alone at Night (2014)
Opening Rant: What even counts as a lethal weapon? It is about 3 rants deep, here, but the main takeaway is that Nunchucks are legal in the State of Arizona! Happy ‘chucking, folks.
A Girl Walks Home Alone at Night, the 2014 Iranian-vampire-western fever dream, may seem like a strange fit for The Last Drive-In. However, given the unique pairings this season has brought so far the film serves as a much needed, artsy pallet-cleanser to Contamination.
The film follows two lonely people. Hard-working Arash arrives to care for his heroin-addicted father and soon he finds himself falling in love with an unnamed Girl who just so happens to be a vampire. The film is very unusual in that it is in Farsi, filmed in California, and feels like a stitched together series of vignettes. Of note, the soundtrack adds a great deal to the film, and as Joe Bob discussed during one of his breaks, many scenes are driven by the music.
A Girl Walks Home Alone at Night was directed by Ana Lily Amirpour, who makes a cameo in the film dressed as a Skeleton at a rave. The films stars Sheila Vand, Arash Marandi (in his only real film role), Mozhan Marnò, and Marshall Manesh. Also, special credit must be paid to the incredibly photogenic cat, played by Masuka.
Reviews
Joe Bob seems particularly enamored with the movie, though admittedly confused about the interpretation of it. He awarded A Girl Walks Home Alone at Night three stars. In particular, he was complimentary about the visual aesthetics of the movie during his introduction. His insights into the movie were particularly appreciated because it is such a strange film in origin and interpretation. Throughout the episode Joe Bob cites complimentary similarities of Ana Lily Amirpour to directors like Quentin Tarantino and David Lynch. That being said, Joe Bob can’t help bu razzing the director for her very colorful interviews. In one particular segment he simply reads quotes from interviews with her to hilarious effect.
A Girl Walks Home Alone at Night is a wonderful and artsy vampire film filled with striking imagery and enough ambiguity to chew on for a week after. As Joe Bob stated at one point, a hundred people can watch the movie and come away with a hundred different interpretations. The film is loaded with dream-logic scenes, has a fantastic score, and carries some stellar performances. The film does try to get away with a more optimistic ending, however, which proves problematic given the explosive narrative potential in the final act. Overall, A Girl Walks Home Alone at Night is a great vampire film and is a three and a half star treat.
Best Line: “Mr. Cat! Mr. Cat! He’s really fun. He’s really fun.” Spoken like a true drug-dealing pimp with “Pussy Stretcher” tattooed on their face in Persian.
Haunted MTL Drive-In Totals
- 1 open-air corpse pit
- 2 yellow paramilitary bread delivery vans
- 3 “eggs” on the TV (just Avocados)
- 3 levels deep digression in a rant
- 5 bedsheet hazmat suits
- 5 production companies for one movie
- 7 Twitter bans for Darcy (can we make it to 10 out of 10?)
- Torso Exploding
- Muffled Talking
- Atrocious Dubbing
- Homeless Joking
- Chinese/German Fusion Restaurant Joking
- Northern/Southern Zoo Joking
- Vampiric Bullying and Skateboard Thieving
- Awkward Post-Cocaine Snorting Vampire Seducing
- Gratuitous Place-Setting Helicopter Shots
- Gratuitous Glow-in-the-Dark Avocados with Slime
- Gratuitous Colombian Folk Celebration
- Gratuitous Cat Sitting
- Darcy Cosplaying (as “The Girl”)
- Flamethrower Egg Frying Fu
- Spoiler Fu (Thanks Joe Bob!)
- Overly Long Bathroom Entrapment Fu
- Burning Cyclops Fu
- Pretentious Interview Fu
As always, please share your thoughts with us about The Last Drive-In. Also, please check out our other great content here at Haunted MTL.
Movies n TV
Returning to the Soothing World of Evil with “The Demon of Death”
“The Demon of Death” is the season 3 premiere of the supernatural drama Evil, created by Michelle King and Robert King.
“The Demon of Death” is the season 3 premiere of the supernatural drama Evil, created by Michelle King and Robert King. The central cast includes Katja Herbers, Mike Colter, Aasif Mandvi, Michael Emerson, Christine Lahti, and Andrea Martin. As of this review, it’s available through Netflix and Paramount+ and its add-ons.
The assessors investigate the weight of a soul. Father Frank Ignatius (Wallace Shawn) agrees to participate in this test despite his growing disillusionment. David (Mike Colter) and Kristen (Katja Herbers) deal with the ramifications of their confessions. Kristen’s girls go on the warpath with Leland (Michael Emerson). Andy (Patrick Brammall) signs his death warrant.
What I Like about “The Demon of Death”
As season 2 ended with a cliffhanger, “The Demon of Death” picks back up with an interesting addition. The episode provides a more obvious stopping point that Season 2 should have taken advantage of. It dumbfounds me because this addition makes for a more interesting and darker cliffhanger. The added context would have made the cliffhanger more palatable. However, it’s a nice twist for the episode.
Dr. Boggs (Kurt Fuller) and Sister Andrea (Andrea Martin) make an interesting pair that adds complexity to both. We even explore some of Sister Andrea’s character flaws, best displayed by her interaction with Kristen in the next scene. Few wise sage characters that display flaws, making this addition appreciated.
Father Ignatius’ introduction adds layers of interest for a character who will play a recurring role, tying into Monsignor Korecki directly. The yet-to-be-explored relationship between Father Ignatius and Monsignor Korecki (Boris McGiver) evokes an interest.
While “The Demon of Death” isn’t a haunting episode, but explores the mysteries and terror of death through science to provide an interesting environment for an episode. It introduces a new character that adds to the cast.
Tired Tropes and Triggers
There’s not much to report here that particularly crosses the line and what teeters on the line holds a dark comedic tone.
Perhaps Sister Andrea’s flaw might rub some the wrong way, as it deals with her overwhelming faith. However, it’s a minor point at the moment. Again, I lean on liking some complexity for the wise sage archetype.
What I Dislike about “The Demon of Death”
“The Demon of Death” still plays it safe with its supernatural elements, but that does seem to be Evil’s standard. At this point of the series, it seems a strange restraint. However, the new normal remains functionally paranormal.
While the premiere starts with an interesting procedural plot, it doesn’t direct the season like prior premieres. This episode doesn’t deliver a massive refocus as season 2’s premiere, but that’s because its conclusion doesn’t deliver as focused of a direction. Regardless, “The Demon of Death” is still an episode that slips away despite its premiere status.
Ben (Aasif Mandvi) seems needlessly hostile as they investigate a soul’s potential weight. The study delivers a thorough scientific process, which makes his resistance linger on the “angry atheist” archetype.
The demon shown on screen certainly isn’t the demon of death the title suggests. While the plot revolves around the mystery of death, there is a demon with a more carnal domain. As future episodes dive into their respective demons, it does seem to be an inaccurate title. However, the demon of the episode will get further focus in a different episode.
Final Thoughts
“The Demon of Death” doesn’t stand out as a premiere but provides an interesting procedural episode. As Father Ignatius will become another key character in the series, giving him an entire episode to introduce him is a nice strategy. While it’s not a haunting episode, it still provides a level of camp with interesting characters to pull it off.
(3 / 5)
Released in 2010, Rare Exports asks an important holiday question. One that no one else has dared to ask.
What if Santa was a ten-story-tall monster buried under the ice for centuries?
The story
Rare Exports is the story of a little boy named Pietari. After doing what is frankly too much research for a little boy, he realizes that Santa is not the jolly old elf we all think of. He is, in fact, a monster who eats bad children. And it turns out that Santa was trapped in the ice near Pietari’s little town. All this would be well and good if a Russian mining team weren’t in the process of cutting him out of the ice. So it’s up to Pietari to convince everyone of the dark, horrific truth.
Santa Claus is coming to town.
What worked
Some movies need to make sense. Some don’t. Rare Exports is one of the latter.
Why were the Russians digging in the snow to find Santa? What was the plan there? What happened to Pietari’s mom? And who did they sell the elves to? Do the elves need air or water to live?
We don’t get answers to any of those questions. And frankly, we don’t need them to enjoy Rare Exports.
This is a wild story about a little boy who discovers that Santa is a mythical monster with a bunch of scrawny old men with big white beards to do his evil bidding and eats bad children who haven’t been beaten by their parents enough. What sort of explanation would help this story in any way?
I mean, we could pick apart why it’s suddenly legal to sell people, or at least mythical creatures that look like naked old men, or why this all happened right next to the only little kid who had the exact knowledge needed. But in the end, wouldn’t that be like asking how Santa gets into people’s homes when they don’t have fireplaces? Doesn’t that objective reasoning just piss on the Christmas magic?
What didn’t work
While Rare Exports was fun, there were parts that I did not appreciate. For one thing, there wasn’t a single woman or person of any color in this film. Literally not one. Not an extra, not in the background. This little Finnish town is populated entirely by white men. And yes, it is Finland and there isn’t a hugely diverse population. But it’s also 2010. People move. Also, women exist.
On the subject of seeing too many white men, we also saw too much of the white men. Specifically, we saw far too many old white male actors entirely nude. There was just no reason for this. These men were portraying elves. They didn’t have to be naked. If they were naked, they didn’t have to have, um, yule logs. Maybe elves are like Ken dolls. There were so many options that didn’t include so much old man wang.
Finally, I wish we’d seen Santa Claus. Not to spoil the ending, but he never actually emerges to attack anyone. And that feels like a cop-out. If we’re going to be teased the whole movie with this depiction of monster Santa, we should at least get to see monster Santa.
Though, after what they did with the elves, maybe it’s a blessing we didn’t see him.
In the end, Rare Exports was well worth watching. It was hilarious, creepy and bloody. And while it wasn’t perfect, it was a delightful holiday horror comedy.
(4 / 5)
Released in 2016, Christmas Crime Story is about a disastrous robbery on Christmas Eve, and all the many lives impacted by the selfish decisions of one person.
And then, suddenly, it isn’t. But we’ll get to that part.
The story
Christmas Crime Story is the tale of a Christmas Eve holdup gone wrong. We see the story from several points of view, starting with Chris, the detective first on the scene.
Chris is having a hard Christmas Eve. So, on his lunch break, he visits his mom at her diner. It appears that they have a contentious relationship. But nothing is solved in this quick visit.
Chris goes on to pull over a man speeding. When the man, named David, pulls over, Chris discovers something in the trunk. That something must have been pretty damn incriminating, because rather than open the trunk, David shoots him dead.
We then switch to David’s pov for the night. Then his girlfriend’s pov. Then, the man his girlfriend has been cheating on him with. And on and on we go, until we see how all of these different stories and people come together for a dark, sordid Christmas Eve.
What worked
The first thing I want to say about Christmas Crime Story is that it’s heartwarming. Like, to a fault, which we will be talking about.
The ending is very sweet, in a Christmasy sort of way. Families come together, people are filled with joy, and all is right in the world for almost everyone. Except for Lena, who deserves to have a bad Christmas, everyone gets a happy ending.
That brings me to my next point. The characters, mostly, are all deeply sympathetic. Even when David or James are killing people, you feel bad for them.
You don’t agree with what they’re doing, but you do feel bad.
You have to feel sympathetic for the man whose girlfriend hired a killer to merk him. Or the woman whose daughter has cancer. Or the guy who just can’t find work, even though he’s trying to make good decisions. You want things to work out for them. You want them to be okay. Even when they do terrible things.
Finally, I always love stories told from so many different points of view. It’s always fun to see a story unfold in a nonlinear way, but in a way that makes more and more sense as we get more points of view. It’s a hard thing to pull off, and I think Christmas Crime Story did it very well.
What didn’t work
Unfortunately, all of the sympathetic characters and clever storytelling methods in the world won’t save a story that doesn’t work. And Christmas Crime Story just does not work.
Let’s begin with the ending. The big twist near the end of the movie. I won’t spoil it, but you will for sure know it if you’ve seen the film. Or, if you waste your time watching the film.
As a rule, twists work when they make sense. Not when it feels like the writers threw up their hands and said, “Okay, but what if everything we just did for the last hour and fifteen minutes didn’t happen, and instead…”
This wasn’t clever. It wasn’t fun. It felt like the writers didn’t know how to end their movie and just decided to cheat.
Finally, I mentioned earlier that Christmas Crime Story was heartwarming. And yes, that is nice.
But is it maybe a little too heartwarming?
I mean, we have an adorable angel of a child with cancer. Her parents don’t have enough money for her treatment. We have two poor guys who are in love with a black-hearted woman. And we have a detective so sweet and kind that he makes you rethink ACAB. And, he’s about to get married to his pregnant girlfriend. And they’re naming the baby after his mom. And his name is literally Chris DeJesus. His mom’s name is Maggie DeJesus. I tried to think of a sillier less subtle name to use as a joke, and I literally couldn’t think of one.
They could have at least named him De La Cruz. That would be more subtle, and I still would have complained.
In the end, Christmas Crime Story just missed the mark. It came very close to being a good movie. But it focused too much on how it wanted you to feel, rather than telling a satisfying story that made sense. Much like that third glass of eggnog, it’s fun in the moment and regretful after. If you’re looking for a satisfying Christmas horror, I’d suggest looking elsewhere.
(2 / 5)
