If all goes well, this will be the first of a “Screen Slashers” column I will do once a month. In each one, I will pick a film that features a serial killer or mass murderer and describe the infamous, historical figures they may or may not have been based on. I’m doing this because I love psychopaths and want more excuses to talk about them. Researching which sickos inspired by favorite fictional sickos happens to be a hobby of mine, so why not also write about it? I thought about doing Michael Myers from Halloween since the holiday itself is just around the corner, but I already did a breakdown of Myers about a year ago when I wrote for Hidden Remote and I didn’t feel like doing it again. You can read it here if you want. That being said, I decided on Trick ‘r Treat instead.
Trick ‘r Treat is an anthology horror film released in 2007 that tells five different stories set on Halloween night. They are connected through the presence of Samhain, the literal embodiment of All Hallows Eve, watching over the night. The film deals with the “rules” of Halloween that must be followed, rules that are largely forgotten as respect for the holiday has been thrown out the window. One of the characters observed throughout the film is Steven Wilkins. He may honor the holiday but he’s got a much different problem, his backyard “stinks like a dead whore.”
Steven Wilkins
Despite the presence of the demonically adorable Samhain, the true villains of Trick ‘r Treat are the people. Specifically Mr. Kreeg and Steven Wilkins. Kreeg is responsible for a school bus massacre that, from what I’ve gathered, is not based on real-life events. It was actually inspired by “It’s the Great Pumpkin, Charlie Brown” special. So, Steven Wilkins it is. The school principal with a smelly backyard filled with bones.
Played by Dylan Baker, who also co-wrote the script with director Michael Dougherty, Wilkins is a charming local man who happens to be a serial killer. His targets of choice appear to be anyone of convenience, in this case, a few trick-or-treaters and a frightened young woman at a parade. There is a possibility that Wilkins is based on either John Wayne Gacy or Andrei Chikatilo, two sadistic serial killers that primarily targeted children while presenting themselves as “respectable” members of their communities.
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Most people already know the name Gacy thanks to the many films and biographies about him. He worked as “Pogo the Clown” at children’s events and would often lure them over while still in costume, prompting him to be known as the “Killer Clown”. Meaning, don’t blame Stephen King for killing the clown industry, Pennywise didn’t come around until eight years after Gacy’s arrest. He was put to death on May 10, 1994, for torturing, raping, and murdering an estimated 33 boys. Burying their bodies in the crawl space of his house. Despite the high body count, hardly anyone suspected Gacy of anything, even though he was arrested and convicted of sexual assault in 1968, and then two more times in 1971. His final arrest was in 1978. To put it bluntly, it really shouldn’t have been that much of a surprise that he was a serial killing rapist. I can’t speak for the family, but how did they not know there were bodies in the house? According to his sister, the house always smelled a bit musty but apparently, no one thought enough to question it. “When [he and his second wife] moved in, there was always this kind of musty smell,” she [Karen Gacy] says. “In later years, he kept saying that there was water standing under the house and he was treating it with lime [and] that’s what the mold smell was.”
Though greatly diluted, Steven Wilkins of Trick ‘r Treat shares many similarities with Gacy including killing children, having a child of his own, and burying bodies on his property. In particular, the cheerful creepiness emitting from the character feels very Gacy.
Another killer that could have gone into Wilkins’s creation is Andrei Chikatilo, “The Rostov Ripper” or “Red Ripper” who sexually assaulted, murdered, and mutilated at least 52 women and children between 1978 and 1990 in Russia. Chikatilo’s crimes, although sexual in nature, were primarily motivated by rage. He was just a walking flesh suit filled with hate and resentment.
Chikatilo grew up during WWII and was forced to witness the horrors of war at a very young age. He lived through the Nazi occupation of Ukraine that forced his family into underground hideouts. His father was at war, leaving just him and his mother, sometimes completely homeless. It’s been theorized that Chikatilo’s mother had been raped by a German soldier sometime during the war as she suddenly got pregnant and gave birth to a daughter. A rape that many believed Chikatilo had witnessed.
Naturally, Chikatilo grew up to have a great deal of emotional and psychological issues. To the point where murder and violence became therapeutic for him, a way to purge the rage. He didn’t seem to have a preference regarding gender, or even age, which is unusual among pedophiles, and often serial killers in general, suggesting he likely chose children because of his own stunted mentality, and for convenience. Anything alive would do.
This is exactly the case with Steven Wilkins who doesn’t pick and chose an exact target but simply killed anyone he might get ahold of.
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Death by candy
Death by candy becomes one of Wilkins’s methods of murder, which fits right into the Halloween theme. As mentioned above, one of the running themes of Trick ‘r Treat is honoring the “rules” of Halloween, including checking for tampered candy. Anyone who has ever trick-or-treated knows this rule and remembers how annoying it was. We all remember our parents demanding we hand over our buckets and pillowcases of goodies that we spent all night collecting so that they could check it for open wrappers, because according to them and the news, there was always some wacko just waiting to put arsenic or razor blades into your Snickers.
This is actually one of my personal issues with the holiday, or with the misconceptions of it. The way so many people continue to associate it with violence, murder, and Devil crap.
Parents worry. It’s part of being a parent, but everyone seems to go a bit overboard about Halloween. It’s a Kentucky Fried Mouse situation, a story no one has experienced firsthand but they know a guy who knows a guy who knew someone that it happened to. Despite all the stories about poisoned candy, there’s only been one recorded case of it actually happening, and it wasn’t random at all.
In 1974, a man named Ronald Clark O’Bryan poisoned several Pixy Stixs with potassium cyanide that he distributed to five children, including his own son and daughter. After the other children went home, O’Bryan’s son Timothy asked to eat some of his candy before bed, unfortunately choosing the Pixy Stix. He died less than an hour later. It turns out that the O’Bryan family was drowning in debt and Ronald had murdered his son in order to collect the life insurance policy. He’d hoped to collect the policy on his daughter as well but after what happened to Timothy, all candy was confiscated by the unknowing mother.
This is primarily where the myth of tampered candy comes from and it was exactly what the pearl-clutching fake Christians crying Devil needed to “prove” their case about the evils of Halloween. A study published in “Threatened Children” by Joel Best in 1993 found no credible accusations of poisoned candy to happen before or after the O’Bryan case. To this day, Best continues looking for cases and has yet to find any.
Early versions of this myth occurred in the form of pranks. Older teens would supposedly insert harmless things in candy or hand out items other than treats to shock children. In Best’s book, he describes how in the early 1950s, some people would heat pennies on skillets then dump them in children’s hands. As for lethal objects such as razor blades being pushed through candy wrappers, roughly 100 cases have been reported since 1958 with over 95% of them turning out to be fake. The ones which turned out to be true were all harmless.
There’s an amazing book by David J. Skal called “Death Makes a Holiday: A Cultural History of Halloween” that explores the candy myth in-depth.
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This just in, this year’s candy fear is cannabis! Police are warning parents about candy masquerading as edibles in states where marijuana is legal.
Rachel Roth is a writer who lives in South Florida. She has a degree in Writing Studies and a Certificate in Creative Writing, her work has appeared in several literary journals and anthologies.
@WinterGreenRoth
“The Demon of Death” is the season 3 premiere of the supernatural dramaEvil, created by Michelle King and Robert King. The central cast includes Katja Herbers, Mike Colter, Aasif Mandvi, Michael Emerson, Christine Lahti, and Andrea Martin. As of this review, it’s available through Netflix and Paramount+ and its add-ons.
The assessors investigate the weight of a soul. Father Frank Ignatius (Wallace Shawn) agrees to participate in this test despite his growing disillusionment. David (Mike Colter) and Kristen (Katja Herbers) deal with the ramifications of their confessions. Kristen’s girls go on the warpath with Leland (Michael Emerson). Andy (Patrick Brammall) signs his death warrant.
What I Like about “The Demon of Death”
As season 2 ended with a cliffhanger, “The Demon of Death” picks back up with an interesting addition. The episode provides a more obvious stopping point that Season 2 should have taken advantage of. It dumbfounds me because this addition makes for a more interesting and darker cliffhanger. The added context would have made the cliffhanger more palatable. However, it’s a nice twist for the episode.
Dr. Boggs (Kurt Fuller) and Sister Andrea (Andrea Martin) make an interesting pair that adds complexity to both. We even explore some of Sister Andrea’s character flaws, best displayed by her interaction with Kristen in the next scene. Few wise sage characters that display flaws, making this addition appreciated.
Father Ignatius’ introduction adds layers of interest for a character who will play a recurring role, tying into Monsignor Korecki directly. The yet-to-be-explored relationship between Father Ignatius and Monsignor Korecki (Boris McGiver) evokes an interest.
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While “The Demon of Death” isn’t a haunting episode, but explores the mysteries and terror of death through science to provide an interesting environment for an episode. It introduces a new character that adds to the cast.
Tired Tropes and Triggers
There’s not much to report here that particularly crosses the line and what teeters on the line holds a dark comedic tone.
Perhaps Sister Andrea’s flaw might rub some the wrong way, as it deals with her overwhelming faith. However, it’s a minor point at the moment. Again, I lean on liking some complexity for the wise sage archetype.
What I Dislike about “The Demon of Death”
“The Demon of Death” still plays it safe with its supernatural elements, but that does seem to be Evil’s standard. At this point of the series, it seems a strange restraint. However, the new normal remains functionally paranormal.
While the premiere starts with an interesting procedural plot, it doesn’t direct the season like prior premieres. This episode doesn’t deliver a massive refocus as season 2’s premiere, but that’s because its conclusion doesn’t deliver as focused of a direction. Regardless, “The Demon of Death” is still an episode that slips away despite its premiere status.
Ben (Aasif Mandvi) seems needlessly hostile as they investigate a soul’s potential weight. The study delivers a thorough scientific process, which makes his resistance linger on the “angry atheist” archetype.
The demon shown on screen certainly isn’t the demon of death the title suggests. While the plot revolves around the mystery of death, there is a demon with a more carnal domain. As future episodes dive into their respective demons, it does seem to be an inaccurate title. However, the demon of the episode will get further focus in a different episode.
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Final Thoughts
“The Demon of Death” doesn’t stand out as a premiere but provides an interesting procedural episode. As Father Ignatius will become another key character in the series, giving him an entire episode to introduce him is a nice strategy. While it’s not a haunting episode, it still provides a level of camp with interesting characters to pull it off. (3 / 5)
Released in 2010, Rare Exports asks an important holiday question. One that no one else has dared to ask.
What if Santa was a ten-story-tall monster buried under the ice for centuries?
The story
Rare Exports is the story of a little boy named Pietari. After doing what is frankly too much research for a little boy, he realizes that Santa is not the jolly old elf we all think of. He is, in fact, a monster who eats bad children. And it turns out that Santa was trapped in the ice near Pietari’s little town. All this would be well and good if a Russian mining team weren’t in the process of cutting him out of the ice. So it’s up to Pietari to convince everyone of the dark, horrific truth.
Why were the Russians digging in the snow to find Santa? What was the plan there? What happened to Pietari’s mom? And who did they sell the elves to? Do the elves need air or water to live?
We don’t get answers to any of those questions. And frankly, we don’t need them to enjoy Rare Exports.
This is a wild story about a little boy who discovers that Santa is a mythical monster with a bunch of scrawny old men with big white beards to do his evil bidding and eats bad children who haven’t been beaten by their parents enough. What sort of explanation would help this story in any way?
I mean, we could pick apart why it’s suddenly legal to sell people, or at least mythical creatures that look like naked old men, or why this all happened right next to the only little kid who had the exact knowledge needed. But in the end, wouldn’t that be like asking how Santa gets into people’s homes when they don’t have fireplaces? Doesn’t that objective reasoning just piss on the Christmas magic?
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What didn’t work
While Rare Exports was fun, there were parts that I did not appreciate. For one thing, there wasn’t a single woman or person of any color in this film. Literally not one. Not an extra, not in the background. This little Finnish town is populated entirely by white men. And yes, it is Finland and there isn’t a hugely diverse population. But it’s also 2010. People move. Also, women exist.
On the subject of seeing too many white men, we also saw too much of the white men. Specifically, we saw far too many old white male actors entirely nude. There was just no reason for this. These men were portraying elves. They didn’t have to be naked. If they were naked, they didn’t have to have, um, yule logs. Maybe elves are like Ken dolls. There were so many options that didn’t include so much old man wang.
Finally, I wish we’d seen Santa Claus. Not to spoil the ending, but he never actually emerges to attack anyone. And that feels like a cop-out. If we’re going to be teased the whole movie with this depiction of monster Santa, we should at least get to see monster Santa.
Though, after what they did with the elves, maybe it’s a blessing we didn’t see him.
In the end, Rare Exports was well worth watching. It was hilarious, creepy and bloody. And while it wasn’t perfect, it was a delightful holiday horror comedy.
Released in 2016, Christmas Crime Story is about a disastrous robbery on Christmas Eve, and all the many lives impacted by the selfish decisions of one person.
And then, suddenly, it isn’t. But we’ll get to that part.
The story
Christmas Crime Story is the tale of a Christmas Eve holdup gone wrong. We see the story from several points of view, starting with Chris, the detective first on the scene.
Chris is having a hard Christmas Eve. So, on his lunch break, he visits his mom at her diner. It appears that they have a contentious relationship. But nothing is solved in this quick visit.
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Chris goes on to pull over a man speeding. When the man, named David, pulls over, Chris discovers something in the trunk. That something must have been pretty damn incriminating, because rather than open the trunk, David shoots him dead.
We then switch to David’s pov for the night. Then his girlfriend’s pov. Then, the man his girlfriend has been cheating on him with. And on and on we go, until we see how all of these different stories and people come together for a dark, sordid Christmas Eve.
What worked
The first thing I want to say about Christmas Crime Story is that it’s heartwarming. Like, to a fault, which we will be talking about.
The ending is very sweet, in a Christmasy sort of way. Families come together, people are filled with joy, and all is right in the world for almost everyone. Except for Lena, who deserves to have a bad Christmas, everyone gets a happy ending.
That brings me to my next point. The characters, mostly, are all deeply sympathetic. Even when David or James are killing people, you feel bad for them.
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You don’t agree with what they’re doing, but you do feel bad.
You have to feel sympathetic for the man whose girlfriend hired a killer to merk him. Or the woman whose daughter has cancer. Or the guy who just can’t find work, even though he’s trying to make good decisions. You want things to work out for them. You want them to be okay. Even when they do terrible things.
Finally, I always love stories told from so many different points of view. It’s always fun to see a story unfold in a nonlinear way, but in a way that makes more and more sense as we get more points of view. It’s a hard thing to pull off, and I think Christmas Crime Story did it very well.
What didn’t work
Unfortunately, all of the sympathetic characters and clever storytelling methods in the world won’t save a story that doesn’t work. And Christmas Crime Story just does not work.
Let’s begin with the ending. The big twist near the end of the movie. I won’t spoil it, but you will for sure know it if you’ve seen the film. Or, if you waste your time watching the film.
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As a rule, twists work when they make sense. Not when it feels like the writers threw up their hands and said, “Okay, but what if everything we just did for the last hour and fifteen minutes didn’t happen, and instead…”
This wasn’t clever. It wasn’t fun. It felt like the writers didn’t know how to end their movie and just decided to cheat.
Finally, I mentioned earlier that Christmas Crime Story was heartwarming. And yes, that is nice.
But is it maybe a little too heartwarming?
I mean, we have an adorable angel of a child with cancer. Her parents don’t have enough money for her treatment. We have two poor guys who are in love with a black-hearted woman. And we have a detective so sweet and kind that he makes you rethink ACAB. And, he’s about to get married to his pregnant girlfriend. And they’re naming the baby after his mom. And his name is literally Chris DeJesus. His mom’s name is Maggie DeJesus. I tried to think of a sillier less subtle name to use as a joke, and I literally couldn’t think of one.
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They could have at least named him De La Cruz. That would be more subtle, and I still would have complained.
In the end, Christmas Crime Story just missed the mark. It came very close to being a good movie. But it focused too much on how it wanted you to feel, rather than telling a satisfying story that made sense. Much like that third glass of eggnog, it’s fun in the moment and regretful after. If you’re looking for a satisfying Christmas horror, I’d suggest looking elsewhere.
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